Luciano’s Grimaldi genes are ‘all growed up’. BTW, the chemistry between Silver Spoon Luke and Whiny Pouty Reid Oliver? Pretty hot!
*YnR’s NuMalcolm? Not workin’. I’m trying, folks, I really am, but as good as it is to see Darius McCrary on screen again, this was just the wrong role to cast him in. Though… given the choice between keeping him as Malcolm and keeping KC’s Lily, he wins hands down! Malcolm Winters was an iconic character and unfortunately, McCrary’s interpretation falls flat. I’ve seen McCrary’s work in other projects (including CBS’s Cold Case) and he’s been very good. Something about this role just doesn’t seem to translate well for the actor.
* If GH’s “Franco” came to town because he’s totally obsessed with Jason:
1. Why was it necessary to have Maxie pimped out and risk her relationship with Spinelli? His focus has been Jason the entire time. The side story involving Maxie just doesn’t make sense and seems to be an awful waste of a couple (Maxelli) and a character (Franco). It served no purpose.
2. How can Jason be considered a ‘good guy’ when his actions capture the imagination of a ‘psychotic’ killer? Jason’s murderous exploits have made him an international icon for blood thirsty criminals? Some hero!
3. Why didn’t TPTB just name him Franco Guza? It would make sense of Franco’s obsession with Jason and the Suckpranos. It would have felt more honest. It’s art, seemingly, imitating life.
* Why aren’t the BnB”s Logan women allowed to confront sister Katie with her penchant for betraying her family for the love of her latest squeeze? Katie is 2 for 2, right now, and I’m getting tired of her whining and moaning about how SHE’S been betrayed. Put that attitude away Katie, and if you need help figuring out where to put it, just ask!
* Does anyone else think that ATWT’s Simon and Henry would make a far hotter couple than Luke and Noah? I’m so tired of the on-again-off-again nature of the Nuke relationship that I’m ready to see ATWT’s PTB replace them, NOW. Pay attention ATWT’s writers. OLTL’s writers are separating the men from the boys and writing a real relationship between two characters – who just happen to be gay. Watch and learn… Speaking of OLTL:
* Why the hell did OLTL’s Bo hand Dorian back the only piece of evidence that could convict his niece of stabbing Mitch Laurence? Was that supposed to be a sign of his honesty and integrity? It felt more like evidence of his sheer stupidity, especially since it’s becoming painfully clear to others that Dorian is Mitch’s puppet.
As for Dorian Lord, she is nothing if not devious. I’m not too thrilled with the image of a helpless Dorian Lord constantly caving in to Mitch’s demands. At what point does she put her years of mischief-making to use and takes Mitch down? I’m shocked by the fact that I like seeing Dorian on top, Mayor and chief power broker in Llanview, but I do. Why have that ruined by having her behave like a skittish child, jumping at the sight of her own shadow? MORE kick-ass Dorian, LESS kiss-ass Dorian, please.
* Doesn’t anyone else ever get tired of hearing the BnB’s taylor whine about how Brooke stole her life, and made her miserable? Even I can agree with her that that situation with Jack was traumatic. I sure as hell wouldn’t have wanted to give birth to the biological child of a woman I hated. Taylor didn’t sign on to be a surrogate. She had in vitro in order to have a family with Nick. The child she carried was supposed to be HER child. I get it, but the problem with her whining is that Brooke didn’t cause taylor to ‘lose’ her son. Taylor chose to give him away. She also chose to continue to try to compete with Brooke for Ridge – even when Ridge made it CLEAR that it was Brooke he loved. You can’t ask the woman to stay out of your life, and then constantly throw yourself in the middle of her life and call yourself a victim.
* Why do DAYS writers continue to make my skin crawl by having EJ touch Sami? Yes, yes… he was only comforting her after she received a call from Sydney’s kidnapper…. it’s just that every time he goes near her, I see him holding her at gunpoint. I hear him telling her that the only way to save Lucas is to let him violate her. Every touch makes my skin crawl. Has Sami forgotten how she ended up pregnant with EJ’s spawn (cutie that she is) and the one before her? C’mon writers, give Sami her dignity back and have her tell EJ to keep his gun-toting rapist paws off of her. Her confused ‘feelings’ are degrading and humiliating to watch, speaking as a woman.
Hey, if the actor involved can admit it was rape (comment below from a James Scott interview),
I would be lying if I said I didn’t worry about my future on the soap. I don’t think they handled the rape very well, and I’ll tell you why. EJ raped Sami, and then afterwards, he’s hanging out in her house — alone with her. It’s irresponsible on so many levels. However, had it been handled well, I think it would have been an interesting story choice. Now the story focus has shifted to her pregnancy and the classic soap story of paternity. Having said that, I chose to believe that EJ is in love with Samantha — he just can’t communicate it.
and TPTB can admit it was rape, it was RAPE. He forced her to have sex with him to save the life of the man she loved. You can read a decidedly pro EJami Wikipedia entry with Scott’s comments HERE (that is until someone decides to try to delete the comment).
As for DAYS increasingly dwindling ratings fortunes, is it any wonder that the new focus on Sami and EJ is linked to a rather rapid ratings slide for the show? Good luck selling Ej and Sami as anything other than what they really are: a victim and her obsessive, stalking, rapist.
* For most of the year (plus), All My Children has been largely unwatchable. Color me surprised when I got gooey and nostalgic for Hayley and Mateo’s return (more Hayley than Mateo). Watching Adam soften while talking with Hayley and joke about knowing something about raising ‘difficult children’ was the most priceless moment of that episode for me – Hayley of the dyed dark punk rock hair, now a mother with a wild child of her own. I thought about Brian Bodine, Uncle Pork Chop (Trevor), Natalie down the well, Janet from another Planet, Adam’s dark dark days (which really were different from just his ‘dark’ days), Stuart and Cindy, scheming Arlene Vaughn, the Santos family – even preachy mom and dad, Edmund and Maria, Erica and Dimitri, Bad girl Kendall and sweetheart Del Cooney, The Martin clan, Jeremy, Laurel and her brother Michael, Cliff and Nina, Palmer and Daisy, The Montgomery Brothers and their feud, Brooke English, Phoebe and Langley, Chuck and Tara, Beloved Mona and Myrtle, Ellen and Devon, Mark Dalton, Tom and Sean Cudahy, and so much more… sheesh). I know that not all of the above mentioned characters were on screen at the same time but just those few moments with Adam and Hayley opened a stream of AMC consciousness and I felt warm all over. I miss All my Children – the real All my Children.
* At some point, BnB’s Brooke Logan’s children are going to have to acknowledge (or learn) that there was NO WAR between their mother and Stephanie Douglas. Stephanie has been on the attack against Brooke almost from the moment she met her. Brooke has tried in vain to make peace and keep peace. Brooke does not seek Stephanie out to hurt her or make her miserable as Stephanie has done with her. Brooke hasn’t made a point of trying t0 publicly expose Stephanie for whatever her wrongdoings are – and there are many. Brooke hasn’t tried to turn Stephanie’s children against her, as Stephanie has tried to do with Brooke’s children.
To allow Brooke’s children to continue to think of Stephanie as ‘human’ feels like one of the daytime’s biggest lies. Theirs has been daytime’s biggest farce of a rivalry. A rivalry would require TWO participants. It would require balance. It has neither. In any other galaxy, Stephanie would be acknowledged as the psychotic villainess -bully she’s always been. Calling Stephanie a victim of Brooke’s would be the same as calling GH’s Helena Cassadine a victim of Alexis Davis… Hels only slit Alexis’ mother’s throat in front of her when she was a child and threatened her life every single day from that moment on. The warm and toasty moments between Brooke’s children and the dragon lady leaves me switching channels. When a crazed bee-yotch hands your mother an unregisted gun, while wearing white gloves, and tries to get her to take her life, she’s not your friend. She’s not like a mother to you, she’s not human. When that same woman facilitates your mother’s rape, you’re not suposed to ask her to be a part of your children’s lives. Come on BnB writers, get a grip.
Comparing individuals who are part of minority groups is usually a bit paternalistic and as a person of color I try to avoid it whenever possible. There are times, however, when comparisons are useful to illustrate a point. I remember watching Day of Our Lives, not long after learning about the cancellation of As The World Turns and watching Crystal Chappell at work in the reprised role of ‘Carly Manning Alamain’. I immediately started thinking about the reported deleted scene from the last episode of The Guiding Light, one in which Olivia gave Natalia a kiss on the cheek as Rafe boarded the bus on his way to basic training, and to begin his new life. It was cut – for some unknown reason… uh huh… As I thought about that deleted scene, I wondered if As The World Turns writers would follow The Guiding Light’s lead; specifically, are As The World Turns writers running out the clock on Nuke? Despite the numerous opportunities to make Otalia a full-fledged couple, like any other, Guiding Light writers waited until the last episodes to let fans know that the couple would, off screen, make it while building their new family. I suspect that Nuke is headed for the same fate.
Luke and Noah’s relationship started as a groundbreaking event in daytime – U.S. soaps first openly gay male couple. Unfortunately, there seems to have been more smoke for the couple on paper than anything that approximated fire onscreen. Onscreen, short of an occasional kiss and the implication that sex had occurred, it would have be pretty difficult for those who are sporadic viewers, or viewers flipping through channels, to not mistake Luke and Noah for siblings (right down to the scary proposition that Lily and Damian ‘adopt’ Noah, making Luke his lover’s legal brother). To think that Jerry Springer doesn’t even write for As the World Turns– at least not in his own name.
When I think about the difference between the way the One Life to Live writers approach the Kish (Kyle and Oliver Fish) relationship, I’m both in awe, and feel a bit of bitter disappointment about Nuke. The problems with the Kish storyline have nothing to do with character sexuality. The writers have potentially weakened the Kish dynamic by glossing over Kyle’s earlier blackmail of Natalie Buchanan and Jared Banks, and his willingness to torment a fragile Jessica Buchanan with the loss of yet another child. They’ve glossed over his involvement with Stacy in deceiving Rex and Gigi regarding Shane’s treatment and recovery. Of course, Stacy is still an evil bitch, and Kyle has been redeemed as a misguided and desperate pawn. The writers have glossed over the batshit crazy Kyle’s sister brought to screen and dropped any possible exploration of whether or not he’d been covering his involvement with her all this time. Right now it seems to be the case that he genuinely had nothing to do with her – but shouldn’t there be some lingering doubt?
It would have been quite an interesting dynamic to watch the above board, letter-of-the-law Oliver Fish reconcile his regard for law and his deep love for Kyle. (Yet another common thread with As The World Turns. I immediately began thinking of Carly Tenney and her “G Man” Jack Snyder.) I’d love to see a more nuanced relationship in which we’re rooting for Oliver’s happiness and wanting Kyle to be the right man for him, but never knowing if he should or would ever, be able to trust Kyle. Is Kyle with Oliver because he loves him, or is he with Oliver to fool everyone into thinking that he’s turned over a new leaf?
The role that should have gone to Kyle is now being played out by seemingly devious Nick – who listens at doorways and seems to always be involved in some underhanded plot. Oliver is still the good guy – trusting, hopeful, willing to believe in his love with Kyle and the bond he’s sure they share. I’ve been ambivalent about the rush job on Kish, for the reasons mentioned above, and yet still find myself rooting for them and wanting to kick Nick’s backside right out the door. If only there was some audience participation software that would have allowed me to give Roxy (and by extension One Life to Live writers) a high five when she observantly figured out that there’s something not quite right about Nick and that he could spell big trouble for Kish. The writers rarely allow our girl to be that observant!
What I appreciate most about the Kish/Nick storyline is that it’s a formula linked to a tried and true daytime staple. We’ve seen it a million times before, the lover on the outside wants in. An illness/injury/spat of amnesia leads the lover on the outside (Nick in this case) to use the condition to keep the unsuspecting target (Kyle) close. Only the target’s partner (Oliver) realizes what’s going on while the target repeatedly sides with the lover on the outside. Sooner or later Kyle and Oliver will end up fighting over Oliver’s not-so-insane jealously over Nick and mistrust of Nick and Kyle together. The distance between the young lovers will grow while Nick stands in the background smirking and plotting even further. Just when it seems that our young lovers will work their way back to one another, Nick will probably figure out that Stacy is pregnant with Oliver’s child and break the couple up ‘for good’, picking up the pieces and moving on with Kyle for as long as they last.
The writers have very quietly and cleverly done in months what years of pseudo-activism on As The World Turns has failed to do with Nuke. Carlivarti and crew have made it clear that Kish is just like everyone else, in all the ways that matter. When it was evident that As The World Turns writers would create a teen pregnancy storyline with Liberty, I’d hoped that Luke and Noah, with a little magical same-character-SORASing, would step in as the child’s adoptive parents. I wanted them to be a family, together, and to learn that it wasn’t as easy being in love as they’d thought, but fighting to remain committed to one another and growing stronger together.
Instead, it was one series of missteps after another for the couple. Nuke has yet to be integrated into the cast in a way that makes us identify with them as people. The writers have only allowed us to identify with them based on their sexuality. They are that – and so much more and it would be nice, before the show ends, for the writers to tell us who they are. Pessimistically, I hear the ticking of the clock, and suspect that the writers are more interested in running the clock down as we approach 2010. No family for Nuke, no lives related to their work or other accomplishments, not even a kiss on the cheek at the end, justa good bye, and what a pity that would be.
ROUND THREE, people, ROUND THREE! This will probably be my last blog on this topic for a while, since I’ve neglected my GH, DAYS, and OLTL duties and have yet to reflect on my new love-hate relationship with all three shows.
One of the benefits of posting on soap message boards and blogging is that posting gives you the opportunity to think fully about fans’ reactions to storylines you may think of as basic storylines. Apparently not! In the last BnB blog I posted, I wrote that I’ve been surprised by two concepts 1 – that Stephanie Forrester and Taylor Hamilton Hayes are ‘too moral’ to become involved in a lesbian storyline. 2 – That Taylor and Stephanie are highly moral, at all. The comments below work if you believe that it’s objectively true that Stephanie and Taylor are ‘moral’.
As the debate continues on the official Bold and Beautiful board regarding the speculated possibility of a ‘Staylor’ storyline, I realize just how brilliant the writing for ATWT and GL has been! Before you burn me in effigy, let me qualify that statement – because it clearly requires qualification. The writers of both shows have done something that would not dared have been dreamed of just a couple of decades ago. They’ve established their respective couples (Nuke and Otalia) with at least one partner in the couple serving as their respective shows’ moral centers.
Luke and Noah resisted the temptation to bed-hop as so many others around them had. Noah’s father was a horror of a freak show and Luke’s parents have likely spent as much time sleeping with other people as they have sleeping with one another. Nuke came together not because they were running from anything else, but because they were running TO each other. They took their time getting there (too much time for some fans’ tastes, but they were worth the wait). Nuke brought a patience, kindness, and caring back to the show that had been missing for some time. They also brought back a sense of old-fashioned romance.
The same could be said of Otalia.WOWZA! Their long-awaited admissions of love for one another was nothing short of ‘supernova’ brilliant! The tone was right, the location was right -oddly enough at Gus’ graveside, Liv’s inability to stop herself from saying the words she’s worked so hard to avoid was gut-wrenching… if I wasn’t already sold on them as a couple, I would have been sold at that moment. I haven’t been as pleased with what followed, but more on that at another time. What immediately struck me was Liv’s comment to Nat that she knew that the fact that she loved her was a ‘sin’ in Nat’s religion, but that she couldn’t stop from loving her. Nat treated Liv’s concern about her religious ideas for what it was, no obstacle. (Not everyone interprets religious scriptures the same way; and not everyone believes that love is a sin). Ok, so you’ve seen the follow up eps by now and know that religion will be an issue for the couple in the future. ARGH! I told you that would happen so I’m not surprised, but ARGH is still the best reaction I’m capable of giving at this time.
As for the original point, I think it’s fascinating that Natalia has become the ‘new Maureen Bauer’. She’s the show’s mother hen who makes easy work of finding the good in everyone, who keeps an open door and open heart to everyone around her, and is a friend to anyone in need. I can’t help but believe that the writers will address the ‘religiosity’ aspect of the Otalia storyline, soon, removing the notion of Natalia as a ‘damned soul’ because of her feelings for Olivia.
I think that the way the writing team from each soap handled the matter of establishing their respective couple as part of the show’s moral core (if such a thing exists on a daytime show) was so subtle that I hadn’t thought of it as an overarching theme for the introduction of gay/lesbian couples in the contemporary daytime setting. It could certainly be considered an extension of the introduction of AMC’s Bianca Montgomery who, at almost every age, has served as the keeper of Pine Valley’s collective moral conscience. She became ‘Grandma Mona’s’ spiritual heir.
The Bold and The Beautiful’s Celluloid Closet
If you’ve never seen the documentary ‘The Celluloid Closet’, it’s a MUST VIEW. The documentary is based on Vito Russo’s book of the same name. Clearly Hollywood did a poor job of supporting diversity of any kind in its early history, but like many others, my self-invested interests kept me focused on the nonexistent racial diversity and problematic portrayals of women. This documentary opened my eyes to discrimination across the board, and how easily societal attitudes about sexual minorities have been both shaped and reinforced by the superficial images presented on screen. When I see resistance to the notion of a ‘Staylor’ pairing, there’s a part of me that wonders if the implicit and explicit messages about the ‘morality’ and ‘sexuality’ as polar opposites taps some unexpectedly uncomfortable space when it comes to two characters who’ve presented themselves as the show’s moral standard bearers.
The questions for me is, given how well the formula has worked on other shows, why WOULDN”T Stephanie and Taylor serve as the most likely couple – should the writers decide to introduce sexual diversity to the BnB audience? Wouldn’t this be yet another variation on the theme?
Opening Segment of ‘The Celluloid Closet:
If the ever noble Luke and Noah, spiritual Bianca, and religious Natalia have led the way in asking fans to reconsider their ideas of sexual minorities as ‘immoral’ wherever those feelings exist, wouldn’t it make perfect sense for Stephanie and Taylor to provide the avenue to opening the discussion for viewers on The Bold and the Beautiful? I don’t know how anyone BUT the incredibly skilled Susan Flannery and John McCook could lead this storyline forward (yes, John McCook, not Hunter Tylo). I can see JM’s Eric reacting to his wife, in her ‘golden years’ – as Steph gingerly calls them, deciding not to spend her remaining time supporting him but deciding to live her life with dignity and integrity and being the person she was meant to be.
A tearful and genuine final goodbye to the drama and turmoil she’s lived with Eric? They part as friends, parents, and long ago partners in success before she moves on with her life? And then in walks Taylor. It’s the only thing that makes sense to me. As they stand now, their friendship doesn’t make sense in light of the Stephanie’s extreme attitudes and behaviors regarding Taylor. In the same documentary, author Susie Bright discusses clues that suggest the possible same sex attraction of Mrs Danvers to the character ‘Rebecca’, in the film of the same name. Her comments are in relationship to the clip from the film, featured below (beginning 5:30 in):
“Rebecca” and Mrs. Danvers:
I’ve been asked why I haven’t thought of Stephanie and Brooke as potential partners or supported that notion. Easy. It doesn’t make sense! If we follow the analogy all the way through, then clearly Stephanie is operating in the role of ‘Mrs. Danvers’ to Taylor’s “Rebecca’, with Brooke serving as “the second Mrs. De Winters”. No no, Brooke is no innocent, as is Joan Fontaine’s “the second Mrs. De Winters”, but Brooke truly loves Ridge (who serves as ‘Maxim’ in this analogy). She continues loving him despite never being able to win over the support of the controlling and overly protective Stephanie/Mrs. Danvers. Because of the unspoken love, and unbroken bond, Stephanie’s Danvers shares with Taylor’s ‘Rebecca” – one that not even death breaks, Brooke will always be on the outside. She will never overcome Steph’s/Danvers’ desire to maintain the MYTH of Taylor’s (Rebecca’s) perfection. Brooke will continue to be psychologically tortured by a false image of the perfect woman that Stephanie/Danvers created out of her own unexpressed desires, an image Stephanie/Danvers uses as a weapon against Brooke/2ndDW, though she knows the truth.
Brooke’s 2ndDW will never benefit from having Steph’s Mrs. Danvers spin her misdeeds into something magical and perfectly acceptable in order to hide those sins from those around her as Stephanie/Danvers has done for Taylor/Rebecca. Note how, in both the film and on the BnB, it was most important to maintain the notion of purity for those who were in the dark about Taylor/Rebecca’s true nature, most especially Ridge/Maxim. Steph’s only loyalty is to Taylor. Her passion and compassion are saved for Taylor. Her forgiveness is saved for Taylor. Why is it so unlikely that her truest love is reserved for Taylor? For those who think of Steph and Taylor as mere friends, I just don’t see it. I think the BnB has been writing from it’s own celluloid closet for these two characters for some time, unintentionally or not.
Sit down. I have to tell you something and it may be shocking to some of you… most especially those of you who are new to daytime. You’re probably not aware of this, ATWT’s Luke Snyder is gay. GAY, I tell you! NO SERIOUSLY! I’m not making this stuff up! Don’t feel foolish if you don’t already know. It’s been hard to figure out because the writers so rarely allow anyone on screen to mention it. It’s one of the show’s best kept secrets. I mean, they only bring the issue up… pretty much EVERY FREAKIN TIME the guy is on screen. Apparently, the fact that he’s in love with another man and that they’ve had a long term relationship is NOT enough of a clue. I’m starting to think that the writers believe we’re a maze-dull lot, not capable of thinking our way out of a paper bag. That could be true, or they could be projecting. Ouch?
I’ve been longing for a storyline that involves my guy, Luke; a storyline that’s just about him – as a young man moving into the adult world, like Casey, and Allison, and pretty much anyone else before him. As things are shaping up it doesn’t seem to be the case that it’s ever going to happen. Each new storyline is a little bit like the last, with a slight twist.
I want MORE.
I want a storyline in which characters don’t even whisper Luke’s sexuality, or give knowing glances. Let me be clear, I make no pretenses of being an advocate of any sort for gays and lesbians. As a straight woman woman of color, I can only tell you what I prefer in storylines, not whether or not these are the storylines the LGBT community want to have told about Luke and Noah (or even GL’s Liv and Natalia – but more on that, later). I can only tell you that I would be loathe to tune into a daytime program that was still airing storylines about civil rights or if the character of color was still battling rampant racism and trying to adjust to life among those in ‘White America’ as the theme in each and every storyline.. We’re beyond that.
Are we beyond that point in relationship to stories about sexual orientation? Maybe the recent focus on gay and lesbian characters in daytime requires paying more attention to issues of coming out and discrimination of all sorts. I don’t know, but in light of shows like “L word”, “Queer as Folk”, and even “Degrassi: The Next Generation”, it would appear that stories that are multifaceted are equally likely to receive positive fan feedback than three or four years of ‘coming out’ storylines with the exact same characters.
Instead of feeding stereotypes, build a cultural context around them that makes stereotyping irrelevant and anachronistic. Leave stereotyping as a thing of the past, as it should be, and focus on those characters who have moved beyond them.
As a person of color, I understand the need for highlighting activism and focusing on the eternal struggle for human rights, but if that’s the route the writers want to take, then have Luke and Noah take on the marriage issue. It pisses me off, ROYALLY, that ATWT writers have no trouble with storylines about lust and sex and now a half-wit marriage for Liberty and Parker, but can’t figure out what to do with Noah and Luke… color me stunned.
What I see in Luke’s storyline (there’s so little focus on Noah on ATWT – I sometimes forget the poor dear is there) is some of what I see in GL’s Otalia, but to a lesser degree. I’m beginning to get the feeling that the writers on GL are starting to stall the storyline. For several reasons.
1. The most generous explanation is that Jessica Leccia (“Natalia”) is pregnant in real life. She and husband, Brian Malloy, are expecting their first child. The writers may want to wait until after the actress returns from maternity leave to delve more heavily into the Otalia romance.
I can envision a scenario in which, just before Leccia gives birth in real life, Natalia realizes that she has to tell Liv how she feels and then goes away for a while to ‘clear her head’ and come back ready for a relationship. (Or she goes away to clear her head, first, and comes back ready to take her relationship with Liv to the next level).
Given how many times writers have worked around real life pregnancies in other storylines, Leccia’s pregnancy shouldn’t be an issue. Maybe it’s not, I dunno.
2. I began to feel a bit queasy about the issue of Doris Wolfe. What the hell was the point in that? Doris has a ‘coming out’ of her own to deal with – out of the blue? Is there NO creativity in daytime? I can count on one hand how many characters have been openly gay from the start. Everyone else, regardless of age, or life experience, has been closeted. Fuel to the fire? Does every show have to create a closeted ‘anti-gay’ jerk and/or villan character? (Brian, ATWT; Daniel Coulson, self-hating closeted gay male on OLTL… <sigh>)
Now that Doris is one step closer to coming out, will there be a Doris/Liv/Natalia triangle? Will the deliciously ruthless side of Doris appeal to the deliciously ruthless side of Olivia Spencer? Will Doris plot and plan and ruin the Otalia relationship to give herself time to swoop in and claim Liv for herself while Nat ‘hems’ and ‘haws’ about whether or not she should be in love with another woman?
Geez, the more I think about it, the more I like it. Remember the ability Roger Thorpe had to corrupt good women and make them his wicked partner in crime? How about Alan Spaulding and Blake Mahler? Could we have Doris Wolfe and Olivia Spencer rocking Springfield while Natalia is the ‘angel sitting on Liv’s shoulder’, trying to woo her back from the dark side? OH, now THAT could be interesting.
3. Is Doris’ coming out more significant than that? Is it a sign that, despite published reports elsewhere, the writers are reconsidering Otalia? As Josh and Liv flirted, throwing out sexual innuendo so hot my television screen fogged (uh, don’t know how that happened), I had to wonder why that scene was necessary, no matter how terribly sexually exciting! Haven’t we already seen Liv trying to prove her bonafides by hitting on a group of hot young studs, at the SAME BAR? That was only a few weeks back, maybe a month or so. What’s THIS about?
Then the follow up with Doris, in which Liv suddenly starts questioning whether or not she could love a woman, because she STILL loves the power she has over men and the attraction to them. More running away? At this stage of the game?
Maybe it’s nothing, and maybe it’s everything. If the writers think that throwing Otalia to the wolves (get it?) will go unnoticed, they’re wrong. If they think Doris’ offscreen adventures will matter enough for fans and that the ‘closeted adventures of Doris Wolfe’ will replace the Otalia connection, they’re wrong. If they think throwing a Doris/Olivia/Natalia storyline together will get the attention of fans, they’re… ok, they’re not wrong about that as far as I’m concerned. I’d watch, and cheer Nat on all the way!
Again, if those two plot points mean nothing, no biggie. My only point is that I won’t accept a cheap imitation. Ok, and I have a second point: I’m watching you, GL writers, with both eyes!
From reading fan reaction I understand why there’s a good bit of disappointment in TPTB’s handling the couple’s first time -including the lack of publicity for the scenes, as well as the scenes primarily off screen nature.
Blink and you missed it.
Watch and you missed it – though the shower scene was cute..
That said, here’s what I think is positive in what’s happened:
1 – Luke and Noah saved themselves for one another. I was worried that the writers were headed for a drunken first time for Luke, with Brian taking advantage of him.
Noah and Luke have loved each other too long, too deeply, and too faithfully to give themselves to other people. It would have been heartbreaking if they had. The writers honored their love and respected the fans who love them..
2 – The writers finally took the plunge. Working off the belief that the first time is the most difficult, I can only trust that the writers have more love scenes they’ve been waiting to share with viewers and will now that they’ve taken the audience this far.
Maybe the next love scenes will give us the warm/fuzzy after- cuddle and nuzzling we’re use to with other supercouples.
Truthfully, before this I’d been waiting for the writers to do the unthinkable and find a way to send Nuke off to parts unknown. I no longer have that fear. Nuke’s first time signals a new kind of commitment from TPTB and I’m back to being willing to wait and see what comes next. I’m hopeful, again, about what’s in store for Nuke and think the best is yet to come. The possibilities seem wide open, now.
There are signs of progress and regression in daytime regarding sexuality . Writers have shifted from introducing gay characters and then writing them off shortly after, to keeping gay characters onscreen longer and developing storylines around them.
AMC’s Michael Delaney and Devon McFadden, ATWT’s Hank Elliot, and OLTL’s Billy Douglas and Daniel Coulson have become AMC’s Bianca and Reese and ATWT’s Luke and Noah. Progress.
Regression is evident in the lack of commitment to gay couples. By keeping gay chararcters on longer writers appear to be confused about what to do next. Gay doesn’t even mean happy for such characters as writers have decided that all should be deeply tortured about their sexuality even when in loving relationships – adding a layer of psychological distress their straight counterparts don’t have to deal with. Others struggle in the midst of primarily unrealized relationships, where there’s love without loving touch, or romance without commitment.
I’d given AMC’s writers high praise for making the commitment ATWT’s writers seemed to be afraid to make. Then both storylines regressed to nearly the same point. Luke questioned Noah’s sexuality without cause to do so, Reese is now physically attracted to Zach.
Even the now defunct Passions, a show that arguably had the highest commitment to advancing relationships between its gay characters, wrote one of the partners as intersexed, living as a female at times. The other partner was happily married -while on the down low.
. While some daytime execs appear to be concerned about not catering to ‘agendas’, I have to wonder if they aren’t moving too far in the other direction. Do they run the risk of promoting the false beflief that sexuality (but only as it pertains to gays and lesbians) is flexible? ‘
If the point of creating the new class of gay characters is to celebrate diversity and provide an accurately reflective image of real life, take a big girl/ big boy pill and do it.