National Sexual Assault Awareness and Prevention Month

April is National Sexual Assault Awareness and Prevention Month.  Watching soaps today, alone,  would make you question, 1 –  whether writers were aware of the  significance of this month, 2 – if they would care if they were aware of it.  According to RAINN, every 2 minutes someone in the U.S. is sexually assaulted.   Click the RAINN symbol to learn more about SAAP month, and to find events taking place in your local area. Today, on almost every soap left on air, a woman was nearly sexually assaulted, emotionally assaulted, or physically assaulted – almost none for the sake of furthering a discussion about sexual and other violent assaults.  Almost all for the sake of ‘entertainment’.  Check the ratings, writers, we – your primarily female audience, are not amused or entertained by such storylines.

1.  Days of Our lives. I’ve thought of EJ as a coward for quite a long time.  Today’s episode just made things a heck of a lot worse.  If your father is a murderous psychopath and you’re quickly following in his footsteps, then it makes sense that you don’t care to protect your partner in crime from your father’s tyrannical wrath.   It makes you appear to be less human, as well.   Too busy trying to cover his own arse, EJ has made no moves to stop others from thinking of Anna as a vile kidnapper who tormented a  young infant girl for months after she’d already lost the only mother she’d ever known.    If you were watching today’s episode, you witnessed Stefano Dimera, EJ’s father, physically assault his former daughter-in-law, his deceased son’s wife.  Tony might have killed Stefano for slapping his wife.

The excuse is supposed to be, I’m sure, that Stefano had no idea that Anna wasn’t alone in kidnapping his granddaughter when he slapped her.   My response?  WHO CARES!?!?!  She as alone, half dressed and defenseless against him and the goons he brought with him.  That scene was heartbreaking from beginning to end.   It was in fact EJ, the child’s father, who concocted the scheme and convinced Anna to become his partner in crime.  It was his son EJ, who got the ‘bright’ idea to cover the child’s clothing in blood and make everyone think the infant had been murdered.  Will Stefano slap him across the face?  Will he have his son dragged off with threats of death?  Is that behavior reserved only for women ‘who have it coming’?

While EJ sat home, basking in the glow of being complimented for being a ‘great dad’, Anna was being slapped around, manhandled by Stefano’s goons, and had to plead for her life, as Stefano promised her that she would not be alive  much longer.  DAYS has done a lot of things right, but  this was dead wrong and made it clear how parasitic the Dimera men’s relationships with women are.  EJ professes love, two children later, to the woman he raped at gunpoint, and while he sat with her  trying to convince her he was a new man, Anna faced violence and certain death.

2.  The Bold and the Beautiful. I watched the last 10 minutes of the show, today – apparently ten minutes too many!  It was a continuation of Donna Logan Forrester being treated as if she was disposable by her husband, Eric Forrester.  This follows an earlier discussion in which he screamed at her in front of his ex wife and his former sister-in-law (both of whom have attacked Donna physically and verbally).  Earlier he’d faulted Donna for never being on his side – a full-throated lie.  He’s clearly ‘finished’ with Donna and finds excuses to scream and yell at her, including faulting Donna  for her brother-in-law’s partnership with his WILLING ex-wife, who helped weaken his company before Bill Spencer bought it out from from under him.  Eric accepts no responsibility for being a lousy businessperson.  He also gives Donna ZERO credit for being willing to deceive her own sister to help him get his company back.  He screams at her, demeans her, and then she returns home to beg for his forgiveness for not being tolerant enough of his needs.  If she was a friend of mine in a marriage like that, I would be advising her on thinking about how to get out of it, or at least  how to protect herself from a man like Eric Forrester.

3.  One Life to Live. Schuyler Joplin has been just about as perfect a man as one can be in daytime.  He’s thoughtful, loving, kind, and patient… which means that when he had to be torn down to prop the show’s resident snooze producing couple – the writers took the lowest possible  route to try to make him unlikable to fans.  His soap day started with him being  a loving father who only wanted the best for his child.  He finds out the child he’s been loving isn’t his and just a few hours later he’s holding Gigi Morasco hostage at gunpoint, trying to force her to undress so  they can have sex and he could prove to her that they still have a special relationship.  He doesn’t want to be alone.

Pretty.Damned.Pathetic.

Soaps use to write rape storylines to  sway fans’ sympathy in the direction of ‘bad girls who needed redeeming’.  Now they use rape as a way of trying to sway fans’ ire at male characters they want to get rid of — most of the time.  Sometimes they decide that the rapist isn’t all that bad and try to redeem him or try to get the audience to accept his attempt to get his victim to fall in love with him.  It’s that sort of  clumsy and careless storytelling that makes soap fans ashamed of the genre.

4.  General Hospital. Kristina, after ignoring Ethan’s pleas to not allow the entire town, most especially her murderous mob father, believe that he’d beaten her up- as he was innocent – was beaten again today by her boyfriend, Kiefer.  I’d watched DAYS’ Anna being slapped around, DAYS’ Sami talking about her lovelife with her rapist,  OLTL’s Gigi held at gunpoint and potentially raped, BnB’s Donna beg forgiveness for being treated poorly, and then Kristina.  I am emotionally drained and most especially because it’s clear that daytime writers still don’t get it.

As usual, the storyline hasn’t been about this poor teenage girl who is being harmed, it’s about the adults around her – her mother who took the time to run down her attacker with her car while on the way to the hospital to get help for Kristina, her angry mob boss father, Ethan -the wrongfully accused… but very little about the survivor.

I’m hoping we’ll see more of Kristina, in therapy to learn that it’s not her fault she’s been attacked, or that we’ll get to see her confront Kiefer and make him realize how badly he’s hurt her.  As I’ve written about before, it would be best to see HIM in therapy – helping him figure out why he’s so violent towards  women.

Soaps do a lot with the ‘assault’ part, nothing much with the  ‘prevention’.   Were women victims of assault and violence on the other two soaps?  Probably, I’m just glad I missed it – I’ve had more than my fill in just a single day.  It’s depressing.

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Inglorious Bastards

No, not ‘Basterds’, that’s Tarantino’s deal.  The IB’s I’m (lovingly) referring to are the daytime writers who have yet to give up on trying to pull one over on the fans!

One Life to Live

1.  I’d appreciate it if someone would explain to me why Cole and Starr (of ‘We’re Cole and Starr’ fame) would think it was ‘ok’ to involve  Starr in Cole’s ‘21 Jump Street‘ drug operation.  From there, “Stole” proved that neither will ever be a member of the Llanview brain trust!  I was  stupefied  after they  involved their innocent defenseless baby to give ‘credibility’ to Cole’s cover.   Why didn’t they stage a break up before having Cole go ‘undercover’?  Why not have Starr and child leave town for a while?   Oh, I get it!  “There is no ‘Starr and Cole, they’re fictional – THEY didn’t do it”!  “It was all the writers doing”.   That won’t stop me from cringing whenever Starr and Cole are on.  The longer this pairing goes on, the weaker the writing  for them becomes.  It’s increasingly more difficult it is to like them and I find myself resenting the airtime they’ve stolen from veteran characters.  The characters are consistently placed in storylines that are ‘too adult’ for them and the integrity of the storyline suffers as a result.

2.  I don’t care who Rex’s father is… it’s dragged on too long without enough plot points in between to keep me curious.  Now I’m just annoyed every time the topic comes up.  Rex is a freakin’ private investigator.  He must really suck at his job if he can’t figure this one out.  Isn’t it just a tad bit odd that he can figure out that Tea has some deep dark secrets, but can’t find his own father?  It’s also odd that he can’t keep up with Stacy’s mustache twirling  machinations!

I love Stacy Morasco… oh yeah, I said LOVE, but it’s evident that while her engine is on, there’s no one behind the wheel.  If SHE can outsmart Rex, time and again, he’s working with a single digit IQ.  I’m going to hate myself later for admitting this, but I’m thrilled at the thought of a Gigi Schuyler pairing and a Rex and Stacy pairing – if only because Stacy will make sure Rex stays miserable for a LONG time.  What irony that Ilene Kristen who played Ryan’s Hope’s scheming bad girl (Delia Reid Ryan)  could become the onscreen mother-in-law of a similar character!

3.  Fish and Kyle.  Daytime writers seem to believe that all gays have a traumatic coming out experience.  While it may be a difficult moment for some, will OLTL writers ever give the audience a gay character who isn’t closeted and terrified of coming out?  I lived through the Daniel Colson storyline.  I would have much rather had Fish avoid Kyle because he gave his heart and soul to Kyle in college and Kyle cheated, lied, and was generally unconcerned about anyone but himself.  That’s VERY consistent with the scheming, lying, blackmailing Kyle we were introduced to.

At some point, writers, can we please just have gay characters who are actually HAPPY with their lives, and not afraid that their friends and family will turn on them?  Am I watching too much Miami Social?  (Yeah, I should be ashamed of admitting that too!  That cast of real life characters puts the ‘super’ in superficial!)

General Hospital

1. Oh those sneaky GH writers!  They’ve pulled a fast one.  Every FBI agent, or undercover cop, ever sent to ‘take Sonny down’ ended up falling for  Jason’s pecs, Spinelli’s wit, or the magic of Sonny’s pecker (Hannah, Reese).  So how have the writers topped themselves?  HA!  It’s the fruit of Sonny’s loins (product of the pecker)  who is now being sent to take him down!   Marked improvement, writers, really… only not!  It’s a given that Dante Falconeri won’t end up carrying Sonny’s child and wouldn’t want to even if he could, thank the soapgods.  Unfortunately there’s no guarantee that Dante won’t go the way of every cop/agent before him and end up loving his papa, Sonny,  so much that he turns on his profession to protect him.

Even though I’m having a hard time buying Dante as Olivia and Sonny’s kid, I’ll suspend disbelief if Dante is allowed to put the mob storyline to bed, rather than climb into bed with the mob  when all is revealed.   (I can’t be the only one who thinks that Dominic Zamprogna’s Dante,  looks more like Olivia’s older brother than her son!  David Lago would have been a much better choice given the character’s supposed age, but since I’m enjoying DZ in the role, I can live with it).   Let’s hope that the revelation that Sonny is his father will mean that Dante becomes more determined than ever to shut Sonny’s operation down.  If Dante doesn’t actually signal the end of the reign of the mob boys,  GH is doomed.  The writers either have to send them to prison (won’t happen) or have them leave their lives of crime (can’t see this happening either), but things can’t go on as they are.

2. Nik… calling Emily Rebecca a ‘whore’ and ‘slut’ and repeatedly making reference to how easily she ‘spreads her legs’… just lovely… As much as I despise Rebecca, I would have cheered her on for slapping ‘Prince Nikolas’ out of his shoes, thank you very much!  If I recall, Nik was as ‘slutty’ as Rebecca.  She wanted money, he wanted an Emily substitute and tried to give it up to her much sooner than she was willing to give herself to him.

Why do I feel the need to shower after watching GH?

The Bold and The Beautiful

Speaking of showers, did anyone watch KKL’s Brooke and HT’s Taylor mud wrestling scene?  Obviously, I didn’t, but as I understand it, the actresses (their characters) took a ‘mud bath’ to cleanse their toxins and a fight broke out between the characters.

What’s up next?  The Brooke and Taylor accidentally fall into a vat of jello and begin  fighting?

A pillow fight breaks out and they ‘accidentally’ start ripping each other’s shirts open?

Tsk, tsk, tsk, The Bold and The Beautiful writers.

The first thing we do? OLTL?

Copyright ABC (2008)

Let’s rid ourselves of all of the bad editors!  (if you don’t mind the turn of phrase).Most of what took place on OLTL this past week pleasantly surprised me.   Even my well worn remote would like to take this moment to thank the writers for relief.  It pretty much had the week off with One Life, since I don’t remember hitting FF once this week.  The only big shocker for me this past week  were several pretty lousy editing choices, one in particular.  I’ll get to that in a moment.

Soap-heaven help me, I still like John and Marty.  The only thing that’s harder to take than a dark and brooding John McBain is John McBain in love.  ‘Happy’ John and ‘Brooding’ John are pretty much one in the same.  It’s just at times tough to watch a man who SHOULD be filled with joy behave like a man whose problems could all be solved with the help of  a good laxative.  Wardrobe, could you PLEASE at least put on a brightly colored shirt under his dark suit jacket and dark coat, to go along with his dark pants and dark shoes so that we know the difference between Brooding John and Joyous John?  Thanks!

John’s reaction to Marty as she flashed back on her the manipulated-rape sex with Todd was a reminder that there are soap writers who still realize that it’s so much easier for fans to root for good men – we get so few of them in daytime.  Many of us still love men who are sensitive to the needs of others, rather than focus on themselves  and their own pain.  LOVED that moment when John reminded Marty that he was always willing to wait for her – she’s worth it.  LOVED that the writers didn’t follow that scene up with John immediately running to someone else to flirt with or have sex with while Marty was working on her recovery.

Copyright ABC (2009)

The only thing that made the scene even remotely awkward was watching Blair seduce Todd at the same time Marty had difficulty being touched by John because of Todd’s assault of her.  If the writers wanted to make some of us squeamish about Todd and Blair, job well done.  Otherwise?  Bad editing job on this one.  It made Todd and Blair seem completely disconnected from the world around them, belligerently insular.  They seemed to not care about how much damage had been done to others in their time apart.

Blair, who was disgusted by Todd’s treatment of Marty, seems to have absolutely no qualms about his actions, now.  She was disgusted enough before to want to keep his children from him.  Now?  She can’t keep her hands off of him.

I would much rather have had long soulful talks between the two rather than strip scenes and “shame-filled” sex. The problem with the writing for the once magnificent Todd and Blair is that that the writers don’t seem invested in having them break the inch deep-mile wide pattern they’ve established as part of their courtship.   OLTL writers have seem to always bank on the hard work of Kassie DePaiva and Trevor St. John in winning back fans to the ‘Todd and Blair corner to bring romance back to the show.  I think they’ll have to reconsider, this time.  Too much damage has been done and an instant reunion most likely won’t give them the bump they’re looking for.  How instant is instant in their case?  Todd/Blair reunions can be summarized by the following dialogue:

“You hurt me” (Todd to Blair, Blair to Todd, it doesn’t matter).

“I’m sorry” (Todd to Blair, Blair to Todd, it doesn’t matter)

“Stay away from me” (Todd to Blair, Blair to Todd, it doesn’t matter)

“You don’t mean that” (Todd to Blair, Blair to Todd, it doesn’t matter)

They have sex… AND SCENE!

Where is the discussion about what they want and why they want it?  What about some insight into why they dragged Marty and John into their psychodrama?  How about some part humorous/part dramatic couples counseling for them?   What about real consideration about Tea’s feelings?  It’s bad enough that Todd cheated on Tea after she put everything on the line for him, her life included, but he then lied and said that it meant nothing that he’d had sex with Blair.  If it wasn’t a lie that having sex with Blair meant nothing to him?  It makes his actions even worse.  The writers rubbed salt in fans’ wounds by having Todd coldly state to Blair that he was leaving her to go after Tea ‘because she’s worth it’.

Hells bells, people, you know that despite Tea’s fault, I’m a fan of the goddess of grand bitchery but for TODD to state who is ‘worthy’ and who isn’t?  Well that just burns my grits.  I would have loved watching Blair  get up off the chaise lounge and slap Todd back to his infancy (which would finally allow his external state match his internal state)!   Marty, Tea, Blair, his sister Viki, and even his own daughter, Starr… just how many women in Llanview are going to end up emotionally scarred thanks to this guy?  Taking Todd down the dark road for the sake of pimping “Starr and Cole” is a decision that still haunts this show.  The writers haven’t been able to find their ‘Todd mojo’ and get anything right with this character since then.

Despite the detour and bad editing, I enjoy Marty and John.

What else was there to love?

Copyright ABC (2009)
Copyright ABC (2009)

1.  Greg turned out to not be a big a jerk as he originally seemed.  I liked that he experienced pangs of guilt about running out on Destiny and realizing that he’d hurt her with his actions.  I still don’t like the guy enough to have Rachel walk away from Shaun and fall into Dr. Dork’s waiting arms.  I just like the idea of Shawn and Greg working out their differences for their sister’s sake.

Lovin’ the OLTL writers for giving us this little family.  It’s so unconventional and I can’t wait to see where they go next.  Don’t make me eat those words, writers.

2.  I uh… liked Destiny last week.  If you’re shocked, imagine how I feel.   I’m starting to see what the casting directors saw in this kid when they cast her.   She’s growing in the role and learning to convey a vulnerability that’s refreshing in a teen character, given the rash of adult-themed storylines daytime writers have been pushing for young characters, lately.   It will be interesting to see where the friendship between Destiny and Matthew goes.

3.  I uh… liked Starr last week.    Still in shock here!  The discussion between Starr, Cole, and Jessica was so rational and thoughtful, I have to classify it as the high point of my soap watching week!  Alderson held her own in scenes with Buddy and Williamson.   Scene chewing is not her thing so this emotionally low-key scene felt genuine and believable.  I have to admit that the discussion between Jess and Cole sparked my interest most.  Er, NO, I don’t want to see them as a couple.  I’m giving kudos to the writers for creating such a layered scene.  Both made the connection that they were both ‘in recovery’ and made poor choices because of an inordinate amount of pain, but that they both needed to take responsibility for their own actions.  Both Jess and Cole realized that they had to forgive others as they needed to be forgiven.  For a brief and shining moment, I felt that I could honestly tell my friends who don’t know that I watch soaps about the show … well done, writers, well done!  It was good enough for prime time… 😉  Ouch?

4.  Wish I could give a crap about the Stacy storyline, but I don’t.  I don’t even care who Rex’s father is any more… just.not.interested!

While Starr moved one step closer to being a ‘real mom’, Gigi took a step back for me.  (Wait, I’m getting to it… there’s something I like about this storyline, hang on)… It was odd to watch her encourage Shane’s hatred of  Aunt Stacy no matter how much of a low life Stacy has been.

I had to wonder if there wasn’t a unconscious attempt to warn fans about the perils of being a young mother – since it appears that they’re avoiding that ‘lesson’  of young parenthood with Starr and Cole.   Gigi applauding Shane’s comic book character (skanky Stacy?  Sleazy Stacy?)  REEKED of an immature mother dragging her child into her baby’s daddy drama.  A mature mother would have told Shane that his feelings of anger are appropriate, but that it’s also appropriate to feel sorry for Stacy for what she’s become and to hold out hope for her.   The Gigi-Shane scenes skeeved me out a bit, I gotta’ admit.

SO, here’s what I loved

A –  That the ‘secret’ is finally out in the open.  I was tired of this storyline about a month before it began (damn you spoilers!)

B – That there’s a possibility of a Schuyler-Gigi pairing – the actors have an amazing onscreen chemistry.  Rex and Gigi have been terminally cute.  Schuyler and Gigi have the potential to be hot!.  Having Rex sleep with Stacy and lie about it after treating Gigi like such dirt for so long makes Rex and Gigi a dead pairing for me, for now.  No matter how many things didn’t add up, Rex refused to believe the truth and painted the Scarlett ‘A’ on Gigi’s chest – clearly tempted to use her own blood to do so.  Let Big Rex, and little Rex, sit on the sidelines and watch Gigi happy with someone else for a while.

5 –  I’ve never been much of a Bo and Nora fan… but they’re reeling me in.  Poor Clint… Sorry guy, I think I want to see a Bo and Nora reunion.  Clint and Nora seem to have been killing time for a while now.  Send Clint home to Viki (sorry Charlie!)

Which one of you BITCHES is my mother!?!?

Why is it that the best ‘soap’ moments don’t come from daytime soaps at all?  If you got goosebumps reading the subject header, you remember the infamous scene from ‘Lace’ in which celebrated wild child, Lili, confronts Pagan, Maxine, and Judy.  The latter three have been best friends since their days at boarding school, so much so that they hid a pregnancy – refusing to tell which of the three was pregnant.  Together they placed the child for adoption.   Lili is that child.  While adopted by a lovely couple, Lili’s childhood was miserable following their untimely death.  She  was forced to ‘survive’ in the most unlikely of ways.  Though now incredibly wealthy and successful, Lili is equally angry at the three for having abandoned her  (they believed she was killed in the war along with her adoptive parents).  Lili sets each of the three women up to lose everything they hold dear, unless they answer the long-held hair raising question… one of entertainment’s soapiest moments is found 1:28 into the video:

You really want to know which ‘bitch’ is it, don’t you?  Fine… here you go:

Where is the same level of camp/drama/intrigue in daytime?  Where  is the lovely but infuriating clever ingenue who steals your heart, but makes you lose your cool all at the same time?  She is not alone in being missing in action in the soap genre.  Daytime is woefully short in offering two types of characters that have typically driven soaps in the past:

1.  Empowered women. The empowered woman’s motto is, ‘If they screw with you, pay them back tenfold’.  The empowered woman in daytime is unapologetic for being smart and in control of her own destiny.  She does not suffer fools gladly.  She  knows what she wants and she’s not afraid to go after it.   Her strength is a true strength, and not psychotic and controlling behaviors reinterpreted as strength – as with bat crap crazy BnB’s Stephanie Forrester and GH’s Helena Cassadine.

 She’s equipped to stand her ground in the boardroom, in her romantic relationships, and in all other aspects of her empowered life.  Take, for example, OLTL’s Rachel Gannon.  She’s a second generation empowered woman (as far as we know).  Daughter of the legendary ass-kicking Nora Gannon Buchanan, Rachel fought a drug habit, served time in prison, is now a drug treatment counselor,  and a woman slowly falling in love with a good man – the damned sexy and cuddly Shaun Evans .. who has a rich, powerful, sleaze for a brother.  You can see where this is going, can’t you?  Hang on a minute.

Empowered women still exist, they’re just often revamped to play ‘weak’ and ‘whiny’ women who have to beg forgiveness when they’re mistreated by the men in their lives, or by others.  If they’re not completely destroyed, they’re placed on the backburner once daytime writers decide that they’ve had enough with all the ‘grit’ and ‘courage’ and they replace her with knuckle-drooling counterpart – weak women whose claim to fame is compliance and acquiescence – deference to the mindless soap male.  It’s why I’m sure that in short order, Rachel Gannon will fall for the sleazy brother, Dr. Gregory Evans.  She’ll want to ‘save’ him from himself, and she’ll hurt sweetheart Shaun in the process.  

The dialogue that follows?  “We didn’t mean to hurt you!” … “It just happened”….” If I could take it all back”… and then the years of affairs, maltreatment, excuses, and bitter triangles in which she’ll have to fight off Greg’s other ‘great love’ begins… for you dear soap fans, not for me.   As I’ve taken the BnB off my playlist, the OLTL is soon to follow should the storyline play out as it seems.  What is it with OLTL and the siblings/shared lovers storylines?  Layla/Cristian/Evangeline – Bo/Nora/Clint – Stacy/Rex/Gigi,  and now, most likely, Shaun/Rachel/Gregory.

2.  The Vixen.  Unlike the empowered woman, she fights from a position of fear, anger, and insecurity.  Her motto is ‘Get them before they get you’.  She’s more likely to wreak havoc and create hell in the lives around her  and not because she’s necessarily evil, but more so because she doesn’t know any other way of existing.  DAYS’ Melanie comes closest to a real live ‘bad girl’ in the mold of the daytime classic over-the-top troubled vixens, but I need more. 

Remember GH’s Lucy Coe when she was first introduced?  Oh.Dear.Soapgod.  Who could have seen that one coming?  That Lucy was involved with bad boy Kevin was a given… it was clear that the mousy librarian was protecting him.  That the ‘mousy’ librarian wasn’t mousy at all, but a studded collar short from being a dominatrix?  SAY WHAT?  No one I knew who watched soaps then had ever seen anything like it.  Sadly, I suspect we’ll never see anything as off the wall wonderful as Lucy Coe again, not in daytime (OH, and SHAME ON YOU, GH.  In  a recent interview, Lynn Herring (Lucy Coe) reveals that she made it clear to TPTB that she was open to reprising the role… they weren’t interested.  GH’s loss is As The World Turns’ gain.

I’d hoped that  OLTL’s Stacy would become Lucy-esque, she had such potential – but the writers took it one step twenty steps too far.  Not only did Stacy drug  and try to seduce Rex Balsom, the object of her obsession, her sister’s fiance, and father of her only nephew  (pretty tame for daytime vixens, however), she went as far as allowing her sister, Gigi, to believe that she would allow Gigi’s son, Shane,  die unless her sister turned Rex over to her.  That’s pretty psychotic for a daytime vixen.  If there was ever anything to root for as far as Stacy was concerned, that storyline killed it.   Had the writers had Stacy fake being the donor, with Roxy and Kyle’s help as she was already doing,  Stacy as a vixen could have survived.  She could have then played off of Rex’s gratitude to slowly seduce him away as  Gigi was heavily focused on Shane’s recovery.  The writers could have set a trusting Gigi up to ask Rex to play ‘nurse maid’ to her recovering sister.  Allowing a mother to believe that you would let her son die, for a roll in the hay?  Bad.  When the child’s mother is your own sister?  EVIL.

Without it’s heroic empowered women and mischief making vixens, daytime has me tuning elsewhere for interesting characters (real or fictional).

OLTL, you like me, you really LIKE me

It’s like someone woke a sleeping giant!  OLTL is showing big love to its fans once more!  Prior to this lasted set of arcs, this show was on a huge downward shame spiral for some time now.  The storylines stopped making sense, the characters became unlikable – or worse, BORING, and watching OLTL began to feel more like an obligation.  Hey, I could have trashed the show without watching it, but how fair would that have been?

Trash it?  Oh no, I’m here to PRAISE it!  This show has found its mojo and it’s paying off in SPADES.  My biggest gripe with daytime is that so few writers seem to do the unexpected any more.  Most writers’ moves are telegraphed and therefore yawn producing.  OLTL writers seem to be determined to offer viewers the unexpected.  Fans have wondered if David’s conversion was real.  Had he become a better man, or was this yet another Vicker’s scam?  I’ll admit that I was waiting for the scam – when isn’t David pulling a con?  We got our answer. 

THIS time David is for real.  He not only doesn’t want to harm the Buchanans, but the revelation that BO, not Asa is his father has led him to change his mind and being entitled to the Buchanan money.  The old David would have fought tooth and nail for that money and not given Bo a second thought.  David isn’t willing to hurt his family just to become a wealthy man.  He wants to create his own life.  He wants to feel good about who he is and not owe anyone anything.  Of course, it sucks that we learned it as he was on his way out the door (Tuc Watkins why do you keep breaking my heart with each goodbye!?!?!) but we can’t blame the writers for that.

I’d expected Rex  to somehow turn out to be Bo’s son (not Mitch Laurence’s- if the mystery man really is Mitch Laurence).

I never expected Bo to be so callous in learning about David’s paternity (WTH was that?  Having lost one son, you’d think that Bo would have been reluctant to get to know David, but to want to know him anyway.)

I expected David to turn out not to be Asa’s, but instead to be Ned Truman’s son after all.

At the very least, I expected David to stick it to Dorian, who’d waged war against him during his marriage to Addie, by having her give up her fortune and then claiming his and not marrying her.

I’ve been happy to be proven wrong at every turn. The show is far more interesting this way.