The BnB is getting #HOTT! January 23rd.

The BnB PR team is working the twitterverse hard to sell #HOTT!  And you know what?  I’m right there with them.  Hashtag-HOTT is everything the powers that be have promised, and MORE! What I won’t miss is this:

Hope gave everything to Liam.  She gave her full love, faith, fidelity, and virginity.  What she received in return was being publicly shamed for not understanding the adult world (the adult SEXUAL world).  Liam walked the line between fully unfaithful and being a titillating tease with Steffy.  Bill felt that virginal Hope was too weak, too small-minded, too useless to meet the sexual appetites of his offspring (if Brooke were real and a friend of mine, I would tell her to beware, apparently women are only worth the sexual favors they can perform for Spencer men.  I would also shake her for being attracted to a man who treated her daughter that way).  Steffy chided Hope as being naive about giving a man what he needed to be happy.

The unholy triumvirate of Bill, Liam, and Steffy convinced Hope that she didn’t understand the grown up games of touching, flirting, kissing and teasing.  Her  silly little  girl’s perspective on life made her unstable.  She spoke when she should have simply  smiled the stepford smile and been thankful that Liam was willing to marry her and walk her into her adult life.  She was supposed to know that making a man happy was beyond her control, just yet – but watching Steffy would show her the way. All of this, for  Liam, the man who ran from a broken relationship with Hope to almost immediately bedding Steffy – you know, because her mother, who had no agenda at all, told him it was time he moved on before he lost out on life and finding the love around him:

Poor Hope, she could never understand such things.  Translation?  Love, care, kindness, soul stirring passion were not enough,  and they never would be… until along came Wyatt.

I can honestly say that today’s episode  was the first time I smiled and enjoyed the show from beginning to end – primarily because I hit fast forward on anything that wasn’t Wyatt and Hope (#HOTT).  Hope, for the first time in a long time laughed, she did it without looking over her shoulder, or out of the corner of her eyes for the shadow that was always hovering around her.  She smiled, without a hit of irony or using her smile as a means of putting on a brave face.  She embraced a man without checking for the scent of another woman,  or hairs there weren’t his.  She looked into his eyes and didn’t see the reflection of someone else.

When Wyatt looks at Hope, he sees HOPE, he loves HOPE, his desire is for HOPE.  Not having sex with Hope doesn’t make her a child in his eyes.  Not having sex with her doesn’t make other women more desirable to him.  He has a passion for Hope that I find to be kind, gentle and refreshing.

Liam’s evidence of a gentle soul is the fact that he’s a vegetarian.  Oh Liam, you’re kind to animals.  You’re just a shit heel, like your father, when it comes to women!   Liam began helping Steffy hurt Hope with the sabotaged “Ho-e For the Future” sign and never seemed to be able to kick the habit.

As written, Liam seems to think that a man who loves only one woman is stalkerish, crazy, maladjusted, agenda driven, psychotic, etc, etc, etc.  Note that he didn’t think that Steffy’s relentless pursuit was stalkerish.  It was endearing and undeniable evidence of  her great love and devotion to him.  His father was willing to destroy a family with young children  to set loose a dangerous body mutilating thug like Deacon- paying him to manipulate Hope’s love for him and keep her from her wedding to Liam.  Bill’s pseudo-incestuous lust for Steffy, his desire to make Liam his proxy bed partner for Steffy – left Hope lost in the process.  Quinn, on the other hand, just wants Wyatt happy and wants Liam to back off.  That makes her dangerous.  See how that works?  Unless the writers have some crazy plan to give us this beautiful couple, hashtag the hell out of them when they’re onscreen, and then destroy them to make Liam a hero, I feel pretty confident in saying, SUCK IT, LIAM!  Writers, you have triangles, quadrangles, and any number of relationship permutations.

SO

Hashtag – Thank You

Hashtag – Writers

Hashtag – Leave #HOTT Alone

Hashtag – Don’t Blow IT!

#lovingHOTT,  I choose THIS:

Comment below, or join me by clicking ——>  HERE  Registration is required.

 

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BnB: You Always Hurt the One You Love

The rights to all images in this blog are retained by their original owner.

If you: repeatedly work to end a woman’s marriage, facilitate her rape after calling her a whore, leave her fragile Alzheimer’s afflicted mother alone to drown, facilitate having her children  to grow up without a stable family, behave in such a heinous way that her brother flips out trying to stop you and ends up eventually taking his life once his switch has been flipped, repeatedly try to take custody of her children for your own personal gain, and attempt to murder her on more than one occasion – alternating murder attempts with bouts of public humiliation… well!  Don’t lose hope!  There IS a way to make it up to her in one magical truly painless (for you, that is)  moment:

Even for daytime, this was one weak response to Brooke finding out that the woman she believed had finally come to love and respect her had instead intentionally inflicted harm yet again.  If I had a nickel for every time the writers have had Brooke fall for that lie, I’d own controlling interest in Microsoft!  Granny Stephanie talked idiotic  Thomas into lying and allowing his father to believe that he slept with his stepmother and that she was covering up the ‘dirty deed’.  Brooke raised Thomas for part of his young life – when he was still a decent and loving human being.  She supported him when he  had no support from the rest of his family.  In the end, Stephanie was able to convince him to turn on his stepmother with very  little persuasion needed.

Given the level of betrayal and inflicted damage, it’s disturbing that the writers have chosen to resolve the storyline this way. It feeds the stereotype about the lack of seriousness in daytime writing and production and helps any newbie who attempts to watch the genre understand why so many actors divorce themselves from their daytime past once they make it beyond the fuzzy daytime curtain.  The title of the song could have just an easily applied to the impact of the writing on daytime fans, or would if anyone actually believed that daytime writers even LIKED, much less loved or respected their fans.   On one hand, I’m sympathetic to the need to end a stinker of a storyline (like the trudge reunion) as quickly as possible.  I have to wonder if BnB writers needed to hurriedly wrap the non-reunion storyline to make Steph and Brooke allies in the fight against Taylor, Bill, and Steffy.  The problem is that I (and I’m betting most soap fans) don’t need Stephanie to be Brooke’s ally. I would have loved for the writers to have cast Elizabeth Hubbard (ATWT’s Lucinda Walsh) or Melody Thomas Scott (Ex-/Maybe Current Nikki, YnR) as Beth’s wealthy sister who has been estranged from the family since Beth married Stephen Logan — the man she loved first.  Aunt Patience Logan could have suffered a recent loss — her own husband dying tragically.   With her adult children living their own lives, the loss leads her to realize how alone she is, and how ashamed she feels that she never made peace with her sister, Beth, before she died. It would motivate her make peace with her newfound family, learn the lay of the land, and then go all kick ass on Steph and her trashy crew, knocking them all on their butts.  Aunt Patience would help empower her nieces as they’ve never been empowered before. I’d love her to have a vast fortune, big enough to make the Spencer fortune look like spending change and to use it to bring the pain!  The BnB doesn’t often promote strong female leads and when it does, they often become psychotic, whether they’re recognized as such (Sheila Carter) or not (Stephanie Douglas Forrester).  Aunt Patience would hopefully avoid becoming such a caricature.

Double my pleasure!  Make Aunt Patience’s first-born son, a cousin the Logans have never met,  a dead ringer for Stormy Logan, assuming it’s even possible for  DeVry to return given his busy filming and taping schedule … Is he Stephen’s son or is the resemblance due to their shared maternal lineage?    New Storm (Thunder/Rain Cloud/Lightening) could end up falling for Felicia, complicating his mother’s plans to ruin the Forresters once and for all — but  make that complicate, not end or deter.  I would DELIGHT in watching Aunt Patience, sitting back in the FC CEO’s chair, forcing Stephanie to drop to her knees and beg for the life of her family’s company.  I would REVEL in watching Aunt Patience turn over half of FC stock (maybe 60%)  to Hope because she has never been involved with a Forrester and would be less least likely to sign over the shares at some point.  She could then allow the Forrester family split the remaining stock.  Brooke would, of course, manage her daughter’s interests.

If the writers aren’t invested in bringing in new characters, how about forcing Stephanie to sign her 25 percent over to Brooke?  Brooke and Ridge would then, as a couple, effectively run FC again. 

How about having Brooke and Steph rehash the forgotten forged letter that ended Brooke’s marriage to Eric, only to have Eric overhear it and dump Steph once and for all?  (No, REALLY, no going back!)   It’s time to bring a woman into Eric’s life that makes him a romantic lead again, instead of having him live out his days as Stephanie’s sock puppet.  As a parting shot, Eric could inform Stephanie that she’s been blinded all these years about who the viper in her bosom actually is and then tell her about Taylor sending him to end things with her  for good  to prove that he wanted to be with her and only her.  Stephanie would wake up too late to the realization that Brooke has never been out to destroy her and in trying to destroy Brooke (Hope, and RJ – Bridget and Rick before them) she’s lost the family she claimed to love.   Jackie and Eric, Part 2?   Wouldn’t that leave Owen free to go back to Bridget and his son?  I could stomach that at this point — especially if Bridget and Owen then found out that Nick was the child’s father and had to figure out how to make their relationship work in light of the news.

What if Stephanie really WAS ostracized this time?  Why not begin to build a brand new storyline around her?  Get Stephanie out of the fashion industry and doing something with her life that benefits others.  The current storyline has trivialized her work with the homeless, which was apparently a hobby in between her moments of obsession with Brooke and Brooke’s marriage to Ridge.  Rather than another physical illness, which leaves most fans with little sympathy for her) why not have Stephanie go back to her abuse storyline and have her work with a competent psychiatrist to break her bad habits to manipulating, betraying, and controlling?  Maybe Dayzee has an abusive ex-boyfriend  who shows up and jump starts the storyline.  What if Stephanie accidentally kills him during an altercation and tries to hide the evidence of her crime in a real ‘whodunit?’.  What if the writers have his father/brother/sister come looking for him, slowly putting the pieces together, and who begins tormenting Stephanie until the truth is revealed.   Anything that keeps her from meddling in her adult children’s lives works for me.

Brooke forgave the rape Stephanie facilitated.  She forgave Steph for the fake heart attack she used to break up her family.  She forgave Stephanie leaving her agitated mother to drown.  She forgave Stephanie’s torment of her brother and her siblings. She forgave Stephanie’s various attempts to destroy her children’s happiness.  All the while she was maltreated by Stephanie, she’s has repeatedly fought for Steph’s health, her life, and has done everything she could to become ‘true family’ with  her.   After more than 20 years of torment, closer to 30 years onscreen, at what point does Brooke get to kick Stephanie’s butt, figuratively or literally?

The above  “forgiveness scene”  was the equivalent of ordering a cup of tea, savoring every bit until the end, where the last taste is bitter.  What a pity. I don’t want Brooke to become the vicious and angry pantload Stephanie has always been.  I just want a feeling of ‘satisfaction’ when one of the BnB’s “big” storylines is resolved.  The level of betrayal Brooke experiences at Stephanie’s hands, the sheer number of TEARS that woman cries, suggests that a much stronger response is needed.  Double dating with the man who left you last week, and his parents, on the eve of his would- be wedding, while his psychotic mother warbles out a classic just doesn’t do it for me.

Create Your Own Soap

A lovely poster on the SoapOperaNetwork’s message boards posted a ‘create your own soap’ thread. The only instruction? You’re not limited by the format/structure daytime uses now. WOWZA! Great idea. So many of us are unhappy with the current storylines offered in daytime (and repeatedly offered) that we want something different. Daytime is clinging to a dead model, in my opinion and has focused on all the wrong changes to bring fans back/or keep them around (GL’s disastrous Peapack shoot, for example).
Below is my attempt at setting up a new soap, storylines we don’t (or won’t get) in daytime:
Setting: Colorado! Why? Big cities that feel like small towns, 4 seasons (and I think there’s something romantic about the rockies as a backdrop). The mountains work as an additional character the same way NYC became a fifth character in Sex and the City. States like Colorado allow you any sort of lifestyle you’d want: urban and chic, rural and hearty, ranch/farm style living.

Multicultural/multi-ethnic cast. One Life to Live comes closest to a truly multicultural cast and achieving the ‘feel’ I’d like in a soap.

There should be varying levels of income (I think what sucks about daytime is that everyone has to be ‘rich’ and that those how aren’t eventually become rich or scheme to become rich, or spend a LOT of time hanging out with the fabulously wealthy as if that could happen – because there’s nothing rich folk like more than hanging out with people who don’t have money. Don’t you read ‘People’?).

No more treating race, orientation, religion, etc like ‘novelty’ storylines. The cast would be fully integrated in that sense. I think the ‘old’ model of ‘easing in’ populations is killing daytime and fails to appeal to larger audiences who are far more sophisticated than daytime EPs/execs believe.

Cast/plots would include:

The darker characters/storylines

— an educated self-made CEO who is a ‘pariah’ in her family (an outsider to her family not because she’s educated but because she’s ashamed of her working class roots and unable to admit it to herself). The storyline is centered around a 21st century ‘passing’ when she reinvents herself and brings with her into her new life the one person who could/would blow her new life out of the water – someone she brings with her not by her own choice. Hey, I didn’t say NO rich characters, just that they can’t all be rich.

— a young man (late 20s/early 30s) on the edge who has been hidng a secret that’s been tearing him apart. He not only witnessed his father’s death, he knows who did it and helped cover up the accidental death – obviously for someone he loves. The details of his father’s unsolved murder make it unlikely that anyone would believe it was an accident. He’s in his first potentially serious relationship and his deal with the devil comes back to haunt him.

— an unconventional HIV storyline. An older woman whose unfaithful husband contracts the disease. What would happen if this woman unknowingly ended up in a support group for women with AIDS/HIV with her husband’s mistress and neither knew who the other was, at first?

Daytime treats sex as romance, and often without consequence. The only consequence characters have faced is to either end up pregnant and not know which man fathered the child, or from the male perspective, to be named one of a couple/several possible fathers; or to end up pregnant.

It’s hard to imagine that in more than 20 years of public focus on AIDS/HIV that only two shows have dealt with issues of AIDS/HIV for longer than several weeks (General Hospital, which offered the Nurses Ball as an annual AIDS/HIV fundraiser, and All My Children) . ATWT’s Margo was sexually assaulted by a perp she as trying to arrest during a robbery and spent several weeks/months worrying that she’d contracted HIV from the assailant when he tested positive. She didn’t, of course.

I imagine the character in my soap battling with forgiving her husband; befriending, hating, and then working on forgiving the mistress who knew about her life with her family and slept with her husband anyway; dealing with HIV, and becoming an advocate for other women living with the condition. My soap would treat her condition as chronic, as General Hospital has done with Robin Scorpio, or with AMC’s Cindy Parker, wife of Stuart Chandler, before she died. (Trivia buffs, it might interest you to know that Cindy Parker was played by GL’s current EP, Ellen Wheeler!)

— a former (ad exec? autoworker? high school teacher?) who lost everything because of a drug addiction, lived on the streets for a while – gets clean – ends up working as live in help for a wealthy family. He’s dazzled by the big life and the big secrets of the glitterati, never becoming one of them. He knows more than he should because he sits in the shadows listening. He’s not ‘one of them’ so they’re not especially careful about what they say in his presence. He serves as a surrogate father to the family’s young heir when he realizes the kid is being physically abused by the father. No one believes either of them about the abuse. He can’t prove the abuse, but he can prove the father has engaged in other illegal activities. He blackmails him to get him to leave the child alone, keeping his job to stay close and keep an eye on the father. He keeps up his battle to keep the child safe, but the fear and anxiety cause him to battle relapsing in the process.

The lighter storylines:

— one ‘coming of age storyline’

— A little comedy (would love a David Vickers-esque character)

— A least one pair of star-crossed lovers

What I wouldn’t add:

— weak needy whining women. They need not apply. Men who cheat don’t get to be called ‘great husbands’ or ‘loving and caring’ later (see: BnB’s Nick Marone how bailed on his grieving wife for her mother a day after his child was buried… they both see what a ‘good man’ he is… bull)

— love triangles – done to death. When couples break up, let it be for real problems, not because of a third partner.

— Who’s the daddy? storylines, as pregnant women are fighting to keep others from learning the truth.

— Misattributed paternities (geez, how many times can soap characters raise children and later find out the children aren’t theirs?

— No pseudo-incest stuff – you don’t get to date your niece just because you find out there’s no bio link later in life.

Rules

— more drama, less camp. Daytime has become a bad parody of itself.

— more romance, less “hello, let’s have sex”. The Bold and the Beautiful is a classic example of wham-bam relationships! Rick fell for his niece, Steffy, days after her sister’s death – an accident he was involved in.

— I’d want more mystery and intrigue, less psychoses passing as real life.
When you think about it, what would would you change it? How would you write daytime differently?