Points to ponder – All Soaps

*YnR’s NuMalcolm?  Not workin’.  I’m trying, folks, I really am, but as good as it is to see Darius McCrary on screen again, this was just the wrong role to cast him in. Though… given the choice between keeping him as Malcolm and keeping KC’s Lily, he wins hands down!  Malcolm Winters was an iconic character and unfortunately, McCrary’s interpretation falls flat.  I’ve seen McCrary’s work in other projects (including CBS’s Cold Case) and he’s been very good.  Something about this role just doesn’t seem to translate well for the actor.

* If GH’s “Franco” came to town because he’s totally obsessed with Jason:

1.  Why was it necessary to have Maxie pimped out and risk her relationship with Spinelli?  His focus has been Jason the entire time.  The side story involving Maxie just doesn’t make sense and seems to be an awful waste of a couple (Maxelli) and a character (Franco).  It served no purpose.

2.  How can Jason be considered a ‘good guy’ when his actions capture  the imagination of a ‘psychotic’ killer?  Jason’s murderous exploits have made him an international icon for blood thirsty criminals?  Some hero!

3.  Why didn’t TPTB just name him Franco Guza?  It would make sense of Franco’s obsession with Jason and the Suckpranos.  It would have felt more honest.  It’s art, seemingly, imitating life.

* Why aren’t the BnB”s Logan women allowed to confront sister Katie with her penchant for betraying her family for the love of  her latest squeeze?  Katie is 2 for 2, right now, and I’m getting tired of her whining and moaning about how SHE’S been betrayed.  Put that attitude away Katie, and if you need help figuring out where to put it, just ask!

*  Does anyone else think that ATWT’s Simon and Henry would make a far hotter couple than Luke and Noah?   I’m so tired of the on-again-off-again nature of the Nuke relationship that I’m ready to see ATWT’s PTB replace them, NOW.  Pay attention ATWT’s writers.  OLTL’s writers are separating the men from the boys and writing a real relationship between two characters – who just happen to be gay. Watch and learn… Speaking of OLTL:

* Why the hell did OLTL’s Bo hand Dorian back the only piece of evidence that could convict his niece of stabbing Mitch Laurence?  Was that supposed to be a sign of his honesty and integrity?  It felt more like evidence of his sheer stupidity,  especially since it’s becoming painfully clear to others that Dorian is Mitch’s puppet.

As for Dorian Lord, she is nothing if not devious.  I’m not too thrilled with the image of a helpless Dorian Lord constantly caving in to Mitch’s demands.  At what point does she put her years of mischief-making to use and takes Mitch down?  I’m shocked by the fact that I like seeing Dorian on top, Mayor and chief power broker in Llanview, but I do.  Why have that ruined by having her behave like a skittish child, jumping at the sight of her own shadow?  MORE kick-ass Dorian, LESS kiss-ass Dorian, please.

* Doesn’t anyone else  ever get tired of hearing the BnB’s taylor whine about how Brooke stole her life, and made her miserable?  Even I can agree with her that that situation with Jack was traumatic.  I sure as hell wouldn’t have wanted to give birth to the biological child of a woman I hated.    Taylor didn’t sign on to be a surrogate.  She had in vitro in order to have a family with Nick.  The child she carried was supposed to be HER child.  I get it, but the problem with her whining is that Brooke didn’t cause taylor to ‘lose’ her son.  Taylor chose to give him away.  She also chose to continue to try to compete with Brooke for Ridge – even when Ridge  made it CLEAR that it was Brooke he loved.  You can’t ask the woman to stay out of your life, and then constantly throw yourself in the middle of her life and call yourself a victim.

* Why do DAYS writers continue to make my skin crawl by having EJ touch Sami?  Yes, yes… he was only comforting her after she received a call from Sydney’s kidnapper…. it’s just that every time he goes near her, I see him holding her at gunpoint.   I hear him  telling her that the only way to save  Lucas is to let him violate her.  Every touch makes my skin crawl.  Has Sami forgotten how she ended up pregnant with  EJ’s spawn (cutie that she is) and the one before her?  C’mon writers,  give Sami her dignity back and have her tell EJ to keep his gun-toting rapist paws off of her.  Her confused ‘feelings’ are degrading and humiliating to watch, speaking as a woman.

Hey, if the actor involved can admit it was rape (comment below from a James Scott interview),

I would be lying if I said I didn’t worry about my future on the soap. I don’t think they handled the rape very well, and I’ll tell you why. EJ raped Sami, and then afterwards, he’s hanging out in her house — alone with her. It’s irresponsible on so many levels. However, had it been handled well, I think it would have been an interesting story choice. Now the story focus has shifted to her pregnancy and the classic soap story of paternity. Having said that, I chose to believe that EJ is in love with Samantha — he just can’t communicate it.

and TPTB can admit it was rape, it was RAPE.  He forced her to have sex with him to save the life of the man she loved. You can read a decidedly pro EJami Wikipedia entry with Scott’s comments HERE (that is until someone decides to try to delete the comment).

As for DAYS increasingly dwindling ratings fortunes, is it any wonder that the new  focus on Sami and EJ is linked to a rather rapid ratings slide for the show? Good luck selling Ej and Sami as anything other than what they really are:  a victim and her obsessive, stalking, rapist.

* For most of the year (plus), All My Children has been largely unwatchable.   Color me surprised when I got gooey and nostalgic for Hayley and Mateo’s return (more Hayley than Mateo).  Watching Adam soften while talking with Hayley and joke about knowing something about raising  ‘difficult children’ was the most priceless moment of that episode for me – Hayley of the dyed dark punk rock hair, now a mother with a wild child of her own.  I thought about Brian Bodine,  Uncle Pork Chop (Trevor), Natalie down the well, Janet from another Planet, Adam’s dark dark days (which really were different from just his ‘dark’ days), Stuart and Cindy, scheming Arlene Vaughn, the Santos family – even preachy mom and dad, Edmund and Maria, Erica and Dimitri, Bad girl Kendall and sweetheart Del Cooney, The Martin clan, Jeremy, Laurel and her brother Michael, Cliff and Nina,  Palmer and Daisy, The Montgomery Brothers and their feud, Brooke English, Phoebe and  Langley, Chuck and Tara,  Beloved Mona and Myrtle, Ellen and Devon, Mark Dalton, Tom and Sean Cudahy, and so much more… sheesh).  I know that not all of the above mentioned characters were on screen at the same time but just those few moments with Adam and Hayley opened a stream of AMC consciousness  and I felt warm all over.   I miss All my Children – the real All my Children.

* At some point, BnB’s Brooke Logan’s children are going to have to acknowledge (or learn) that there was NO WAR between their mother and Stephanie Douglas.  Stephanie has been on the attack against Brooke almost from the moment she met her.  Brooke has tried in vain to make peace and keep peace.  Brooke does not seek Stephanie out to hurt her or make her miserable as Stephanie has done with her.  Brooke hasn’t made a point of trying t0  publicly expose Stephanie for whatever her wrongdoings are – and there are many.  Brooke hasn’t tried to turn Stephanie’s children against her, as Stephanie has tried to do with Brooke’s children.

To allow Brooke’s children to continue to think of Stephanie as ‘human’ feels like one of the daytime’s biggest lies.  Theirs has been daytime’s biggest farce of a rivalry.  A rivalry would require TWO participants.  It would require balance.  It has neither.  In any other galaxy, Stephanie would be acknowledged as the psychotic villainess -bully she’s always been.  Calling Stephanie a victim of Brooke’s would be the same as calling GH’s Helena Cassadine a victim of Alexis Davis… Hels only slit Alexis’ mother’s throat in front of her when she was a child and threatened her life every single day from that moment on.  The warm and toasty moments between Brooke’s children and the dragon lady leaves me switching channels.  When a crazed bee-yotch hands your mother an unregisted gun, while wearing white gloves, and tries to get her to take her life, she’s not your friend.  She’s not like a mother to you, she’s not human.  When that same woman facilitates your mother’s rape, you’re not suposed to ask her to be a part of your children’s lives.  Come on BnB writers, get a grip.

Nuke countdown… 5 4 3 2….

Comparing individuals who are part of minority groups is usually a bit paternalistic and as a person of color I try to avoid it whenever possible.  There are times, however, when  comparisons are useful to illustrate a point.  I remember watching Day of Our Lives, not long after learning about the cancellation of As The World Turns and watching Crystal Chappell at work in the reprised role of  ‘Carly Manning Alamain’.  I immediately started thinking about the reported deleted scene from the last episode of  The Guiding Light, one in which Olivia gave Natalia a kiss on the cheek as Rafe boarded the bus on his way to basic training, and to begin his new life.  It was  cut – for some unknown reason… uh huh…  As I thought about that deleted scene, I wondered if As The World Turns writers would follow The Guiding Light’s lead; specifically, are  As The World Turns writers running out the clock on Nuke?  Despite the numerous opportunities to make Otalia a full-fledged couple, like any other, Guiding Light writers waited until the last episodes to let fans know that the couple  would, off screen, make it while building their new family.  I suspect that Nuke is headed for the same fate.

Luke and Noah’s relationship started as a  groundbreaking event in daytime – U.S. soaps first openly gay male couple.  Unfortunately, there seems to have been more smoke for the couple on paper than anything that approximated fire onscreen.  Onscreen, short of an occasional kiss and the implication that  sex had occurred, it would have be pretty difficult for those who are sporadic viewers, or viewers flipping through channels,  to not mistake Luke and Noah for siblings (right down to the scary proposition that Lily and Damian ‘adopt’ Noah, making Luke his lover’s legal brother).  To think that Jerry Springer doesn’t even write for As the World Turns– at least not in his own name.

When I think about the difference between the way the One Life to Live writers approach the Kish (Kyle and Oliver Fish) relationship, I’m both in awe, and feel a bit of bitter disappointment about Nuke.  The problems with the Kish storyline have  nothing to do with character  sexuality.  The writers have potentially weakened the Kish dynamic by glossing over Kyle’s earlier blackmail of Natalie Buchanan and Jared Banks, and his willingness to torment a fragile Jessica Buchanan with the loss of yet another child.  They’ve glossed over his involvement with Stacy in deceiving Rex and Gigi regarding Shane’s treatment and recovery.  Of course, Stacy is still an evil bitch, and  Kyle has been redeemed as a misguided and desperate pawn.  The writers have glossed over the batshit crazy  Kyle’s sister brought to screen and dropped any possible exploration of whether or not he’d been covering his involvement with her all this time.  Right now it seems to be the case that he genuinely had nothing to do with her – but shouldn’t there be some lingering doubt?

It would have been quite an interesting dynamic to watch the above board, letter-of-the-law Oliver Fish reconcile his regard for law and his deep love for Kyle.  (Yet another common thread with As The World Turns.  I immediately began thinking of Carly Tenney and her “G Man” Jack Snyder.)   I’d love to see a more nuanced relationship in which we’re rooting for Oliver’s happiness and wanting Kyle to be the right man for him, but never knowing if he should or  would ever, be able to trust Kyle.  Is Kyle with Oliver because he loves him, or is he with Oliver to fool everyone into thinking that he’s turned over a new leaf?

The role that should have gone to Kyle is now being played out by seemingly devious Nick – who listens at doorways and seems to always be involved in some underhanded plot.  Oliver is still the good guy – trusting, hopeful, willing to believe in his love with Kyle and the bond he’s sure they share.  I’ve been ambivalent about the rush job on Kish, for the reasons mentioned above, and yet still find myself rooting for them and wanting to kick Nick’s backside right out the door.   If only there was some audience participation software that would have allowed me to give Roxy (and by extension One Life to Live writers) a high five when she observantly figured out that there’s something not quite right about Nick and that he could spell big trouble for Kish.  The writers rarely allow our girl to be that observant!

What I appreciate most about the Kish/Nick storyline is that it’s a formula  linked to a tried and true daytime staple.  We’ve seen it a million times before, the lover on the outside wants in.  An illness/injury/spat of amnesia leads the lover on the outside (Nick in this case)  to use the condition to keep the unsuspecting target  (Kyle) close. Only the target’s partner (Oliver) realizes what’s going on while the target repeatedly sides with the lover on the outside.  Sooner or later Kyle and Oliver will end up fighting over Oliver’s not-so-insane jealously over Nick and mistrust of Nick and Kyle together.  The distance between the young lovers will grow while Nick stands in the background smirking and plotting even further.  Just when it seems that our young lovers will work their way back to one another, Nick will probably figure out that Stacy is pregnant with Oliver’s child and break the couple up ‘for good’, picking up the pieces and moving on with Kyle for as long as they last.

The writers have very quietly and cleverly done in months what years of pseudo-activism on As The World Turns has failed to do with Nuke.  Carlivarti and crew have made it clear that Kish is just like everyone else, in all the ways that matter.   When it was evident that As The World Turns writers would create a teen pregnancy storyline with Liberty, I’d hoped that Luke and Noah, with a little magical same-character-SORASing, would step in as the child’s adoptive parents.  I wanted them to be a family, together, and to learn that it wasn’t as easy being in love as they’d thought, but fighting to remain committed to one another and growing stronger together.

Instead, it was one series of missteps after another for the couple.  Nuke has yet to be integrated into the cast in a way that makes us identify with them as people. The writers have only allowed us to identify with them based on their sexuality.  They are that – and so much more and it would be nice, before the show ends, for the writers to tell us who they are.  Pessimistically, I hear the ticking of the clock, and suspect that the writers are more interested in running the clock down as we approach 2010.  No family for Nuke, no lives related to their work  or other accomplishments, not even a  kiss on the cheek at the end, justa  good bye, and what a pity that would be.

What is the point of gay characters in daytime?

There are signs of progress and regression in daytime regarding sexuality . Writers have shifted from introducing gay characters and then writing them off shortly after, to keeping gay characters onscreen longer and developing storylines around them.

AMC’s Michael Delaney and Devon McFadden, ATWT’s Hank Elliot, and OLTL’s Billy Douglas and Daniel Coulson have become AMC’s Bianca and Reese and ATWT’s Luke and Noah. Progress.

Regression is evident in the lack of commitment to gay couples. By keeping gay chararcters on longer writers appear to be confused about what to do next. Gay doesn’t even mean happy for such characters as writers have decided that all should be deeply tortured about their sexuality even when in loving relationships – adding a layer of psychological distress their straight counterparts don’t have to deal with. Others struggle in the midst of primarily unrealized relationships, where there’s love without loving touch, or romance without commitment.

I’d given AMC’s writers high praise for making the commitment ATWT’s writers seemed to be afraid to make. Then both storylines regressed to nearly the same point. Luke questioned Noah’s sexuality without cause to do so, Reese is now physically attracted to Zach.

Even the now defunct Passions, a show that arguably had the highest commitment to advancing relationships between its gay characters, wrote one of the partners as intersexed, living as a female at times. The other partner was happily married -while on the down low.

. While some daytime execs appear to be concerned about not catering to ‘agendas’, I have to wonder if they aren’t moving too far in the other direction. Do they run the risk of promoting the false beflief that sexuality (but only as it pertains to gays and lesbians) is flexible? ‘

If the point of creating the new class of gay characters is to celebrate diversity and provide an accurately reflective image of real life, take a big girl/ big boy pill and do it.

Could ATWTs Brian be bisexual?

There’s a great fan debate taking place on the official ATWT board about the matter. I was initially disgusted by Lucinda Walsh’s involvement in this storyline. Daytime writers seem to have a deep passion for humiliating women at midlife, in regard to romantic storylines. Midlife women are always desperate fools for love who just can’t see how unappealing they are to their partners (see BnB’s Eric and Stephanie).

I don’t trust the WT writers to have thought this one out completely- Lu and Luke’s involvement is most likely about simple sensationalism. Yet this plot has the potential to play to the show’s history with regard to Lucinda.. Ultimately she may be the perfect person for Brian to have turned to.

She was the person who welcomed Jessica and Duncan’s love as a blessing. She embraced their marriage and the birth of Bonnie. She’s treated all human behavior as it should be treated, with love. Ok, she had a hard time accepting Holden – but he proved her RIGHT!!

After a period of time of rightful pain and anger at Brian’s betrayal, she may be the one who helps Brian learn to be proud and accepting of who he is. Brian may truly love Lucinda even if his guilt prevents him from sleeping with her. He may truly love Luke even if his marriage to Lu makes it impossible for them to be together. (AHEM!!!! And let’s not forget Luke’s love for Noah)

Until Brian can undergo some sort of self-exploration, he’ll never be able to love anyone including himself. What irony if Lu is the one to get him there.

This is a much richer and complex storyline than I’d imagined. Let’s hope the writers do something amazing with it no matter where else they take this storyline.

By the way, with so many characters coming back, wouldn’t this be a perfect time for John Dixon to come back. Lu could use a shoulder to cry on. She my need some who’ll listen as she puts this all in perspective. And she deserves a man who truly loves her and only her.

Clearly, it’s the turkey talking…

I’m always giddy for about a week before the Thanksgiving holiday… mad with anticipation.  It happens every year and it’s the only thing I can think of that explains the fact that I loved daytime last week.  I can’t think of a thing I truly disliked.  I enjoyed most of what aired!  WOW!

The Young and the Restless – Poor deluded, insecure, Phyllis.  LOVED her reaction to Nick and Sharon’s closeness and that she made sure that everyone knew that she felt ‘thankful’ for a husband who made her feel “sexy”.  I LOVED that Sharon wasn’t at all affected by the possessive kiss Phyllis planted on Nick.  Loved  Nikki and Paul.   I get a little tingly watching them!  Daytime writers always receive huge kudos for remembering the show’s history and giving us a reason to cheer historic couple on.  Veteran viewers will remember the STD storyline  that ended the relationship between these characters when they were younger adults – opening the door to Victor and Nikki.  It’s an old storyline that still makes some cringe at the thought of the two of them getting together now.  I say, BIG DEAL.  Paul made mistakes when he was younger.  Look at the man he is now.  Victor never gave Nikki an STD, but he hasn’t given her much else, either.  Paul is so gentle, so sweet, and so caring.  It’s been a while since Nikki has had a man like Paul.  She’s so use to being treated like property that the tenderness she shares with Paul must be akin to a drowning woman being tossed a life raft.

Hey, it doesn’t hurt that Doug Davidson has grown sexier over time and brings a dignity and integrity to the character of Paul that makes me wonder what took writers so long to decide to make him a leading man, again. Better late than never, writers.  What a huge plus for veteran viewers like myself who aren’t as fond of new gang of unlikable leads – and you know who they are even if the writers don’t.  We get a character we’ve loved for a long time, in a surprising storyline that works.   Daytime writers are always patting themselves on the back for ‘taking chances’.  These are the sort of chances viewers want more of – playing with the show’s history and taking us somewhere we hadn’t expected to go.

One Life To Live – Erika Slezak has once again proven that she can take the very worst the writers throw at an audience and spin it into Emmy gold!  Breathing new life into Viki Lord Davidson, she almost, ALMOST, gave me a reason to feel sorry for Todd.  While that moment was fleeting, my complete and total awe of ES’s performance remains.  That Viki suggested that the only true escape from the Lord legacy was death made me gasp.  Viki’s expression of emotional and psychological exhaustion and devastation was probably the most amazing work anyone has done on this show in a while.  There are things best left forgotten, and there are those things too horrific to forget. The only option when you’re dealing with the latter is to do what you have to do to survive them.  To have the sexual assault of Viki revealed and brought to light again was painful for many viewers, I suspect.  As peeved as I still am at the writers for the Marty/Todd storyline, I have to admit that they’ve done a magnificent job laying out the case for viewing the Lord family in new perspective.  It doesn’t make me want to forgive Todd, but it does add a layer of tragedy to the storyline that I hadn’t considered before.

The Bold and The Beautiful: DELICIOUS!  I found myself wondering if the writers wanted us to view Eric as a man who is so pathetic that his children can’t help but play on his stupidity and his vanity.  It’s not just one son who is lying to and deceiving him, but TWO!  Rick has led him to believe that he was more seriously hurt than he actually was.  Thorne tricked him into believing that Donna was cheating on him.  I’m sure this storyline was supposed to be another ‘pity poor Donna’ attempt.  Sorry, writers, no dice.   That won’t happen.  Donna is irrelevant at this point.  So much of Eric’s life has been spent being pampered and catered to that his children knew exactly which buttons to push to make him dance to their tune.  How perfect is it that a man who has only been passingly acquainted with the term ‘fidelity’ demands and expects it from others?  My only real disappointment with this storyline is that Donna will probably end up crying on the ever willing Owen’s shoulder. Poor Budge will become Owen’s friend and confidante, when she should be the woman he falls in love with – but it would be too much to have the writers allow Bridget to be happy.

DAYS Of Our Lives – Nicole, Nicole, Nicole… Zuker was perfect, of course.  Just when you’re convinced that Nicole Walker is completely soulless, Zuker pulls out the most amazing performance and reminds you that Nicole’s rough and hard exterior only serves to protect her incredibly soft heart.  I just love this character.  I may not like what’s coming for our Nicole Walker Dimera, but Zuker makes me want to hang in there and watch just for the performances.  GO GET ‘EM, Nicole!

All My Children –  O… M… G!!!!  Annie?  YIKES!  I know it was Annie Lavery carrying that bloody knife and wedding bouquet, last week, but honest to goodness, I just kept seeing Richie’s face.  If only the residents of Pine Valley knew then what they know now.  I was sorry to see Annie sacrificed on the doomed altar of Ryan and the oft-fleeing Greenlee, but I’ll have to thank the writers for letting Annie go away with a bang, and not a whimper.  I had such a grand time watching Annie act out the last scenes of ‘Whatever Happened To Baby Jane?” that I almost didn’t care whose blood was on the knife.

General Hospital. I’ve long since lost my stomach for General Hospital, but I have to say that  I didn’t mind the show last week.  Sonny’s descent into madness… correction:  Sonny’s CURRENT/LATEST descent into madness has been oddly entertaining.  Like so many times before, Sonny has been loathed to take the counsel of anyone else, save Jason, and he’s even lost that.  Now his actions may cost Jason the one person he cares about above anyone else, his son.  I’ve been uber disgusted with Elizabeth’s character.  I’ve never been a Jason and Elizabeth fan and can’t imagine that I ever will be.  In part because being with Jason is such a betrayal of everything Elizabeth has been about in the past (not to mention that her lie of a relationship with Jason cost poor Lucky so much).  Liz was always quick to point out what a bad mother Carly was, that Carly kept putting her sons in danger by being with Sonny. Now?  She sees firsthand what a life with a mobster is worth.  Will the writers pull the wool back from Elizabeth’s eyes?  Will she stop pretending that when Jason kills it’s ‘holy’ and ‘noble’?  Will she wonder why she traded in a man who lives on the RIGHT side of the law for the man who clings to the wrong side of it?  NAH!  It wouldn’t be General Hospital if that happened, right?

BTW, if I didn’t love the Robin-Patrick pairing, I would be seriously considering rooting on an Elizabeth-Patrick pairing… er, how HAWT were they?

As The World Turns. Brian/Lucinda/Luke… Oh dear.  Luke, in the driver’s seat.  Watching Luke make Brian uncomfortable?  PRICELESS.  “Grabby Grandpa Bad Touch” will learn to keep his hand to himself.   As much as I hate the idea of Brian deceiving Lucinda, I love the idea of Luke making Brian sweat a little.  Brian lost any appeal as a sympathetic character (at least in the short term) the moment he tried to make Luke believe he was both drunk and delusional, that he (Luke) misinterpreted the kiss.  I have to say that I wasn’t too keen to watch this storyline play out.  I’m sitting on the edge of my seat now.  I still think the writers are going with a sexual harassment storyline with this one.  Brian, so deep in the closet that even HE doesn’t know where he is, sexually harasses young men – those who are often the least powerful.  When they call him on it, he faults them, tells them they’re imagining things, that he was only being a friend.  Oh Brian, you picked the wrong man, this time.  Luke (and Noah) willl probably be the people who expose his past.  This should be good.  Take him down, boys, make him sorry for being the sleaze he is… until Lawrence Lau eats the dialogue the writers hand him, does that thing he does oh so well, and makes us all fall in love with Brian and actually feel sorry for him…

What did YOU love about your favorite shows this past couple of weeks?

Hookers, Porn Queens, and Chippies, oh my!

Dear As The World Turns writers.

You don’t know me, but I’ve been a soap fan for nearly four decades.  I was a fan during the  glory days of daytime and I’m still around for what have turned out to be the dark ages of daytime.  I keep waiting for a period of enlightenment, but I’ve quickly come to the conclusion that it just ain’t gonna happen.  Any hope I had of a daytime finally getting things right (at least in your part of the soap universe) pretty much died with the current Alison Stewart storyline.

Happy Halloween!  A group of thuggish pinheads dressed in ridiculous Halloween costumes kidnap Alison, strip her down to her bra and panties, begin playing one of the porn films she made a lifetime ago, and then threaten to force her to act out her ‘greatest hits’ from her days as a porn star.  Great.  She gets to be humiliated with standing in a room full of pervs who taunt her while her porn film plays in the background.  All of this for a college student union election?  REALLY?  You REALLY thought this storyline was worth it? Which was this storyline the ‘trick’ or the ‘treat’?

You’ve officially fallen into GH-Bobbie Spencer territory.  Whenever GH needed a way to drum up a little “excitement” for the character, someone had to remind Bobbie that she was once a hooker.  Because, you know, Bobbie might have forgotten that she was just a teenager (15?) when she was hooking for her Aunt Ruby, while her brother was the ‘bodyguard’ making sure she wasn’t beaten up by a john.  Yes, she needed the reminder and so did the audience, right?  Bobbie had to be dragged through the mud for the sake of another character getting through an occasional cheap shot.

What you’ve done to Alison falls far BELOW the Bobbie Spencer threshold.  You presented an image of a young woman who was sexually intimidated and physically harassed and threatened.  Oh that’s right, because of her involvement in a school election calls for it.  Nothing’s too extreme a response for this storyline.  Brilliant! … only not anything close to brilliant.

I haven’t been big on the ‘school election’ storyline for Nuke.  It’s felt every bit as juvenile and yawn producing as anything I’ve seen in daytime.  I’ve waited for you, dear writers, to get a clue and make Nuke a front burner couple with a steaming hot romance.   You, instead, they’re getting less nooky than the 90120 crowd and you’ve decided to add the ‘adult’ content to the school election storyline in a way that bastardizes the notion of ‘adult’ content and horrifies viewers like me.  Alison’s assault and intimidation set to the porn film soundtrack?  Not cool.

Even more?  The focus of this storyline is more clearly centered around Alison and Casey and the Nuke storyline has become secondary to it.  I’m not upset to see Alison in another major storyline, the actress in the role deserves all the airtime you can give her.  I just hate that it’s one more distraction from the Nuke storyline and it’s one more storyline that makes a mockery of Alison.

Alison has been the butt of writers’ jokes (sometimes subtle jokes) for some time now (including her wedding night when Aaron was so ‘shocked’ that Alison was so experienced in bed).  Give it up, writers, give it up.
Here’s what I propose.  Grab a calender.  Check the date.  Watch something other than the show’s dailies.  Take a look at women in the news.  Take a lookat this election cycle for the past 2 years.  Figure out where women are in society and how they live and then STOP WRITING for viewers, most especially female viewers, as if we’re time has stood still.  Even General Hospital had to give up the tendency to drag out Bobbie Spencer’s past as a hooker whenever they were short on storylines.

If I want to see women treated in demeaning and misogynistic ways, I’ll tune in to Mad Men (a more wildly entertaining show, which somehow, while set in the early 60s, still manages to show women with more power and dignity than most women in daytime in 2008).  Shame on you!

Signed,

Viewer checking out the available cable options more and more these days.