Second Verse Same As The First? Why RH’s Todd Had To Win Out

TSJ’s last day filming for the show was late July (the 22nd).  The entire time I’ve been hoping that TPTB released the information to throw fans off track (much like the ‘Todd’s execution scenes when, I believe, TSJ’s contract was up and TPTB kept us guessing about whether or not he would return.  At time moves on, I realize that it’s utterly hopeless to believe that TPTB are playing a waiting game and I realize that RH’s Todd has indeed won out.  While I’d preferred having both men onscreen, it’s clear that RH’s Todd had to win out.  Bummer, but I accept it will adjust.

Bummer?  Yes, bummer.  I’ve been adamant that I want TSJ to be declared the ‘real Todd’ while keeping RH’s Todd on as the  newly discovered brother brainwashed into believing he was Todd  Why? Although it took me a while to warm up to him,  I’ve been a huge  TSJ supporter since Todd’s “death row” storyline.  It’s one of the most ethereal,  hauntingly beautiful, storylines OLTL writers have offered.  A rapist, who later became a rape survivor, is on death row after being convicted of killing his assailant.  I think TSJ added an intangible quality to the role that RH’s Todd didn’t have.

Rather than build on the magnificence of that storyline and send Todd on a journey of introspection, OLTL writers took the opportunity to make Todd meaner, angrier, and more vile with each act -primarily to prop other characters and storylines.   TSJ’s Todd was sacrificed to sell Cole and the Starr as a burgeoning supercouple and the writers wasted no time in taking TSJ’s Todd to a new low (battering Cole, knocking a pregnant Starr down a flight of stiars, threatening to kill orphaned adolescents, bullying Starr’s friends, etc).

Todd had become such a heinous character that OLTL writers wasted months creating a new ‘high school musical’ around the “eternal” love of Starr and Cole, with Todd being cast as evil personified.  Much of Langston’s play centered around the heartlessness of a man like Todd, who’d lost the ability to recognize and bask in the glow of true love.  When an entire town’s collective life revolves around a high schol musical on the glory of teen love/pregnancy as a lesson about love for the ages?  Your show and its characters are doomed.  I think the show for far too long leveraged its credibility on the backs of its youngest performers (not their fault at all) in the hopes of bringing in newer/younger viewers — and  as has always been true of daytime, younger viewers are as uninterested in hot mess storyline about their lives as the rest of us.  It didn’t stop TSJ’s Todd from becoming a causalty and beginning the downward spiral toward irrelevance.

Like RH before him, TSJ’s  portrayal of the character became one of boredom and he began projecting ‘shorthand’ acting.  His  responses became quick quips. Facials expressions (plural) became facial expression (singular).  The return of Marty Saybrooke was the death of TSJ’s Todd Manning.  His struggle for redemption – post Marty’s rape (the first time) was gone.  His sad realization that he would never be able to make up to Marty, or the community he offended and terrorized, for his actions was gone.  His struggle to forgive himself for what he’d become, was gone.  

The writers, I can only guess, felt that they’d found the one sure fire way of giving all of that back to fans.  RH’s Todd gets a fresh start.  If he becomes ‘Real Todd’, it means that the writers can take us back to the place where we loved the flawed Todd Manning because he would still be struggling with his humanity and his fighting his  fear of returing to the sociopath he’d once been (the sociopath TSJ’s Todd was sacrificed to become once again). 

Watching Viki with Todd, even I began to long for old Todd.  I remembered how instrumental a role Viki played in Todd’s redepmtion and how much closer to human she made him. The few minutes of Viki with the RHTodd’s (the Todd who was allowed to experience human emotions) made me “homesick” and sad that the writers had wasted the gifts that TST brought to the role at the same time.   There is something special in RH’s Todd’s relationship with Viki that TSJ’s Todd  was never allowed to capture.   I felt like an intruder watching Viki watch her baby brother (RH Todd) sleep.  The moment felt so real and I could only imagine that in fictional Viki’s shoes that I, too, would long for the brother with a  familiar face, a  familiar sound and familiar mannerisms. 

I get it, because as much as I’ve loved TSJ in the role and for as much as I hope there is a way to bring him back, afterall, I can see the emtional threads of this storyline braiding themselves together to give fans the Todd they’d hoped they would get with TSJ and were disappointed when the writers had other plans.  EZ’s Viki and RH’s Todd have the opportunity to bring viewers back to what feels like ‘home’.

Initially, this storyline led me to imagine the Emmy worthy work Erika Slezak would deliver as the emotional heart of the Lord family, torn between two brothers who want to be loved best by her – one who now had everything and one who’d pretty much lost it all.  Both brothers would be fearful of being rejected in favor of the other. I thought of the stress and pain it would cause Viki to constantly be asked to choose between them, as it has caused her the same gutwrenching  pain she experiences even still with her daughters. Ithought of the comic moments with the two sets of long lost Lord twins, RH-Todd and his favorite, Jess.  TSJ -Todd becoming Natalies’s champion.  In the end, while both Todds are familiar to Viki, both would be strangers.  Now it’s becoming clearer that the writers are going to make a ‘choice’ themselves, and I’m resigned to the fact that their choice won’t be mine and TSJ won’t be back.  More is the pity.

Ultimately, it must be hell to work for an ABC soap in a familiar role.  From the return of the “Real Greenlee” to the return of RH’s Todd, any actor would probably be smart to consider themselves just a temporary long-term replacement in any ABC soap role.

Advertisements

Inglorious Bastards

No, not ‘Basterds’, that’s Tarantino’s deal.  The IB’s I’m (lovingly) referring to are the daytime writers who have yet to give up on trying to pull one over on the fans!

One Life to Live

1.  I’d appreciate it if someone would explain to me why Cole and Starr (of ‘We’re Cole and Starr’ fame) would think it was ‘ok’ to involve  Starr in Cole’s ‘21 Jump Street‘ drug operation.  From there, “Stole” proved that neither will ever be a member of the Llanview brain trust!  I was  stupefied  after they  involved their innocent defenseless baby to give ‘credibility’ to Cole’s cover.   Why didn’t they stage a break up before having Cole go ‘undercover’?  Why not have Starr and child leave town for a while?   Oh, I get it!  “There is no ‘Starr and Cole, they’re fictional – THEY didn’t do it”!  “It was all the writers doing”.   That won’t stop me from cringing whenever Starr and Cole are on.  The longer this pairing goes on, the weaker the writing  for them becomes.  It’s increasingly more difficult it is to like them and I find myself resenting the airtime they’ve stolen from veteran characters.  The characters are consistently placed in storylines that are ‘too adult’ for them and the integrity of the storyline suffers as a result.

2.  I don’t care who Rex’s father is… it’s dragged on too long without enough plot points in between to keep me curious.  Now I’m just annoyed every time the topic comes up.  Rex is a freakin’ private investigator.  He must really suck at his job if he can’t figure this one out.  Isn’t it just a tad bit odd that he can figure out that Tea has some deep dark secrets, but can’t find his own father?  It’s also odd that he can’t keep up with Stacy’s mustache twirling  machinations!

I love Stacy Morasco… oh yeah, I said LOVE, but it’s evident that while her engine is on, there’s no one behind the wheel.  If SHE can outsmart Rex, time and again, he’s working with a single digit IQ.  I’m going to hate myself later for admitting this, but I’m thrilled at the thought of a Gigi Schuyler pairing and a Rex and Stacy pairing – if only because Stacy will make sure Rex stays miserable for a LONG time.  What irony that Ilene Kristen who played Ryan’s Hope’s scheming bad girl (Delia Reid Ryan)  could become the onscreen mother-in-law of a similar character!

3.  Fish and Kyle.  Daytime writers seem to believe that all gays have a traumatic coming out experience.  While it may be a difficult moment for some, will OLTL writers ever give the audience a gay character who isn’t closeted and terrified of coming out?  I lived through the Daniel Colson storyline.  I would have much rather had Fish avoid Kyle because he gave his heart and soul to Kyle in college and Kyle cheated, lied, and was generally unconcerned about anyone but himself.  That’s VERY consistent with the scheming, lying, blackmailing Kyle we were introduced to.

At some point, writers, can we please just have gay characters who are actually HAPPY with their lives, and not afraid that their friends and family will turn on them?  Am I watching too much Miami Social?  (Yeah, I should be ashamed of admitting that too!  That cast of real life characters puts the ‘super’ in superficial!)

General Hospital

1. Oh those sneaky GH writers!  They’ve pulled a fast one.  Every FBI agent, or undercover cop, ever sent to ‘take Sonny down’ ended up falling for  Jason’s pecs, Spinelli’s wit, or the magic of Sonny’s pecker (Hannah, Reese).  So how have the writers topped themselves?  HA!  It’s the fruit of Sonny’s loins (product of the pecker)  who is now being sent to take him down!   Marked improvement, writers, really… only not!  It’s a given that Dante Falconeri won’t end up carrying Sonny’s child and wouldn’t want to even if he could, thank the soapgods.  Unfortunately there’s no guarantee that Dante won’t go the way of every cop/agent before him and end up loving his papa, Sonny,  so much that he turns on his profession to protect him.

Even though I’m having a hard time buying Dante as Olivia and Sonny’s kid, I’ll suspend disbelief if Dante is allowed to put the mob storyline to bed, rather than climb into bed with the mob  when all is revealed.   (I can’t be the only one who thinks that Dominic Zamprogna’s Dante,  looks more like Olivia’s older brother than her son!  David Lago would have been a much better choice given the character’s supposed age, but since I’m enjoying DZ in the role, I can live with it).   Let’s hope that the revelation that Sonny is his father will mean that Dante becomes more determined than ever to shut Sonny’s operation down.  If Dante doesn’t actually signal the end of the reign of the mob boys,  GH is doomed.  The writers either have to send them to prison (won’t happen) or have them leave their lives of crime (can’t see this happening either), but things can’t go on as they are.

2. Nik… calling Emily Rebecca a ‘whore’ and ‘slut’ and repeatedly making reference to how easily she ‘spreads her legs’… just lovely… As much as I despise Rebecca, I would have cheered her on for slapping ‘Prince Nikolas’ out of his shoes, thank you very much!  If I recall, Nik was as ‘slutty’ as Rebecca.  She wanted money, he wanted an Emily substitute and tried to give it up to her much sooner than she was willing to give herself to him.

Why do I feel the need to shower after watching GH?

The Bold and The Beautiful

Speaking of showers, did anyone watch KKL’s Brooke and HT’s Taylor mud wrestling scene?  Obviously, I didn’t, but as I understand it, the actresses (their characters) took a ‘mud bath’ to cleanse their toxins and a fight broke out between the characters.

What’s up next?  The Brooke and Taylor accidentally fall into a vat of jello and begin  fighting?

A pillow fight breaks out and they ‘accidentally’ start ripping each other’s shirts open?

Tsk, tsk, tsk, The Bold and The Beautiful writers.

The first thing we do? OLTL?

Copyright ABC (2008)

Let’s rid ourselves of all of the bad editors!  (if you don’t mind the turn of phrase).Most of what took place on OLTL this past week pleasantly surprised me.   Even my well worn remote would like to take this moment to thank the writers for relief.  It pretty much had the week off with One Life, since I don’t remember hitting FF once this week.  The only big shocker for me this past week  were several pretty lousy editing choices, one in particular.  I’ll get to that in a moment.

Soap-heaven help me, I still like John and Marty.  The only thing that’s harder to take than a dark and brooding John McBain is John McBain in love.  ‘Happy’ John and ‘Brooding’ John are pretty much one in the same.  It’s just at times tough to watch a man who SHOULD be filled with joy behave like a man whose problems could all be solved with the help of  a good laxative.  Wardrobe, could you PLEASE at least put on a brightly colored shirt under his dark suit jacket and dark coat, to go along with his dark pants and dark shoes so that we know the difference between Brooding John and Joyous John?  Thanks!

John’s reaction to Marty as she flashed back on her the manipulated-rape sex with Todd was a reminder that there are soap writers who still realize that it’s so much easier for fans to root for good men – we get so few of them in daytime.  Many of us still love men who are sensitive to the needs of others, rather than focus on themselves  and their own pain.  LOVED that moment when John reminded Marty that he was always willing to wait for her – she’s worth it.  LOVED that the writers didn’t follow that scene up with John immediately running to someone else to flirt with or have sex with while Marty was working on her recovery.

Copyright ABC (2009)

The only thing that made the scene even remotely awkward was watching Blair seduce Todd at the same time Marty had difficulty being touched by John because of Todd’s assault of her.  If the writers wanted to make some of us squeamish about Todd and Blair, job well done.  Otherwise?  Bad editing job on this one.  It made Todd and Blair seem completely disconnected from the world around them, belligerently insular.  They seemed to not care about how much damage had been done to others in their time apart.

Blair, who was disgusted by Todd’s treatment of Marty, seems to have absolutely no qualms about his actions, now.  She was disgusted enough before to want to keep his children from him.  Now?  She can’t keep her hands off of him.

I would much rather have had long soulful talks between the two rather than strip scenes and “shame-filled” sex. The problem with the writing for the once magnificent Todd and Blair is that that the writers don’t seem invested in having them break the inch deep-mile wide pattern they’ve established as part of their courtship.   OLTL writers have seem to always bank on the hard work of Kassie DePaiva and Trevor St. John in winning back fans to the ‘Todd and Blair corner to bring romance back to the show.  I think they’ll have to reconsider, this time.  Too much damage has been done and an instant reunion most likely won’t give them the bump they’re looking for.  How instant is instant in their case?  Todd/Blair reunions can be summarized by the following dialogue:

“You hurt me” (Todd to Blair, Blair to Todd, it doesn’t matter).

“I’m sorry” (Todd to Blair, Blair to Todd, it doesn’t matter)

“Stay away from me” (Todd to Blair, Blair to Todd, it doesn’t matter)

“You don’t mean that” (Todd to Blair, Blair to Todd, it doesn’t matter)

They have sex… AND SCENE!

Where is the discussion about what they want and why they want it?  What about some insight into why they dragged Marty and John into their psychodrama?  How about some part humorous/part dramatic couples counseling for them?   What about real consideration about Tea’s feelings?  It’s bad enough that Todd cheated on Tea after she put everything on the line for him, her life included, but he then lied and said that it meant nothing that he’d had sex with Blair.  If it wasn’t a lie that having sex with Blair meant nothing to him?  It makes his actions even worse.  The writers rubbed salt in fans’ wounds by having Todd coldly state to Blair that he was leaving her to go after Tea ‘because she’s worth it’.

Hells bells, people, you know that despite Tea’s fault, I’m a fan of the goddess of grand bitchery but for TODD to state who is ‘worthy’ and who isn’t?  Well that just burns my grits.  I would have loved watching Blair  get up off the chaise lounge and slap Todd back to his infancy (which would finally allow his external state match his internal state)!   Marty, Tea, Blair, his sister Viki, and even his own daughter, Starr… just how many women in Llanview are going to end up emotionally scarred thanks to this guy?  Taking Todd down the dark road for the sake of pimping “Starr and Cole” is a decision that still haunts this show.  The writers haven’t been able to find their ‘Todd mojo’ and get anything right with this character since then.

Despite the detour and bad editing, I enjoy Marty and John.

What else was there to love?

Copyright ABC (2009)
Copyright ABC (2009)

1.  Greg turned out to not be a big a jerk as he originally seemed.  I liked that he experienced pangs of guilt about running out on Destiny and realizing that he’d hurt her with his actions.  I still don’t like the guy enough to have Rachel walk away from Shaun and fall into Dr. Dork’s waiting arms.  I just like the idea of Shawn and Greg working out their differences for their sister’s sake.

Lovin’ the OLTL writers for giving us this little family.  It’s so unconventional and I can’t wait to see where they go next.  Don’t make me eat those words, writers.

2.  I uh… liked Destiny last week.  If you’re shocked, imagine how I feel.   I’m starting to see what the casting directors saw in this kid when they cast her.   She’s growing in the role and learning to convey a vulnerability that’s refreshing in a teen character, given the rash of adult-themed storylines daytime writers have been pushing for young characters, lately.   It will be interesting to see where the friendship between Destiny and Matthew goes.

3.  I uh… liked Starr last week.    Still in shock here!  The discussion between Starr, Cole, and Jessica was so rational and thoughtful, I have to classify it as the high point of my soap watching week!  Alderson held her own in scenes with Buddy and Williamson.   Scene chewing is not her thing so this emotionally low-key scene felt genuine and believable.  I have to admit that the discussion between Jess and Cole sparked my interest most.  Er, NO, I don’t want to see them as a couple.  I’m giving kudos to the writers for creating such a layered scene.  Both made the connection that they were both ‘in recovery’ and made poor choices because of an inordinate amount of pain, but that they both needed to take responsibility for their own actions.  Both Jess and Cole realized that they had to forgive others as they needed to be forgiven.  For a brief and shining moment, I felt that I could honestly tell my friends who don’t know that I watch soaps about the show … well done, writers, well done!  It was good enough for prime time… 😉  Ouch?

4.  Wish I could give a crap about the Stacy storyline, but I don’t.  I don’t even care who Rex’s father is any more… just.not.interested!

While Starr moved one step closer to being a ‘real mom’, Gigi took a step back for me.  (Wait, I’m getting to it… there’s something I like about this storyline, hang on)… It was odd to watch her encourage Shane’s hatred of  Aunt Stacy no matter how much of a low life Stacy has been.

I had to wonder if there wasn’t a unconscious attempt to warn fans about the perils of being a young mother – since it appears that they’re avoiding that ‘lesson’  of young parenthood with Starr and Cole.   Gigi applauding Shane’s comic book character (skanky Stacy?  Sleazy Stacy?)  REEKED of an immature mother dragging her child into her baby’s daddy drama.  A mature mother would have told Shane that his feelings of anger are appropriate, but that it’s also appropriate to feel sorry for Stacy for what she’s become and to hold out hope for her.   The Gigi-Shane scenes skeeved me out a bit, I gotta’ admit.

SO, here’s what I loved

A –  That the ‘secret’ is finally out in the open.  I was tired of this storyline about a month before it began (damn you spoilers!)

B – That there’s a possibility of a Schuyler-Gigi pairing – the actors have an amazing onscreen chemistry.  Rex and Gigi have been terminally cute.  Schuyler and Gigi have the potential to be hot!.  Having Rex sleep with Stacy and lie about it after treating Gigi like such dirt for so long makes Rex and Gigi a dead pairing for me, for now.  No matter how many things didn’t add up, Rex refused to believe the truth and painted the Scarlett ‘A’ on Gigi’s chest – clearly tempted to use her own blood to do so.  Let Big Rex, and little Rex, sit on the sidelines and watch Gigi happy with someone else for a while.

5 –  I’ve never been much of a Bo and Nora fan… but they’re reeling me in.  Poor Clint… Sorry guy, I think I want to see a Bo and Nora reunion.  Clint and Nora seem to have been killing time for a while now.  Send Clint home to Viki (sorry Charlie!)

Pass the Dutchie from the left hand side…

This generation

Rules the nation

With version

Music happen to be the food of love

Sounds to really make you rub and scrub

Chorus:

I say

Pass the Dutchie on the left hand side

Pass the Dutchie on the left hand side

It a gonna burn, give me music make me jump and prance

It a go done, give me the music make me rock in the dance

It was a cool and lovely breezy afternoon

(How does it feel when you’ve got no food ?)

You could feel it ’cause it was the month of June

(How does it feel when you’ve got no food ?)

So I left my gate and went out for a walk

(How does it feel when you’ve got no food ?)

As I pass the dreadlocks’ camp I heard them say

(How does it feel when you’ve got no food ?)

Pass the Dutchie on the left hand side

Pass the Dutchie on the left hand side

Musical Youth

As The World Turns

When it rains, it POURS!  If you’ve been reading me long enough, you know that I’ve been whining about OLTL’s decision to kill off the fabulous Nash Brennan (played by the even MORE fabulous Forbes March).   I’ll whine no more… I’ll just be spending more time watching As The World Turns since TPTB there have had the good graces to cast Forbes in a new role!  YAY!  He’ll play Luke and Noah’s college professor who happens to also be openly gay.  As if it was my birthday, the soapgods of ATWT have also cast Lynn Herring (GH, ex-Lucy Coe) as Henry Coleman’s  mother… DOUBLE YAY!  If she’s anything like Henry before his transformation, or the rest of his family, someone will need to say a prayer for Vienna!  There’s fresh hell headed her way and she’s never experienced anything like it.

Days of Our Lives

Sami/EJ… can’t speak.  Sickened.

Hate.This.Storyline.  Hate Ejami…

One Life to Live

I just saw the most incredible commercial for ABC soaps… it’s an ad for ‘2 Young Mothers’  AMC’s Amanda – a woman in her mid to late 20s, and OLTL’s Starr Manning (Roughly 16 – 17 years old).  Both storylines are about mothers who were supposed to give their children up for adoption.  Both mothers have changed their minds.  They want to keep their babies.

What happens in the upper suites over at ABC?  Does anyone with more authority than deciding who to hire in the mail room get to see the ads for ABC daytime before they air?  Given the fact that ABC had an astoundingly bad week, during the last ratings period:

Bad Week for ABC (originally posted at S.O.N.)

Ratings for the week of May 25-29, 2009

Total Viewers
1. Y&R 4,994,000 (+120,000/+48,000)
2. B&B 3,366,000 (-3,000/-341,000)
3. DAYS 2,663,000 (+136,000/-4,000)
4. ATWT 2,480,000 (+86,000/-126,000)
5. GH 2,454,000 (-96,000/-330,000)
6. AMC 2,430,000 (-88,000/-283,000)
7. OLTL 2,402,000 (-158,000/-299,000)
8. GL 2,022,000 (+71,000/-271,000)

HH
1. Y&R 3.6/12 (+.1/same)
2. B&B 2.4/8 (-.1/-.3) <——- ties low rating
3. DAYS 2.0/7 (+.1/same)
4. ATWT 1.9/6 (+.1/same)
4. AMC 1.9/6 (same/-.2)
4. GH 1.9/6 (-.1/-.3)
7. OLTL 1.8/6 (-.1/-.3) <—— ties low rating
8. GL 1.5/5 (same/-.1)

what would make ANYONE think that a commercial featuring Amanda and Starr would excite soap fans who aren’t currently watching?  Amanda?  Eh… I’ll admit, I have SOME interest in what will happen if she keeps her baby and nutty Dr. Dave decides that he should be allowed to raise at least ONE of his children from infancy.  I just have ZERO interest in Starr and Cole (who are, as we’re told “STARR AND COLE” – as if that has meaning.  When I see ‘Starr and Cole’, I see a ruined Todd Manning who was destroyed to pimp a crap teen summer romance).    I don’t care to see Starr raising a baby. I don’t care to see Starr and Cole reunite.  I don’t care to see them struggle with the difficulty of being teen parents.    For goodness sake’s folks, if you’re going to go forward on this storyline, don’t flippin’ advertise it.

Guiding Light

I understand that Rafe has to adjust to life outside of prison, but YEOW!   Rafe is not only having a hard time adjusting, he’s actually beginning to behave almost as if he’d rather return to prison.   With so little time left for GL (Sept. 18 is the final ep), it’s hard to believe that the writers are looking at spending that much more time on Rafe’s return in order to create unnecessary drama for Otalia.

I’m torn between: 1 – appreciating the grittiness of the prison release storyline, 2 – being annoyed that Rafe won’t get the typical ‘Spaulding’ treatment after creating a crime; in what world would Alan actually listen to Natalia when she tells him that she doesn’t want him helping Rafe?  He doesn’t listen to Phillip or Beth! Why would her give a damn that Natalia wants him out of Rafe’s life!??!; 3 -feeling  disturbed by the fact that the Rafe storyline is getting more attention than the Otalia love story.  Wouldn’t it be better to have Otalia together, living as a family and working to save Rafe from himself and from Alan?  So little time writers… GET A FREAKIN’ MOVE ON!

General Hospital

Shhhhhhh… no one tell the GH writers.  SOMEONE slipped up and the writers are starting to inadvertently focus on romance.  Can you believe it?  That Patrick is so understanding of Robin’s PPD and that he’s supporting her should warm my heart but it doesn’t.  OK, it does, but not the way you think.  It’s to be expected, right?  You have your husband’s baby and he realizes the sacrifice you made for him, for yourself, for your family.  I’m just grateful that the writers veered away from Liz and Patrick flirtation and realized that there are many people out there who love and support their spouses in their worst moments without turning to someone else.

I love that Patrick is a good husband.

Do you know what I love MOST about this reunion?  It’s that Patrick doesn’t think that it’s his role to ‘forgive’ Robin.  I love that he stands back and watches Robin undergo a this period of self-exploration.  He watches as Robin finally realizes what everyone else has been telling her all along.  She’s been so driven, and so obsessed with perfection that it fed her inability to bond with Emma when Emma needed her so desperately.  Robin would rather have not tried, than to have tried with Emma and failed.  I love that Patrick and Robin don’t feel the need to ‘shape’ the other into a better person. They’ve learned to love one another as they are.

Patrick has accepted Robin as is and when she was ready to change, he was still there.  She allowed him to be who he was, when he was a playboy on the loose.  She realized that she couldn’t change him and accepted him as he was.  She was still there, ready to be with him, when he decided to change of his own accord.  She waited for him to become the man he needed to be.

Then there’s Carly and Jax.  They’re the Ken and Barbie version of Patrick and Robin.  There’s been a little more arm-twisting and ‘molding/shaping’ with CarJax than there has been with Scrubs, but it’s all worked somehow.  I love that Jax accepts about Carly what drives others crazy about her;  she has a tendency to obsess on those she loves and cares for.  They become the center of her focus.  Jax realizes that she’ll fight as hard for their family as she has for anyone else.  He finally gets that about her.  Jax is such a patient, kind, and loving man that he and Patrick  stand out as Princes among the daytime frogs!  Robin and Carly are lucky women.  Patrick and Jax are even luckier men.

Add Elizabeth’s fighting Luke for Lucky’s sake, and I’m in GH fan heaven!  THREE good men, Three good women, THREE great relationships… and this is GH!?!??

Pass the  Dutchie, baby!

Where does that phrase come from?  Some of you may remember the UK youth group that sang the song.  The origin of the title was always in question.  Some believed it was a reference to what is the equivalent of a ‘bong party’ (which makes sense of its use for AMC/OLTL/GL… but later it was determined that the origins linked to the notion of a communal experience (passing a dish, eating together as a group/a family)… as in the case of ATWT/GL…

OLTL, the good, the bad, and the WTF!?!?!

The Good: Thank you writers for finally wrapping up the ‘Baby Chloe- Hope’ storyline.   It’s been a long time in coming and I was getting sick of it!

The Bad: (With sarcasm):  Thank you writers for the ‘Baby Chloe -Hope’ storyline.

The WTF: (with incredulity and a tad bit of disgust):  Thank you writers for the ‘Baby Chloe -Hope’ storyline.  Of all of the storylines you COULD have told, this is what you saddle us with?

There are some legitimately wonderful reasons to love OLTL, in my book:

1.  It’s not All My Children.  Need I say more?

2. None of the characters are named Michael Corinthos Jr.  How is it is that General Hospital writers have a knack for taking an event that should be considered a blessing and turn it into such an awful AWFUL thing?  Little Michael Corinthos’ awakening was something I felt myself regretting about 10 minutes after the kid opened his eyes.  To the credit of OLTL’s writers, they haven’t managed to make me wish that any of their teen characters would lapse into a coma!  ALTHOUGH… I wouldn’t mind seeing LESS of all of them.

3.  Viki Lord.  Period.  What would this show do without Erika Slezak?  I don’t even want to know!

4.  The triangle between Clint/Nora/Bo will be heating up soon into a quadrangle with mixed partners Clint/Nora/Bo/Lindsey.  I’ve never been a big Bo/Nora fan – primarily because I’m not a Nora fan. I say that knowing that MANY OLTL fans are Bo/Nora fans and for their sake, I sure hope that the show’s writers honors its history and gives the couple back to the audience who loves them.  The question is… what happens to Clint?

Clint/Lindsey? (Can you imagine their couples name?  Clindsey?  Lint?  FUN!)  Since it seems that CH’s Lindsey’s stay is temporary, I have  doubt as to whether the writers would move in that direction.  Too bad, Lindsey was fabulous with both Clint and Bo in the past.  I would be interested in the chemistry between JVD’s Clint and CH’s Lindsey.

Clint, on his own? Angry?  Scheming to break up Bo and Nora?  Where’s the fun in that?  I’d rather see Clint go back to London before having him take on his own brother over a woman he shouldn’t have been with in the first place.  I had a preference for Clint and Nora over Bo and Nora, but to have Clint becoming involved with the love of his brother’s life was a bit much for most of you and in moments of objectivity, I agree.

Clint and Viki?  If you’re going to make me suffer through Bo and Nora, writers, I’ll take Clint and Viki (no worries, anti-Clint/Viki fans… I never get the pairings I like).  I think Clint and Viki/ Bo and Nora have the potential to take fans back to some of the glory days of  OLTL. I have to admit that I’m concerned about the initial awkwardness of the two couples getting together in light of Nora and Clint’s relationship… eh,there’s been worse on this show.

5.  Believe it or not, I think that John and Marty (or the prospect of John and Marty) would be far more interesting than Blair and John – who’ve only managed to put me to sleep.

6.  Jessica and Brody.  Even now, I’m still disappointed that Nash is gone and that Jared survives in his place, BUT, at least TPTB have come as close as they possibly could to Nash, without trying to replace him with a ‘Nash Clone’.  Brody has ‘Nash like’ qualities (hot as sin, a beautiful body, thoughtful, kind, and loving), but have given him a unique personality and core.

So… setting aside that things I actually like, I have to say that the ‘Baby Chloe- Hope’ storyline has the potential to keep me tuning out OLTL (or at least FFing most of whatever episodes I bother recording.

I think the teen pregnancy storyline was the biggest mistake the writers have made so far.  I’m not against the idea of a teen pregnancy storyline.  I’m simply against the teen pregnancy storyline for the chosen characters.  Why?:

  • I hate the back door approach to keeping Todd and Marty connected given their history.  It’s bad enough that he’s violated her twice in a lifetime, but now they’re connected because their children are ‘in love’ and are now parents together.  BULLOX!
  • I’ve said it before, and I’ll say it again.  This is NOT a storyline that plays to Kristen Alderson’s strengths.  She has become the weak link in this storyline. I find KA’s emotional responses to be stilted and unbelievable.
  • Adding the teen pregnancy storyline on top of the drug addiction storyline was a bit much.  The writers have seemingly decided that the juiciest storylines should go to the youngest actors and that the veterans should be stuck with trivial, pointless, boring storylines.  It’s another storyline for which Kristen Alderson seemed completely unprepared and didn’t connect as an actress, in my opinion.  She uttered the dialogue  well enough, but her performances felt like a ‘script reading’ rather than watching someone who was emotionally impacted by a loved one’s drug abuse.
  • Oddly enough, Brandon Buddy has done as well as any actor with significantly more experience.  He’s been a marvel.  The only problem with having handed him this storyline is that he seems far too mature an actor for the role he now plays.  It’s time to SORAS Cole to 18 and find him a cougar (no older than 25, please, not someone too much older).  “Starr and Cole” now feel like little Starr and her much older brother – ICK!!!!!!!!!  By the way, Brandon should be nominated, next year, for the addiction storyline.

KA fans I’m not completely ‘Anti-Starr’.  I think there are a  number of storylines that would be great for the character and would showcase the actress’ abilities well.  The Baby Chloe-Hope storyline just isn’t one of them.

(OLTL) Shut your pie hole!

While all of daytime has me rolling my eyes lately, OLTL – in particular wins the ‘shut your pie hole’ awards.

Jared wants to tell the truth because it’s the right thing to do?  While I can appreciate the fact that even JARED sees the irony in his statement about what’s morally appropriate, it still galls me that he’s shown little concern for how the news of the real Chloe’s death will impact Jessica.   Nat wants to protect  Jess and now feels sorry for her?   Both of you,  SHUT YOUR PIE HOLE!  This whole mess got started because Nat wanted to stick it Jess and Jared wanted to help her.  I’m sickened at the thought that Jess will lose Chloe after losing Nash  – both lost because of Jared and Natalie. IF ONLY there was some way to make that child hers.  If not? It’s time to bring Tess back and let her finish what she started!  It’s time for Jared and Natalie to go.

As if causing Jess even MORE grief wasn’t bad enough, what about the pain Jared and Natalie are causing ME!??!  I’ve struggled hard to accept the new ‘grown up’ role for Starr Manning – I have.  The problem is that it’s just not working for me.  I don’t know how you feel, OLTL fans, but this new set of storylines does NOT play to Kristen Anderson’s strengths.  I think the writers moved Starr into pseudo-adulthood too soon.  The emotional scenes appear forced and far too artificial for me to connect to.  Starr’s scenes with ‘Chloe’ make me cringe.  The thought of more scenes of “Starr” and whining Marcee McBain locked in a custody battle over Hope (we’ve lost Hope, we need Hope, our Hope is gone – UGH)  makes me want to set my television on fire.   Damn you, Jared and Natalie, damn you!

Nora vowing to take down Cole?   I’ve officially had my fill of Nora “the ethically flexible D.A.”  The truth is that I was done with her years ago, during the fights with Lindsey and the affair with Sam when she passed ‘Sam’s child’ off as Bo’s.  (Apparently no one knows how to perform in vitro in Llanview.  They’re GREAT at trauma medicine since it’s the only thing docs in Llanview ever practice.)   Had it been someone else’s child, Nora would have most likely been fighting to get Cole into drug and alcohol treatment, family counseling to reunite him with his mother,  and had him doing community service by  talking to high school kids about drug use.  She’d have railed at the system for letting a villain like Todd go free while a young man who made a horrible mistake is being severely punished.  She MIGHT have even quit her job in protest and defended Cole, herself, if the D.A.’s office chose to press charges. 

She’s always been ‘flexible’ when it comes to helping her pals and granting them the grace and mercy of the courts.  Intimidating a teenage boy and making him feel as if he should be buried UNDER the prison for his actions?  Bite me.  Does Cole deserve jail time?  Sure.  He chose to take drugs and get behind the wheel of a car disregarding the possible harm to others.  Does he deserve Nora’s disdain?  Sure!  But just ONCE I’d like to see the self-righteous Nora Buchanan choose to exercise discretion and say nothing.  Nora?  SHUT YOUR PIE HOLE!

BTW, SoapNet is linking to this appearance by Kristen Alderson and Brandon  Buddy on the Tyra Banks show.  The OLTL  actors demonstrate different aspects of teen dating violence:

Ray Montez now faults Todd because Tea didn’t work fast enough to get him out of prison… REALLY?  REALLY?  Buddy, SHUT YOUR PIE HOLE!   Is there some right of passage for Llanview residents that states that they MUST have conflict with Todd, of any sort regardless of how ridiculous it is, before the other Llanview citizens will play nice with them?  Ray could have hired another attorney.  He could be angry at Tea, alone. OR he could have realized that Tea wasn’t capable of moving any faster because his daughter didn’t know her well enough to open up to her.  The idea that Ray now hates Todd inspires me… to YAWN.  There’s far too much for this guy to do onscreen instead of going after Todd Manning over something so trivial.

Stacy Morasco, a potentially fabulous character and a throwback to what a TRUE bad girl should be… so I guess it makes sense that the writers made her a cartoon villain in record time.  WHO takes a completely fabulous gift like Crystal Hunt, sees the awesome mess she’s able create onscreen through Stacy, and turns her into one of the most unlikable characters in daytime? 

Stacy tells Gigi that she deserves to have Rex because she’s a million times hotter/way hotter?  Juvenile, but HILARIOUS that it’s her meter for determing what ‘love’ is.  God bless gorgeous Farah Fath for not slapping the writers when she read that script.  If the writer who added that line isn’t on crack,  I don’t know how else to explain that comment.  With true ABC sensitivity to women, I thought the line might be followed up with “and I’m the REAL Gigi”.   It was an awful thing to do to Fath. 

As for Stacy, there’s no ‘love to hate’ left for a character who tells her grieving sister that she either has to give up the man she loves, the father of  her child, or watch her child succumb to leukemia… SHUT YOUR PIE HOLE, Stacy, you whack job.  What could have beeen ‘love to hate’ has just turned into utter disgust.  What were the writers THINKING?  If Crystal Hunt can pull the writers’ fat out of the fire after this blackmail plot, it will be a miracle.  The whole scene was ugly from start to finish!

What’s working in daytime

Mac Scorpio, real man!

Thank you GH writers.  I’ve been jonesing for Mac Scorpio scenes (at least, Mac scenes that didn’t treat him like a bumbling buffoon unable to control mob life in Port Chuckles).  Not only did fans get to see Mac in the best possible light, the writers threw in all sorts of goodies, for veteran viewers:

– Mac and Robin’s connection is undeniably PERFECT.  The relationship Robin has with ‘Uncle Mac’ is as special as the one she has with her parents.  Mac gets her, he understands her in a way that it’s not clear that either Anna or Robert do – which makes sense as he’s been her surrogate father for so many years.  I love that he shows up at the right time and knows what she needs without  her having to say much to him.  The looks between the two characters carried their own dialogue.

– I’ve been calling for the writers to return the Scorpios to prominence – not that they listen to me, folks, but I try!  I’ve wanted Anna and Robert to be there for Robin, as well.  Maybe they will never be there for her, given the writers’ current priorities, but I will give them credit for realizing how much Mac matters.

The look of love and gratitude in Robin’s face said it all, but I loved hearing her tell him what a wonderful man he is.  Mac hasn’t raised biological children of his own, but he’s been more of a father than almost any other man on this show.  I don’t think there’s any other character on this show who has served as a surrogate father to so many children, and accepted the job without bitterness and with taking the charge so seriously.  Mac has never walked away from his girls.  Nothing and no one could drive him away.  All three (Georgie, Maxie, and Robin) were left to him by parents who eventually deserted them for different reasons at different times.  He was there, and that’s all that matters.

– The writers tugged at the heartstrings by bringing up Georgie during those scenes, as well.  That Mac mentioned his lost daughter, a child he’d raised from her earliest days in life, was bittersweet.  That it was because he got to love her and raise her that he was able to help Robin in her time of need was a lovely thread that pulled this family together.  We rarely see Mac so we don’t have to think as much about his grief as we would if he was on screen every day.  I like being able to believe that Mac will get to heal by being able to continue to care for his girls, and now gets to add Emma to the list.

With  broken heart he keeps giving back makes him an ideal man.  Daytime writers have a tendency to make grief-striken characters withdraw from life, or make sick and ridiculous choices shortly after a death occurs (sleeping with someone they shouldn’t and becoming a parent, for instance).  Mac’s grief makes him embrace the children he’s raised even more.  He gives back, without question, and without judgment.  Why can’t we have more MEN like Mac in daytime?

The Guiding Light is shining a little brighter!

I can’t help it!  I still think GL is one of the most aesthetically displeasing shows in daytime, but it just doesn’t matter as much right now!  The writers have done the unthinkable.  They’ve surprised me by making the love of Shayne’s life Edmund’s daughter.  Where the hell did that come from?  The Royal family of San Cristobel is already connected to the Lewis family through Jon Randall, but this?  It’s even better.  There’s something about Edmund and Shayne’s connection over Lara that makes me hope it’s genuine and not just another ploy by Prince Eddie. The connection humanizes Edmund. He’s always been more than a one dimensional villain and the writing for his return has been perfect, so far.  I’ve loved Edmund’s wicked ways in the past – even if I couldn’t bring myself to root for his success.  This storyline has me simply loving Edmund!

The chemistry between Reva and Dinah? Worth it’s weight in gold! I love the potential MIL – DIL fights between them.  Dinah, as Reva’s daughter-in-law?  KARMA, baby!  More likely than not, even if it happens, it’s probably the case that Lara lives – daytime writers NEVER devote that much energy to a dead character we’ve never met, unless they plan to bring them back.

Remy and Christina? Cuter and cuter by the day. They feel like a ‘real’ couple.  I love that she tries to get him to see the best in himself, and that he does the same for her. Finally a couple building each other up instead of tearing each other down.  I hate being this happy about a couple.  It’s always a matter of time before writers ruin good characters and couples in order to ‘add passion and drama’ to their relationship.  What happens next?  A heartbroken Alan tricks Christina into sleeping with him?  She becomes pregnant?  Alan then owns her?  Remy cheats with Lizzie?  Remy and Christina find out they’re related?  I guess we can cross that bridge when we come to it.  For now?  I’m full-tilt giddy and will keep enjoying them!

Mallet and Marina and the baby-crazies? Not feeling it. My only fear is that Dinah is pregnant with Grady’s child and M&M end up raising it through private adoption because they can’t adopt otherwise.  When Grady goes, let’s make sure ALL of Grady goes.  Leave no spawn behind.   (Ok, one more   criticism about their storyline: How silly is it that Mallet would dispose of his ‘hit man gear’ in a Springfield-Peapack pond?  It’s not like the briefcase will be swept down stream and out to the ocean!  It’s a freakin’ pond in PEAPACK (Springfield)

The voice of an angel and pretty as a picture!

So imagine my surprise when Maggie Horton (played by the incomparable Suzanne Rogers) ripped dear Chloe a new one!  What irony!  Sami Brady loved Lucas for all he was worth and mama Kate made it her mission to destroy Sami.  She would have rather have dated her son HERSELF before letting Sami near him.  For Chloe, Kate opened her home, her family, and her heart and Chloe not only cheated on Lucas (who at this point may as well be renamed ‘Lucas the lovable loser’), but she betrayed Kate in the process.  Oh dear! 

While the writers have done a miserable job of honoring its veteran characters and actors, I think it was masterful for Maggie to be the person who confronts Chloe.   Maggie has always been a staunch (non pathological) defender of her family, but she’s not sainted.  Newer fans may not have understood the significance of Maggie’s shameful glance downward when Chloe asked her if she’d ever made a mistake, but veteran viewers got it. Two words:  Neil Curtis.  Maggie not only cheated on her husband, but it was her daugther who caught them in bed together (makes you think of Sami catching Marlena and John, doesn’t it?  Marlena.  John.  Sigh.).

Suzanne Rogers brought the HEAT to confrontation scenes and I enjoyed every minute.  More please!

Damn you Tea!

I DO have integrity, you know?  I just keep blowing it to hell, cheering you on.  Don’t ask me why, but as much as Todd deserves to be punished, I love watching Tea in action.  I still can’t figure out why she’s been working so hard to keep Todd out of prison even going as far as claiming to be Lee Halpern/Janet Ketring’s murderer.  It’s worth staying tuned in to find out!  The minute I saw LH/JK on the floor I thought, ‘Ugh, not again!  Will Todd now go on trial for yet another murder he didn’t commit?”  It never dawned on me that Tea would take the fall for this.  At most I thought she might claim to be with Todd as they walked through the door and found Lee’s body.

So what happens next?  Will Todd lose his hammer once Tea is found out and it turns out that Wes killed LH/JK?  Surely she’ll be disbarred, though hopefully not.  If Wes is the killer, is this the beginning of a killing spree now that he’s flipped?  Is Marty at risk?  Maybe as I continue to tune in, I’ll also get to figure out why Antonio brings out a heavy accent in Tea… and only Antonio… What’s that about?  I hope it continues for as long as he’s around because I love it (it’s a bit like Bess’ alter producing black glasses).

Add to the bag of fun OLTL has become:  Marty commenting that she always trusts the wrong person, and then not picking up on the fact that she should be more careful about trusting Wes?  Fantastic.  There are the matching mother-Son addictions.  Marty swills alcohol like a warrior (uh, more like Wes) and Cole is popping pills.  Marty is too caught up in her own pain to see that something is wrong with her son?  Fine, but when this is over, if she goes back to being a therapist, THAT would be a tragedy.  It’s hard for me to understand Marty sympathizing with Wes, but leaving Cole in the dark, on his own to deal with her back-from-the-dead act, his child’s death, her rejection, and Todd not being forced to pay for any of his crimes… but she can be there for Wes… got it.

Natalie and Jess raining hellfire on one another?  THANK YOU, writers.  Lovin’ it.  Does Nat seriously want to cause Jess to release Tess again?  Eh, it probably won’t happen, but  I almost wish it would.  I think it’s curious that Nat has become another completely self-absorbed person who can’t put herself in someone else’s shoes.  She’s also chosen not to acknowledge her own shady past , a time when she used, lied, and manipulated everyone she could – and she didn’t have an alternate personality to blame her actions on!  I love seeing flashes of a fighting Jessica everytime Nat uses Jess’ children as pawns – shame on Natalie.  It also sucked that given Jared’s involvement in Nash’s death that Natalie would shove her engagement ring in Jessica’s face.  I guess Tess’ attempt to kill them makes Natalie believe they’re ‘even’.  Go figure.