Checking for I.D. How old are you, again?

I’m sorry, BnB fans, but I’m pretty disgusted with the thought of daytime’s oldest swinging singles tease. I don’t give a fat rat’s happy backside about the tease with trudge (Taylor and Ridge…zzzzzzzzz)  and brICK (Brooke and nick… zzzzzzzzzz!)

The writers created several ‘test’ scenes with Ashley Jones’ Bridget and Brandon Beemer’s Owen last week and they were AMAZING.  Owen was fun and flirty FINALLY. He was with a woman who wouldn’t let him stick his tongue down her throat hours after meeting him.   His relationship with Donna has been tiring to watch  because it’s been a primarily physical relationship with so little emotional connection.  It’s what made Eric and Donna such a bore, as well.  Bridget was light, carefree, and gutsy during her lunch with Owen. She was relaxed for the first time in a long time.  There was an edge to both characters that left me wanting to see more.  So what have the writers offered, instead?

Midlife crises playing out all over screen. Hell, writers, I’m past all that!  Given the age of daytime’s audience, MOST of us have been through our own midlife crises.  We don’t want to see daytime characters, approaching fifty who don’t know that ‘Wife Swap’ is a television show, NOT a suggestion.  Bridget and Owen were remarkably fun and cute and yet the only thing heading toward the small screen is teasing for the sort of stuff that sent fans packing in the first place.

Can’t we have one couple that hasn’t slept with everyone in sight, without all the emotional baggage, and without half a dozen babies, or half a dozen misattributed babies, between them?

  • I’m not listening to Pat Benatar on cassette.
  • I’m no longer stunned at the sight of a DeLorean (well, yeah, I am, but because I can’t believe it’s possible for the car to still be around).
  • My hair has grown out.
  • No Michael Jackson videos.
  • Flashdance is just a bad memory
  • ‘Whatchoo talkin’ about, Willis’ no longer makes me laugh

So why do I feel like I’m being dragged back into the 80s – early 90s with each ‘new’ BnB storyline?  Brooke and prick, Ridge and Taylor?  No to Brooke and Nick you say?  I’m there with you, and don’t see it happening, especially not if Katherine Kelly Lang’s last interview with TV & Satellite Week is any indication:

Do you think this might lead Brooke back into Nick’s world romantically?

I think that seems to be where the writers are headed. They share a child and that is a very strong bond. Since, Brooke is mothering Jack, she is spending a lot of time with Nick and one thing could lead to another.

How do you feel about the fact that Brooke might get close to Nick who has just betrayed her daughter, Bridget?

See that’s the thing I want for Brooke. I want her to put her children first, much like Taylor does. I cannot imagine a woman even sharing the same room with a man who has cheated on her daughter but Brooke thinks with her heart and sometimes makes unwise choices because she leaps before she looks. The fact that there is a child involved now (Jack), does change things a lot too.

If you were to pick a man for Brooke to settle down with, whom would you pick?

Brooke has spent most of her life being in love with Ridge. I do not see any man replacing him in her heart. So, I would say Ridge but God only knows who she will be calling her destiny tomorrow.

If there is a storyline that you want to enact as Brooke, what would it be?

There’s so much that Brooke can do besides jumping from one relationship to another. Unfortunately, that is all she has been doing for years now and I am tiring of it. I mean she is nearing 50, has four beautiful children and is with the man she has wanted to be with all her life; so you would think she would settle down already. There are days when I read the script and groan because Brooke is supposed to be saying the exact opposite of what she just uttered a week back. There is no consistency at all. I would like some of that. A 180 change on a daily basis just leaves the character with no credibility.

It would be harder to watch Brooke return to Nick after he’s betrayed Bridget yet AGAIN.  This time around, he got her dying ‘best friend’/Aunt pregnant.  The guy didn’t let Bridget’s side of the bed get cold before he was back into it with her Aunt.   Bridget was smart to get out when she could.

The Unkindest Cut of All

Taylor, REALLY?  You’re going to blackmail Brooke, trade her your ex-husband for her son.  Rick Forrester is the only man who has ever loved Taylor and ONLY Taylor.  He’s the only man who has ever put her first and fought all others to defend her.  Rick is the only man who hasn’t treated Taylor like a stand by.  This is how she repays him?  She might remember that when she was drunk, destructive, and hopeless, Ridge told their son, Thomas, that Taylor’s problems weren’t any of his business any more.

Taylor nearly had a psychological breakdown trying to keep Ridge from Brooke when they were married.  Ridge left their marital bed to travel to find Brooke while she was in EUROPE, because he sensed that she needed him – and he shared no children with her at that time.  She wants to trade Rick for Ridge?  Will it happen?  it’s doubtful, but if it does, she’ll deserve every moment of unhappiness she gets.

By the way, writers, if you’re not going to use Rick, why not send him away and bring back Dante (recast if necessary) and give us Felicia and Dante, and a HAPPY Bridget and Owen?  Without them, I see myself fast forwarding the full half hour, or probably not bothering to tape the show. I love the BnB for caring for it’s vets and putting them onscreen.  Most shows’ writers and EPs seem to have forgotten that there were beloved characters rockin’ their respective shows before they even arrived.   Not the BnB!  Veterans reign supreme (for the most part).  Much of the time that’s a blessing.  There are times when it’s just a curse, and this is one of them.

You just can’t make this stuff up!

Wait, I’m wrong… you CAN!  First, Stephanie catches the woman who soiled her marital bed (Donna), fooling around with another man (Owen) – in their shared husband’s (Eric’s) house.  Donna is cheating in the very bed that Donna and Eric soiled… Um, YEAH, now that’s just all about the soapy goodness, right there!

So how do the writers top themselves?  (Oh, I KNOW, you’re probably thinking, ‘you just can’t top that’… HA!  When the BnB is naughty, it’s very VERY naughty!  It’s when it’s bad that it sucks… right now?  The show is oh so naughty!)

Click HERE!  Eric wakes up out of his coma, and without anyone knowing wheels himself down the hall and it now HIS turn to catch Owen and Donna in a dirty clinch.  Sometimes… I think the soapgods DO love soapfans.  More, writers, I want MORE!

Only a cheat like Donna could think that telling Eric that it’s not what it thinks, and that she cried over him, could make a difference.  That chippie is even more obscene than I thought.  I don’t know whose misery makes me giggle more, Donna’s or Eric’s.  Both are cheaters and both ended up getting a bit of a smackdown… Karma can be a bitch, it’s not just a cliche…  I thought soap moments like that were long dead.  I guess not!

Equally delicious?  The Forrester sibs bouncing Donna out on her ear, giving Owen the heave ho, along with her.  I’m sorry, but what kind of fool is Owen, exactly?  When a man catches you laying lips on his new bride, the last thing you want to do or say as a ‘defense’ is that his children have been trying to do her in from the moment he went under into his coma… Gee, that explains why you’re in his house, trying to sex up his wife in every bedroom in his house.  Shame on you Owen… NOW!  End the Owen-Donna mess and bring on Owen and Bridget!

OH, and if the writers would only resolve the baby Jack issue and get that kid back to its biological mother… Taylor?  Bridget?  ANYONE but Brooke!  Anything that binds Nick and Brooke is a BAD thing… it kills off the audience and kills off the show’s ratings.

Lightening rarely strikes twice

BnB- Gifts from the Logan women to Bridget

  • A half eaten sandwich
  • An empty perfume bottle
  • Used underwear (worn ONCE, on Catalina Island)
  • The last oreo in the bag
  • A child created between her husband and yet another of her female Logan relatives! 

You can just imagine how she looks forward to the holidays. Katie is a heart patient, in recovery, and now pregnant, and yet that hasn’t stopped me from wondering how Bridget refrained from dragging her sorry ass out of the house by her hair and kicked her butt to the curb, right next to that loser husband of hers.  Her aunt and husband so richly deserve one another.

I’d become more sympathetic to Katie, recently, though not necessarily supportive.  Telling Bridget that she probably wouldn’t live past the child’s birth and wanted her (Bridget) and Nick (Bridget’s husband) to raise her child made my hair stand on end.  WOW!  Now that takes nerve.  Katie, don’t do Bridget any favors!

BRAVA to Bridget for standing strong!

I’ve been incredibly worried that the writers would have Bridget cling to the prick she married, and put all the blame on her aunt/”best friend” for HIS infidelities.  NO SIR!  Bridget Forrester kicked butt and took names when she was done!  Nick got a beat down, followed by Katie.  The only reaction that disappointed was Brooke’s.  She slapped Katie, and coddled Nick, who’d betrayed her daughter yet again!  What a waste.

 Guiding Light – Uh… NOOOOOOOOOOOOOOOOOOOOO!!!!!!!!!! 

If you heard screaming, crying, and the horrible gnashing of teeth, just let me say that I’m sorry.  It was hard to control myself.  Dinah kissing GRADY?  GRADY the attempted rapist?  Grady the murderer?  Grady the con man?  Grady the utter and total liar? 

SURE, the rumors are out there that Tom Pelphrey has signed with an ABC soap, so what’s the GL reaction?  Seemingly, it’s to recreate the “Jonah” magic (Jonathan/Dinah) magic by having Dinah involved with a Jonathan Randall look-a-like?  Jonathan was a bad boy writers, NOT a low life (ok, not as BIG a low life).  Sorry, but this is another non-starter.  Oh GL writers, why?  Why torture us?  You continue to whiz away fans’ hopes for the return of favorite characters and actors and when that fails – give us the ‘b’ version.  Ok, well that makes sense.  Grady and Dinah will NEVER deliver like Jon and Dinah ( his Dinah-mite)

If you have to give us anything, can you give us Dinah all on her own?  She effin’ rocks!

If you’re longing for the glory days of GL, check out the GL memories blogspot by clicking HERE!  The GL clips from the early years of show are the best!

Caught up in the moment…

Caught up in the moment are… Guiding Light’s Reva and Jeffrey. 

Clearly the decision the couple has to make regarding the double-menopause baby Reva is carrying is a tough one.  They’re doing their best to put on brave faces but both Jeffrey and Reva are powerfully expressive in nonverbally communicating their pain.  Sadly, I wish I could care.  I don’t.  The absurdity of Reva going through menopause post cancer, after having ALREADY gone through early menopause, years ago, is a sure sign that the writers are working hard to shove this couple together, when fans have given up.  As GL’s ratings sink, the writers seem to have taken an even more combative tone with fans and the fans’ desire to see just a glimpse of the great show the Guiding Light use to be. GL brass has provided the biggest F-U to soap fans in daytime history, with one ‘creative’ decision after another. 

The creative decisions have led to favorite actors and characters dropping offscreen, favorite GL landmarks disappearing and being replaced with RL ‘sets’ that are shoddy in appearance and cold and impersonal, and to scripts that make sense to almost no one who’s watched the show for longer than the last two years.  The writers seem determined to end the show their way… even if that means ending the show sooner, rather than later.  If that’s the plan? BRILLIANT!  If not? Ruh roh…

Such a classic and soapy moment, as only the BnB does well (when the writers try)

Caught up in the moment are… Donna and Owen.  I may have it backwards, but I think that when you nearly bed a man TWICE, once in your husband’s bed, you don’t get to call your husband ‘the love of your life’ with meaningful conviction.  Under other circumstances, I’d have felt sorry for Donna for being set up by Ridge and Steph, but I don’t.  How interesting that all Ridge had to do is suggest that Donna take Owen off to Paris for a business meeting and she jumps at the chance.  Very smooth.

Stephanie forging Donna’s signature on release papers for Eric?  Shouldn’t THAT little move open up the next battle in the Forrester-Logan war over Eric’s southern brain?  So, Donna loses Eric and Stephanie gets him… Is this now the time for Brooke to make Stephanie miserable by bringing up the fact that Eric lost Brooke, years ago, because Stephanie forged his signature on a ‘good bye’ letter to her?  Nah… won’t happen and WHY?  Daytime writers don’t ‘do show’s history”. 

Oh well.

Just out of curiousity, how is it that Stephanie and Ridge expect to get away with keeping Eric at home and not having Donna know?  Does Marcus still visit Eric?  Wouldn’t he notice the guy wasn’t there?  Wouldn’t Steffy, in the tradition of BnB women, rat out her family to her new boyfriend?  I dunno.

Caught up in the moment…. Bridget/Nick/Katie.  BRAVO Ashley Jones.  Her Bridget is really hammering home how selfish and unbelievably clueless Nick is about his behavior.  There’s no point at which it makes sense to believe that consoling a dying woman by having sex with her, his specialty, is either normal or acceptable.  Only in Nick’s world does that make you a good and heroic man.  The absurdity of it is made clearer by Bridget’s absolute disgust that her husband’s actions seem excusable, in his mind, with the phrase: “Forgive me, we got caught up in the moment”.

It was a thing of beauty when Bridget told Nick that he probably thought they were at that point in their history where she’d tell him to go on, explore his passion for Katie, she’d sit home and wait… ZING!  She stepped aside for her mother.   Hopefully, she won’t just step aside for Katie, that’s not the point — she should be THROWING Nick, literally, at her aunt.  Let Katie sit home wondering who Captain Drops-Trou is out impregnating while she’s caring for their child.  Bridget hit the nail on the head, even if Nick thinks he loves her (and I don’t think he does), his actions make it clear that he doesn’t respect her… first her mother, then her former sister-in-law, now her aunt!

OH!  And only on the BnB does your aunt, who was also your husband’s lover, sit silently in the dark and pray that you’ll forgive her, and that you’ll love the child she created with your husband.  Correction, the BnB, and Jerry Springer, I’m sure.

The Era of the Smart Woman is Over

Right about now, you’re probably asking when the era of the smart woman began in daytime.  I don’t blame you.  Daytime writers seem to have an aversion to consistently smart women!

DOOL:  Marlena doesn’t get it?  Has John left her so damaged that ANY man who shows her some attention is a man she’s willing to spend time with, these days?  Let it go, Marlena, let it go.  I’d rather see her return to Roman than spend one more minute with Max’s father.

OLTL:  Blair.  What IS it about women and John McBain?  He does that thing, the thing that says, “I’ll sleep with you, but don’t count on me being around when you wake up…”  Somehow, that translates into some bizarre desire to sing a ballad to the man.  Blair, remember Evangeline?  Sure you do… she’s the last woman who sang to John.  He made her so miserable she had to run from him.  You’re on borrowed time, kid.  You might want to consider focusing more on your daughter’s pregnancy than John’s ego.  Something good will come from Starr’s pregnancy. Nothing good will come from waiting for John to lighten up and give a damn about anything.  The more morose man in daytime is the man every woman who’s crossed his past inexplicably falls in love with, and I just don’t get it.

Tina Lord was born a schemer.  Who in the world believes that she would willing walk into a room with a lock on the OUTSIDE of the door (yeah, big HUGE freakin’ lock) and allow herself to be trapped inside?  Poor David Vickers, the dog… he’s locked inside with Tina and unless that place is stocked with puppy pads, things are going to get ugly.

BnB – Brooke Logan.  WHY, writers, WHY?  Why not just have Katie and Brooke battle it out about which of them betrayed Bridget most?  Why didn’t Katie ask how Brooke could be so disgusted by the fact that she slept with Nick when Brooke did it too, after knowing that Bridget was in love with the man, still, and after having slept with Bridget’s first husband too!

Katie could have gotten her zinger in and Brooke would have been able to offer her own comeback… Clearly, she is guilty of having slept with daughter’s first AND second husbands – having children with each.  The problem is that given her past, her disgust with Katie, without explanation, just makes her look crazy.

Brooke’s retort to Katie could have included a confession of her own past, and that she’s still trying to deal with the guilt of being with men she didn’t love and trading her daugther’s heart in, in the process.  She could have told Katie that she’s disgusted with her actions because she’s been there, and when the dust settles, that one careless moment was never worth what it cost Bridget.  She could have shared with Katie that she knows what pain she’s caused Bridget in the past, she’s atoned for it.  Brooke promised Bridget that she would never hurt her again, never thinking she’d have to protect her daughter against her own sister. 

Give Brooke SOMETHING to say that makes it clear that she’s a woman who’s grown and learned from her past actions, not just treat her as a woman who could hate her own actions, when they’re committed by other people.  That would make her the same sort of hypocrite she’s fought against all these years – most especially when she’s fought back agains Stephanie, Taylor, and even dear departed Macy.

Guiding Light – Harley.  <sigh>  Do the writers hate the viewers that much?  Maybe, in some wild backstage fantasy, the writers are thinking that they can stick it to Beth Ehlers one last time by destroying what’s left of the character she originated, who knows?  In what universe would Harley leave her family, uproot her youngest children, and abandon her oldest child, one she gave up once before?  It was bad enough when she ran off with her daughter’s boyfriend to protect him from being prosecuted of a crime he actually committed.  Now she’s leaving her vulnerable (and incredibly stupid) daughter in the hands of a unrepentant criminal who’d already lead Daisy down the primrose path before, involving her in drug use and being an unwitting accomplice in her own cousin’s death.  IF the writers think they’re sticking it to BE, newsflash, you’re sticking it to the fans even more.  We’re the ones still left to tune out the show.  Please keep that in mind.

What’s next?  We’ll find out that Gus had six wives in addition to Natalia?

Phillip Spaulding is a pimp?

Vanessa Lewis sews fur coats from puppy fur?

C’mon writers.  Trying to kill off the last loving menory of one of GL’s strongest women in the history of the show is petty, and beneath the dignity of this show.  We deserve better.  Your time would be better spent trying to figure out how many times Reva’s undergone menopause and how it’s possible for her to be pregnant, again.

You can’t come back from this one, unlike the weak and laughable recovery of YnR writers who’d forgotten that Victor had a vasectomy when they wrote the pregnancy storyline for his child bride.  No ‘secret reversal’ explanation will help you this time.  Her meds kicking her period on for a month, after menopause?  That’s your explanation?  After the hefty drugs, radiation, and every other treatment Reva received prior to and after her near death?  Wow. 

Is it any wonder that so many GL fans have begun a campaign to save the show?  CLICK HERE to find threads linked to the ‘Cry for Change’ campaign, among others.

Birds of a feather

Whether or not it’s real or my imagination, I’m in love with the way daytime writers are finally living up to their promise to bring family dramas back to the forefront.  Those fabulous Dimera boys (DOOL) are giving me heart palpitations!  Tony and EJ’s conflict was reaching classic biblical proportions, until Stefano came home and laid down the law – as it should be.  Days writers should never let him leave!  Did anyone get chills when John (Hank) DiMera-Black walked by poor shaking and trembling Phillip Kiriakis and warned him that it was ‘game on’.  John declared  war on Phillip and Stefano.  What, big daddy?  No hugs for Uncle Stefano? 

Love that. How could anyone forget this exchange exemplifying DiMera on DiMera conflict from earlier this year:

Guiding Light took the high road and gave us an unconventional look at family.  Jeffrey and Reva’s non-wedding wedding brought together some of her family (with phone calls from and to those who couldn’t be there), the Cooper Clan, Remy, Lillian Raines – and thank you writers, for remembering our Lillian, and Mallet.  As much as I hate the outdoor scenes this show is all too fond of using, I loved the non-wedding wedding party coming together.  It was one of the few moments of sheer bliss this show has given us recently.

I’ll admit it (though I hate to) that for as much as I’ve enjoyed Reva and Jeffrey, part of me longed for the classic Jeva ending.  Reva would get the news that her cancer had NOT returned.  She’s at the altar, looking into Jeffrey’s eyes when his face morphs into Josh’s.  She calls him Joshua.  What happens next?   As long as the road leads to Jeva, I don’t care (yup, I’m back on board – I “get it”  that Josh is in pain realizing that the last time Reva fought cancer, he walked out on her and walked away with her sister.  Now he has to suffer knowing that she might be ill and as much as he wants to be there for her THIS time, he can’t).

Does Jeffrey realize he’s swimming upstream trying to keep Jeva apart and lets her go?

Does she go of her own accord, leaving Jeffrey at the altar?

I’ll take either, but I much prefer scenario 1.  Jeffrey has been too good to Reva for me to enjoy watching her break his heart.

Oddly enough, ATWT and AMC are the two soaps that seem to be less family focused than at any time in the past, and less family focused than any other soap on air.  AMC’s Fusion takeover?  Who freakin’ cares?  It’s an abomination that the writers have THE MAN, himself, Adam Chandler involved.  Babe is about 5 years past her ‘sell by’ date and any storyline that causes Adam to focus on Babe, Kendall, Greenlee, Annie, Amanda, and anything else to do with “Fusion” is a crime against viewers.

While ATWT and AMC are focusing more on individual characters and couples, rather than families, The Bold and The Beautiful has taken the family drama to the opposite direction.  BnB families are cannablizing one another and themselves.  The Logans have fallen apart as Brooke learns that her sister Katie has slept with her daughter’s recent husband shortly before they married and is now pregnant by him. 

Sister Donna Logan is sleeping with another man while her husband has remained comatose for just a few weeks.  For those unfamiliar with the show, her husband is her mother’s college sweetheart and twice her mother’s fiance.  He is also her older sister, Brooke’s, ex husband.  Whlie almost any other woman would feel shame that she’s betrayed her husband, Donna has spent more time reveling in the attention she’s received from her smokin’ hot new lover than thinking of how she’s betraying a man who was willing to give up everything for her.  Of course, that just opens the door for the Forrester family to get a little medieval on Donna once they catch her in the act.

The ‘Ballsy Move Award’ goes to the BnB writers.  I’m sure that most of you who are fans remember that Stephanie was out of her home mere WEEKS when Eric walked into their bedroom and found Donna naked in his bed.  Rather than throw her out, he went to bed with her that night, and woke up ‘in love’ with her the next morning.  Sure.  That’s real love there pal.  Guess where Donna and Owen are making out?  That’s RIGHT, in Stephanie and Eric’s marital bed.  I can’t explain how much I loved that moment.  Stephanie was at Eric’s side when he woke up from his coma, Donna was in his and Stephanie’s bed with another man. 

Will Donna’s actions spur on a new war between the Logans and the Forresters?  What happens to Bridget Logan Forrester – product of BOTH families?  She’s been betrayed by Katie (to some degree with Donna’s encouragement) though she still loves her mother and grandparents. 

For the first time in a long time, I’m actually looking forward to what comes next in the wacky lives of these two families.

Joined at the immoral hip

There’s self-serving, and then there’s the BnB’s Donna.  It takes gall to tell the man you’ve just cheated with that if your husband was awake from his coma, he’d be grateful that you were around to save her.  Sure, Eric would have thanked Owen for saving Donna from Pam’s attempted murder plot, but he’d have left it at that. He’d have never thanked Owen by taking him to bed.  He for SURE wouldn’t have thanked Owen for taking his wife to bed.

Everything about Eric and Donna’s relationship rang false from the beginning, but Donna’s actions with Owen, and comatose Eric’s reactions have only confirmed for me that the only connection they’ve ever had is the one they forged while naked.  Donna cried and prayed over Eric’s comatose body. His true wife (Stephanie) did as well.  His children did the same… NADA!  Donna falls into bed with another man and at that VERY moment Eric wakes up calling her name?  So very Eric.  He may not feel her pain, but he must have some sort of psychic connection with whatever gives her pleasure.  For those of you who named him ‘horny bear’ instead of ‘honey bear’.  You were dead on.

There’s self-serving, and then there’s GL’s Grady.  Set up your girlfriend’s ex, have him jailed, and then keep her close.  Why?  Because you ‘love’ her.  Well, that explains why he’s more willing to work as a prostitute than get a job.  Even worse?  He doesn’t think his new business venture involves his girlfriend.  Why should she have to know that he’s willing to sleeep with anyone who’ll pay the fee?  He did take her to dinner with the loot, after all.   Luckily, Olivia couldn’t go through with it.  Too bad, for her, that she was willing to pay him in the first place.  Anyone who’s ever read this blog or read a post I’ve written on any board knows that I’m no fan of Cassie’s.  I’m of the firm belief it would take a wooden stake and holy water to get rid of that character, and even THEN I’m not sure we’d be so lucky in getting rid of her.

So it means something when I say that Grady telling Cyrus to just sleep with Cassie and let that be it, as if she was nothing more than garbage, infuriated me.  If you kill a woman’s child, you might not want to treat her as if she’s not worth anything more than a good shag and then a good dumping.   Is it safe to say by extension, that given Grady’s actions, he doesn’t love or respect Daisy any more than he does Olivia, or Cassie?  Poor Daisy, foolish girl.  Now get off of my screen, PLEASE!

There’s self-serving and then there’s OLTL’s Blair and Todd.  What started out as an epic multilayer love story has me clutching my sides in pain and tearing out my hair.  Does anyone doubt that Blair is fooling herself into believing that she wants custody of Sam for the sake of loving him and caring about him?  Nothing gives Blair greater pleasure than sticking it to Todd. 

Nothing gives Todd greater pleasure than making everyone around him miserable.  Marty may not remember that Todd is the man who raised her.  She may not remember her own life as a therapist, but she knows enough to know that something is definitely wrong with Todd.  You can see it in her eyes.  She gets it, the guy isn’t stable.  Remember when Todd’s instability use to be fun?  Now?  It’s just creepy… emphasis on CREEPY.

Can I add to the ‘self-serving’ list the OLTL writers?  At this point, it’s CLEAR that far too many people know about Tess’ little secret for her plot to be successful.  Tess was never stupid in the past.  Is the audience to believe that Jess’ pregnancy is costing alter-Tess major IQ points?  Blair has seen her meeting with the electrician.  Nat, Tina, Jare, and now Bo all know about the guy, and that he’s been in the basement working behind a locked door.  Are we really to believe that if Jared comes up missing, no one will think to look downstairs?  At this point, not only has Tess become dumber, but I feel as though MY intelligence has been insulted as well.  I’d like to believe that the writers saved something special for this plot (hey, they pulled it out with the Mendorra storyline)… I’m just not that hopeful that lighting will strike twice – unless you’re Rex, Bo, and Gigi… and I just don’t want to talk about that time travel storyline again.

Oh well.  The writers started off strong with Tess’ return.  I only wish they’d found a way to stay that way.  Too much focus on the Starr-Cole fiasco, too much focus on time travel, and too little focus on Tess The Great.