I look at the accompanying photo and I don’t even wonder: “Is Jennifer Horton going for the [naughty librarian] look?”
Hells to the NO, I don’t!
I look at this picture and think, “Is crack being freely distributed in the hair and make up room?”, “Did Melissa Reeves steal the hairdresser’s chance for a walk on role by returning?”… payback really is a bitch! Did hair and make up singlehandedly decide to save DAYS from completely boring fans to tears with this one hairstyle?”… If the writing isn’t able to keep fans interested, maybe figuring out this hot mess will. Honestly hair and makeup, it’s not your job to save this show – FREE MISSY REEVES! The hanging pieces on the side, in addition to the bun and hairclip are all just adding insult to injury.
Speaking of NAUGHTY librarians, I still miss Lucy Coe. She could rock that Jennifer Horton outfit and make you wish you were wearing it too!
THE BOLD AND THE BEAUTIFUL
I’m not watching, so I’ll take fans word for it that Brooke and Thomas eat “mystery berries” and start hallucinating. From there it seems that Thomas puts the move on Brooke and they may end up sleeping together. Who the hell do the writers think they’re writing for, TAYLOR? Taylor slept with Rick, fooled around with his father, had sex with his brother, slept with his grandfather and may have been the ‘lover’ of his uncle (it’s the description the writers used when for Storm when he returned). Either way? This show is screwed.
The BnB is my pick for the next soap to hit the cancellation rack. It offers nothing new, just different circumstances used to tell the SAME story… each telling more grotesque than the last time it was told.
One Life To Live: Marty Saybrooke? I don’t know if it’s possible, but I would love for the writers to use the time they have left to redeem this character. She was the wild child gone good, who made a wonderful life for herself , survived the death of her soul mate, and raised a child. First in attempt to prop Todd and whitewash the ‘twice raped’ dynamic between them, then to prop John McBain, and later the John -Natalie relationship, the writers deconstructed Marty into an unrecognizable and unlikable character. It will be painful watching the show end, having eternally ruined a great character.
I’m not a movie buff who watches only feel-ggod films or only movies with fully resolved endings. I’ll admit that I have been a soap viewer who loved soaps most when they left the audience with the feeling that all is well in the alternate universe our soap faves live in at the close of their run. GL’s ending was perfect. It lovely to think of Josh and Reva (and son) on a trip around the world, the four musketeers filling their days with dinners together and discussing their families, Alex and Fletcher enjoying a life they’d never imaged they could have, Remy and Tina deeply in love, Bill and Lizzie and making things work with Jon and all are peacefully coparenting… you get the picture.
I hope for something similar for OLTL. Fans deserve nothing less than a happy Victoria Lord, peace between Vicki and Dorian, Clint gaining back his humanity and reuniting with his family,Marty – whose life has been so violent and tragic finally at peace, and I’ll let you imagine the rest from there.
The Bold and the Beautiful: In the age of waning budgets for new hires and an attempt to tell complete storylines with as few cast members as possible, I am – to some degree, sympathetic to the limitations of meeting a such a tough balancing act. I am, however, still stunned by what I saw yesterday (day before?). The writers REALLY have to think about what they’re doing that makes taylor look either completely unethical moron, and the rest of the citizens of Bell’s fictionalized L.A. look completely unhinged!
Why would Katie agree to therapy with taylor, not only the world’s worst and most idiotic psychiatrist, but a woman who has repeatedly attacked, and supported the attack of, her sister – sisters if you add Donna? I could only love that ridiculous plot if the writers were smart enough to make Katie devious in using taylor, knowing that she and Stephanie would declare war on Bill if he didn’t stay away from steffy. Sadly, Katie begged Bill not to leave her at the end of the therapy session. I wish the writers had left that part alone, but they just can’t help themselves. A misogynistic fool being begged by his once strong wife not to leave her. It wouldn’t have hurt to have allowed Katie was allowed to maintain her standards, writers.
As for Steffy, the other thorn in the side of the Logan-Spencer marriage, she is either delusional or a pathological liar, given the way the writers are penning her dialogue. She’s better than the Logan’s because she’d never go after a married man? She’d never make a move on him? Wha’????? Bill won’t have her, that’s the only thing that stops her from moving forward. Steffy has put every move she’s known on Bill and he’s rejected her. Steffy and Stephanie are so one note in their attacks on the Logans. They can’t stand faulting the men in their lives for chasing after Logan women – so they whitewash Forrester male actions to fault Logan women.
That’s the defnition of a weak woman. Steffy was aptly named.
Since I’m catching about one show a month – where is Bridget, readers? Bill telling Katie she should have stayed with Marone if she wanted ‘normal’ was laughable. The man who dumped on her niece for her and for Brooke? I could have sworn Bill made comments that made it clear that he knew that history. That ain’t normal, not even by soap standards — and it’s not like Katie really had a choice to be with Nick. He knew he wanted Bridget – who forgave him for his repeated betrayals. Katie knew it was a matter of time. Who knew that Nick wouldn’t forgive Bridget for her ONE betrayal?
She’s free and he’s headed back to Katie-land? Far too predictable.
As for the Brooke and Thomas teaser? Words fail me. Since I have nothing good to say, I’ll say nothing at all.
Most of you have heard or read, by now, that U.S. soaps are one step closer to being a part of our American past. I have been saying for some time that I wish that the powers that be (TPTB) at the networks would either fix daytime or kill it off, but that anything in between is unfair to fans, and a clear disrespect for the genre. I am not celebrating the loss of All My Children and One Life To Live. In fact, it saddens me for two reasons. The first is that I believe that both shows were a damned sight better than General Hospital and were far more ‘history rich’ in their current forms than GH. The second is that I believe that both shows could have lasted years longer if ABC had the courage to infuse the genre with new writers and executive producers/energetic writers and executive producers who would have respected the genre’s history, but not become bogged down in the repetitive storyline telling, and the lack of attention to detail that drove fans away.
AMC and OLTL were the ‘class acts’ of daytime, and to lose these two shows won’t improve the chances of the remaining shows to survive by picking up their audiences. The loss of these two shows will only serve to illuminate how much weaker the plots and plot devices of the remaining shows are.
The Young and the Restless: The actress replacing Drucilla (whose name I’m not even motivated to look up) once gave an interview stating that most Drucilla fans were fans of the show first, not of the character. Uh… ok. She also stated that she wasn’t hired to create a character to replace Dru… and how’s that workin’ for ya? Where is the character she plays now? In Dru’s old storyline… pregnant, by one of the Winters brothers and she’s not exactly sure which. Adam, who burned a fetus in a damned fireplace, never giving its mother the chance to grieve its loss is a romantic hero, involved with a woman whose child he stole. Go. AWAY!
The Bold and the Beautiful: Where to begin? There are so many problems with this show that between it and DOOL, that either could be the next to go (yeah, even over GH)! I wish Bell’s ‘bad girls’ weren’t so one-dimensional, like Steffy and her faux ‘good girl’ mother, Taylor- who is as much a daytime bitch as ever there was one. Both Steffy and Taylor highlight the weakness of Bell’s writing for bad girl characters. I miss the real bad girls, women with a method to their madness and whose actions were explained through their backstory (pain, unhappiness, abuse, abandonment). You always knew that their desperate actions were about fighting back in the only way they knew how and it left you hating them and loving them at the same time. Steffy is just a selfish, pampered, snotty little girl who thinks life owes it to her to give her whatever she wants – even after having such a privileged life and a father who sacrificed his happiness for hers.
Her constant attempt to draw a distinction between herself and the ‘human trash from the valley’ makes her as useless as her grandmother. Most soap bad girls didn’t offer the social class argument for their superiority and since social class is the only type of class Steffy has – any argument she makes in her favor is moot. She is everything she despises in others… the ultimate hypocrite.
Steffy’s character lacks depth and a backstory gives definition to her character.
She’s just mean, nasty, and whiny-bitchy instead of fun bitchy. It’s this sort of anemic storytelling that’s killed so much of daytime and makes the genre unwatchable.
Days Of Our Lives: Rape is NOT SEXY! EJ? NOT SEXY! I don’t care how attractive EJ’s portrayer James Scott is. JS is not EJ, and EJ is a rapist with no redeeming qualities. His sole mission in life it to own and manipulate the woman he raped, to control her life and to continue to impregnate her through violence and/or deceit. I gave up on this show a very long time ago. DOOL, and EJ as a character, are better suited to a soap titled, “The Land that Time Forgot”. The titled references a book, screenplay, and several movies. Why not a soap? Women are smarter, better educated, focused on informing themselves and their daughters and sons about sexual assault — yet, sexual assault is still the foundation for romance and ‘good times’ on Days of our Lives. Not. good.
General Hospital: Need I say more? Nice guys really DO finish last. OLTL and AMC focused on family ties, the ups and downs of relationships, and in the end the mob boys and weak guest appearances win out. Sorry, James Franco fans, I thought GH’s artist Franco sucked and that the actor treated the character as a caricature. His vision of what a soap character was supposed to be left me cringing and I was shocked that TPTB backstage allowed it to happen.
Daytime writers and executives of the four remaining shows have to become more protective of the genre. They have to remember daytime’s illustrious history and send the remaining four shows out as a bright flame, and not sending it up as a weak puff of smoke. They owe the fans no less.
Oddly enough, I was a daytime fan who, when this blog began as a column for Darcy Fourier’s “The Soapscope” website, watched more daytime than primetime television. My primetime viewership was nearly non-existent. When I became disenchanted with daytime, I switched to primetime viewership almost exclusively. Even still, I will miss soaps for lots of reasons, but primarily for their history in total. I can’t say that I will soaps in their current incarnation, I hated and still hate most of what’s airing in daytime. I will miss daytime for what it was, and for the missed opportunity to make it something great, again. I’m not interesting in more daytime talk, more scripted reality, or more game shows and can’t imagine their appeal over even the worst of daytime dramas, much less the best of it. To the Cast and Crew at All My Children and One Life to Live, thank you for the decades of memories. You are irreplaceable and you will be missed.