General Hospital: To every point there is a counterpoint!

It’s no secret that I think General Hospital is blowing the rest of daytime out of the water!  I said so here –> Why You Should Be Watching General Hospital.  I received a very interesting counterpoint from writer, Ilona Saari.  (More about Ilona at the end of this post).  I thought the response was so interesting that I’d like to share it with you.  It’s a different kind of GH love letter:

I only wish I thought the show was as good as you do. But I’m glad to see it from you prospective. Granted, it is far superior to the Pratt/Guza Penthouse 4 years, but when Guza took back the reigns, it began to get better w/ humor (Diane was created), wonderful returns of old characters (Robin) and wonderful pairings (Scrubs) – his problem as a writer was that he would come up w/ great story ideas and beginnings, then develop ADD and not be able to follow thru… Wolf, the strike scab, was just a plain disaster… Then Ron and Frank came, and at first they did wonders and I loved the integration of the OLTL characters.

But, alas, that didn’t last as OLTL-ABC and Frank/Ron became embattled in copyright garbage and egos. The show suffered as Ron hadn’t a clue had to deal w/ it all storywise, so it was dealt w/ badly. The lst return of the Nurse’s Ball was an unmitigated disaster w/ a cheezy set that looked like the ball was being held in a church basement to the embarrassment of Richard Simmons.

Then when the OLTL mess was over, Ron decides to bring back Roger as Franco. God Lord, that was an insane creative choice. This wonderful actor could have been anyone… a new Q, a Cassadine, a Webber or Spencer even a white Ward… but nooooo. The brain tumor explanation was just plain lazy writing. And Carly would never, ever be w/ Franco after what happened to Michael.

Letting Jax go, the last white knight really (except for Patrick) was a huge mistake – Carly and Jax could have grown into the Rachel/Mac of AW of GH… They were a mature, sexy, dynamic couple, imo. Carly was softened, but not made soft, by her love for Jax.

Bringing Nik back, however, was a smart move and his love affair w/ Britt (and her redemption) has been the best thing about GH since the show fell back into disrepair during last year’s Nurse’s Ball.

The Cassadine/Obrecht/Faison/Duke/Anna stuff was was too cartoonish and has fallen totally flat for me as a writer – Masks, masks everywhere. I’m sorry – once was enough – then again w/ Anna and Obrecht? Oy. And now what – again w/ fLuke – I hope not. But this fLuke storyline is just cringe-worthy tho I’m sure TG is having a ball. If he’s really Bill Eckart or Damian Smith, as rumor has it, neither would be jonzing after Kiki or be so creepy a sexual predator… If it’s Damian – did he have his face made like Luke if he survived the fire? Is it yet another mask? I don’t care. I FF thru all TG’s scene and have never done so before – ever. I just want Ron to stop writing Tracy as an old, lonely woman who will believe anything to keep Luke – and just end this miserable story. Tracy and Luke are dynamite together — this story is just an embarrassment to all involved. But at least I got to see Ned. I wish Frank would bite the bullet and bring back Ned. I don’t want the Qs to vanish — they are our look into John Cheever country, always have been, and I love that family – but all recent head writers of the show seem to want to demolish them… and now Ron is building up a new “core” mob family w/ the Jeromes.

I won’t even go into Obrecht and how I also find her existence at the head of the hospital one of the laziest pieces of writing Ron has done.

I do love Julian and Ava, tho — again for many, many reasons and I love that Julian is Sam and Lucas’ father – fun. I hated the courtship w/ Alexis tho where she was flirty like a teenage virgin. What a waste of Alexis. Tho now that they’re together, I like their chemistry. I just hope the writing becomes more interesting on how these two will work.

I am also thrilled that Ric’s back, tho his relationship w/ Liz never cut it with me. His courtship and marriage to Alexis til Guza ruined Ric did. Their bantering and love was GH’s version of Tracy/Hepburn and I loved them together. That said, I do not want a Nik/Liz rerun – I want Nik and Britt to find their way back to each other — they are very hot together.

I did think Jordan was undercover from the beginning, but I do like her addition to the show as long as Ron is not setting her up to replace Anna because he wants to get rid of Finola.

Levi is another embarrassment. Obrecht and Donna Mills being sisters,, etc., etc. Say what??? Trying to make another instant family w/ Nathan and Britt and Obrecht at the expense of who?

The show is bloated w/ characters and no one was more mistreated than Sean Kanan — Ron so botched his return and decided to throw AJ under the bus much the way Guza did after AJ had become such a fascinating “Sidney Carton” character well on his way to redemption. The killing of AJ was a disappointment and only serves to give MB more angst moments and a shot at an Emmy. But then to let the story just dangle somewhere in space for weeks, again – sloppy, lazy writing.

Ron does that a lot. He starts a story and then you’re left for weeks til it becomes part of the canvas again. He doesn’t seem to know how to write the three story arc traditional in soaps in a weekly fashion, so if a viewer doesn’t like one story, s/he gets a bit of the ones s/he does like on a weekly basis.

Sabrina and Patrick are a mess as a storyline… and her character has been shoved down our throat for too long – she’s a dolt and a bore and she’s dragged the character of Patrick down w/ her. And Carrrrrrlos. Don’t get me started.

Thank God Maxie’s back! Our own Carole Lombard — is Nathan her Clark? He might be. he has the look. And I love the way he looks at her.

Duke, OTOH, is a yawn. Anna has no chemistry w/ him anymore. Robert should have been the one to stay at GH, not Duke. And Robert in this disaster of a fLuke story, might have saved it.

Well, if you’ve read this far – I will end on an ‘up’ note. I still love GH — and do think the show’s better now than a few years ago — and I think it’s getting better again from all the mistakes Ron made last year… and I agree about the diversity — It’s been seamless and I love that. It’s about time.

 

Ilona Saari  is a former speechwriter, deputy press secretary, and is the author of the political thriller Freeze Frame, available on Amazon.  FYI, you Foodies out there, our author also writes her own blog featuring the most amazing recipes and travel adventures you’ll find anywhere!  Read more at “My Dinners with Richard“.  It’s more than worth your time – I believe you’ll thank me for it!

While Ilona and I  may not agree 100%,  I love having such a well seasoned, meaty, opinion to give me something  to think about.   I’d like to thank my talented friend for keeping my feet on the ground, because I do love GH enough to put my blinders on and keep lowing it “as is”.  Complacency kills in any creative field.

Shhhh… don’t tell her, but I still think that this show is the best in daytime.

GH: May 27, 2014

My thoughts on today’s show?

  • Sabrina… I just can’t.  I want to be empathetic, and yet I just keep hoping there aren’t too many Sabrina/Patrick scenes to fast foward.
  • Elizabeth and Ric?  Sweet, Subtle, feels so real.  I love them.  Given the way Ric left the show with each exit, it’s sometimes difficult to remember how sweet and kind he’s capable of being.  Ric is Mr. Right Now, Mr. Right Tomorrow, and Mr. Right Whenever-Wherever – as far as I’m concerned.  I’ve always loved Rick Hearst best when he was playing a romantic lead (GH’s Ric Lansing, GL’s Alan Michael Spaulding, BnB’s Whipple Jones).
  • Lulu/Dante./Rocco- Big Ben? Ditto.  Sweet, Subtle, Real.  Given his pedigree, I love that Dante is so protective of Ben that he doesn’t want to talk about the worst of the worst aspects of his job. He has to spell out D-E-A-D because he doesn’t want Rocco to hear the word. Keep that baby away from your father and bar ware, Dom.
  • F’luke and his disregard for forensic evidence is astounding.  He never wears gloves.  He never does anything in hiding.  Unless he planned on killing Bobbie and the cutie pants officer guarding Lucas’ door,  what was the point of attempting to kill Lucas while being the last person in the room?  Add that the fact that his hand and finger prints are all over Lucas’ breathing tube – as his prints are all over the gun that was used to shoot Lucas and kill the hitman.  F’luke’s crime spree is getting stranger and and stranger, and I hope that’s intentional – serving as an indicator that he’s on a rampage and will soon be caught.
  • Ava.. F’LOVE… I effin’ love Ava and the writing for her!  She utters the words, “Mr. Corinthos is sending someone for me” to her server at about the time Carly is going to play audio evidence of her guilt in Connie/Kate’s murder?  Methinks she’ll see Sonny,  in person.
  • Carly has never had a respect for the law, decency, morality or ethics, but it shocks me that she would steal AJ’s phone (yeah, it still shocks me) and give Sonny the info, rather turn the recording over to the police.  Sonny is going to end up in prison one way or another.  He’s either going for killing AJ or for killing Ava.  Carly doesn’t always know what crimes Sonny has committed, but she’s been in his life long enough to know that he’s almost never innocent.  Her involvement in pointing Sonny in Ava’s direction is reckless, no matter what.
  • Ava is a beast… she’s reading “Crimson Magazine”? She is a beast (and I’m not quite sure how I mean that.  It’s both good and bad.)  She must really like dancing on Connie’s grave!  This is Maura West as ATWT’s Carly Tenney, defiling the sacred Snyder pond by flicking a cigarette into it.  What is it about MW’s bad girl characters, who seem to like sticking it to the people she hurts.  No cardboard cut out of Connie for target practice?  Ava is showing some restraint.
  • I get it… my beloved Scotty Baldwin is the AJ Quartermaine of the Baldwin family.  He’s a perennial screw up, but even he should have held his ground and been willing to call Julian’s bluff rather than had him set free.  Scotty is capable of being a bad ass, when he wants (that is, when the writers let him). I wish this was one of those times.  How much has Julian changed when he’s willing to pull a gut punch like this one?  I realize that he was desperate to get to Lucas and saved him from Fluke, but had he told the truth, he could have done more for his family.  His behavior makes me question Alexis’ judgement even more – both as a mother and as a woman.  For all of her warnings to Molly about being smart, making good choices, putting her future first, Alexis does none of these things when she’s in love with her latest mob kingpin boyfriend.   What can Molly learn from her?  It also doesn’t make sense that Shawn was irredeemable for not being able to leave Sonny’s organization and yet Julian is far worse.

 

 

  • More Sabrina/Patrick/Emma/baby Drake? Still can’t.
  • Ava trying to convince anyone, most especially her own daughter, of her innocence is hilarious!  Kiki chastising Ava for sleeping with her boyfriend’s father is even funnier!  Adding Ilene Kristen as Ava’s mother to this pair?  That is a stroke of genius.
  • HA, that Carly finally notes that A.J. is not AJ Quartermaine but Ava Jerome.  Sonny realizes that AJ was pleading for his life and that he’s killed an innocent man.  How will the writers redeem him?  Can Sonny be redeemed after this?  My guess is that we will find out that Sonny didn’t deliver the final blow. It’s another Fluke murder (again taking place in the hospital) or someone else has taken A.J.’s life when he should have been on the mend.  The problem is that A.J. would never have been in the hospital to be murdered if it weren’t for Sonny.  The additional step they’ll have to take is to convince the audience that A.J. was slated for death no matter where he was found.  Will it work, or is it possible that the writers have gone too far, this time?   A.J. has rarely been a chaacter i liked or loved (I couldn’t stomach Billy Warlock’s portrayal of the character) BUT he was a legacy character and I wish he’d survived this ugly attack.
  • Even when Sonny is dead wrong, Carly tells him to stop blaming himself.  Is this goober serious?  She’s angrier at Ava for upsetting Sonny than she is at Sonny for killing an innocent AJ?  Michael should stop sending Mother’s Day cards. No phone calls, no Mother’s Day luncheons.  Carly is more of a partner to Sonny, even separated, than she has ever been a mother to any of her children.
  • Geez, it seems like such a small issue – Lulu wanting to carry her own child, but it is potentially,  so big.  Lulu is willing to risk losing the only shot (for now) she and Dante have at having another child, because she wants to carry the child herself, knowing the risk for miscarriage.  Is it simply natural to want to carry a child at any cost or is it selfish?  It’s a question for this couple to answer, but I have to wonder, given Dante’s lean toward surrogacy, if this is an issue that will come between them, later.
  • Fluke, threatening babies.  PLEASE let that bastard be caught soon.  Sure, go after Ava, but the threats against children make me want to see this guy get his!  The writers were brilliant to have Fluke play on Julian’s insecurities (most notably, the fear that Anna hates “Jules” and wants to bring him down so badly that he shouldn’t count on her for help.  There’s no way Anna would allow Fluke, or anyone else, to kill Julian while he’s in her care, but he doesn’t know that.
  • Elizabeth and Ric are my shelter from the storm of crazy that is GH.  Just watching them joke and plan for a dinner feels like a romantic getaway.  I know there will have to be some sort of conflict, soon, such as Liz wanting Nik back the minute he’s together with Britt again, happy and probably planning a family.  For now, I’ll take what I can get.
  • Ok, the only interesting thing about Sabrina and Patrick is that Drake becomes her son’s middle name?  Is that a subtle tell that he is Patrick’s son?  Is baby Gabriel going to make it?  Gabriel Drake Drake?  I dunno.
  • Ava thinks that she and Sonny are on decent terms.  I can’t wait to see her run into Sonny’s arms, thinking he’s there to rescue her.  Carly asking Sonny what he’s going to do is as maze dull as anyone could be.   She gave her “snitches get stitches” speech to Sonny when explaining why she would never go to the police.  What was the point of her asking Sonny what he was going to do. Of COURSE he is going to kill Ava.  Is there any doubt about that?  Isn’t that why he killed AJ?  His belief that AJ killed Connie?   Carly and Sonny have played this game for too long!

Like many of you, my feed was disrupted by the President’s comments and ending the war in Afghanistan – so we end, here, and move on to other important news.  I will see you again, soon.

Why you should be watching General Hospital

…if you’re not already a fan!  If you think this blog reads like a love letter to #GH, you’re damned right it is!  This show is not just good, it is the best it has been in a very long time!  Why should you watch?  I could give you as many reasons as there are cast members, but here are my big four:

1 – Balance, balance, and more balance.  

When I last walked away from General Hospital as a consistent viewer, lead and supporting characters were one of three types: Mobsters, Mob Molls, or Mob affiliated. Having more than 35 years invested in this soap, I can remember when the show was about family drama and intrigue, romance and mystery.  I see so much more of that now than before the mob takeover.  Ric Lansing is back and he’s sworn off his former mob ties.  At least for now, the story is that he has come back  to reconnect with the only woman who ever truly loved him and who wasn’t looking for a life on the edge.  Hell, he WAS the edge the last time he and Elizabeth were together.  In scenes that I love like sunshine, we also see him back and reconnecting with his daughter Molly, whose only father figure has been  her uncle and Ric’s brother, Sonny Corinthos.  Keep in mind that Sonny was also her mother’s former lover, the father of one of her sisters, and the former lover of another sister.  The mob was so well integrated into the show that even family members were sleeping with and having children with the same mob boss (yeah, yeah, Sam didn’t know that Alexis was her mother, at the time).  Bigger twist?  Sam’s  child with Sonny is delivered stillborn and provides the stem cells that Kristina, his daughter with Alexis, needs to survive.

You need a truckload of Advil and at least 12 of your 14 vacation days to pull apart the twisted family tree GH writers created in order to sell the mob storyline.

The mob had become so important that even Justus Ward, whose family was made up of  prominent social activists in the Port Chuckles community, became another mob mouthpiece.  He eventually lost his life and was stuffed in the trunk of a car, as a result of his affiliation with Sonny Corinthos and Jason Morgan (Jason being a cousin to Justus).  It lacked dignity and was shockingly bad given the history of the Ward family.   The Ward family was part of the extended Quartermaine family but respected in their own right before the Q connection.  Prior to the writers’ belief that “mob magic” was so potent that fans would root for almost all characters to fall under the spell of Sonny and the various mob kingpins, I had hope that Justus, as the remaining onscreen Ward family member, would be spared.

The ultimate betrayal of fan trust came, for me, when Jasper “Jax” Jacks was deconstructed, transitioning from an educated ruthless billionaire corporate raider, to a man on the run from both Sonny’s empire of aggression and from the law for daring to protect his and Carly’s duaghter, Josslyn.  From what you ask?  From living her life in the path of a stray bullet that was almost as likely to take her life, as the bullet that put big brother Michael Corinthos in a coma – stealing his childhood and most of his adolescence. Michael spent years, after waking up, dealing with recovering from that stray bullet.  The bullet and resulting coma pushed his childhood kidnapping out of contention as the worst thing to ever happen to him.  Damn that Jasper Jacks for not realizing that kidnapping and bullets to the head can be character builders for children, not just childhood trauma!

Now? That sort of storytelling appears to be long gone!  Even the introduction of Parry Shen’s “Brad” is not a celebration of mob life.  Brad Cooper is the son, and grandson, of 80’s Asian Quarter mob kingpins.  Brad enters as a (mostly) upstanding citizen, barely shadier than the rest of Port Chuckles’ residents.  For now he has sworn off his mob family history and is a GH physician.  It was touch and go at the beginning of his introduction, but he is currently in the same hot mess so many of our PC citizens find themselves in.  Instead of mob molls and mob affiliated characters, we’re back to honest business leaders, police officers who aren’t on the take, as well as (and this will surprise you) drama at General Hospital that is about the hospital, nurses, and the doctors! Shocking, I know.

Even more shocking? I find myself liking Sonny, more, now that the GH universe is no longer centered around canonizing GH’s resident mob boss.  There are many stories to be told in Port Charles and the writers are making sure they tell as many of them as they can.

F’Love

2.  Diversity is a real thing on GH and not just something the cool kids are trying.

From the Asian Quarter, to Tom and Simone Hardy, to the introduction of the Ward family followed by Miguel/Lily/Sonny, GH has struggled with integrating diverse characters into the show in a way that is neither stereotypical nor exaggerated.  The Ward family marks, for me, GH’s first real, and nearly successful, attempt at getting it right, including the Jason/Keisha/AJ triangle:

Now?  Diversity on GH is not about check boxes and clunky integration. Diversity just IS on this show, it’s organic. Characters aren’t remarkable/ good/ evil/frontburner, because they can be used to show that daytime is finally catching up with the rest of the world.  Diverse characters and their families on GH aren’t getting airtime for the publicity they bring a show.  They are seamlessly integrated into the show and their time spent on air is character driven, not storyline driven!  Their lives are about the characters themselves and not about the reaction of others around them.

Brad/Felix/Lucas.  Like any triangle, there are winners and losers.  Both Felix and Lucas have been betrayed by Brad, so watching them grow closer feels right.  The writers have handled this one perfectly.  I want Felix and Lucas to become a real couple, but like any couple brought together out of betrayal and hurt feelings, I have to wonder if either (or both) will end up waking up one morning wanting Brad back.  While that would crush my love for Felix and Lucas – which I will survive, I know that I can accept it because it is no different than what takes place with any other triangle.  I am thrilled that their storyline  isn’t about helping any of the three overcome bigotry-inflicted shame, and that it’s not about being closeted and fearful.  There is a time and place for that type of storytelling, but there is also room for the stories of others -those whose sexuality is not about morbid fascination from the outside.  Brad/Felix/Lucas are telling a story about conflict, love, anger and forgiveness. I am impressed.

Jordan/Shawn. I’ll admit it.  I’m on record stating that the glow Jordan gives is not a halo but hellfire.  I thought that Shawn would have been smart to run in the opposite direction whenever he saw Jordan coming.  I was wrong.  I was SO VERY wrong.  What I love most about Jordan and Shawn, is that their storyline is almost 30 years in the making.  Do they remind you of anyone else?  For me Jordan/Shawn/TJ are the 2000s version of Anna/Robert/Robin.  It’s not an exact retelling, but it’s close enough.  I have been longing for a return to the WSB and it’s glory days and GH is giving it to me by the bucket full… it’s just a little more understated.  Jordan/Anna comes to town with a shady past and possibly sketchier future.  Instead Jordan/Anna is DEA/WSB and the other big issue she has on her plate, one that fills her time when she’s not bringing down bad guys, is dealing with a child (TJ/Robin) whose life has been shrouded by a huge secret.

The focus isn’t on what they bring to the table as “people of color”, it’s what they bring to the table as people.  Each individual is layered and nuanced and the minute you think you know any of the members of this family, a new layer is peeled away.  At her introduction, the audience asked:  Was Jordan back to seduce Shawn and force him to take her in as he’d taken in TJ?  Was she back to reclaim her beloved son?  Was she using her son to cover her shady connection to the Jeromes?  Just when we couldn’t figure out her game, she’s revealed as a DEA agent, in town to clean up PC and find the real drug kingpin.  STOP NOW!

If this storyline and this show gets any better, I’ll be looping it all day long and ignoring all other entertainment.  Jordan’s story now makes me question Shawn, in particular, and now I wonder what the rest of his story is.  Jordan, the DEA agent, would surely never have entrusted the care of her beloved son to a man who was a killer.  What does she know about Shawn that either he is hiding or that doesn’t know about himself because someone else is hiding the truth from him?

I can’t wait to find out.

3.  Women as diversity? Yes.  Women who are strong?  Hell yes!

Tracy Q., Carly, and Alexis are, for the moment, in a downward shame spiral, in my opinion.  I can accept that more easily, at this time, because they are the exception, no longer the rule.  The women of GH have become strong, smart, and capable of standing on their own.  Are they perfect?  No, but they’re so far ahead of where the women of this show were just a few short years ago.

They’ve transitioned from being either dedicated mob molls (Carly, Robin, Kate/Connie, Olivia) or paid mob mouthpieces (Alexis, Diane).  In some cases, they were both (again, Alexis and Diane).

No matter which side of morality/decency/the law we find them, I am thrilled to see Anna, Jordan, Ava, Lucy, Felicia, Britt, Obrecht, Lulu, and others being treated as women with hearts AND brains!  There will be a time, I’m sure, when the currently weak GH women, and, yeah – I’m looking at YOU Tracy Quartermaine, will step up to the plate and become strong again, but the balance of women in distress with women taking charge is refreshing.

There have been times when women on GH have felt more like window dressing than people.  This is not one of those times.

4. There are almost no weak links on this show, currently.

I’m just not crazy about Sabrina and Patrick. I can’t see a situation that would cause me to root for them as a couple.  They simply fall flat for me.  Even still, I don’t see them as a “weak link”.  I can see what the show’s fans like about them.  I just don’t feel it.  Sabrina and Carlos, I get.  Sabrina with Patrick feels more ike “Flowers in the Attic’ or “Petals in the Wind” than a romantic couple ,for me.

I truly despise Carly and Franco. I cannot understand the writers’ thinking in trying to reform Franco and in making him a frontburner character.  Somehow, it feels to me as if Franco should still be a character in the shadows or, more importantly, not a viable character at all.  I will accept the very few things I dislike about this show and continue to enjoy those things I love most.  GH is currently the only show on the air that I can say that about – a show whose positives far outweigh its negatives.

If you haven’t been watching GH, you’re missing a lot!  It’s that good.

 

Why GH’s Nurses’ Ball Matters

GH Port Charles EveningSomeone, soapgod love ’em, FINALLY remembered what the Nurses’ Ball was meant to be.   Manifest?  On the surface it was the chance for the citizens of Port Chuckles to come together  and let their hair down.  They would sing, dance, project an air of happiness and togetherness, if only for one night.  Was every NB about hand holding and singing love songs with mortal enemies? No, not a one of them!  There was always tension balanced against wanted and unwanted surprises.  Relationships were made and relationships were broken.  There were  the moments that lulled you into believing nothing bad could ever happen, just before you were hit between the eyes.  Murder!  Arrests! Affairs revealed!

The Ball has always been about more than Host Lucy Coe’s fantastic wardrobe changes.  There was the latent content as well, the storyline below the surface, a storyline we did not know we were applauding.  The Nurses’ Ball is also about hope, rehabilitation, renewal, and acceptance.  Who could forget the first Nurse’s Ball following Stone’s death, with Robin’s public revelation that she is HIV positive? Keep in mind that Stone and Robin performed at the first ball just a couple of years prior!

Robin heard from AJ Quartermaine and others about the horrors of HIV, the terrible fears they had being in the same room as a person with the disease.  She watched as Stone dealt with love and acceptance countered by fear and rejection, and without him, her time had come.  Every Nurses’ Ball seemed to have at least one citizen of Port Chuckles using the ball to make a direct, or indirect, plea for acceptance.

I saw all of the above, and more, at this year ball.

Manifest

The musical numbers were all perfect. Fun, light, fantastic!  Rebecca Herst?  So amazing.  I was shocked that her character “Liz” was thrown in  with the young adult crowd, and then I looked at her, closely.  No one would know that she was older than anyone in that group, and that she’d participated in the earlier Nurses? Ball.  I’m not much of an Elizabeth fan, I haven’t been since the end of LL2 (Liz and Lucky) but Rebecca Herbst?  She gets better with time!  (Oh, and way to go making me miss Real Andrews, whose Det. Taggart would have been a perfect complement to Det. West.)

I was glad to see Liz and Ric at the ball.  I have always enjoyed Elizabeth with Ric more than any other of her not-Lucky loves.  There is something more real and less seedy about them than anyone else she’s ever been with and if she could just get beyond him holding Carly hostage in a panic room in their home, with the intent on stealing her child to give to Liz and then killing Carly, well.. .they could be very happy together. Right?  Sadly, in daytime, that’s not even the WORST sentence you could write about a soap character.  Still, Ric Lansing  a damned bit better than a fair number of his GH colleagues, including brother Sonny.

Detective Sexypants?  I refuse to be convinced that Nathan West (Ryan Paevey) is anything other than computer generated.  He must be!  How else can you explain how ridiculously good looking he is – no real person should be that gorgeous – ever!  That RP happens to also be an engaging actor makes you wonder who, in casting, is not being paid enough after finding this guy.  If Paevey doesn’t hit your “yum button”, no matter who you are, I think you should check your pulse.  You may not have one.

My only complaint is that I’m a little upset with the writers for making me feel sorry for Brad (assuming it was their intent).  Felix always deserved better than the treatment he received from his manchild boyfriend, but to have Felix and Lucas get close like that with Brad on the outside? Wow. I loved it, and still felt bad for the guy. There are no bad guys, ultimately, in this “brad centered triangle”.  It has to end eventually and I will feel awful for the person who eventually has to bow out.  Well done, writers!   You’ve created the perfect triangle – one moving me to root for all involved, at least for now.

Latent

Maxie’s relationship with  (what’s his name?) seems to be all about punishing herself for not being the person she thinks she should be,  instead of accepting herself as she is.  I can’t wait for Maxie to forgive herself and move forward.  That guy is driving me nuts.  It feels as if Maxie is living her own version of what hell must be like.  He’s not a bad guy, just not the guy for Maxie.

Luke’s selection?  “I am What I am” from La Cage Aux Folles.  Pitch perfect selection, since we all know that this is not Luke Spencer!   Tony Geary is so masterful that his eye movements in those scenes are Emmy worthy.   Here is the question, GH fans:  who DO we enjoy more?  Real Luke or Faux Luke? Our Anti-hero has walked that dark line for so long that having him cross over didn’t change much, did it?  I think Luke’s storyline is as much a Rorschach test for the audience as it is a reflection of Luke’s past – one filled with doing and being damaged to the point that no one misses the real Luke when he’s gone.  There will never be another Tony Geary, folks.  I can’t see this storyline working in anyone else’s hands.

We got to see that Obrecht really is the tree from which Britt’s apple fell.  Obrecht may have a hard outer shell, but her repeated attempts to be accepted by the citizens of Port Chuckles suggests that she still wants more.  She wants legitimacy if she can earn or steal it, but will live with having the town fearing and loathing her if it’s all she has.  She is begging for Nathan’s affections, now. I have to wonder what will happen (to him) once she’s tired of begging and decides that he is not worth the trouble of trying to get him to love and accept her.

Thank you, GH, for a show so fantastic that I was inspired to blog, again.

Next stop? A review of Ronn Moss’ GH debut.  I can only imagine he’s involved in exposing Faux Luke!  Tune in, GH / Ronn Moss fans.

Nurses’ Ball highlights can be see by clicking HERE… including the MAGIC MILO group… and believe me, you don’t want to miss them.

GH’s Patrick Drake

Husband.

Father.

Liar.

Adulterer.

Whatever.

I watched just a couple episodes of the original Melrose Place the first year it aired.  It just wasn’t the show for me so I moved on to something else (what?  I can’t even remember at this time).  One of the few things I could tell you about the early episodes is that there  was a  young handsome hardworking doctor, Michael Mancini, and his lovely and sweet wife, Jane.  I knew as soon as I saw them that one or both of them had to change if they were going to survive that show.  They were ‘too sweet’  and ‘too in love’.  I wasn’t shocked  when I later caught an episode and sweet Michael Mancini was a first class rogue and all around bad guy.

What we’re now watching, GHers, is the ‘Mancini treatment’ for dear Patrick.  My guess is that it will play out with much less success.  This is a serious step backwards.   The writers took great pains to transform Patrick  from an egocentric playboy who bedded desperate  nurses hoping to tame him,  into a mature man in love with a woman who was clearly his equal in every way.

So what is the life lesson (for onscreen Robin Scorpio Drake) in this storyline?

Is she to learn that you can never reform a narcissist?

Will she learn that she was right (UGH), that the mob boys may engage in behaviors not condoned by society, but at least they’re loyal?  Any bets on how long it will be before we hear Robin throw that line in Patrick’s face?

Should she question how foolish she was to take Patrick at his word when he said that he wouldn’t trade the life he has with Robin and Emma for anything in the world?

Whatever the case, the writers erred in giving Patrick the  ‘Mancini Treatment’.   He was drunk when he cheated?  That’s the excuse?  How many times before that had he hinted at, flirted with, suggested to his ex- that a roll in the hay with him would make all right with the world?  Was that not Patrick Drake Mancini crying about driving a minivan with a child safety seat (and to Luke Spencer of all people)? The writers have given me no reason to care about this storyline, or PDM, or his new found concern for his wife and family now that he’s ‘sober’ and not just stupid/whining and self pitying.

It would be a disgrace to have Robin fight to save her relationship with him  It’s PDM who should do the fighting to save that marriage.  Robin should not be willing to quickly forgive, either.

It would be a nightmare if the writers were foolish enough to have Robin fault herself.  She should clearly fault Patrick and Lisa for their actions.  The writers regressed Patrick for this storyline, they need to take the time to build him back up as a ‘man’.

The fact that Lisa is a liar and manipulator does not make me want to ‘root’ against her any more than I already am rooting against her.   Her behavior does not lead me to stand in favor of Robin kicking her sorry ass (though I wouldn’t mind seeing Robin kick Patrick’s sorry ass).   I wish the writers had been more clever in finding storylines for SCRUBS. I wish they cared to spend as much time developing them and making them a centerpiece of the show in the way they’ve done for the mob boys for years.  What made GH great for so many years was it’s attention to details related to creating and building unparalleled love stories.  Now all of GH’s love stories are on the rocks:

  • Jax is being emasculated while  being ‘taught a lesson’ by his airhead wife who isn’t fit to carry his clipped toenails.  Seriously, the man eats his opponents for breakfast.  CARLY keeps his head spinning?  If he was Sonny, he’d have already moved on and impregnated someone by now.
  • Olivia is watching Johnny behave like  pinhead and follow the lead of a disturbed 17 year old.
  • The writers are pushing the slithering Liz and Nik closer together, despite their ill treatment of Lucky – who is alone yet again.
  • Maxie is unfaithful to Spinelli again, emotionally, this time.
  • Spanky buns has no use for Luke – who has decided that running off to parts unknown will cause Tracy to miss him even more.
  • Lulu is locked in battle with ‘bought-and-paid-for’ Brooke Lynn.
  • Alexis has no love life to speak of (and where is MAC)?
  • Steven is stuck believing that sociopathic Lisa has real feelings for  him.
  • Yet another woman in law enforcement is offering herself as bait to catch Sonny.  What are they doing to my CLAIRE!?!?  Lucky is single, he’s alone!

Yup, makes sense that the writers take the show’s only happy couple and ruins them.  It makes sense if reason and logic are things of the past.  Apparently it is, as daytime serials soon will be as well.

Good night nurse!

ABC – A Tale of Two Soaps

ABC presents the epic “mother of all daytime soap battles”.  It’s General Hospital vs. General Hospital!  I regret to inform you that at this moment,  General Hospital  is losing!  As with Dickens’  A Tale of Two Cities, when it comes to GH:

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way…

Melodramatic much? On occasion, yes. Yes I am.  Best of times?  When?  Where?

I get where you’re coming from, but bear with me, please.

The best of times, unfortunately, comes in infinitesimally smaller doses than do the worst of times.  The dark mostly swallows the light, and despair too often triumphs over hope… but still, there are moments like these that remind me of the best of GH as it is now, without having to dig into the archives of the GH of the 80s and 90s:

Robin and Patrick’s participation in Karaoke Night was especially poignant for me  because 1 – Even if only for a short time, our SCRUBS get to be the example of a couple that is as close to perfect as any (non mob-related) GH couple can be. I’m sure they’ll have stiff competition when Mac and Alexis finally make it off the ground and when Maxie and Spinelli finally get it right, but right now they add a pretty  glorious shine to this show ; 2 – I miss the Nurses’ Ball and I think this is a small scale way of giving us what the Nurses’ Ball did.  It lets the audience get closer to the show’s  characters.  The karaoke scenes humanize the characters and reminds us that they do more than sneak around with one another’s husbands and wives.  It’s a great compromise almost making up for the absence of the Nurses Ball -very clever; 3 – These sort of scenes give fans the opportunity to appreciate the additional  talents of the show’s actors.  I also appreciate the courage it takes for each of them to step out of their traditional roles.  No criticisms from me!  I thought they were all magnificent.; 4 –  They’re just FUN!  There are so few GH scenes that are FUN.  Most of them are about death, betrayal, hatred, jealousy, adultery, and many other vices.   It’s nice to watch GH and just smile on occasion.

How adorable were Morgan and Molly?  How funny is it  that in that room full of women,  of those who weren’t his children – at least half of them has been in bed with and/or impregnated by Sonny Corinthos?… and by funny I mean ‘pathetic’… That brings us to:

The Worst of Times

Forgive my  opining (nay whining) over the current state of General Hospital, but  I’ve experienced my first true soap heartbreak – one that had nothing to do with the cancellation of a beloved show, that is.   I’ve said, previously, that I’m done with GH, DONE!  KAPUT!  FINISHED!  FINITO!  For the most part that’s been true.  I did watch Liz run to Luke’s to beg Lucky to return to her.  I watched Ethan and Lucky chatting about Liz and enjoyed the flashbacks of a young LL2, even if I did feel as if I’d been kicked in the soft tissue watching the clips of a very young Liz and Lucky declaring their love.   I miss who they were to each other.  I got the writers message to the fans, via Lucky’s dialogue, about seeing people as they are now and not how you use to know them.  Bite me.  I’ll never see LL2 as having ‘moved on’.  They’ll forever be viewed by me as having been destroyed by the writers’ reckless impulses and self-indulgent excesses.

I was annoyed by  the writers use of  Liz’s rape as part of the casual conversation between Lucky and Ethan – the brother Lucky barely knows.  It was both a sacred moment  (to LL2) and profane  moment (on the part of Liz’s attacker) that began their relationship.  It was all reduced to drunken banter and  gossip by two people who could have just as easily been strangers.

Outside of those scenes, I know that I’m not missing much.  Basic daytime storylines in daytime haven’t changed – just the players and the severity of characters’ reactions to events in their lives.  There’s clearly no possibility of missing anything ‘big’ by largely tuning out this show or any other daytime program.  It’s not like there will be major revolutions in daytime storytelling any time soon!  (Get it?  Dickens?  Tale of Two Cities? Revolutions?)

Finally: Belief vs. Incredulity

I thought back to the situation that caused me to want to fully walk away from both General Hospital and the entire genre of daytime.  When Dante refused to tell the police that Sonny shot him, I was stunned.  In that one moment, the writers’ deconstructed a potentially marvelous character and destroyed the beautiful and inspiring backstory they’d created for him. This past year we had a reason to believe that it just might be possible that the writers would bring a true hero back to GH, one in the same vein of Mac Scorpio, Anna Devane, Robert Scorpio, Sean Donnelly, Frisco and Felicia Jones, the entirety of the WSB).  That’s now gone.   I never expected Dante to send Sonny to prison – no one ever has no matter how guilty he was.  I just never expected him to cave to the magic of Sonny’s mojo so quickly.  With a different set of paternal DNA and a uterus, Dante would  have borne Sonny another child by now.

As if ignoring the ‘attempted cop killer’ charge wasn’t enough, Dante commented that he thought Olivia, who’d become pregnant at 15 (rewrite?), slept around so much that she didn’t know WHO his father was. <gasp>  That line left me feeling utter revulsion for the character.  Whatever the case, he was angry at her for not telling him sooner that Sonny was his father.  Sonny “attempted cop killer” Corinthos was also angry at her and blamed Dante’s near death on her decades long lie.

“W-T-F”, I thought.  I’m sure the writers, who must be bored writing the bi-annual “Who’s the Daddy?”) storyline for Sonny and his small village filled with offspring, must have thought they were writing a unique twist on yet another telling of that storyline.  That ‘twist’ reads more like ‘twisted’ and this storyline deserves comparison to other Who’s the Daddy? storylines, when the good guys really were good.

I thought about the clip I’d posted of Robert, Robin, and Anna, in a prior blog:

I know that there are significant differences:

1.  Robin was an adorable child.  Dante is an “angry” adult male (even if his anger truly is righteous).

2. Robert knew early on that Robin was his child.  Sonny didn’t find out until it was ‘too late’.

3.  Robin wasn’t sent to try to destroy Robert.  Dante was.  For whatever reason, some see justifiable anger in Sonny’s attempt to kill Dante, the cop, for doing his job.  It seems plausible to accept the argument that Sonny would never have tried to kill Dante if he’d known that Dante was his son.

If the writers are consistent, I can’t say that I believe that the above assertion is true.  Sonny was more than willing to hurt his own brother when he thought he could justify it, or if he felt the need to save himself over Ric.   Sonny never gave a damn for Ric, the person who shared his DNA.  I can only believe that the writers would have been consistent and gone the ‘Lansing Route’ had they decided to have Dante found out without having Sonny shoot him.  We would have then been treated to ‘dead to me’ scenes between the father and son, with  Dante working like a mad dog to make amends for having the audacity to hate crime and criminals now that he knows he’s genetically linked to a mob boss.

In the end, the issue isn’t really about the difference between Robin and Dante as the long lost children of high profile Port Chuckles citizens.  It’s about the differences between writing teams, and the radically different approaches they’ve taken to trying to get the audience to buy into newly developed families. The GH writing team of the 80s wrote for a real hero and wrote for real emotions.  I can’t tell you what the current writing team writes for.  For it it feels as if they’re writing for a hopelessly lost villain that they continue to want to sell as a hero and writing cheap ploys masquerading as real emotions.  The legacy of the introduction of characters like Anna, Robert, and Robin is that fans still want MORE of their story.  There’s are still stories to be told that have the ability to help fans recall the old GH – when light pushed back the darkness, hope triumphed over despair, and we had everything before us.  I don’t think we can say the same for current storylines.

Whores of the world, UNITE! Women in Daytime, Vol. 2

Women in daytime = whores.  At least, I think they’re the same.  I dunno.  It’s hard for me to figure it all out since I’m just a woman.    Either I’ve been watching too much daytime or it’s the peyote… (just kidding on the last part, though given what some shows are doing to daytime women and viewers as a consequence, a little peyote might make daytime shows go down a little easier).

General Hospital

I’m all about the ‘I told you so’ lately and I want to hand one out to the writers of GH.  I’ve never been impressed with the casting of James Franco in the role of ‘Franco’  and have been horrified by the drooling and self-congratulating  linked to the casting of JF in the role.  The fact that the character was named  Franco was enough to tell me about the lack of creativity  attached his development.  It seemed to be all about stunt casting and the hope that a primetime/big screen actor could save GH from falling ratings.

It feels as if  GH’s PTB were so convinced that negative stereotypes about daytime viewers were real, the stereotype that we’re just a bunch of sex-starved panty-clinching rubes, who lick our screens whenever a hot male actor is featured, that casting JF as ‘Franco’ made sense!  As if we don’t already have enough testosterone filled doom and gloom on screen! (As for that screen licking part, I freely admit that I do think about licking the screen when Jason Thompson’s Patrick is on, but hell, who doesn’t?) The idea that “Franco” would cause us to swoon was as big a fallacy as almost everything else the GH writers have offered us by way of propping the Suckpranos storyline.   I don’t want to see one more character, stunt casting or otherwise, sacrificed on the altar of the mob boys.

  • Give Olivia her brain back.   She was such a strong vibrant character for so long and now she’s a walking-talking mess.   All the daydreaming about Sonny  makes me ill.  If I had to worry about Sonny putting a bullet in my kid’s head because my kid was a cop working to make the world safe?  I wouldn’t be able to daydream about having sex with the guy or daydream about him holding my hand. I wouldn’t even daydream about spitting on the guy if he was on fire!  What’s wrong with this woman?  What’s with her libido?  Sonny rocked her world over two decades ago, bedded and nearly wedded her cousin – swore his eternal love for Kate before the world while barely noticing or remembering Olivia, and she’s still lusting for him?  STOP! IT!
  • Quit making Carly an idiot who treats Jax’s child as Sonny’s future ‘kidnapped bait’ child.  It’s disgusting.  Notice that when Carly was listing off the children who were protected by Sonny’s grace, she included Josslyn, and not Molly?  STOP IT!
  • STOP making Lulu fall for the mob boys and/or supporting them to the point of even trying to convince the police that they really deserve to be set free instead of in prison where they belong.  Stop making her fall for anyone connected, even tangentially, to the mob boys.   Whatever those mob boys have going on below the belt must be some powerful mojo!  And it’s demeaning to us all.
  • Quit making me feel sorry for Rebecca “NotEmily” Shaw by having her actually be the voice of logic and reason before you ship her off.  I really resent you for this one, GH writers.  I’m an avowed ‘Remily’ hater and to leave me cheering for her is one of your worse offenses, yet.  Even still, I grew tired of the “Liz is a slut’ mantra she had going – not that I disagree with the sentiment, just the constant expression of it.  I did enjoy the fact that she continued to remind Liz that her house of cards would soon fold.  The sendoff for Rebecca, the Emily- clone was perfect, by having her make friends with a Zander clone… Chad Brannon was pretty darned delicious looking.  When his clone character drops  Rebecca off in Paris, have him come back!   Patrick’s stalker ex could use a good hook up – then again, so could Matt Drake, who spends far too much time trying to convince Robin that her marriage is in trouble!
  • Maxie, Maxie, Maxie… REALLY?  She’s gives herself to Franco for the sake of getting him to agree to help her out professionally?  Then she tries to pimp out Spinelli to make herself feel better?  She gives relationship advice to Max and Diane about ‘balanced cheating’?    Maxelli, Scrubs Love, and Jax and Carly were the only interesting things GH had going in its favor and the writers are slowly dismantling all three.  Speaking of…
  • For the love of all that’s soap-holy… give me a Scrubs storyline that has nothing to do with old girlfriends crawling out of the woodwork!  Yeah, yeah… Patrick puts it on ’em… they can’t get enough… once you go Patrick, you never go back… Even though I can believe that his arrogant aloof treatment of women made them want him more, I’m getting tired of women who are attracted to him on that basis.  The writers made the courageous decision to make him a happy family man, now I wish they’d make the courageous decision to create family driven storytelling around the Scorpio-Drake clan.  What makes Patrick attractive is that he’s a man who loves his wife and child.  Having him betray them would destroy that.  Leave something that’s still a little pure and  just for us.

I’d love it if the GH powers that be would stop treating women (onscreen) like a bunch of ‘spare parts’ waiting to be traded by GH males, as they’re needed.  Bringing on stellar actors like James Franco can’t  cover the holes in plots, the obsession with the dark  arts of the mob boys, or the weak female characters who aren’t just damaged- they’re damned deranged.  Treating your viewers like sex-starved fiends who’ll gladly buy what you’re selling won’t help either.  I know it’s not just my perspective that GH has lost what made it great… I’ve seen the ratings.  GH is hemorrhaging viewers and the great ‘Franco’ (onscreen Franco) doesn’t deliver a big enough draw to stop it:

Ratings for the week December 7-11, 2009 (when the character Franco’s arrival and work should have made a difference)
HH
1. Y&R 3.7/12 (+.2/same)
2. B&B 2.4/8 (+.1/-.4)
3. DAYS 2.2/7 (+.2/+.1)
4. AMC 2.0/6 (+.1/same)
5. ATWT 1.9/6 (+.1/-.1)
5. GH 1.9/6 (same/-.3)
7. OLTL 1.8/6 (same/ -.2)

Week of December 14 – 18th)

HH
1. Y&R 3.5/12 (-.2/-.3)
2. B&B 2.3/8 (-.1/-.4)
3. DAYS 2.1/7 (-.1/same)
4. AMC 2.0/7 (same/-.1)
5. GH 1.9/6 (same/-.3)
6. ATWT 1.8/6 (-.1/-.3)
6. OLTL 1.8/6 (same/-.3)

Week of December 21 – 25
HH
1. Y&R 3.5/11 (same/-.2)
2. B&B 2.3/7 (same/-.3)
3. DAYS 2.0/6 (-.1/-.1)
3. AMC 2.0/6 (same/same)
5. ATWT 1.8/5 (same/-.1)
5. GH 1.8/5 (-.1/-.4)
7. OLTL 1.7/5 (-.1/-.3) <—— ties low rating (Last time: August 31 – September 4, 2009)

Ratings courtesy of Soap Opera Network:  SON

So why am I still watching? I don’t think soap fans like me want too much.  We just want a balance.  How about  2  smart women for every woman who is lobotomized for the sake of the dark storylines?  I’m hoping Scrubs will survive and find a real storyline and that the writers will give us a storyline about them that will engage the audience without either of them cheating, I’ve FINALLY gotten the Mac and Alexis pairing I’ve been pimping for, through 2009  (don’t think I’m not grateful, just realize I’m not fully satisfied.  They’re off to a great start, and I need MORE).  Dare I hope that Mac/Alexis/Robert/Anna/Robin/Patrick  would be able to restore law and order to PC and that they turn the town around and take down the real bad guys?  I’m hoping that smart, funny, and strong-if-not-neurotic, women like Robin and Alexis (and yes, even Diane) will be allowed to lead the way.

One Life to Live

Nora Buchanan.   Nora is the woman who slept with her ex, Sam Rappaport, and passed his child off as her husband Bo’s child.  Even better is the fact that she did it for Bo– whose son was recently killed.  That was the rationalization she gave for betraying her husband, she most saintedly did it FOR his sake – all the while knowing that Sam was deeply in love with her and knowing what the emotionally fallout might be.   Fortunately (or unfortunately)  for all involved, after Bo and Sam’s deep pain, it turns out that Matthew was Bo’s son after all.  Now we have Nora, who’d been warned/pleaded with/begged not to marry Clint because she didn’t really love him, has now left Clint to be with Bo – during a dark time in Clint’s life.

Once again, another ABC male refers to the cheating lying woman who betrayed him as a whore – I can understand Clint’s rage and his willingness to throw Nora’s past in her face.. I just wish I hadn’t already been overwhelmed with the use of the word ‘whore’ from almost every other ABC male before that.  Nora’s reaction was still priceless.  She’s rude and judgmental and has made a habit of telling others why they’re so unworthy of being loved or trusted.   She was stunned that anyone would dare give her the same treatment.  I wasn’t crazy about Clint’s choice of words, but I’m glad that the writers finally allowed someone to point out to Nora what a hypocrite she is.

True to form, Nora didn’t let a little thing like the truth stop her from being who she is.  A full scene later, SHE referred to Kim as ‘that slut’, the ‘whore in her husband’s bed’, a ‘tramp’… uh huh… Sweet irony!  She was talking to Bo, Clint’s brother, the man she’d been having an emotional (almost sexual) relationship with and lying to Clint about it when she said it… YIKES!  Something about the way Bo and Nora are getting together and the pain it’s causing Clint that’s causing me to want to root for Clint and Kim (a couple I’d previously referred to as the reincarnation of Asa and Blair).

Somehow, the writers managed to give Clint and Kim depth.  Kim was fixated on her ‘plan’ to get Clint into bed to help him forget Nora.  She’d treated Clint like a feeble and emotionally dependent ‘old man’ who would be felled by a little bit of a wiggle and giggle.   Kim would have loved Asa – being felled by a wiggle and giggle was more his speed.  Clint had already had her investigated.  He knew about her stripper past, and didn’t care.  He also knew that she thought she was gaming him, and he didn’t care.  He knew that her plan to ‘drink him under the table’ was about taking advantage of him… and he didn’t care because he also knew three other things:

1 – He had the truth on his side and still had the upper hand.

2 – That being involved with the town’s  ‘sainted woman’  isn’t a guarantee that you’ll end up with an honest woman who’ll treat you well.

3 – That Kim isn’t all bad.   Her bark is worse than her bite.  Despite the fact that there is a risk of turning Kim into a ‘hooker with a heart of gold’ stereotype, the writers have so far avoided taking her quite that far.

The storyline seems to be shaping up into one in which the person in need of rescue may be KIM, not Clint.  He’s as intent on using her as she was on using him.   I hope that doesn’t happen, because despite my exhaustion with female-male May-December romances, there’s something about this pairing that I like. Nice touch, writers, on having Kim’s plan fail when she underestimated his ability to hold his liquor.  BRAVO for letting Clint walk away despite Kim’s offer to let him spend the night and having him warn her to quit while she was ahead.  I could root for them as a couple – with Melissa Archer’s Natalie fighting with Kim and making her work to prove her love for Clint.  I could <gulp> just as easily  root for them developing a strong father-daughter relationship (Oedipal, I know) or have them remain as good friends.  Either way, I’m hoping to see far more of Clint and Kim than Bo and Nora.  SON’s  CarlID offered this observation:

It’s interesting to see the fallout of the Bo and Nora reunion. They were a beloved couple many years ago but not only have times changed, many of the people who were in their lives at that time have changed. It’s like, what if you reunite a supercopule and no one cheered? I don’t mean the fans, I mean the characters in their lives. You don’t have a lot of people endlessly going, “You’re fated to be together,” as you do with many other couples on the show. I also think it would be an interesting writing choice if Matthew wasn’t thrilled they were back together and preferred them apart.

I’ll add one other observation about this storyline.  I found Nora’s reaction to seeing Clint with Kim unusual.  Kim was the whore in her husband’s bed?  Why did she care, she was dumping him!?!?! You’d think she’d want Clint to find someone, ANYONE to take the heat off of her betrayal of Clint.  Is it possible that Nora will wake up and realize that her rekindled love for Bo was based on their mutual concern for Matthew and his health issues?  Could Nora wake up and realize that she was happier with Clint than she imagined?  What happens then?  Where does she turn?  Does anyone care?

BTW, folks, is it just me, or did Jerry Ver Dorn make Clint his own with this bend in the storyline?  JVD’s left me breathless!

Tea Delgado/Blair Manning… not whores, they’re just written to allow Todd Manning to treat them as if they are.

Days of Our Lives

Two words:  Carly Manning.  Two more words:  EPIC FAIL.  There are some soap staples I can’t get enough of:  scheming liars who are eventually figuratively  beaten down and forced to eat their own misery.  Bad boys who are only clever by half and outwitted by their victims, victims they eventually fall in love with.  Anything to do with corporate intrigue.  Good old-fashioned romance.  Deep dark family secrets – that have nothing to do with long lost children.

The one plot I’m pretty freaking tired of is the damsel in distress who can’t get enough of the man she left behind and (oh gosh) if only he’d choose her over his wife and family.  He (being the real ‘whore’ in this scenario) decides that he can’t leave her to her own fate and risks losing his wife and child/children, while keeping secrets with the damsel in distress.  It’s not a stretch to believe that daytime writers typically set this storyline up to do one of two things:  try to make us root for our damsel in distress and if that fails, we’re to hate her as a home-wrecking ‘whore’ who broke up a perfectly happy and  loving family.

You’d think that watching her ‘get hers’ would be satisfying – assuming that the lunkhead goes back to his family and treats his wife as his equal partner, and not his potential mistress.   It’s not.   In reality, for fans like me, it only causes us to dislike BOTH partners – the cheating spouse and the idiotic woman who finds his willingness to betray his family a ‘thrill’ and further evidence that she is the object of his desire, not his wife and family. She’s only the next woman to be betrayed when his former victim/spouse becomes the damsel in distress. It’s all less satisfying because he’ll never ‘get his’.  He’ll just become the object of desire for two women – who’ll continue to fight over him until one of them is exhausted or dead.

Isn’t it time for daytime writers to leave iconic couples alone and find new ways to make them relevant to the audience?  Haven’t we seen these storylines play out a million times before?  Viewers exiting daytime in droves isn’t enough evidence that we want something more?  When did daytime become a genre about deconstructing and destroying rather than building something new or building better and higher on the strong foundation already in place?  Where are the powerful female characters who leave us feeling unashamed of being daytime viewers?

If you’ve made it this fair, I’m sure you’re wondering why I’ve left poor embattled CBS off the list.  Am I sympathetic to the network that’s lost two soaps in two years?  Nope.  I just don’t have the room to continue with CBS’ list of maltreated women in daytime.  This blog would have to be at least three times as long as it is now.  I’m saving that one for a later date.

Suffice it to say, if daytime really is dead -running on fumes,  kicking the bucket, headed for the big one, living on borrowed time… I’d greatly enjoy being able to celebrate women in daytime before it goes.  What do daytime writers have to lose?

GH – Practicing the Dark Arts

I’m trying to get a handle on what’s going on with General Hospital. There are things I like about the show (though nothing I love, right now).

  • I’m THRILLED that Kate is moving on with her life. Her role as Sonny’s avenger was wearing thin. She’s bright, wealthy, beautiful and successful… why would she want to carry water for Sonny? He’s treated her so shabbily since he married Claudia – a woman he couldn’t stand, initially. I like the idea of having a successful woman on the show who worries about her career, and isn’t wasted worrying about dating a man who’ll never be faithful to her. Sonny has the attention span the length of the lifespan of a fruit fly.
  • I thought I wanted Lucky and Liz together, but given her treatment of him in favor of Jason, I don’t think it should happen right away (if it ever happens at all given every onscreen indication that Liz will become involved with Patrick). I’m not crazy about Rebecca and would love to see her GO… away, FAR FAR away… but if that won’t happen, she’s not so bad with Lucky, for now.
  • It’s great seeing Carly and Jax work out their marriage. It’s time for a adult up move between two married people on this show. It’s far too easy to split a couple up to create a new set of pairings. I think it takes more talent to put a couple together and make them interesting from inside the relationship.
  • Agent Rayner makes me want to chew glass, at times. The writers are too heavy handed in making him the chief foe of the Port Chuckles mob kingpins. I think we’re supposed to hate him and root for the mob-boys… NOT SO! I can multi-task, no problem. I am annoyed by BOTH of them, less so with Rayner. That said, I like the thought of an Alexis/Rayner pairing, though who knows how he’d react to having to deal with Sonny should he become Christina’s new step-pappa.  Would he want to jeopardize his career by sharing a child with a mob boss?  Could he handle having Sonny THAT involved in his life?
  • It’s wrong, it’s SO WRONG, but I like Sonny and Claudia. I learned to like Sonny and Carly eventually (when Sarah Brown was in the role) though it broke my heart for Carly to hurt Jason. I wanted Jason and Carly more than anything. There must be some carryover from the Sonny-SB/Carly days. I don’t care what it is, I like them. They’re dark, mean, and clearly pretty good at gaming one another. Sonny has met his psychotic soul mate. What more could you ask for?

The question was rhetorical, I can tell you what more to ask for:

Writers, LEAVE SCRUBS ALONE! For as much as I like the thought of keeping Sonny and Carly Claudia together, it dawns on me that the writers are treating them as the ‘Dark Arts’ version of Scrubs. They’re playful and passionate, and fun to watch when you allow yourself to forget that these are two people who’d just as soon put a bullet in you, as love you.

They are clearly NOT a good trade for the real Scrubs.

I was admittedly excited about the PPD storyline when it was announced. Robin’s history has been that she’s needed to have a sense of control over every aspect of her life. She’d learned to become cautious, possibly overly cautious, after her contracting HIV. She’d lost so much before: Stone, her mother, her father, Jason… order gave Robin a sense of security.

So it makes sense that with her hormones out of wack, a child she wasn’t sure she could care for, and no clear certainty about her future in a career she’d worked so hard to obtain would all lead her to a dark place.

The dark place I thought Robin might go to was leaving home and possibly contemplating divorce, or seeking out support from a psychiatrist and refusing to comply with treatment, or sitting alone in a dark room and refusing to talk with anyone – develping a catatonic state not unlike Laura Spencer’s.  At most I thought that Robin might start drinking or taking drugs. The writers are setting us up for FAR WORSE. Robin sitting alone, drinking in a bar, making up a new identity? Checking into a hotel room all alone? How much longer before she’s sharing that room with another man, who knows her by another name and a different identity?

What next, GH writers? Will this man ‘make a video’? Will he blackmail Robin once he realizes who she is (with or without video)? Will she carry on a longterm affair? Will she leave her family because she’s in love with him?

What the hell is wrong with daytime writers? Why can’t they leave what WORKS alone? Is there an allergy to success in daytime?  I’ve speculated about that before.  I’m sure that there must be, now.  When you have a winning formula, the thing to do is DOUBLE DOWN! Use it to create MORE of the what the audience wants. Don’t destroy one of the best things you have going. Destroying Maximista and Spinelli wasn’t enough (making him her confessor as she talks about her bad behavior with another man)?

The time for experimentation to bring in new viewers was LONG ago in daytime.  Now? The name of the game is survival. Keep the audience you still have left by not insulting us with storylines that we can never, and will never accept.

Much like Carly and Jax, fans can appreciate a couple willing to work out their issues and stay together. Real couples do it every day. There are ways of introducing new couples and new pairings and drawing fans in. Breaking up Scrubs (and that’s where it feels like we’re headed in confirmation of the spoilers out there suggesting it will happen) is the equivalent of playing Russian roulette with the ratings.  You not only can’t tolerate success, you want to beat it into the ground and make sure it never comes near you again!

Scrubs – Warm Fuzzies

Now that’s how you write for a cornerstone couple you can build the show’s future around. While Robin and Patrick are FAR too young to become the show’s matriarch and patriarch (as Lila and Edward once were), they do feel like a matriarch and patriarch in training.

They’re fun and playful and their loving moments are real and honest. I thoroughly enjoyed watching their playful banter about Patrick’s commitment phobic – skirt chasing days.

Score one for Robin, by the way, for seeing what Matt is all about and warning him to back off of Maxie. Matt is a less entertaining version of hottie Patrick – I’m not interested in watching his pale imitation of Patrick.

Robin handled the situation between Matt and Maxie with Lila’s grace – something sorely lacking on GH. I’d hoped that Laura would finally be allowed to come back and serve as Lila’s spiritual heir, but no. While I don’t mind Robin and Patrick temporarily filling the matriarch and patriarch roles, it would be a mistake for the writers to steal their youth and make them old before their time.

Keep them as they are – for a while longer. Watching them today only steels my resolve to see Carly and Robin bury the hatchet (see the blog below regarding the link between these two women). Watching them today made me love Scrubs even more.

Well… it’s MLK Day and while the soaps have largely ignored the day, I’m off to a celebration and to do work that will hopefully make a difference!

Godspeed!