Shoot First, Ask Questions Later: GH Sonny’s transformation

Finally!  FINALLY!  Someone gets to have a grown up conversation with Sonny Corinthos about why his “shoot first and ask questions later” policy is just a tad bit dangerous (like the plague, diving without a parachute, and flying a plane without refueling).   You’d think that shooting his pregnant wife in the head while she was  delivering their child would be a bit of motivation to become a little more reflective and not so blantantly self-indulgent in his rage.  That would mean that you a – live in known universe and adhere to the laws of phyics and reason, and b – you haven’t imagined Sonny as a living person who is totally so cool, and that he would totally be your best friend and play Xbox and Dungeons and Dragons with you  if he knew you.  I’m not sure the GH writers could claim either of the above.

While I expect to hate any moment that gives Patrick the right to utter the big, “I told you so” moment to Robin, I did savor this one just a bit!  I didn’t enjoy seeing Robin shot, it was awful.  I did enjoy the fallout once she was ok.  Patrick fearlessly snarling at Sonny to get out?  Thank you, writers.  Robin telling Sonny that he should have been more concerned for Emma’s emotional well being?  Awesome!  For little Emma to have to say to her father that “Mommy was shot” was excruciating.  What child should ever witness the violation of a parent or any loved one?  The short answer is none, but when Sonny is a part of your life, it’s evident that at some point your children will experience an event that most children won’t ever witness – and that’s scary when you realize that fact includes soap children was well.  Most soap children have never seen their parents shot in their own home:

That scene is devastating.  (And P.S. LOVE new little Emma. She could teach a few of her older colleagues in daytime how to convey emotion).  What that scene also tells us is that:

1.  Sonny’s disregard for Emma’s psychological pain is an indication of his inability to consider his own children’s psychological pain – given that he loves Robin as if she’s family.  His own expectations of becoming a victim of his lifestyle seems, as the writers convey it,  to mean that his stubborn and irascible egocentrism allows him to believe that everyone, children included, should be able to accept death, and anything that falls shorts of that is… WINNING!… Loser.  He is only lucky that the gun wasn’t aimed in Emma’s direction when Robin fought to stop him from killing Jax.  No one knew the child was in the room.  She could have just as easily been a victim of a stray bullet.  Just as he expects his children to recover from kidnapping, assault, and the constant threat of becoming victims of his enemies, he expects children who don’t live with daily violence to live happily with the consequences of violent outburts.

Further consider the Doomsday Don’s treatment of his firstborn, Dante (another shoot first/ask questions later victim) .  Sonny spents months on end trying to convince everyone of his great love for his son.  Then he assaults Dante in order to be able to get to Jax.  Killing Jax was more important to Sonny than the already fragile relationship he has with his first born.

His children, other people’s children, they’re all for show, and how little they count when they’re in the way of what Sonny wants.

2.  Sonny is blinded by his hatred.  DUH, right?   It’s not just the obvious things (like the fact that he DRIVES people away, not that they leave because they’ve been tricked by others or that they’ve misunderstood)… it’s the little things, too.  How was Robin supposed to live in that house, with her family, if Jax’s blood was spilled in her home?  For Sonny, replacing the carpets, drapes, and cleaning the walls would have been sufficient, for people who’ve chosen to save lives – not take them, it’s not that easy.  They wouldn’t find comfort in new drapes knowing that unseen traces of a good man’s life were left in their hardwood floors, the pores of their walls, and  in their memories.  They would remember Jax in that room and  remember what Sonny did to him. 

While Jax’s death would haunt the Scorpio-Drakes, it would have given Sonny endless satisfaction.  As Carly pointed out, Sonny does not care that he killed her father and has taken every possible father-daughter moment away from her.  Yeah, Carly, who cheered Sonny on when he set Jax up to lose custody.  At least there is some point at which she says NO… too bad that point is death (or least death as far as they know it).

There is WAY more yum where that came from:

3.  It’s likely that in the take down of Sonny Corinthos, this one vile act that FINALLY turns everyone against Sonny may also be connected to Jason’s storyline and may be the final nail in the coffin.  Everyone hating Sonny so quickly makes me wonder if these scenes are re-shoots and are tied into Jason’s eventual recovery.  IF Jason wakes up and becomes a new person, as has been hinted in GH promos, what will he become? WHO will he become?  Assuming he has no memory of being Jason Morgan, he can become anything and anyone he wants to.  Let’s assume he wakes up remembering what he’s done, but it’s as if someone else commited those acts.  He dissociates, disgusted by the acts committed by the man with face.  After a period of self-loathing, he moves away from the mob life and rejoins the Qs (rebuilding the family).

Suddenly, Sonny is totally and utterly alone. The only true friend he’s every had is gone.  Carly finally sees Sonny for what he is and she’s done with him (whoda thunk that would ever happen!?!)  Brenda has escaped his clutches.  His children are angry at him.  Robin won’t speak to him.  His world is shattered.  Given the sudden onset of the Sonny disgust, I’m not sure if the storyline is meant to garner sympathy for the character or serve as the lead in to character growth:

  • Will Sonny change and permanently put the mob behind him, becoming a legitimate business leader?  If so, that new role should come  with a less Valdermort worthy wardrobe.  There’s no shade of black and gray the lollipop mob boss hasn’t worn.  It’s time to let it go.
  • Will he be “redeemed”, GH style, when it’s revealed that Anthony Zacharra really is a bigger monster than Sonny?  That Anthony has successfully killed before our eyes, and that Sonny’s kills are offscreen is not redepemtion.  The writers should know that.
  • Will he assume that saying he’s sorry is enough, or will we see true remorse from Sonny who works to make amends with those he’s wronged?  Sonny will eventually be forgiven, I have no doubt about that, but it’s a process that should take time, and maybe not have forgiveness be given from everyone.  Robin will forgive, of course.  Even after her shot her in front of her daughter, she didn’t want to have the police called.  She put her license on the line, and that of her husband’s, by treating a gun shot wound without reporting it.

What can’t happen is having the writers “save” Sonny by having him fall into a bout of depression and blame his recent actions on his bipolar condition (they’ve gone to that well far too many times).   It works about as well as having him continue to fault his stepfather for the fact that he continues to kill others for a living and puts his children at risk.

What also won’t work is for Sonny to become all goodness and light.  Who would buy it?

What would/might work is making Sonny the new Luke in the sense that he becomes the show’s new anti-hero, the anti-hero Luke once was, at least.  Sonny could spend his days not worrying about other people’s problems (like now) but get involved when he has to protect those he loves, or others, from bad guys by working with Dante to bring them down.  Luke Spencer and Robert Scorpio become Sonny Corinthos and Dante Falconeri. Luke and Lucky become Sonny and Dante.  It takes a while to get use to the thought of it, I know, but give it some time.  Wouldn’t anything be better than the doom and gloom Sonny brings to the show, now?

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GH: Some Days, Watching This Show Is a Little Like THIS (warning: brief nudity)

Yes, yes, and since the nudity involves Paul Bettany – seriously, .. you should thank me!  As for GH  “blame” more than “thank” is the word I’m looking for when thinking about what sort of credit should be given.   What follows is what I LIKE about GH right now and what I hate, though hate me be too strong of a word since it motivated me to find a nude Paul Bettany clip!

What I love!

I love that the writers can make me love (some) couples when I thought that my feelings for them were forever dead.  You know where this is going!  Lucky and Liz.  She has long been, for me, one of the sleaziest most unbearable women in daytime.  With respect to her lovelife, she’s the female Sonny Corinthos.  If there’s a man she’s been involved with that she HASN’T carried a child for, surely he must be sterile.  For a nurse, her knowledge and use of family planning devices carries as stellar a record as Port Chuckle’s cognitively limited Dapper Don.  That Liz and Sonny don’t have a child together amazes me.  Somehow the writers let that one slip by – unless my memory is so shoddy I just don’t remember a Lonny Love Child.  

Everything about Liz makes me cringe, and yet when Liz and Lucky are together, the magic happens!

It’s not just having JJ back in the role of Lucky because honestly, I wasn’t the biggest fan of that move.  Greg Vaughn’s soulful eyes and hunkalicious abs still haunt me, folks, and I miss him in the role.  I wish both “Luckys” could have survived, in whatever weird storyline plot the writers could come up with – I’m easy like that.  As for Lucky and Liz?  Somehow, the writers have figured out how to use the LL2 family with precision accuracy.  Even with Vaughn in the role, the LL2 writing, as centered around the family, is thoughtful, loving, sweet and tender.  They’re the kind of moments the writers use to give us more of in the glory days of GH.  It was the loving and tender moments that balanced against the occasional dark scenes when darkness on GH meant a huge and adventurous battle between the villains out to destroy Port Charles and the heroic men and women who fought back. 

Now?  The frequent darkness (violent and vile) is balanced against he occasional loving family scene.  When I see them, they breathe new life into the show for me, even if for a limited time.  I can thank the writers for that.  More of THAT, please.

What I still hate!

Real men, like Jax, have to be taken down a peg when they cross paths with the Apple Dumpling Gang (Carly, Sonny, Jason).  Women in Sonny’s life have to proclaim him a hero, no matter how low or how sleazy he gets.  The only time they stand up to him is when the actress in the role is leaving the show.  The idea that Carly gets to put on blinders to sacrifice another man’s child to stay close to Sonny makes me terribly ill.  In Caroline Benson – Carly Corinthos’ world:

  •  being kidnapped by your father’s enemies builds character. 
  • Being photographed “dead” by a loon who fakes your death only toughens you up – besides, isn’t that photo now sitting on her mantle?  Good.Times.
  • getting shot in the head and spending most of your formative years in a coma, shot while someone was aiming for dad?  Well that just gives you one kick ass essay for your college apps (Let little Mr. Kappa Kappa Legacy top that one!). 
  • if your son ends up in prsion because his idiot father makes self defense look like murder in a cover up?  WELL!  The hell he suffers there is just his initiation into how hard life can be at times.  Welcome to the majors, future crime boss! 

DAMN Jax for worring about his little girl ending up with a bullet in her brain – or worse.

DAMN Brenda for not being a woman tough enough to stick out a few hard times, just because she’s already been kidnapped while under Sonny’s protection and her son was threatened.   Weenie.

DAMN the world for thinking that little Corinthos children who plan to kidnap a child to “save” her from the graceful love of her father are somehow wrong and pathological!  Future criminals don’t become desensitized to right and wrong all on their own!

Thank goodness for Sonny and Caroline-Carly, making childhood a little less safe, one tragic event at a time.  Someone should remind Carly of these moments:

Yeah.  Good.Times.

To which I can say that I will not miss Bob Guza when he’s gone.  Not.One.Bit.