BnB: Classic Brooke and Ridge

AOL’s Inside TV has declared that the BnB’s Brooke and Ridge are one of soaps top supercouples (powercouple is more like it, right?)  They are there with GL’s Reva and Josh, Phillip and Beth, YnR’s Victor and Nikki, ATWT’s Margo and Tom.

I thought I’d share just a few of my favorite Brooke and Ridge (Bridge) moments:

The first time they meet:

A song written for Brooke, by Ridge (with Ronn Moss’ RL bandmate Peter Beckett showing up to lend a hand):

The Location Shoot in Portofino (all four parts are worth the view) – there is a reference in the first part to the ‘Lake Como’ scenes.  Long term viewers will remember that it was there that Ridge told Brooke he could be with taylor and be happy, but he didn’t belong with her, that Brooke as his ‘destiny’).  The destiny line has wrongfully been attributed to Brooke since then:

An FC photo shoot:

A very married Ridge fights Victor Newman over Brooke.

Ridge to Brooke:  “… because the only life I have, Brooke, I have with you”:

Another Reunion in Malibu

Fully, Legally, Married

Soaps, Soap Fans, Soap Stars – Martin Luther King Jr. Day

If you have the day off and are looking for something to do to commemorate the day, and the legacy of Dr. Marting Luther King Jr, consider some of the option below:

Help Haiti:  by clicking HERE for information on how you can help Every small amount helps.  You can send a text in $5 dollar increments or $10 increments to donate.    There is also information on purchasing items for the good people of Haiti and information about donation centers.

Support RAINN by clicking HERE for more information on how you can help and to find out more about the organization.  Use the ‘Donate’ button on the right hand side of the page.  BnB fans in particular will be interested in learning more about RAINN’s 2001 campaign to have thousands of unteated rape kits finally tested.

Support the CDF: by clicking HERE for more information on how you can help.  The Children’s Defense Fund has been helping children

ASPCA:  by clicking HERE for more information on how you can help, you can be a part of undoing the hurt caused to our most loyal and loving friends and family.  The American Society for the Prevention of Cruelty to Animals continues its century plus fight to protect those who can’t protect themselves and who need an advocate’s voice to speak for them.
Add your favorite characteies/foundations/organizations to the list in the comments section below.

GH: What reaction should Lucky have to the ultimate betrayal?

Do you know what I remember most about young Elizabeth Webber?  I remember two things.

1.  I remember what a hellion she was when she first arrived.  Like so many of daytime’s bad girls, Liz’s bark was far worse than her bite.  For her rough exterior, she was just one more sad and lonely kid who desperately wanted to fit in, but had no idea how to do it.   It’s what made her so likable and worth rooting for.   Despite her awful behavior – it was hard to avoid rooting for her happiness.  If anyone deserved happiness, she did.   Enter, Lucky Spencer.

Lucky was smitten with Liz’s sister, Sarah Webber, and didn’t know that Liz,  who was equally smitten with him, was alive.  He couldn’t see past Sarah’s bright and shiny  face.  Sarah was the image of perfection.  Elizabeth grew tired of being considered the Webber sister in need of perfecting.   It made sense that she would want Lucky, who was as sad and lonely and as imperfect as she was.

2.  I also remember Liz and Lucky after her rape.  I know that for some fans  the rape scene was Liz’s defining moment, but not for me.  Having never been a fan of storylines in which bad girls are raped and then ‘go good’,  I hated this one even more because clearly Rebecca Herbst had the range to transform Liz to an openly likable character without the manipulation of using  sexual violence against the character to bring fans to her side.  Liz and Lucky, after the rape, were about as endearing as any soap couple has ever been.  Lucky  was there to stand WITH (not just ‘by’) her as she figured out who she wanted to become, and what her life would mean to her after the assault.  They defied anyone who would try to tear them apart, and they stood against the world together.   It was one of the few teen storylines I’ve ever been able to watch or enjoy.

I remember Eilzabeth Webber as a far more complete character THEN, than the character she’s become now.   For whatever reason, almost from the day Liz found Jason bleeding in the boxcar (post his finding Sonny and his beloved Carly together), the writers have decided that Liz would become that self-destructive teen again.  This time they created a more subtle version of “teen Liz”, but this one is far more self-destructive and is taking everything and everyone around her down with her.  She has repeatedly turned her world upside down, trying to find happiness where there isn’t necessarily any happiness to be had.

The irony is that during Lucky’ s addiction storyline, we learned that Liz felt betrayed by his addiction to painkillers.  It felt, to her,  like a rejection of their lives and their love together.

The soap reality is that Liz has been nursing a looming addiction of her own, one that keeps tearing her family apart and hurting everyone who dares to love or trust her.  Elizabeth’s addiction is to impossible love affairs.  Zander Smith.  Ric Lansing.  Jason Morgan. And now her obsession turns to Prince Nikolas Cassadine – her fiance’s brother.  Why is she with Nik?  Because as much as she ‘loves’ Lucky, she believes that she’s ‘in love’ with Nik.   For now, given the fact that we get little more than ‘happy happy hump hump’ scenes from them, it feels more as if Liz is in LUST with Nik.  Short of him leaving money on the table for her, or her leaving money on the table for him, it’s hard to tell their relationship apart from any other ‘transaction’.  It’s just one more opportunity for Liz to hurt Lucky, and to remind him that he’ll never be enough for her.  No one will.

If she was really looking for love, she’d look for someone whose life wouldn’t put her and her children’s lives at risk.  (Isn’t ti time to cue Helena Cassadine?)  She wouldn’t keep falling for men who encourage her penchant for infidelity and who treat her as if she’s only as good as the sex she gives them.   They’d respect her and her conflicted feelings more than that.  If she truly loved Lucky, she wouldn’t ask him to continue to sit back and watch her self-destruct when she clearly has no intention of changing her behavior.    Liz’s idea of love is the equivalent of an extended hand over an open flame – unlike teen Liz, adult Liz keeps asking Lucky to put his hand in the flame with hers.

Many fans, myself included, want to see Lucky confront Liz, and tell her where to stick her ‘love’.   Each new self-destructive relationship steals away more and more of what was once likable about this character – in part because she continues to steal a bit of Lucky’s soul along the way.  ALL characters enter into relationships that exist on borrowed time.  She’s hardly new at it.  Liz just happens to be among the worst of GH characters who not only makes the jump  to ‘new love’ more frequently than others, but she just can’t seem to end her former relationship before starting a new one.  She’s one of the few GH characters who drags the victim of the former relationship (typically Lucky Spencer) kicking and screaming into the new one.

This time, Lucky was willing to walk away and leave her to find her ‘happiness’.  Liz wouldn’t let him.  She decided that she had to propose and lead him to believe that she wanted to share the rest of her life with him.  For fans like me?  We’ve had it to HERE with her constant justifications and rationalizations for her behavior.   Is Liz worse than any other woman (or man)  on this show?  YES!  Not because of her actions – because her actions are somewhat the same as others.  What makes her worse is her inability to enage in serial monogamy and because of the lies she tells to cover her behavior.

There was a ‘good enough’ lie for each of her paternity ‘mishaps’.

There was a ‘good enough’ lie for her affair with Zander.

There was a ‘good enough’ lie for the first affair with Jason.

There is now a ‘good enough’ lie for sleeping around with Nik.

She’s doing this FOR Lucky, don’t you know?

She owes him!  (Apparenly she owes him everything but the truth about not loving him.)

She wants to give him the family he never had.  (Not realizing that she’s treating him as bad as his father has treated both him and his mother over the last several years).  I’ve made that point earlier HERE.

She wants to make him happy.  (Sleeping with your fiance’s brother brings him all kinds of kicks and giggles.  She’s so right).

I remember the Elizabeth Spencer who couldn’t stop herself from telling Carly Corinthos what a bad mother she was to date a man who could put her children in danger, as well as telling Carly what a horrible human being she is.   Liz is quickly headed into Carly Corinthos Jacks territory… and at this rate, the writers may end up offereing us Carly 2.0 mothering  a teenaged Cam or Jake rebelling against the latest family upheaval, the newest stepdad, and the mom whose love life wrecks every bit of stability they’ve ever known.  Liz is starting to make Carly, and every other woman she’s ever condemned,  look a hell of a lot better.

Daytime’s worst psychiatrist: Or why the BnB is a little like watching porn

You’re probably thinking of DAYS’ Marlena Evans.  In her defense we should remember that when Marlena was a venom-spewing cold-hearted, mean- spirited psych0, she was possessed by the devil.   The ‘Worst Psychiatrist’ award goes to someone who is supposed to be ‘healthy’, and has yet to show a reasonable example of good mental health.  For my money, The BnB’s Taylor Hayes tops the list of daytime’s professional mental health  malcontents.   While daytime demeans the work of almost all individuals in all professions, you’d think that daytime writers would be more careful about the portrayals of those in the helping professions.

Instead, police officers are ‘stupid’ and never catch real criminals – unless the guilty are  recurring characters or day players.   Nurses are typically women who are looking to move up the social ladder by latching on to a hot eligible physician, or his married  successful ‘businessman’ brother/father – all of whom are  usually womanizers (how very 1960s).  Mental Health professionals typically need more help than they’re capable of dispensing.

Which brings us back to Taylor Hayes.

It makes sense to me that the writers have penned the new Forrester Creations campaign ‘Hope for the Future’.   Near death experiences, actual death, Alzheimer’s, sexual assault, physical attack, lost love, miscarriages,  public humiliation, you name it and the Logans have experienced it.  Those experiences have made them stronger,and  they push forward after their greatest calamities, continuing to love life and rebuild from what’s left – seeking happiness along the way.  It’s why they resonate with fans in a way the writers haven’t been able to understand as they’ve tried to push them to the margins as the show’s bad girls, but not being able to take the audience along for the ride.  We see them for who they are and the term  ‘bad girls’ doesn’t describe them adequately.  It doesn’t describe them at all.

The Logan women are a lot like many of the viewers who’ve been knocked for a loop on occasion and have had to fight their way back up.  Many soap fans have had to bootstrap after losing someone they love, a home they cared for, children who weren’t theirs by blood- but by deed.  In real life, you do it without complaining about how horrible life is, or moaning that you’re a victim.  So, we have very little patience for people who do pretty stupid things and then whine that they were the victims of others.  We don’t like those who can’t take responsibility for their bullspittle, especially when they keep piling it higher and deeper – or when they fling it at others .

While the writers reveled in the ‘mean girls’ storyline this past year with Stephanie and Taylor plotting to destroy Brooke and Ridge’s happiness, viewers most likely remembered the ‘mean girls’ in their own lives who spent more time tearing others down rather than building themselves up.   These mean girls aren’t ‘pretty’ women frustrated by boredome.  They’re not ‘smart’.  They’re not even likable.  They’re just mean.   Every time Stephanie ‘mean girl’ Douglas, Taylor ‘mean girl’ Hayes, and now Steffy ‘mean girl’ Forrester-Marone starts attacking the Logans as ‘whores and sluts’ with no redeeming value, they remind us of who they are at their core.

The writers can try to tell us that they are women of good character, but the picture they paint through the characters’ actions tell a different story.  I find myself doing one of two things when they’re on, lately – turning the channel or muting the sound.  What can they say that tthey haven’t already said a million times before?  The writers aren’t even creative at coming up with new ways for this legion of doom and gloom to refer to the Logans as ‘cheap’.

Taylor is the worst of the ‘mean girls’ legion for the obvious reason.  She’s supposed to know better!  As a psychiatrist, she’s supposed to be the one who helps her children realize that their irrational fears  are no threat to them.  Her job as a mother, if nothing else, is to help  them become better  and happier people.  For Taylor to encourage Steffy’s asinine sniveling over the ‘Forresters vs. the Logans’ is a true travesty.   At one time, she considered herself  ‘another mother’ to Brooke’s children, and taunted Brooke with that view.  After having taken a huge  Oedipal leap into Rick’s arms, and into his bed, taylor has decided that Brooke’s children are ‘the enemy’ and that Brooke’s children are replacing her children at Forrester Creations and in Ridge’s heart.  She’s decided that it’s ok for her to encourage discord in the Logan-Forrester household by supporting Steffy’s delusions of entitlement and calls to hatred.  She’s doing exactly what Brooke’s accused her of doing, helping to spread poison to the next generation.  Stephanie Douglas couldn’t do it with her own children – who had no quarrel with the Logans, so she created a ‘proxy’ in taylor who helped pick up the call to arms.

If your son is a car bomber, your daughter slept with her ‘uncle’ and is now foolish enough to think that her ‘sweet sweet lovin’ will make a billionaire give back the family company he stole – if she could only get him away from his wife – you might not want to encourage  volatile levels of uncontrollable rage in your children.  You might remind them that while they’re screaming about being ‘outnumbered’, there are actually more Forresters than Logans and even then it doesn’t matter.  You might want to remind them that the children they’re railing against are as much part of the ‘Forrester clan’ as they are – given the fact that their biological father is not a biological Forrester – but  a biological Marone.  Ridge is a Forrester out of love, as are Brooke’s children.  You might want to remind your children that if they pull together as a family – they’re stronger, and more likely to kick Bill Spencer’s butt out of the company.  Rather than helping her children step outside of their self-pity and other- loathing, Taylor would rather encourage them to despise their own siblings.

This storyline has shown us why taylor will never be anything more than window dressing.   She’s a club the writers pull out of the closet to hit the Logans over the head with, and then put away.  The writers don’t care to give her depth, and that’s the real tragedy of the Bold and the Beautiful wasting the fan’s time with a gravely unbalanced show.  Given the fact that the BnB is the second highest rated show in daytime and the most watched soap in the world, I would expect more from the writing.  For  whatever reason the BnB’s dialogue writers have remained the weakest in the field for my money.  I don’t know if their hands are routinely tied by the head writer or if they’ve figured out that the BnB has survived almost purely on the shock value of its plots, and that the dialogue may not matter.

Whatever the issue, watching the BnB is like eating empty calories.  Sure, it’s a thrill at the moment, but when it’s over, you’re still hungry and a little less healthy for the trouble.  I’ve always maintained that the BnB should be the most watched soap in the U.S., as well.  It has all the elements: great production values, iconic actors and characters,  fabulous costuming whenever wardrobe is prevented from going too wild, and a neverending supply of lust filled story arcs.  Lust filled?  WAIT!  Forget the ’empty calories’ analogy.  Watching The Bold and The Beautiful is more like watching soft core porn.

I don’t watch porn, but I understand what it is.  Lots of sex, weak plots, incomplete dialogue that does little more than lead the characters to the path of lots of sex?  Why is that NOT like the BnB?

Rather than make the Logans  passive (which the writers treat the same as passive),  and willing to take all the crap the mean girls throw at them, why not allow them, and those who love them,  to respond with a truth meant to break the mean girl delusions?

Examples?

Steffy:  The Logans are taking over this place!  There’s no room for REAL Forresters.

Rick:  You mean Forresters  like Bridget, Felicia, Thorne, Kristen, their children and Me? Since our father is Eric Forrester and YOUR father  is a Marone?  What else do you have to say about REAL Forresters, Steffy?

*****

Stephanie:  You stole my husband you BITCH!

Brooke:  Sure, because you were happily married before I came along… unless you’ve forgotten that Eric was engaged to my mother after he left you, he dated a slew of Forrester models, and didn’t tell me he loved me until AFTER he was done with you for good – you hateful spiteful miserable self-deluding liar.

I didn’t steal your husband, you pushed him away with your hatred and he did the rest by refusing to allow you to draw him back in.  You blame me for losing him, but you haven’t explained why he turned to every other woman in L.A. BUT you when we were no longer together.  It’s time you stopped blaming me and started looking at why Eric has chosen everyone but you!

and then she walks away!

*****

Taylor:  RIDGE!  our children feel unloved.  They feel replaced and you’re not doing anything to make them feel better.

Ridge:  No taylor, YOU’RE not doing anything to make them feel better.  My relationship with our children hasn’t changed.  Why would you encourage them to believe that they have to fight to be loved?  What’s in it for YOU?  When will you put our children first?

*****

Steffy to Thomas:  If only I could get Bill away from Katie.  I could get him to give the company back.

Hope (who overhears them):  That trust fund you freely spend?  My mother and father’s hard work put that money in your account.  My mother made this company the success it was when she ran it, one of the most successful fashion houses in the history of the business.   She’s forgotten more about this business than you’ll ever  know, Steffy.

The next time you even think of calling my mother a whore, think about the fact that the only contribution you have to offer the company requires you to get on your back to do it.

And SCENE!

Wouldn’ t it be grand to have the mean girl characters get back the hell they give back to others?  We instead get BnB porn:

Steffy to Brooke:  You’re a whore.

Ridge to Brooke:  She made you feel bad?  (Disrobes her) let me make you feel better.

Taylor to Rick:  I’ve lost my child.  I had to give him away.

Rick to Taylor (as he disrobes her):  Let me make it better.
See? No logical response.  No exchanged heated enough to burn the remote out of your hands making it impossible to change the channel.    Bad psychiatry and almost-porn.  If you like either, you’d LOVE the BnB.

DAYS, again: Suzanne Rogers is breaking my heart!

I am mesmerized by this storyline.  The death of Mickey Horton is one of the most well crafted storylines I’ve seen any soap offer in some time – at least as it relates to a character’s death.  Some death scenes are gimmicky (as with Ann Douglas dying on a bed on the beach with her daughters at her side, on the Bold and the Beautiful).  Some are not worth mentioning – but when you kill off major characters, they deserve to be remembered well, and you know who you are you guilty soapgods!!!!

Just when you think that Suzanne Rogers has touched on every form and level of grief possible, she amazes you and hits yet another pitch perfect note:

I’ve been drained watching DAYS this week (uh, these last few days – it hasn’t been a week yet).  I almost feel guilty, as if I’m peeking in, uninvited, on a family’s private moment of pain.   Ms.  Roger’s gives Mickey’s death such realism that I can hardly believe that it’s possible for her to lose an Emmy, in any category she chooses to be nominated in.   This last set of episodes are good enough for DAYS to be considered the coming year’s ‘Best Drama’, in my book.  Unfortunately, I don’t get to hand out the Emmys.  Damn!

Despite the brilliance of her work this moment has to be bittersweet for Ms. Rogers.  John Clarke was her acting partner for decades prior to his retirement in 2004.  While Mickey returned, as portrayed by several notable and laudable actors – including General Hospital’s John Ingle, it was never the same.  No one was ever  able to replace Mickey, as the fans knew and loved him.  It had to have been one hell of a task for  Ms.  Rogers to first have to say good bye to  her long time friend, on set, and to then have to voice Maggie saying  good bye to her long time love, on screen.  She’s risen to the challenge admirably!

Watching Maggie’s scenes with Lucas was especially heartbreaking since Bryan Dattilo will soon vacate the role of Lucas Roberts.  Lucas is a Horton, by birth, and given Mickey’s death and Alice’s absence, it  would be redemptive of the writers to allow DAYS fans to watch Maggie, Hope, and Lucas rebuild the Horton clan.  Lucas Roberts Horton.  It has a nice ring to it, doesn’t it?  Without Lucas and the others, it feels like the death of an era.  Given the loss of two soaps in one year, I’d love for daytime’s  soapgods to give us MORE of our core families and core characters on the remaining daytime serials.  Soap fans, I think, need the consistency.  If the old adage is true, let’s hope that ‘every good-bye ain’t gone’, and that Lucas (portrayed by Dattilo) will return soon!  Aunt Maggie needs him!

DAYS: Mickey Horton/EJ DiMera, emphasis on DiMera

Before discussing the EJ issue, I’d like to them to say:

Good bye, Mickey Horton

(and I hope John Clarke is happy with Mickey’s send off).

Suzanne Rogers, you help to give the show it’s heart.  I hope you’ll stay with us for whatever time is left for the daytime serial.

Thank you, Days writers, for the decades of love and compassion you allowed Mickey and Maggie to bring to screen and share with the rest of us.

Click HERE for a link to a Mickey Horton Tribute site.

On to EJ DiMera, Emphasis on DiMera

Anyone reading this blog for longer than a week knows that I pretty much despise EJ DiMera.  He’s among the lowest form of soap life around, in my book.  Having said that, I LOVE the twist in the kidnapping story.  So EJ was Anna’s accomplice?  It just make sense, even if I didn’t see it coming!  Very clever DAYS writers.  So many writers claim they’re writing mysteries that will shock and amaze fans.   You actually pulled it off.   There’s a lot of good potentially coming out of this storyline.  There are also some problems with EJ’s actions beyond the fact that he’s a kidnapper.  Let me  start with the things that concern me before I tell you what I love about this plot.

The big concerns (EJ/Ejami fans, you may want to skip this):

EJ  threatened poor Faye Walker (Nicole’s mother).

He manhandled Ari Hernandez (Rafe’s sister).  He far to abusive with women.  Only a coward behaves with women the way he does.

He’s fought with Rafe.

He accused Sami of being a bad mother.

He framed Kate and his father for kidnapping.

He had Nicole physically harmed and then jailed for something she didn’t do.

He raised hell with the Salem PD and anyone else who would listen.

All of the above would be classic deflection and brilliant scheming AND make me  fall completely in love with the villain responsible for such evil machinations if it weren’t for one small factor.  EJ was merely victimizing Sami all over again!  How many times  does this man get to victimize her before the writers have her finally cut ties with him?  Isn’t it time to conduct new DNA tests and sever the blood ties Sami’s children currently have with EJ?  Shouldn’t Johnny be Lucas’ child?  The writers could certainly find a way to make Sydney ANYONE but EJ’s kid.  Geez, folks!  Nothing good comes from keeping Sami in the same room with EJ for longer than a minute.  She’s trapped by circumstance.  She shares children with a loon who manipulates her and hurts her repeatedly, for his own amusement.  EJ is sadly sadistic.

So what’s the outcome?  He forces Sami to marry him (or rather has Anna do it) before Sydney can be returned?   He gets her into bed, again?  Has he ever been able to do that without a weapon or without manipulating her?  Is he going to torment Sami until she snaps and then he takes custody of all of her children?  He sets Rafe up to be murdered when Rafe tries to recover Sydney? EJ swoops in to save Sydney in order to impress Sami?  It’s possible that his series of actions are all about undermining Rafe as a partner, as much as they are about punishing Sami, or manipulating her into relying on him.

I don’t want to see them together as a couple – she’s still the woman he raped.  The fact that the writers tried to bury her rape and have her ‘get over it’ to try to force the audience into buying this lackluster couple bears no weight with me.   In fact, the kidnapping storyline strengthens my resolve that Sami should NEVER be with him – their relationship has never been based on anything other than her victimization.  Ej enjoys Sami’s pain far  too much.  It’s too late to undo the damage done in forcing Sami and EJ together.

What I like

This storyline is a shot in the arm to the long drawn out kidnapping fiasco.  Without Ari Zuker’s (Nicole’s) participation in this storyline, it had become little more than an expensively produced sleeping pill… until now!

I’m actually curious about what happens next. It would be great if the writers allowed Sami to be the person to put the pieces of Sydney’s kidnapping together.   I’d love for her to get Sydney back and recognize the scent of EJ’s cologne on the child’s toys and clothing.  Maybe she remembers the sound of a toy in the background during a call from EJ.   She could then set a trap for him, one that leads to his arrest and punishment (whatever that means on this show).  Let it be the beginning of Sami cleansing herself of the hell EJ’s brought into her life.   For all of EJ’s anger at Nicole, his  actions are far worse than hers in my book.  Nicole gave him the chance to know the child Sami planned to give away (still wrong).  EJ has taken a child Sami held in her arms, one she loves, just to torment her.  He is one heartless bastard (which in daytime can be a good thing;  where good = interesting).

We know that most soap characters will never do jail time no matter how heinous the crime  unless the actors portraying them need release time or are leaving their shows for good.  I’m guessing that this storyline was designed to lead to a huge custody battle between Sami and EJ, rather than EJ wearing a matching orange jumper with Nicole.  His desperation to save his rights as a father could lead him to him rely on his father’s help, despite the fact that he may not want to. Will the reunited DiMera men lead a brand new reign of terror in Salem?  That leaves Kate in a pretty strange predicament.  Either Kate would join them – or she would at least allow them to believe she was joining them and secretly work against them if Phillip – through Stephanie, decided to help Sami.  In a war of any kind against the DiMeras,  I could see Victor supporting Phillip  and joining ‘Team Sami”.  He wouldn’t join them because he cares – that’s not who our Victor is.  He’d do it to help get the upper hand on the DiMeras in business by keeping them distracted in the courtroom.  The  Kiriakis-DiMera feud could continue for generations, but don’t worry soap fans.  DAYS will last long enough for you to watch it all unfold.  With  SORASing, great great grandchildren on both sides will be joining the Kiriakis and DiMera matriarchs and patriarchs, in heading into the fray by next Spring!

Too much?  You could be right, and if you are, the writers’ focus could (and should) just as easily be in reconstituting the Brady clan.  A custody battle would be a perfect opportunity to bring the Bradys back together and strengthen the family bond.   Sami has been too passive for far too long when it comes to EJ.  It’s time to unleash the real Sami Brady and watch her lead her family in protecting her children.  Watch out, EJ!  Sami shot the last man who violated her, right in his zipper.  You could be next, and you’re a repeat offender!

EJ vs. JS

While I have no love for EJ, James Scott is a powerful actor who brings so much to DAYS.  I wish the writers would hang up their ratings killing  ‘EJami’ obsession and let this character flourish without the baggage of that storyline.  They can never undo what’s happened between Sami and Ej, so why not let EJ feel true remorse and move on with his life?

His rivalry with Phillip was fun, before it became muderous.  Revive the rivalry.  Let these sons of privilege have a (somewhat) honest but brutal corporate battle.  Doesn’t Victor have a niece who wants to come to town and help run the family business?  EJ is too easily use to being around women he can dominate – he gets that from his father.  What happens if he meets a woman who isn’t afraid of him, who doesn’t think he’s ‘just dreamy’, and who’s capable of serving his backside on a silver platter?  When he’s truly realized the horrors of his past actions with women and is finally redeemed and ready to move forward,  he and Victor’s niece could be a part of a modern Romeo and Juliet storyline – minus the tragedy.  I’d like to see JS transform EJ into a truly viable romantic lead at some point in the future,  though  I’d love for EJ’s life to be about more than the women in it and what he does to them.  Scott  has the ability to play a far more complex character than he’s been allowed to play.  As a DAYS fan, I feel cheated that he’s limited to the role he’s currently playing.