BnB: The possibility of Bill and Quinn?

BnB QuillThere are about half a million things I would have expected to happen before seeing Bill and Quinn together.  Before believing this pairing was even possible?  I would have quit my job and bought a beach house in Malibu – all on the promise of soon purchasing my winning super lottery ticket.  My first thought, as a Quinn fan, is sheer revulsion!  Why?  Quinn, as written, could do so much better than Bill on her worst days… SO much better.  Bill is tainted by his callous disregard for other people.  He seems so  uncaring and one dimensional that it literally pains me to watch him onscreen -not figuratively, I mean literally.  Friends, like love, your soaps aren’t supposed to hurt!  He meets the very definition of the stereotypical powerful man who is unethical and filled avarice, to the point of being able to sell his mother (or child’s happiness) for a buck.

The more I thought about the possibility, the more I almost like it. (As you read that, I hope you put the emphasis on almost because I don’t trust anything to do with Bill Spencer, yet.)  Given the fact that Bill and Quinn have a tendency to go to dark places, for different reasons, of course, a lot of interesting things could happen on this show.

What would make the difference in a Quill pairing that we didn’t see with Katie or Brooke?  Quinn is written as a woman strong enough to tame that beast.  Quinn doesn’t back down. She is never fearful.  She is Bill’s alter ego, his very scarily tough and much  smarter alter ego. If Bill yells, Quinn is the woman who will yell right back and back him into a corner.   I do believe that there are lines Quinn won’t cross – which is how she differs from Bill.  Even though I fully expected her to know a goon she could call on a moment’s notice to give Liam a good beat down, leaving him naked and amnesic on a beach somewhere, I was surprised that her seemingly menacing phone call was only a call to Ally to have her put on her Saturday Night best and go out to meet Liam for dinner.  Quinn is a study in contradictions and I appreciate the fact that the writers keep giving her layers and, consequently, depth.

I have been living to see Bill bend to the will of a strong woman, rather than choosing women who won’t fight back.  Katie stood up to him more than anyone, but even she relented and accepted that Bill “is who he is”. Not.Good.Enough.  Brooke pretty much gave Bill anything he wanted.  He calls those things love and it reads, to me at least, as love of self and one’s on selfish needs.  I would like to know what the writers would do differently with Bill in the presence of a woman who has as strong a personality as his own.  I don’t want the writers to break his spirit, just his massive ego and his inability to have a real connection to anyone.   It’s been easy for me to not cheer on Bill on with anyone because all of his pairings have left the women he’s been with as bit players in their own lives (Steffy included).

BnB Rick Sneers at WyattWhat if he does get back together with Quinn and she decides she wants controlling interest in FC so that she and Wyatt not only have their jewelry line, but a secure place in FC?  (For Wyatt – to keep him close to Hope because there is no way she is going to stop manipulating that poor kid’s life)  What if Bill agrees to help her, but not for Wyatt’s sake?  He’s still angry at Brooke for not loving him as he’d hoped ignoring his own role in losing his family.  His attack on FC is directed at Brooke for breaking his heart, and at Ridge for being the man Brooke has always loved more than any other.

To the rescue?  Rick! I’ll be honest, when Rick stared Wyatt down and threatened to destroy him over the PR stunt, I had to change my clothes. I won’t tell you why, because I’ve already shared too much.  Let’s just say that I don’t want to meet reel life Rick Forrester in a heavily produced  perfectly dimmed dark alley way!  No ma’am, no sir, that’s not for me, but that scene helped me remember just how vicious a guy Rick can be, when pushed (and makes me recall Jacob Young’s seamlessly perfect portrayal of cutthroat scheming mogul, JR Chandler,  on All My Children).  Rick has fought back challenges from Ridge in the past, and most recently from Thorne and Thomas.  It’s time for Forrester Creations to take on a real challenger, another cutthroat like Bill, without resolving things on the runway.  Imagine the tensions and tests of loyalty between Caroline and Rick, Hope and Wyatt, Katie and Ridge, Katie and Karen, Brooke and Ridge, Ally and Wyatt, Thorne and His family (if Quinn and Bill promise him a permanent role as FC President), so many opttions!

Soapgods, if you’re listening, Rick Forrester is all grown up now.  He’s ready for the role of a man casting his own shadow instead of living in the shadow of his father and brothers.  If Bill makes a move on FC, let Rick make a move on whatever wealth Bill has, and any remaining stock he has in Spencer.  Give us Dallas in the daytime!  It’s time for Rick to leave FC for Ridge and Thorne to fight over — if Thorne ever comes back from Paris.  On a side note, does anyone think that Winsor Harmon (Thorne) might be away promoting the incredible looking Cathedral Canyon?

Ridge and Katie
I am torn between thinking that Liam completely shamed Katie into walking away or that he reminded Katie of who she really is at heart.   Well, break my heart, why don’t you? I, for one, don’t expect the Brooke-Ridge marriage to happen.  Sooner or later Ridge will remember his feelings for Katie.  Katie will never forget her feelings for Ridge.  If it does happen, I don’t expect them to cheat while Ridge and Brooke are together – and it would be disappointing if they did.  If they cheat, I’ll be the hypocrite I hate being and forgive them, but I hope they wait because I don’t see Ridge and Brooke being long term and I think the two have already built something that can wait and could last long term.  I would love for Ridge to walk away from a possible marriage to Brooke if his heart isn’t in it and go back to Katie.

BnB Tormented KarRi

Admittedly there is a part of me that wanted Katie to avoid the hand wringing and tears. Without thought of revenge her sister or care for another person a small part of me – the part that has a hard time delaying gratification, wants the writers to skip the long and slow romance and have Katie throw caution to the wind and (in my best Bill Spencer voice) make Ridge her bitch!  Sure, true love and all that, but Katie needs to just be swept up in something wild and uncontrollable and FUN!  Katie has been hurting for SO long that I want to see her happy, now!  She risked her life to have a child, she battled mental illness,  she lost her husband to her sister, she was betrayed by the husband she was willing to forgive. Reel life has not been kind to Katie the last several years.

So what am I saying here?  Did I just confuse you?  This storyline has caught me off guard and left me confused as well.  In short, I don’t want Katie at odds with Brooke. I would love for the sisters to reunite and be stronger than ever.  That aside, I will take Ridge and Katie in whatever form I get them, and I will ignore that selfish part of me that wants them fast, wants them now, and I am willing to watch the romance unfold, if it’s in the cards for them!  Maybe this time, Broke will step aside, and allow her sister to have the happiness that has been denied to her for so very long.

Need a place to play?  The Gallery will be open, soon!  REGISTER HERE and come join me!

Advertisements

4 words: Monkeys. Typewriters. Locked Rooms

You know the old writers’ insult, “Monkeys banging on typewriters could do a better job!” Imagine if you not only handed a room full of monkeys a set of typewriters (uh, keyboards), but you then locked them in. Well… that’s ONE way to force them to concentrate on completing your scripts, but watch out! Locking them in a room might add insult to injury and monkeys are pretty vengeful. They also have a pretty wicked sense of humor. Make sure you READ the scripts before you film and then air them for long suffering fans.

One Life to Live

Bitchy Marty, Bitchy Tea, Bitchy TeBessica… ‘effin.love.them.all.

Jessica apologizing and groveling at Natalie’s feet? No thanks. I felt sympathy for Nat “the outsider” for about 10 minutes. I’m over it. She’s still sleeping with the man who cost her sister’s husband his life. An accident? Sure… after months of deceiving him and destroying everything he’d built for his family. I’m hoping Tess and Bess have teamed up to finish taking Nat and Jared down – without plotting anyone’s death, by the way. Abject misery is enough for me, thanks. Tea taking guff from Blair? I don’t think so. Tea and Blair live different realities. Tea is a badass by nature. She’s shown tremendous growth and change and I love how spunky she is. Blair? Badass, on occasion, doormat more often than not. The woman slept with Spencer Truman just after Todd, the ‘great love’ of her life, was sentenced to execution. Despite every reasonable warning to the contrary, she made Truman a part of her children’s lives. My money is on Tea. Marty Saybrooke being left alone with Janet Ketring/Lee Halpern? Seriously, were the monkeys also STONED when they banged out that moment? Writers, keep an eye on the script monkeys, they’re making you look bad!

It’s annoying enough that Bo and Nora’s situational ethics drag every other living Llanview resident through the muck, but Bo and Tahlia leaving JK/LH alone with an angry and self-destructive Marty? The woman tried to force Todd to commit suicide for what he did to her (with JK/LH’s help). So they let her confront JK/LH, alone, wearing a coat which could very well have contained a weapon, and carrying an uzi sized purse? They actually LEFT the motel? I have to say, violence isn’t my thing, but I got a chuckle out of JK/LH cracking a vase over Talia’s head and taking off. Too bad Bo didn’t get one of those, as well! You’d think JK/LH was a witness for the defense  for as careless as they’ve been about her safety.  It must be nice to be pals with people like Bo and Nora. They use their offices to go after people you don’t like if you’re a friend, no matter how flimsy the evidence, nor the cost to the good folks of Llanview.

Oh, and locked-away-typewriter-banging monkeys? Less smug from Antonio and Nora, please. They’re on the side of RIGHT, and they leave me wanting to see Tea wipe the smug off of their faces – unless that’s what you wanted and then I feel played (well done). If I’m wrongfully faulting you and it’s the choices made by the actors, please speak to the director and ask him to handle it.

The Bold and The Beautiful

Bridget is a designer now? You magnificent vengeful monkeys, you! You really did get the last laugh, didn’t you? I wish I could laugh with you, but I can’t. It hurts. Did you have to pay the writers back at the viewers’ expense? An accelerated undergrad preMed program, supposed ‘years’ of study in medical school. Internships, Residency, saving lives, bringing babies into the world, bringing her aunt Katie back from the dead, saving her brother from jail following Phoebe’s death… and Bridget wants to give it all up to start designing for the company that just ripped off her father’s and brother’s newest collection. Bridget… giving up medicine for THAT!

She’s doodled haute couture  gowns for years and was just too afraid to tell anyone?  Her work is even better than life-long designer Clarke Garrison… stuff she sketched when not practicing medicine 23/6 and no one knew?  Uh, because despite the fact that EVERY one of her adult sibs, her nieces and nephew, and BOTH of her parents work in the fashion industry, she was too afraid to tell them she has a passion for fashion? Ok, works in your universe, but typewriter-banging-monkeys, if the writers don’t feed you, refuse to type out scripts on an empty stomach. It makes you a little loopy.

This wouldn’t hurt so bad if it weren’t a follow up to the “fabulous Paminis”… Pam Douglas, insta-designer with a CROCHET technique so secret that only Pam can churn out the one of a kind hot yarn bikinis… So what is Bridget’s Auntie Pam kicking out? 20 a day in the Forrester sweatshop? Monkeys, explain yourselves! Is there something in the air at FC that makes anyone who passes through the hallowed halls a genius in the design world (all except Clarke it seems)?

Guiding Light

Alan wanting revenge against a cheating Beth? I get that. For once in his life, Alan is as devoted as he’s ever has been to a woman, maybe the most faithful he’s ever been. (Beth hasn’t been faithful to anyone since she was a teen) She  gives birth to his child, while still raising his grandchildren and making him part of their lives.  Then she cheats on him. He now knows that he’s met his match in Beth.  No one loves Alan as much as he loves himself.  Ditto on Beth. He’s sleeping with his mirror image and it’s driving him mad, life is a cruel mistress, Alan.

I WANT Alan to make Beth miserable, and not for his sake, but because Beth is supremely selfish and sucks as a person. BUT…Alan grabbing the letter opener, TWICE (something TPTB aired when the scenes picked up with a third and fourth time during the next day’s episode, too)? Good mercy. Giving the audience the impression that he would just as soon plunge the opener into her heart because his heart was broken? YIKES!

I don’t remember Alan being violent with women, especially not to the point of contemplating a brutal death for one. He likes owning and controlling women, but he likes owning and controlling everyone. He usually shows more finesse. The old Alan would have had Coop arrested on some trumped up charge, claimed ‘Company’ for himself – leaving Buzz penniless, and set Beth up to think she was going crazy again just to get custody of Peyton. He would have done it all before lunch!  He actually would have kept Buzz on at the restaurant he stole from him and had Buzz SERVE him lunch. Alan is psychotic, but he’s no thug.

Monkeys, you owe the GL writers an apology for what you’ve done to their beloved Alan Spaulding. Shame on you.

All My Children

Zach. Killing Josh. Fathering Gabrielle. Eye-boinking with Reese. Expecting Kendall to understand. Vicious little typewriter-banging-monkeys… You’ve outdone yourselves. I actually like the potential fallout from this one. No criticism, here. This is all soapy goodness. AMC was lucky to have you on staff when you wrote that part of the plot. Kendall, forgive Binks, Reese, and Zach. PRICELESS!

While you’re at it, write that script where David Hayward is loving and unselfish, Adam Chandler has sworn off manipulating the people he loves, Erica Kane gives up designer clothes and all other perks of fine living, and JR Chandler stays sober! See how silly it all seems that anyone would expect forgiveness from Kendall? Whatever she does to them, they’ve got it coming. Maybe Zach should keep a picture of his happy parts in a safe location. The doctors will need it when they’re working on the reattachment and reconstruction!

I can’t give you a pass on Amanda’s pregnancy, however. Does anyone remember the last daytime pregnancy where the mother knew who her child’s father was (Binks excluded, of course) and there was no scandal around the pregnancy? (Whoops, Binks back in!) Why another contested paternity? It’s not like there’s been a shortage of them.

Then again, you’ve been writing for Annie and she’s freakin’ wonderful, so it all evens out in the wash!

Daytime’s Parenting Sweepstakes (Updated)

Bold and Beautiful.  Who’s the bigger loser in the deal, Marcus or Donna?  My money is on Marcus.  WOOHOO, you find your biological mother and she’s a former model, rich as creases, and now in charge of a multimillion dollar conglomerate.  What’s not to love?  Oh, just the fact that she’s nutty as a fruitcake (see Forrester Creations ‘takeover attempt’).  Not enough?  Add that she’s dumb as a stone!  How is it that young Marcus knows enough to be suspicious of Owen and Donna is falling for his act hook, line, and sinker?

If Donna loved her ‘honeybear’ as much as she claims, or her son for that matter, Owen would have been out the door.

All My Children – JR and Adam.  Adam is on the losing side, in this case.  Just how many times can JR turn his back on his father and try to make Adam ‘pay’ for (insert incident)?  His attempts to take over Adam’s company and/or fortune are becoming as commonplace as his change in hairstyles. 

He can forgive Babe for every mean and nasty thing she’s done to him, including having one night stands just weeks after they were married, and running off with his child AND his brother, but Adam is the devil incarnate?  What AMC needs is MORE Adam, and even an Adam clone or two (hint there, JR).  Given what’s transpired on this show the past couple of years, Adam is the least threatening person in Pine Valley… so far…but give him time.

One LIfe To Live – Starr and Todd.  It’s a draw!  The mini-me Starr has become is absolutely intolerable to me.  She’s demanding, obnoxious and completely out of control.  I hate it women, in general, are blamed for their children’s behavior, but I think it works in Starr’s specific case.  Blair shares some of the blame.  Carrying Todd Manning’s genes set Starr up for a very difficult life, to begin with – but there was a least some chance of escaping her destiny to make life miserable for as many people as possible.  Blair hasn’t done Starr any favors by having little-to-no guidelines for developing a sense of self control. 

While Todd moves to one extreme, appointing himself Starr’s Lord and Master, Blair moves too far in the other extreme – wanting to be Starr’s best friend.  Hey, Blair, Starr has enough ‘friends’ – they helped get her in the situation she’s in now.  She could use a parent.  She’s sorely lacking one.  While Starr is working hard trying to place her child for adoption, she should be looking for a placement of her own.  Make sure to take Jack and Sam with you, kid!

As The World Turns – Puberty (Parker and Liberty).  Isn’t it grand that their parents have FINALLY figured out that these kids need supervision, AFTER they were caught in bed together?  Before that?  The only parent who made time for either of them, and tried to keep them in line was Liberty’s father, Brad.   Brad is a lone salmon swimming upstream, when it comes to parenting.  He actually focuses on his daughter more than his own sex life.  Imagine that! 

Oh that Carly and Holden, and Jack and Janet.  Theirs are the ‘F’ bombs that just keep giving and taking.  They get their freak on and their 16 year olds get their freak on in response!  Ain’t that grand?  Summer love never seemed so  backwards.  Well, we know the outcome for OLTL’s  Starr and Cole – a child she wants to give up for adoption, one he wants to keep and raise.  The problem is that the OLTL storyline is weak, and without much merit as an example of the difficulty of teen pregnancy ( read more in the blog below “Jumping the Shark”).  All of the issues that make the OLTL storyline a weak one are issues that make a strong case for a teen pregnancy storyline for ATWT’s lusting cousins, ‘Puberty’.   

Both kids are from families that are hardworking, middle class (lower middle, or upper lower for Liberty and her mother, Janet).  Raising a child WOULD be a struggle for Puberty, neither of which has a trust fund, slew of servants, or enormous mansions to raise their child in.  Both are teens who rushed into sex, even while using birth control that neither probably knew how to use adequately or responsibly enough to be protected. 

There was no emotional commitment between Parker and Liberty prior to having sex.  Would they want to raise a child together?   This pair would give a more realistic look at the emotional angst of having made a decision they weren’t ready for and the angst of dealing with loivng a child enough to give it a great home with parents who were ready to love and care for it.  I’d hate for a Puberty pregnancy storyline (if there was one) to become as sensationalized as Gwen’s pregnancy storyline.  I’d love to see daytime portray teen pregnancy realistically and with great deference to the hardships of real life teen parents.  Since this is daytime, and almost no storyline is offered without controversy, let me offer the following:

Parker could turn to cousin Luke to help him.  He’s not ready to be a father, and yet he’s not ready to see his child placed with strangers. At LEAST two options are now available.

1 – Luke decides to adopt his cousin’s child.  He talks it over with Noah, and Noah agrees to give him whatever help he can.  It leads to them spending more time together and getting even closer – even if they’re not ready to be a full-fledged family.  Can they survive Luke becoming a single father and splitting his time between their relationship and his son?

2 – Luke and Noah decide that they’re ready for a long term commitment and raise the child together, as a family.  They agree to adopt the Puberty baby together.  This storyline, by the way, pulls Luke and Noah out of the ‘late teen’ trap the writers have been keeping them in to avoid their emotional and physical connection – which now makes even less sense given the explicit and graphic Puberty romp. 

In either case, Luke/or Luke and Noah adopt the child, agree to help raise him, and end up fighting Janet  and Brad on the adoption.  Janet opposes for religious reasons.  Brad opposes because he wants custody of the child and plans to raise it with Katie.  Both Liberty and Janet thinks it’s too much to have the child raised as Liberty’s sibling and fight Brad.

What’s that, you ask?  Haven’t NUKE been through enough?  I get the point, and understand why it would be hard to watch another ‘anti’ storyline when it comes to these two, but I think a storyline about adoption could be a great way to address the issue of whether cultural ideas about adoption involving GLBT parents is more myth than reality.   This would be an opportunity for the writers to debunk myths and to open the discussion about the more than a half million children in this country who need homes, and are barred from living in the context of a family with same sex parents because of unfounded fears.

I think the writers have exhausted the focus on Luke and Noah as ‘good guys’ with hearts of gold.  I think they’ve done enough to show us the stereotypes about gay males are just stereotypes.  It’s time to move them into family mode.  It’s time to fully integrate these characters and give them a meaty storyline that isn’t just about ‘coming out’ and dealing with ‘being out’.  They’re out.  It’s time for them to become as real as any other character on canvas.

Update:  I’ve just been informed that Noah is roughly 20, Luke 19.  It wouldn’t make much of a difference to have Nuke become parents at such a young age instead of Puberty.  Too bad the writers haven’t SORASed them as they have so many others.  Nuke, mid 20s?  They’d make great parents.  It’s just a few short years away.