The BnB: Is it possible to fall in love with a single moment?

BnB_Wyatt Hope Liam HOTT peppersIf it’s possible to fall in love with a single moment, I’ve done it.  I thought I would lose my mind when Wyatt and Liam began arguing – I am raising far less aggressive (pre-teen) brothers who love a good argument, so watching the adult version gave me chills and sent me searching for aspirin. Typically, when I look at Wyatt, I see a man fighting for Hope’s love.  When I look at Liam, I see a man fighting not to avoid losing  to Wyatt.  Friday, I saw two men who despise each other so much that there was no room for Hope in either of their lives at that point in time.  She had been temporarily replaced by their intense dislike for one another – and it becomes increasingly disconcerting every time it happens.  That argument, however, was not the moment I loved – it was Hope (Kim Matula) and her perfect nonverbal reaction to the brothers’ angry dance.  Everything in her face expressed my own feelings at that moment – “What fresh hell is this?”  Leaving in Liam’s car, which was completely unexpected, and  forcing Wyatt and Liam to be alone on the long trip back to L.A was a brilliant touch.  As disappointed as I was that the trip was over, I loved that power move on Hope’s part.

Don’t believe the HYPE

The #HOTT trip taught me two things:

— If this show promises you a romantic getaway, lures you in with images of lush scenery and young love, hashtags its way into your consciousness – don’t believe it.  You may as well get more excited by the box of ice cream you left sitting on the kitchen counter, it will last longer!  No one has better hype men outside of rap than the BnB – just don’t believe the hype and you’ll be ok!  

— I’ve also learned that the writers are not done backing up the bus they hit Quinn with in the first place. She is [list on] immoral, crazy, calculating, untrustworthy, underhanded, a user, …[/list off]  In a matter of weeks she transitioned from respected jeweler  & strong single mom to sociopath on low simmer.  I guess I have to give up my Quinn-the-hero love and just be prepared to love-hate  her for the dysfunction she will bring to the show.  Note, that if her name was Steffy Forrester or Bill Spencer, trapping Liam in an elevator would have been a sign of determination, not psychiatry worthy scariness.

BnB Quinn and WyattWhat happens now?  I don’t see how Quinn (and Wyatt) can continue working for Forrester.  Her business practices have been exposed as shady.  Her character has been assassinated.  Wyatt has been treated as if he is one step away from his own straight jacket, and Liam’s constant warnings are designed to keep the audience on full alert that Wyatt and Quinn are not done pulling the wool over innocent Hope’s eyes.

I’m going to have to call BULL on this one, but keep in mind that I don’t get to write the show.  Liam is badly damaged after the repeated dalliances with Steffy, I get it, but this triangle can’t be evened out by destroying Wyatt to make Liam more viable. I would rather see Liam bottom out, emotionally, destroyed by his losses and bad choices.  He is plunged into a redemption storyline, one that begins to rebuild his character and reminds the audience why he was once a likable guy.  Raise Liam’s profile, rather than tank Wyatt’s.  If this trend continues, I cannot imagine fans tuning in for this triangle for much longer. If Quinn and Wyatt become the people Liam claims they are, then the storyline diminishes Hope as well  She will soon be seen as too foolish to know how to protect her heart (and fortune?) from this duo.

This storyline is quickly becoming a three-for-one take down:  Quinn, both romantic male leads, and the romantic heroine.

Penny Bill and his 99 Problems

I can’t say that I’ve fallen in love with it, but my second favorite moment was the big reveal about Ridge’s mysterious past.  Why?  It shows what a Neanderthal Bill Spencer is.  Only Bill could take an image of Ridge, obviously supporting a friend’s struggle for equality and turn that into a dark “dirty” secret being kept from Brooke.  Only Bill could believe that compassion for and friendship with another person is the same as a secret love affair that Ridge as too ashamed to mention.  THIS is the guy who successfully ran a major corporation with Justin standing at his side?  Well obviously Bill and Justin are secretly married and have their children together stashed away somewhere!  See how that works?  Oh Bill and Justin, why? WHY?  Pardon my Duke of Hazzard reference, here, but if brains were dynamite, between the two of them, they couldn’t blow the fuzz off of a peach!

BnB Bill iin BlackRight!  Bill is in love with Brooke  and was in hurry to let her  know that she was (in danger?) around Ridge.  Ridge isn’t who he seems to be.  It’s the LOVE, the LOVE Bill feels that made his foolish choice to run to Brooke with those pictures seem like a good idea.   I have to wonder if Bill’s love for Brooke isn’t lodged somewhere between his broken zipper and the reflection of himself he sees in her eyes when they stand close together.

I have to wonder if the writers are telling us that this action was not about love for Brooke but instead due to Bill’s hatred for Ridge – which confirms that Liam came by it honestly, as is said in my neck of the woods. Bill might have taken the time to at least track down more information to make sure those pictures told the story of a true love affair, if he weren’t hoping to be back in Brooke’s bed the moment she sat the pictures down and then dragged him home with her.

There HAS to be a scene of Ridge telling Bill off  his incredibly stupid and offensive “reveal”.  The man has an openly out sister, who is in a loving relationship, does he really believe that being in the presence of someone LGBT makes you LGBT?  We should avoid our LGBT brothers and sisters because one hug or hand on the shoulder could be easily mistaken for more?   I.Just.Can’t. with this guy!  Bill was a big joke, before.  He’s a COLOSSAL joke, now.

  • He alternated between insulting and then flirting with all three Logan women prior to marrying Katie (remember his heavy pursuit of Donna and the kisses?).
  • He destroyed his marriage to Katie and blew his family to pieces, by sleeping with her sister.
  • He has three children he’ll never raise from infancy because of his persistent lusting for other women.
  • Katie and Karen took control of Spencer without breaking a sweat.
  • 20-something Steffy tricked him out of controlling interests in FC, using his lust against him.  Double ICK that her family was ok with it.
  • Brooke duped him out of the paperwork giving him controlling interests in his own company – again, lust related.
  • He continued to lust after the two women who used his feelings for them to betray him, but the one woman who never used him gets dumped.
  • His plan to make Hope irrelevant in Liam’s life backfired – dashing his hopes to keep his mistress-in-waiting in the family.
  • Deacon bested him after he jailbreaks Deacon.
  • Quinn puts a smack down on Bill that left him shaking (deservedly so).
  • He’s the mastermind behind “Parisian Rainbow-gate”.
  • He continues chasing after Brooke who repeatedly rejects him and is telling him how much she’s in love with, and has always wanted to be with, Ridge.

Other than the fact that he buys his children requisite “I’m sorry I wasn’t around to raise you” multi-million dollar beach houses, I just don’t know what is supposed to be appealing about the guy.

B&B: The heart, mind, and soul of a woman – Part 2

Heather Thom (Katie Logan Spencer)

Give a mouse a cookie, and it will ask you for a glass of milk. Give Heather Thom a reasonably good line or two and she’ll spin that stuff into PURE GOLD! HTom made sure that Katie got her BEYONCE on! Partial lyrics to the song, “Irreplaceable”

You must not know ’bout me
You must not know ’bout me
I can have another you by tomorrow
So don’t you ever for a second get to thinkin’
You’re irreplaceable?

So go ahead and get gone
Call up that chick, and see if shes home
Oops I bet you thought, that I didn’t know
What did you think
I was putting you out for?
Because you was untrue
Rolling her around in the car that I bought you
Baby, drop them keys
Hurry up, before your taxi leaves

I would have paid cash to have Katie break out in song when telling ¢Bill that he was free to “get gone”. So much of Katie’s dialogue spoke to the things women believe they’d say to a cheating partner in her shoes. While these are not exact quotes, the sentiment is the same: “How long have you been kissing her with the mouth you use to kiss me?” “Who are you lying to, me or her, because this is not an open marriage?” “You have dated, slept with, and dumped dozens of Steffys, they’re all the same. You married me because I challenge you and you challenge me. Is the dime a dozen type what you really want to go back to?” “Beg me to take you back, and if you come back, things WILL be different in this marriage. I’m taking control.”   Masterful. Those were Bold AND Beautiful.

As BnB fans, specifically, and soap fans in general, have become too used to the idea of women begging, pleading and crying. While our sisters in primetime asserted their strength and power, women in daytime were growing increasingly powerless. Women in daytime were getting dumber and weaker. The BnB writers have literally flipped the script , seemingly realizing that women want to see other women stand up for themselves to a cheating spouse who seems to think that even when he’s dirty with the stench of cheating, he irreplaceable.

Heather Thom and Katherine Kelly Lang’s elegant treatment of the dialogue can’t be overlooked. They breathed life into words on a page. In true symbiotic fashion, between writers and actors, the BnB writers have made their jobs easier with the change in the context of the material, showing a renewed respect for the genre and fans, a change that keeps me on the edge of my seat. I could always predict what BnB women were going to say or do (Brooke would cry and plead, Taylor would cry and plead in between moments of she and Stephanie referring to other women as whores and sluts despite their own shady histories and the shady histories of the men whose love they craved). Now? I have no idea what will happen and what will be said. I’ve fallen in love with this show, for now at least, all over again.

Before this, the writers offered “bitterness” as the definition for ‘strength’ on this show. Wrong writers.  Bitter bitches like Stephanie, Steffy, and Taylor, might be fun to laugh at, but for most of us, they don’t become our heroes. Women are too busy with our real lives to sit around pouting and bemoaning our fate. That Stephanie, Steffy, and Taylor have the time to sit and obsess about Ridge, Brooke, the Logans, hang nails, vanilla pudding, paper cups, or whatever else they’re spending their days whining about, makes them the daytime equivalent of drying paint. They’re easy to write for because they never change or offer any new insights into their personalities. They’re just not easy to watch.

Jennifer Gareis/Ashley Jones (Donna and Bridget)

There is still two huge absences from the Logan renaissance. Jennifer Gareis (Donna Logan Barber), recently back from maternity leave, has not had the same opportunity as her onscreen Logan sisters to light up her scenes. I suspect that her time is coming now that Amber Moore is the mother of her granddaughter and is now after her son. Donna is the more enigmatic of the Logan sisters. She’s soft and warm on one had, and a cutthroat street fighter on the other. While Brooke hoped for more than 30 years (soap time) that reason, patience, and love would transform Stephanie Douglas Forrester into a decent human being, Donna wasn’t concerned about saving Stephanie’s soul or saving Stephanie from herself. Donna believed in fighting back.  I miss that Donna and think she’s needed in the B.S. battle between the Forrester and the Logans (who are truly more family than foes).

Also needed is Ashley Jones – Bridget Forrester (a Logan woman). She needs to be returned to screen and help continue to make the Logan women the unforgettable force they are, always should have been, and will hopefully always be. There is too much unresolved business needing Bridget’s attention (I still choose to believe that Nick’s son is Bridget’s child, that she was the ‘B Marone’ listed on the donor egg dish. Bridget’s story isn’t done. It should be just beginning.)  With Bridget and Hope in the presence of their matriarchs, and finding themselves pushed out of a company their mother made incredibly wealthy beyond anyone’s dreams, it’s time for the younger Logan women to assert themselves and reclaim their right to be recognized as an integral part of the history of the family and the company. And, given Steffy’s new plans for vengeance, Hope will need her big sister, right about now.

So, dear readers and friends, if you’ll excuse me, I’m going to go check my driver’s license to make sure I’m still me, check the net for predictions of the next “doomsday” date, and find out if someone has been slipping me hallucinogenic drugs. I just can’t believe this is happening. I’m not only loving the BnB, I’m imagining how many more years of this show I’d love to see, given the current directions of storylines.

B&B: The heart, mind, and soul of a woman – Part 1

You won’t believe this, but I am here to SING the praises of BnB writers!  I know, right?!!?!  How often has that happened?  I’ve been convinced, for EONS, that BnB writers fall into one of three categories:  1 – men who’ve never been in a relationship with a woman.  2 – men who have been in relationships with women, and hate them.  3 – women who haven’t had the heart to tell their coworkers that they’re putting utter bullshit to screen.  Yes, harsh, I know, but as a fan who’s watched the show from the day it aired, I’ve been one bitterly disappointed fan for roughly the last decade (though don’t ask me to explain why I continued to watch).  The tipping point?  I stopped watching after  Brooke “accidentally” had sex with her youngest daughter’s boyfriend, after all of her earlier trouble.  She had no idea that the person she had sex with wasn’t her husband – a man she’d been having sex with since her early 20s.  There is suspension of disbelief, and then there is flirtation with insanity.  There have been far too many times when BnB writers have asked viewers for the latter instead of the former.

So how did the same writing team move from the “mistaken stand up sex with a 20-year-old” to the Katie-Bill phenomenon?  It beats the hell out of me because like my continued fascination with this show, I can’t explain that either.  For the past two years, the BnB has won Emmys for “Best Writing” in storylines featuring the Logan family, in part or whole.  I can only believe that the writers are ready to explore the Logan women with greater depth and insight are and are beginning to play off of the strengths of the Logan leads (Katherine Kelly Lang, Heather Thom, Jennifer Gareis).   Between Brooke giving Ridge and Taylor the blues over their nitwit overly self-involved daughter, to Katie reading $Bill the riot act and busting him down to ¢Bill, this show is ROCKING!  The writers are finally writing as if they understand the hearts, minds, and souls of women.  I’ve finally watched a series of episodes that I could recommend to ANYONE I know, even friends who aren’t soap fans, and not be embarrassed to admit that I watch daytime television.   If it’s possible for the soap genre to be redefined at this late stage, as soaps lay dying, The Bold and The Beautiful has done it!

Katherine Kelly Lang – Brooke Logan

KKL’s strength has always been treating Brooke as a character with a heart and a soul, although her job was made a bit tougher during some of Brooke’s worst moments (sleeping with daughter Bridget’s husbands – Deacon and Nick, thinking of her daughter’s believed abortion to be a ‘moment’ in history for her to move on with Bridget’s beloved, accidentally sleeping with teen daughter Hope’s boyfriend).  If you erase those three horrific moments, Brooke has been the emotional heart of the show.  She brings love and forgiveness.  She brings insight and wisdom.  Unlike most BnB soap characters, Brooke admits her faults and lays herself emotionally bare to be judged by others.  She suffers humiliation and maltreatment and continues to move forward.  What she’s rarely been allowed to be, however, is the matriarch she is, a woman with a voice.  This new Brooke would have made Beth Logan proud!

Brooke telling the parents of a snake like Steffy that she SHOULD have her heart-broken if she thinks that it’s ok to interfere in someone else’s marriage  was positively inspired!   While Brooke has been reamed as a hypocrite in some quarters, I see her as a woman who is sadly speaking from experience.  Don’t get me wrong, I don’t view Steffy and Brooke as the same, at all. The difference is that  Brooke had always been fighting to reclaim the love that was lost as Stephanie and Taylor fought to keep her and Ridge apart.  Steffy developed a crush on an older man and decided that he belonged to her – his wife be damned.  Steffy barely knew Bill.  There was no history, there was no backstory, there was only a pathetic attempt by a little girl to use a man to hurt a woman she’s hated without reason or limit.  Brooke nailed Taylor right between the eyes by reminding her that any other woman in her daughter’s shoes would have been deemed a home wrecker or worse (remember Taylor referring to Brooke as winning one for the ‘whores of the world’, when Ridge left her for Brooke, even though Brooke didn’t want him? 

I don’t know if the writers remember that it was their decision to transform Taylor from sympathetic oncologist, to husband envying psychiatrist, in love with her dying patients’ grieving spouse.   Either way, they’ve continued to write Brooke as the woman with insight, who has been consistently able to call other characters out on their behaviors, motivations, and intentions.  Taylor is stuck defending  or minimizing the behaviors her daughter displays when she learns the Brooke despises those very behaviors, even when she herself initially disagrees with Steffy’s actions.  It’s Taylor who has missed the boat on some of the biggest behavior indicators of problems in the Forresters’ lives (like Amber’s skittishness when bringing faux Little Eric home, and Morgan Dewitt’s psychological instability, or children’s growing pathological behaviors which includes a car bombing and stalking).

I am so greatly enjoying Brooke finding her voice and defending her family that I can scarcely wait for the next scene!

BnB: You Always Hurt the One You Love

The rights to all images in this blog are retained by their original owner.

If you: repeatedly work to end a woman’s marriage, facilitate her rape after calling her a whore, leave her fragile Alzheimer’s afflicted mother alone to drown, facilitate having her children  to grow up without a stable family, behave in such a heinous way that her brother flips out trying to stop you and ends up eventually taking his life once his switch has been flipped, repeatedly try to take custody of her children for your own personal gain, and attempt to murder her on more than one occasion – alternating murder attempts with bouts of public humiliation… well!  Don’t lose hope!  There IS a way to make it up to her in one magical truly painless (for you, that is)  moment:

Even for daytime, this was one weak response to Brooke finding out that the woman she believed had finally come to love and respect her had instead intentionally inflicted harm yet again.  If I had a nickel for every time the writers have had Brooke fall for that lie, I’d own controlling interest in Microsoft!  Granny Stephanie talked idiotic  Thomas into lying and allowing his father to believe that he slept with his stepmother and that she was covering up the ‘dirty deed’.  Brooke raised Thomas for part of his young life – when he was still a decent and loving human being.  She supported him when he  had no support from the rest of his family.  In the end, Stephanie was able to convince him to turn on his stepmother with very  little persuasion needed.

Given the level of betrayal and inflicted damage, it’s disturbing that the writers have chosen to resolve the storyline this way. It feeds the stereotype about the lack of seriousness in daytime writing and production and helps any newbie who attempts to watch the genre understand why so many actors divorce themselves from their daytime past once they make it beyond the fuzzy daytime curtain.  The title of the song could have just an easily applied to the impact of the writing on daytime fans, or would if anyone actually believed that daytime writers even LIKED, much less loved or respected their fans.   On one hand, I’m sympathetic to the need to end a stinker of a storyline (like the trudge reunion) as quickly as possible.  I have to wonder if BnB writers needed to hurriedly wrap the non-reunion storyline to make Steph and Brooke allies in the fight against Taylor, Bill, and Steffy.  The problem is that I (and I’m betting most soap fans) don’t need Stephanie to be Brooke’s ally. I would have loved for the writers to have cast Elizabeth Hubbard (ATWT’s Lucinda Walsh) or Melody Thomas Scott (Ex-/Maybe Current Nikki, YnR) as Beth’s wealthy sister who has been estranged from the family since Beth married Stephen Logan — the man she loved first.  Aunt Patience Logan could have suffered a recent loss — her own husband dying tragically.   With her adult children living their own lives, the loss leads her to realize how alone she is, and how ashamed she feels that she never made peace with her sister, Beth, before she died. It would motivate her make peace with her newfound family, learn the lay of the land, and then go all kick ass on Steph and her trashy crew, knocking them all on their butts.  Aunt Patience would help empower her nieces as they’ve never been empowered before. I’d love her to have a vast fortune, big enough to make the Spencer fortune look like spending change and to use it to bring the pain!  The BnB doesn’t often promote strong female leads and when it does, they often become psychotic, whether they’re recognized as such (Sheila Carter) or not (Stephanie Douglas Forrester).  Aunt Patience would hopefully avoid becoming such a caricature.

Double my pleasure!  Make Aunt Patience’s first-born son, a cousin the Logans have never met,  a dead ringer for Stormy Logan, assuming it’s even possible for  DeVry to return given his busy filming and taping schedule … Is he Stephen’s son or is the resemblance due to their shared maternal lineage?    New Storm (Thunder/Rain Cloud/Lightening) could end up falling for Felicia, complicating his mother’s plans to ruin the Forresters once and for all — but  make that complicate, not end or deter.  I would DELIGHT in watching Aunt Patience, sitting back in the FC CEO’s chair, forcing Stephanie to drop to her knees and beg for the life of her family’s company.  I would REVEL in watching Aunt Patience turn over half of FC stock (maybe 60%)  to Hope because she has never been involved with a Forrester and would be less least likely to sign over the shares at some point.  She could then allow the Forrester family split the remaining stock.  Brooke would, of course, manage her daughter’s interests.

If the writers aren’t invested in bringing in new characters, how about forcing Stephanie to sign her 25 percent over to Brooke?  Brooke and Ridge would then, as a couple, effectively run FC again. 

How about having Brooke and Steph rehash the forgotten forged letter that ended Brooke’s marriage to Eric, only to have Eric overhear it and dump Steph once and for all?  (No, REALLY, no going back!)   It’s time to bring a woman into Eric’s life that makes him a romantic lead again, instead of having him live out his days as Stephanie’s sock puppet.  As a parting shot, Eric could inform Stephanie that she’s been blinded all these years about who the viper in her bosom actually is and then tell her about Taylor sending him to end things with her  for good  to prove that he wanted to be with her and only her.  Stephanie would wake up too late to the realization that Brooke has never been out to destroy her and in trying to destroy Brooke (Hope, and RJ – Bridget and Rick before them) she’s lost the family she claimed to love.   Jackie and Eric, Part 2?   Wouldn’t that leave Owen free to go back to Bridget and his son?  I could stomach that at this point — especially if Bridget and Owen then found out that Nick was the child’s father and had to figure out how to make their relationship work in light of the news.

What if Stephanie really WAS ostracized this time?  Why not begin to build a brand new storyline around her?  Get Stephanie out of the fashion industry and doing something with her life that benefits others.  The current storyline has trivialized her work with the homeless, which was apparently a hobby in between her moments of obsession with Brooke and Brooke’s marriage to Ridge.  Rather than another physical illness, which leaves most fans with little sympathy for her) why not have Stephanie go back to her abuse storyline and have her work with a competent psychiatrist to break her bad habits to manipulating, betraying, and controlling?  Maybe Dayzee has an abusive ex-boyfriend  who shows up and jump starts the storyline.  What if Stephanie accidentally kills him during an altercation and tries to hide the evidence of her crime in a real ‘whodunit?’.  What if the writers have his father/brother/sister come looking for him, slowly putting the pieces together, and who begins tormenting Stephanie until the truth is revealed.   Anything that keeps her from meddling in her adult children’s lives works for me.

Brooke forgave the rape Stephanie facilitated.  She forgave Steph for the fake heart attack she used to break up her family.  She forgave Stephanie leaving her agitated mother to drown.  She forgave Stephanie’s torment of her brother and her siblings. She forgave Stephanie’s various attempts to destroy her children’s happiness.  All the while she was maltreated by Stephanie, she’s has repeatedly fought for Steph’s health, her life, and has done everything she could to become ‘true family’ with  her.   After more than 20 years of torment, closer to 30 years onscreen, at what point does Brooke get to kick Stephanie’s butt, figuratively or literally?

The above  “forgiveness scene”  was the equivalent of ordering a cup of tea, savoring every bit until the end, where the last taste is bitter.  What a pity. I don’t want Brooke to become the vicious and angry pantload Stephanie has always been.  I just want a feeling of ‘satisfaction’ when one of the BnB’s “big” storylines is resolved.  The level of betrayal Brooke experiences at Stephanie’s hands, the sheer number of TEARS that woman cries, suggests that a much stronger response is needed.  Double dating with the man who left you last week, and his parents, on the eve of his would- be wedding, while his psychotic mother warbles out a classic just doesn’t do it for me.

STOP! This is WAY too painful!

DAYS OF OUR LIVES

All rights to this image are retained by the original owner

I look at the accompanying photo and I don’t even wonder: “Is Jennifer Horton going for the [naughty librarian] look?” 

Hells to the NO, I don’t! 
 
I look at this picture and think, “Is crack being freely distributed in the hair and make up room?”, “Did Melissa Reeves steal the hairdresser’s chance for a walk on role by returning?”… payback really is a bitch!   Did hair and make up singlehandedly decide to save DAYS from completely boring fans to tears with this one hairstyle?”… If the writing isn’t able to keep fans interested, maybe figuring out this hot mess will.  Honestly hair and makeup, it’s not your job to save this show – FREE MISSY REEVES!  The hanging pieces on the side, in addition to the bun and hairclip are all just adding insult to injury.
 
Speaking of NAUGHTY librarians, I still miss Lucy Coe.  She could rock that Jennifer Horton outfit and make you wish you were wearing it too!

THE BOLD AND THE BEAUTIFUL

I’m not watching, so I’ll take fans word for it that Brooke and Thomas eat “mystery berries” and start hallucinating.  From there it seems that Thomas puts the move on Brooke and they may end up sleeping together.  Who the hell do the writers think they’re writing for, TAYLOR?  Taylor slept with Rick, fooled around with his father, had sex with his brother, slept with his grandfather and may have been the ‘lover’ of his uncle (it’s the description the writers used when for Storm when he returned).  Either way?  This show is screwed.

The BnB is my pick for the next soap to hit the cancellation rack.  It offers nothing new, just different circumstances used to tell the SAME story… each telling more grotesque than the last time it was told.

Ok, BnBers/OLTLers, what the hell?

One Life To Live:  Marty Saybrooke?  I don’t know if it’s possible, but I would love for the writers to use the time they have left to redeem this character.  She was the wild child gone good, who made a wonderful life for herself , survived the death of her soul mate, and raised a child.  First in attempt to prop Todd and whitewash the ‘twice raped’ dynamic between them, then to prop John McBain, and later the John -Natalie relationship, the writers deconstructed Marty into an unrecognizable and unlikable character.  It will be painful watching the show end, having eternally ruined a great character.

I’m not a movie buff who watches only feel-ggod films or only movies with fully resolved endings.  I’ll admit that I have been a soap viewer who loved soaps most when they left the audience with the feeling that all is well in the alternate universe our soap faves live in at the close of their run.  GL’s ending was perfect.  It lovely to think of Josh and Reva (and son) on a trip around the world, the four musketeers filling their days with dinners together and discussing their families, Alex and Fletcher enjoying a life they’d never imaged they could have, Remy and Tina deeply in love, Bill and Lizzie and making things work with Jon and all are peacefully coparenting… you get the picture. 

I hope for something similar for OLTL.  Fans deserve nothing less than a happy Victoria Lord, peace between Vicki and Dorian, Clint gaining back his humanity and reuniting with his family,Marty – whose life has been so violent and tragic finally at peace, and I’ll let you imagine the rest from there.

The Bold and the Beautiful:  In the age of waning budgets for new hires and an attempt to tell complete storylines with as few cast members as possible, I am – to some degree, sympathetic to the limitations of meeting a such a tough balancing act.  I am, however, still stunned by what I saw yesterday (day before?).  The writers REALLY have to think about what they’re doing that makes taylor look either completely unethical moron, and the rest of the citizens of Bell’s fictionalized L.A. look completely unhinged!

Why would Katie agree to therapy with taylor, not only the world’s worst and most idiotic psychiatrist, but a woman who has repeatedly attacked, and supported the attack of, her sister – sisters if you add Donna? I could only love that ridiculous plot if the writers were smart enough to make Katie devious in using taylor, knowing that she and Stephanie would declare war on Bill if he didn’t stay away from steffy.   Sadly, Katie begged Bill not to leave her at the end of the therapy session. I wish the writers had left that part alone, but they just can’t help themselves.  A misogynistic fool being begged by his once strong wife not to leave her.  It wouldn’t have hurt to have allowed Katie was allowed to maintain her standards, writers. 

As for Steffy, the other thorn in the side of the Logan-Spencer marriage, she is either delusional or a pathological liar, given the way the writers are penning her dialogue. She’s better than the Logan’s because she’d never go after a married man? She’d never make a move on him? Wha’????? Bill won’t have her, that’s the only thing that stops her from moving forward. Steffy has put every move she’s known on Bill and he’s rejected her.  Steffy and Stephanie are so one note in their attacks on the Logans. They can’t stand faulting the men in their lives for chasing after Logan women – so they whitewash Forrester male actions to fault Logan women.

That’s the defnition of a weak woman. Steffy was aptly named.

Since I’m catching about one show a month – where is Bridget, readers? Bill telling Katie she should have stayed with Marone if she wanted ‘normal’ was laughable. The man who dumped on her niece for her and for Brooke? I could have sworn Bill made comments that made it clear that he knew that history. That ain’t normal, not even by soap standards — and it’s not like Katie really had a choice to be with Nick. He knew he wanted Bridget – who forgave him for his repeated betrayals. Katie knew it was a matter of time. Who knew that Nick wouldn’t forgive Bridget for her ONE betrayal?

She’s free and he’s headed back to Katie-land?  Far too predictable.

As for the Brooke and Thomas teaser?  Words fail me.  Since I have nothing good to say, I’ll say nothing at all.

Daytime: Killing Me Softly With It’s Song…

This blog entry is alternately titled, “Killing Soaps Softly… from The Inside” or “Good bye Cruel Soap World”.  If you’re not a soap fan – when you read the title  you were probably thinking something like this:
The above is the Fugees remake of the Roberta Flack original.
If you’re a soap fan, you were probably thinking this:
Or possibly  this:
Thank YOU to the soapoperanetwork.com posters who found and posted the vids.  No thanks to the responsible network execs. The network exec/s who came up with that brilliant idea, and approved the above ad (or even that prior Emmy performance) should be GONE from daytime… not just fired, but permanently banned from the entertainment field.  Daytime isn’t just dying because of the OJ trial, cable television,syndication,  the Internet, etc… it’s being slowly killed from the inside.  Add to the above cases the case of The Bold and The Beautiful.  You’ve heard me refer to it as my favorite soap in the past.  You’ll never hear that comment from me again, I’m sure.  Add me as another “Day One” viewer who is finally fed up enough with this show to take if off the ‘occasional view’ list and dump it.
As I’ve stated before, many fans work full time (at home and outside the home) and often want to spend time with entertainment that is ‘relaxing’.  We don’t mind entertainment that challenges us and keeps us working when its smart and edgy.  LOST was a huge hit because it kept fans guessing and looking toward the future. Entertainment that causes you to work but gives you nothing in return is not worth watching.  Fans figured out long ago that Brooke was worth more than a good sex scene and subsequent sex ‘scandals’. It seems clear that the writers haven’t figured that out. There is no future to look toward with this show. We know what the future is… it’s been the same storyline for Brooke for nearly a decade, with an occasional diversion thrown in.   She’s twice betrayed her oldest daughter by having  slept with not ONE, but TWO of Bridget’s husbands.  She has a child with each form son-in-law, one of whom is being raised by Bridget.
The first child Brooke had with a son-in-law is in love with a young man fans once found adorable, Oliver Jones – as played by the adorable Zack Conroy (ex-James Spaulding, The Guiding Light).   Anti-Brooke fans joked, when Hope was born, that it would only be a matter of time before Brooke slept with Hope’s lovers, too.  That seemed like the most improbable of storylines given the fact that each time the writers had Brooke sleep with one of Bridget’s husbands, the ratings tanked. After the third dalliance (once with SIL Deacon Sharpe, twice with Nick Marone) the writers seemed to finally get it.  Brooke + Daughter’s lovers = Disaster.   They went through the trouble of having her declared a ‘new woman’, a woman who would never again betray her children. Now this.
Fans, the writers seem to believe, are supposed to forgive Brooke for sleeping with Oliver because despite the fact that his 20 year old body is no where nearly as developed as that of her 50 year old husbands’ body.  She couldn’t tell the difference when she had sex with him up a wall, just outside of a room full of teens.  He apparently didn’t feel shorter, thinner, or sound different during the tryst.
The room was dark.  They were wearing masks.  Brooke and Oliver  were overcome with passion – Oliver, believing he was having sex with a virginal Hope – who must have at some point told him that she didn’t want her first time to be special, any place and any time would do.  She must have also told him she as practicing her moves in the mirror because Oliver didn’t seem to notice that Hope didn’t move like an inexperienced woman.  He too, was unable to tell that his partner was older, taller, and didn’t feel the same as the numerous times before when he kissed her.  Even if the writers managed to undo this horror of a storyline, they can’t undo their tacit acknowledgement that there is no future for Brooke, and most characters on this show, that doesn’t involve sex with the wrong person, for whatever reason, at any place and time.
Peace to  Ms. Katherine Kelly Lang, portrayer of long suffering heroine Brooke Logan, because she (Ronn Moss, Susan Flannery, John McCook, Ashley Jones, and much of the cast) have made this show worth watching during some of its darkest times, but there are limits.  I’m not writing, or calling, or begging or pleading.   I’m  not enraged by the storyline itself, but what it represents.  I am also not engaged by thei storyline, I’m just done with the BnB.  This show is not my second job.  I shouldn’t have to put any effort into enjoying what was once great entertainment.
While the writers, producers, directors, and network executives work hard to make daytime into the huge joke those outside the genre think it is, it’s time for this soap fan to move on.  Two of the six soaps (BnB and DAYS) are unwatchable because of the outrageous storylines they tell.  The other four are occaasionally passable.  Syndication isn’t the problem for daytime, it’s the solution. Fans prefer to watch shows that provide some payoff — and we’re  getting less and less of that in daytime.