Are ABC’s low ratings well deserved?

Thanks to the folks at SON for posting the ratings, please visit SON for the full ratings report so that you can see where your favorite soaps landed this week and check the daily ratings:

Week of June 14 – 18, 2010.

HH
1. Y&R 3.5/11 (-.1/+.1)
2. B&B 2.2/7 (-.1/-.1)
3. DAYS 1.9/6 (same/-.1)
4. AMC 1.8/6 (same/same)
4. OLTL 1.8/6 (same/same)
6. GH 1.7/5 (-.1/-.1) <- ties low (Last time: July 6-10, 2009)
7. ATWT 1.6/5 (-.1/same) <- ties low (Last time: May 31 – June 4, 2010)

Women 18-49 Rating
1. Y&R 1.6/10 (same/+.1)
2. GH 1.1/7 (-.1/same) <- ties low (Last time: May 24-28, 2010)
3. DAYS 1.0/7 (same/-.1)
3. OLTL 1.0/6 (same/-.1)
5. AMC 0.9/6 (same/-.1)
5. B&B 0.9/6 (same/-.1) <- ties low (Last time: June 7-11, 2010)
7. ATWT 0.7/5 (same/-.1) <- ties low (Last time: June 7-11, 2010)

Are ABC’s low ratings well deserved?

For AMC?  A teeny bit.  It’s rebounding from a long and painful period in its history.  Given the three ABC soaps,  AMC has the most potential for a return to creative grandeur.  The show has done a much better job of focusing on legacy character and its core (although that’s easier to do when your core is smaller than in the past).   The pacing is good, the storyline telling is stronger, and the show has been more visually appealing lately.  I’m rooting for this show.

For OLTL?  OH HELL YES!  Here’s a word of advice, writers.  I don’t know if you feel that you’ve been sold out by the  ‘house of mouse’ knowing that feeder network Soapnet is going to be shuttered for a ‘Disney Jr.’ channel, but come on!  I can’t tell if your  current storylines are a reaction meant to  save OLTL by creating a new ‘DeGrassi’  (and a far less interesting version at that) to shift over to teen Disney or if you want to thumb your noses at your bosses by mocking their youth entertainment obsession.  If I see Starr, the two new guys that I can’t tell apart unless they’re in scene with their respective Manning sister, Cole, Matthew, Hannah, and anyone else under the age of 21, I’m going to need a bag to catch my lunch on its way back out — sorry, the reference clearly shows that I’m regressing in maturity along with the storylines on OLTL.

GH? Hell yes, and OH HELL YES those ratings are deserved.  Is there anything on GH that isn’t tied to the mob storyline any more?  I roll my eyes so much on the rare occasions I watch that I can’t tell.   Dante has to ‘pay’ for being a good cop and doing the right thing.  Tough as nails Claire is now a mob apologist who sees the difference between criminals like Franco and criminals like Jason/Sonny.   Nikolas is creepy, stalkerish, and trying to force a pregnant Liz to accept his lust-called-love for her.  Every other chance at romance on this show is shuttered in favor or more whining by pampered ill tempered mobsters and the children they’ve ruined.  The one potential for growth and the writers have ruined even that:

Speaking of ruined, I’ve defended Patrick in the past.  He’s the motherless son of an alcoholic father who watched his family slowly fall apart.  To say he has issues is an understatement.  The problem is that Patrick’s ‘jealousy’ over Lisa and Steven, and his constant whining about Robin’s need for helping others is just wearing thin.  Have I lost my passion for Scrubs?  No, I’ve lost my passion for GH because of their treatment of Scrubs.  With clever writing, Lisa could be an interesting double crossing villain, the actress could easily carry it off, and I would have loved watching Robin rip her a new one.  Without clever writing, the character is just annoying.  The idea that Patrick, who has spent every day before Lisa’s arrival telling Robin how much he loves his life and that he wouldn’t trade it for the world, now cries (boo friggin’ hoo) over driving a mini van and being home at night.  He cries to Luke of all people — the man who has betrayed every moment he’s ever spent with a family who loved and idolized him (when GH writers destroy fans’ fond memories of GH couples, they go big!  I feel for you Luke and Laura fans.)

REALLY writers?  REALLY?  We’re supposed to want to see Patrick moon over a woman who feeds him what he wants to hear and sticks a knife in his back when he turns around? We’re supposed to feel for him because his wife and child just aren’t enough?   GH has missed it’s calling.  If the mouse network decides to finally pull the plug and put all of us out of our misery, they could consider shopping this show over at Spike TV – “the network for men”.  This show is such a rancid male fantasy that I can’t believe that women on the show are actually permitted to wear clothing.

The only surprise in GH’s ratings, for me,  is that they’re not lower.

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Why AMC scares me…

AMC scares me because I actually <gulp> LIKE the show!  After so long of not caring whether the show was on or not, something is happening, and it’s huge (for me at least):

1.  Ryan Lavery has long been the bane of my existence.  Since he dumped Kendall and married Greenlee that  first time, I’ve despised the character with a flaming hot passion — which then makes it odd that he’s so often left me feeling cold.  Each of his prior relationships has been about him being the ‘big man’ who rescues and saves  each woman deemed ‘lucky’ enough to share his bed.  With Madison it’s different.  Whatever it is she brings to the screen (a strength that the others didn’t have, less need for rescue, the ability to ‘speak loudly’ even when she doesn’t say a word), it’s working for this show, and for Ryan.  She makes him tolerable and  I actually want to see more of them together!

I hope Binks is wrong and that Ryan isn’t still in love with Greenlee, only that he’s convinced himself that he is.  It’s time to sink that ship for good.  CM’s Ryan sinks to the level of the woman he’s with most of the time – despite the fact that he’s supposed to be the ‘good guy’, the ‘guiding force’ leading immature women into adulthood.  With Greenlee (and Kendall, and Annie, and…) Ryan was equally immature, substituting obnoxious faux  righteousness for maturity.  With Madison he is open, and honest, and reflective.  I’d like to see more of that from Ryan.  I’d forgotten that I once liked the character, until this past week.

2.  David and Greenlee.  RB’s Greenlee has never been an interesting character to me – not one time EVER.  Sure, I know it’s soap blasphemy to not whorship La Budig’s spoiled ill-tempered Greens, I get it.  I just don’t get her appeal.  The closest she’s ever come to working as a character is her relationship with Leo.  So, it makes sense that as friends-  or more, she’d work with David.   Other than the difference in hair color and age, the brothers had a lot in common.  Of course, Leo was  reformed bad boy.  David is a bad boy who became an unapologetic bad man… and did I thank you for that writers?   Greenlee is, with David, who I’ve always seen her as – together they are a malicious and wicked good time.  Thank you, again, writers.

4.NuBianca… Why not double down?  I’m all about the soap blasphemy, today.  I LOVE NuBianca.  I love her for several reasons, the most important being that in this case a fresh face really does feel like a fresh start for the character.  ER’s Bianca was lovely, but after some time her Bianca became a bit pious and tiresome.  The writers worked too hard to make her a wide-eyed doe in need of protection no matter how many life experiences she’d had that should have toughened her up.   NuBianca really sells it.  Her confrontations with Greenlee/David over Erica and Fusion were priceless.  This time I was rooting for Bianca simply because she was Bianca and not just because it was Greens she was in battle with – she felt like a young girl battling soul swallowing behemoths.

5.  Erica and Jackson.  I don’t care what the time or location is, I think I’ll always root for Erica and Jackson.  I loved them when Jackson was in love with Erica even though she was married to his brother.  While Travis wanted the perfect politician’s wife (and who was he fooling other than himself?), Jackson wanted Erica -mind, body, and soul.  She didn’t have to ‘become’ the woman he could see himself living the rest of his life with – as Travis had.  He already knew she was perfect for him.

The writers are teasing fans with the prospect of a reunion between the pair – after a battle between Jack and Erica’s mountain man rescuer, Caleb I’m sure … or is either man meant  for Krystal… or should we expect a Krystal/Caleb/Erica/Jackson quadrangle? How will this work?  Krystal will want Jackson, who’ll want Erica, who’ll want Caleb?  And just who will Caleb want, in return?

Time will tell.  It’s back to the drawing board for me.  This storyline, and those mentioned above have me intrigued AMCers.   What about you?  What are you loving (or not loving so much) about AMC?

General Hospital: Dialogue vs. Plot

It’s not mystery that I’m no fan of GH’s Scooby Doo gang:  Sonny, Jason, Carly, and their hangers on.  Let’s not forget the air-head apparent, Michael Corinthos.  While the plots are lousy, the dialogue has been as rich as Creosus!

Lucky to Nikolas (adding such a new complex layer to the stench of the relationship between the brothers, and between Lucky and Liz.  Their betrayal of Lucky was about so much more than the sex):

Lucky: Take a look around, Nikolas. This is an underground dungeon. Your grandmother grabbed my dad and Tracy and tossed them down here like bags of garbage. Who the hell does that? Do you have any idea how sick and insane this is?

Nikolas: Yes, of course I do. But Helena’s not playing this game by herself. Luke’s playing right along. Come on, you know, they get off on this madness.

Lucky: Well, I didn’t. I was just going about my life. It was a good life, by the way. Then Helena took me out of it one day and made everyone think I was dead. She locked me up and messed with my head and my soul. She tried to break me down into something that she could control and then she sent me back to the people who loved me the most like a ticking time bomb.

Nikolas: I know that.

Lucky: There are pieces of me I never got back. And all this time, since your affair with Elizabeth blew up in our faces, did you ever ask yourself why I held on to her so tightly? Why I tried so hard to recreate a time when the love that we shared was real and pure, unmauled by someone who’s as cruel and sadistic as Helena? It’s because Elizabeth represented everything that was taken from me. And our past was the only thing that kept me grounded in our present. And then you came along… and you ruined it without a thought, other than your own self-gratification. So tell me, how can I look at you, knowing all of that… and not see an enemy?

Alexis to Sonny (note that Sonny is completely unaware, as usual.  He’s heard this song before, he just keeps blocking it out… he’s suddenly clueless that he’s emotionally abusive):

Alexis: Okay, here we go. See, that’s kind of what I was talking about yesterday, that we need to keep the focus on Kristina, and it might be counterproductive if you get angry and defensive and make it about you.

Sonny: I’m going to this therapy session to support Kristina.

Alexis: Good. Thank you. And I am very sensitive to the fact that this abuse issue is a hot-button issue.

Sonny: And you know that, you know, my mother and I were, you know, abused, and that’s why I know a little bit of what Kristina’s goin’ through.

Alexis: Right. And you know we have to figure out why Kristina stayed in an abusive relationship, and, you know, through that process, you might hear some things about yourself that–

Sonny: No. No, no. No. Listen. Johnny lied on the stand. Kristina believed him. So that’s what we’re gonna work through.

Alexis: Well, actually no one really cares what Johnny said or didn’t say. I think what you might work through is that she’s seen your temper, and it’s been very disturbing.

Sonny: Do I have to tell you again that I don’t hit women?

Alexis: Well, but you do call them bitches and whores, and that kind of verbal abuse might–

Sonny: You’re either physically violent, or you’re not.

Alexis: Really? See, this is why it’s a good idea that you work this out with her in therapy.

Sonny: No, you know what needs to be done here? No, I don’t– all I know is that I’ve never abused a woman. We don’t have to talk about that anymore.

Alexis: Okay, let’s not.

Carly to Sonny: This one shocks me! Carly’s history has been bowing before Sonny’s imagined greatness and accepting responsibility for everything that’s gone wrong in their lives together.  She seems to have remembered those things the rest of us remembered:

Carly: We are so much alike. I guess that’s what attracted us to each other. We’re impulsive, you know? We don’t realize the damage we’ve caused till it’s already done.

Sonny: You’re dodging the question. Do you honestly think that I abused you?

Carly: Kristina asked me that question.

Sonny: What do you mean Kristina? When?

Carly: After your outburst in court.

Sonny: What’d you say?

Carly: I told her the technical truth.

Sonny: I’m afraid to hear what that means.

Carly: I was as honest with Kristina as I felt was appropriate, Sonny. I’m not Kristina’s parent. There are questions that only you and Alexis should answer. But I did think she deserved the truth as much as I could give it. So I told her that, you know, our relationship was dysfunctional and volatile, that we genuinely loved each other, but we were toxic together. And that no, you never hit me.

Sonny: Thank God for that.

Carly: I mean, you shot me in the head once, but accidents happen. Can you…can you still hear us? I mean, I can. I can hear the yelling and things breaking. I can hear you calling me a faithless whore. Screaming at the top of your lungs that I’m worthless. I’ve never seen anyone get as angry as you. And your rage, Sonny, your rage is overwhelming. You zero in on what’s weak in someone, and you hammer away. You dismantle it piece by piece. And I look back, and I’m horrified at myself. I’m horrified that I put up with it, that I rationalized it, and I participated in it. But that was my illness. I stayed with you, and I let it happen over and over again. The vicious cycle. And you know what, Sonny? It’s called abuse.

Nah… Sonny’s not abusive… no sirree (at least not in his head)!  Doesn’t every man repeatedly refer to his wife as a whore?

Olivia to Sonny:

Sonny: I kinda expected you to understand the situation a little better, but…

Olivia: I do understand, Sonny. And I’m telling you right now, as someone who’s known you for a very long time, you need to change the way that you deal with women, okay? And there’s no shame in that. Talk to somebody. That’s what therapy’s for!

Sonny: But you’re acting like I’m some kind of animal like Kiefer. Yeah, I got a lot of rage inside of me. But I haven’t been that way with all the women I’ve been with. Just the ones that push me and push me. But I’ve never crossed the line. I love my daughter. I love her with everything I got. And I want to help her through this, but there’s no way that I’m going to say I’m an abuser when I’m not.

Olivia: I’m not saying you’re like Kiefer, Sonny. I know that you would never hit a woman. But there’s a lot of other ways to be abusive. Right?

Sonny: Okay.

Olivia: Okay. See, I know what you want through. I know what Deke did to you and your ma, and I can only imagine the things that you suffered through. And you were a little kid. I get that. But you survived, right?

Sonny: Mm-hmm.

Olivia: And you turned yourself into the kind of man that you wanted to be. You’re powerful, you’re successful, you got kids that mean the world to you. I mean, no one else would look at you and know what’s going on right under the surface.

Sonny: What’s the point?

Olivia: My point is, my point is, don’t believe your own hype. Sonny, okay, you can put one over on the whole rest of the world, but don’t put one over on yourself. Okay, don’t get caught up in believing that, because you made something out of your life, that that abuse didn’t have an effect on every part of you, okay? It directly affects everything, especially the way that you treat other people.

Sonny: You’re talking like I think I’m perfect, and I’m nowhere near perfect.

Olivia: Look, okay, you got Carly claiming that you abused her.

Sonny: Right.

Olivia: Okay, maybe not physically, but in other ways. You’re gonna sit here and you’re gonna tell me that she’s lying, or she’s wrong, or what? What that bastard Deke did to you and your ma had a direct effect on your relationships with women. Okay? You need to admit that, and you need to get help.

Sonny: What Kiefer did to Kristina, I have not done to any woman. It’s not a fair comparison.

Olivia: I agree. I agree. And I know how much it must hurt you to know that your daughter thinks she saw the real you that night that you went off on Claudia. Okay. Or that she would ever compare you to anybody like Kiefer. But, Sonny, Kristina is confused right now. And that’s why you gotta get in there with her right now. You gotta show her that you’re willing to change, and that you can change. You gotta find a way to separate who you really are from all those ugly patterns that you grew up with.

Johnny to Kristina (just as you’re sitting there thinking ‘What kind of low life uses a girl who’s been traumatized by an abusive boyfriend?”… Johnny says THIS):

Kristina: Dad was so horrible brutal to Claudia, he shouldn’t you use me to do the same thing to him? It’s part of justice.

Johnny: Kristina, first of all, the idea of using you in any capacity for anything has no

Kristina: But I’m a willing participant. More than that, it was my idea. Come on, Johnny. The way to make it happen.

Johnny: And er of sonny Corinthos. This playing out, beyond sonny’s pain, of course?

Kristina: Does it matter?

Johnny: It does if I’m dead in the end, yeah.

Kristina: You won’t let my dad kill you, and if he tries, he’ll go to prison like he deserves.

Johnny: Ok. Kristina, I actually know where you’re coming from. I do. I know what it’s like to have a monster as a father. You lay in b late at night thinking of ways to bring the bastard to his knees while you stare at the ceiling. When what you should be doing in actuality is channeling that energy into something positive. I know I’m no shining example as to how that works, believe me, but maybe you can look at me and then use me as an example as to what you should avoid. At the end of the day, Kristina, the answer’s no. As much as I want to bring grief to your father, I’m not about to use you in order to get that.

Johnny: It’s because you’ve been through a very traumatic experience and you need time to heal. See, that–right there is even more of a reason for you not to put yourself in a situation that could backfire or hurt you.

Kristina: But I feel safe with you.

Johnny: Why?

Kristina: I don’t know. I just do. It’s not sexual, please don’t misunderstand.

Johnny: Oh, believe me, there’s no misunderstanding here. Uh, hey…I suppose maybe at the end of the day, we’re kindred spirits. We both have the same immediate goal. But your hatred for sonny is not as black and white as mine. It’s wrapped up in all sorts of shades of gray and emotions of sonny being your father. Your issues with sonny go much deeper than just wanting to see him twist. This is like a bomb waiting to go off, in my face and yours, and I’m not willing to risk that.

Kristina: I figured it out. You’re noble. My father wouldn’t be. If someone went to him with an offer that could destroy you, he’d take it and not think twice. So never say you’re just like sonny. It’s not true. Well, if you change your mind, the offer’s still open.

As much as I hate the plot, the dialogue helped sell it and make sense of it… the children of mob monsters clinging to reclaiming their power by taking away (at least one of) their father’s power.  It’s stupid and careless on their part, but it makes sense.

Tomato Jam Session

I’ve never heard of Tomato Jam, until NOW!  If you’re looking for something to do to occupy your time while you’re not watching soaps, or something to do while you are — sometimes it’s better to just not directly at a soap when it’s on, than this is the project for you!

Daytime: Killing Me Softly With It’s Song…

This blog entry is alternately titled, “Killing Soaps Softly… from The Inside” or “Good bye Cruel Soap World”.  If you’re not a soap fan – when you read the title  you were probably thinking something like this:
The above is the Fugees remake of the Roberta Flack original.
If you’re a soap fan, you were probably thinking this:
Or possibly  this:
Thank YOU to the soapoperanetwork.com posters who found and posted the vids.  No thanks to the responsible network execs. The network exec/s who came up with that brilliant idea, and approved the above ad (or even that prior Emmy performance) should be GONE from daytime… not just fired, but permanently banned from the entertainment field.  Daytime isn’t just dying because of the OJ trial, cable television,syndication,  the Internet, etc… it’s being slowly killed from the inside.  Add to the above cases the case of The Bold and The Beautiful.  You’ve heard me refer to it as my favorite soap in the past.  You’ll never hear that comment from me again, I’m sure.  Add me as another “Day One” viewer who is finally fed up enough with this show to take if off the ‘occasional view’ list and dump it.
As I’ve stated before, many fans work full time (at home and outside the home) and often want to spend time with entertainment that is ‘relaxing’.  We don’t mind entertainment that challenges us and keeps us working when its smart and edgy.  LOST was a huge hit because it kept fans guessing and looking toward the future. Entertainment that causes you to work but gives you nothing in return is not worth watching.  Fans figured out long ago that Brooke was worth more than a good sex scene and subsequent sex ‘scandals’. It seems clear that the writers haven’t figured that out. There is no future to look toward with this show. We know what the future is… it’s been the same storyline for Brooke for nearly a decade, with an occasional diversion thrown in.   She’s twice betrayed her oldest daughter by having  slept with not ONE, but TWO of Bridget’s husbands.  She has a child with each form son-in-law, one of whom is being raised by Bridget.
The first child Brooke had with a son-in-law is in love with a young man fans once found adorable, Oliver Jones – as played by the adorable Zack Conroy (ex-James Spaulding, The Guiding Light).   Anti-Brooke fans joked, when Hope was born, that it would only be a matter of time before Brooke slept with Hope’s lovers, too.  That seemed like the most improbable of storylines given the fact that each time the writers had Brooke sleep with one of Bridget’s husbands, the ratings tanked. After the third dalliance (once with SIL Deacon Sharpe, twice with Nick Marone) the writers seemed to finally get it.  Brooke + Daughter’s lovers = Disaster.   They went through the trouble of having her declared a ‘new woman’, a woman who would never again betray her children. Now this.
Fans, the writers seem to believe, are supposed to forgive Brooke for sleeping with Oliver because despite the fact that his 20 year old body is no where nearly as developed as that of her 50 year old husbands’ body.  She couldn’t tell the difference when she had sex with him up a wall, just outside of a room full of teens.  He apparently didn’t feel shorter, thinner, or sound different during the tryst.
The room was dark.  They were wearing masks.  Brooke and Oliver  were overcome with passion – Oliver, believing he was having sex with a virginal Hope – who must have at some point told him that she didn’t want her first time to be special, any place and any time would do.  She must have also told him she as practicing her moves in the mirror because Oliver didn’t seem to notice that Hope didn’t move like an inexperienced woman.  He too, was unable to tell that his partner was older, taller, and didn’t feel the same as the numerous times before when he kissed her.  Even if the writers managed to undo this horror of a storyline, they can’t undo their tacit acknowledgement that there is no future for Brooke, and most characters on this show, that doesn’t involve sex with the wrong person, for whatever reason, at any place and time.
Peace to  Ms. Katherine Kelly Lang, portrayer of long suffering heroine Brooke Logan, because she (Ronn Moss, Susan Flannery, John McCook, Ashley Jones, and much of the cast) have made this show worth watching during some of its darkest times, but there are limits.  I’m not writing, or calling, or begging or pleading.   I’m  not enraged by the storyline itself, but what it represents.  I am also not engaged by thei storyline, I’m just done with the BnB.  This show is not my second job.  I shouldn’t have to put any effort into enjoying what was once great entertainment.
While the writers, producers, directors, and network executives work hard to make daytime into the huge joke those outside the genre think it is, it’s time for this soap fan to move on.  Two of the six soaps (BnB and DAYS) are unwatchable because of the outrageous storylines they tell.  The other four are occaasionally passable.  Syndication isn’t the problem for daytime, it’s the solution. Fans prefer to watch shows that provide some payoff — and we’re  getting less and less of that in daytime.

BnB: Taylor Hayes Jones – Desperately Seeking Vengeance

Why does the BnB’s taylor hayes jones  have to be the dumbest woman alive — every single episode?  No reprieve from her stupidity for fans, writers?  Ever?  How many more times can she be ignorant of how desperate and trashy Steffy  is? At some point, when you’re proven wrong often enough, you just have to stop claiming you know ‘the truth’. The writers have taylor brag about her ‘skills’ as a psychiatrist, but she misses every big event to happen:

  • Phoebe’s impending disgust with her relationship with Rick
  • Tommy the car bomber, pump your son up with the false idea that you’ve been a victim and something bad had to happen.
  • Steffy the psycho – which Brooke warned her about
  • Steffy’s involvement in setting up Hope’s humiliation during her first big press conference
  • Amber’s lie about the ABCD baby – which Brooke warned her about
  • Ridge and Morgan and their unfinished business – which Brooke warned her about
  • Stephanie’s psychotic tendencies – which she knew about and used to her own advantage
  • that Ridge didn’t love her fully
  • that Nick didn’t love her fully
  • that Stephanie wouldn’t let go of Eric while she was sneaking around with him, etc, etc, etc).  taylor smiled in Steph’s face, and then had to send Eric to break Stephanie’s heart.

No matter how many times she’s been proven wrong, taylor continues to deny the seriousness of  daughter Steffy’s psychological problems.  What fully functioning rational adult woman makes it her mission in life to compete with her barely legal stepsister?  This is the same girl Steffy loved, until a few months ago.  I’m sure some enterprising youtube surfer could find the video of  Steffy, Phoebe, and Thomas crying and hugging their younger siblings as they had to say good bye to them (you know, during one of those times when Ridge was duped into marrying taylor and Ridge left his family with Brooke to be with the trudge family, despite Steffy’s false claims of having been abandoned by her father).

taylor is coming across as a VERY weak woman who is vicariously seeking vengeance via her emotionally disturbed daughter.  She seems to find great delight in continuing to argue with Brooke as she calls herself ‘defending’ her daughter.  She sits back, smirking and waiting to yell at Brooke for being ‘unfair’ to Steffy, all the while  Steffy’s descent into madness makes not one bit of difference to taylor — only getting revenge on Brooke does.  Anything that makes Brooke’s life miserable, even if it includes hurting a young woman like Hope and sacrificing Steffy to do it,  appears to be her chief motivator.

I watch so little of the Bold and the Beautiful these days, and I’m never disappointed when I do… because I never expect more than the writers give me.  Brooke seeks peace, taylor continues to cheer Steffy on in her insanity.  I have wondered, is taylor hoping to rewrite history?

The Hope/Oliver/Steffy triangle seems to be a clear replay of the Brooke/Ridge/taylor triangle.  Brooke and Ridge were young, in love, and Ridge was Brooke’s first sexual experience.  No matter how clear it was that they wanted to be together, Stephanie and taylor plotted to keep them apart – once Stephanie realized that she had more to gain by siding with taylor than by hating her.  Both women were sure that Ridge would ‘come around’ if they pressed hard enough – just as Steffy seems to believe the same will happen with Oliver.  Ridge would  learn to love taylor as much as he did Brooke, they believed, and in time he would forget her.  The only problem was that Ridge could never forget Brooke and she would never stop loving Ridge.

Both Stephanie and taylor  are back.  This time they’re sitting on the sidelines and indulging Steffy’s fantasies of being loved by a man who doesn’t want her.  They refuse to ask her to remember her mother’s lifestory and to learn from it.  Oliver, Steffy wants to believe, will forget about Hope in time.  Good luck with that.  Neither her mother nor her grandmothers listens listens to her words, or reads her body language, or even keeps track of the lies she’s been caught telling.   The only thing that would make this storyline interesting, rather than pathetic, is for Stephanie to wake up and realize that they’re using Steffy, and taking everything they claim they hold dear and trashing it in order to get back at ‘the Logan women’.  They’re destroying Steffy, 18 year old Hope, and everything in between.  Stephanie finally sees taylor for who she is when taylor not only refuses to acknowledge what they’re doing, but she refuses to stop

Two sides?  Make it four:

1.  The Logans vs. the EX/NON Forrester women

2.  Stephanie vs. Taylor

3.  Oliver and Hope vs. Steffy (as he tries to get her to stop chasing him and she refuses).

4.  BnB writers vs. mediocrity.  Everything they’re offering now is a storyline they’ve offered a zillion times before.  Switch it up, writers.  Give fans a real reason to come back for more — and sexually outlandish twists aren’t the way to go.  We can get that on cable — and shows airing on cable do it better.

It’s like you get me, Marlena De Lacroix

You’ve got to check out MDLC’s current column, if you haven’t already done so (snippet and link below):

When most longtime watchers get disenchanted or downright  disgusted with their old  soaps, they are usually angry.  We’ve all invested years of our lives and our deep feelings in this genre.

Now, it’s gotten to the point where I’m not angry anymore.  As we watch the final act of daytime soap opera, I just find myself very very sad to see them all so swiftly decline, and that sadness seems to make an appearance nearly every day when I watch shows or check in on news and happenings in our own little soap world.

You can read the rest HERE