DOOL – Anatomy of Sudden Soap Death/All soap ratings

I’m sure you’ve seen these if you’re following daytime:

(SoapOperaNetwork.com) — Ratings for the Week of July 19 – 23, 2010

HH
1. Y&R 3.4/11 (same/-.2) <- ties low rating (Last time: July 12-16, 2010)
2. B&B 2.3/7 (+.1/ -.1)
3. AMC 1.9/6 (+.1/same)
3. GH 1.9/6 (+.1/-.1)
5. OLTL 1.8/6 (+.1/same)
5. DAYS 1.8/5 (same/same) <- ties low rating (Last time: July 12-16, 2010)
7. ATWT 1.6/5 (same/-.1) <- ties low rating (Last time: July 12-16, 2010)

Short Analysis?  Three major problems led to DAYS’ undoing after its unprecedented ratings’ climb:

1.  No happy couples.  Rafe and Sami were leading the way in happy couples who knew how to work their way through tough times and give fans a big emotional payoff at the end of their troubles.  They were the last of the happy couples to go.  Everyone else was cheating, lying, or returning to relationhips that had long played out.   Sadly, they writers capped the ‘unhappily separate’ couples’ meme with Mickey Horton’s death.  This show is all sadness and misery.  If daytime is supposed to be about romance, someone forgot to remind the DAYs writers.  Newlywed Phillip cheats on his wife.  His wife is longing for another man.  Daniel, who cheated with Chloe when she was with Lucas, is unaware that Chloe has cheated on him.  Hope is losing her mind because Bo is bedding another of his ex’s – as he is prone to do.  It’s all maddening.

2.  No payoff for long term storylines.  Not only did EJ Dimera kidnap his own daughter, torment her mother, and leave dozens of Salemites devastated by the believed death of Sydney – including his own children, he got away with it.  The writers expected fans to sit back and watch the storyline, which culminated and Anna’s near death, and Nicole’s imprisonment, devolve into nothing but EJ’s proclamation of love and (let’s face it, horniness) for the woman he’d already sexually violated.  No happy couples, a rapist hot for the woman he raped.  Crimimal behavior ignored.

Writers were too quick to believe the fans who said that as long as Ejami (Sami and her rapist) were on screen together, they would watch and cheer them on, if it was only for a week, or weeks, or a few months.  There are more fans who are opposed to a rape victim being in a relationship with her rapist.  That shouldn’t be news to anyone, but apparently it is.

3.  Too many new characters no one gives a damn about while vets languish on the backburner.  Do I care that Stefano Dimera has yet another long lost child?  Sure as hell don’t.  What I’m wondering is how one man can have that much unprotected sex, that many long lost children and not have an STD.  Were any of his children planned and born in the context of a loving marriage?  I don’t care who Chad is, and I care less about his mother.  Arianna and Gabrielle can hit the bricks.   They can take all the relatively new characters with them, save Rafe – he’s the one bright spot for this hackneyed show.  I’d sell them all for  Lucas’ return and for Lucas to not only STOP being an apologist for the DiMeras, but to work with his mother to take the Dimera wealth and to bring Victor to his knees.

I could imagine a newly (temporarily) impoverished Victor wooing Maggie and figuring out who he is without his wealth.  I can’t see Maggie, after loving a man like Mickey all of her adult life, falling for Victor as he currently is.  By the time he regains his wealth, Maggie could help make him a better man.  He’d no longer be an ally for Stefano, but a foe, one who works to undo the damage Stefano – who rebuilds his wealth, does to others. It would be the ultimate daytime battle of good vs. evil.

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Whores of the world, UNITE! Women in Daytime, Vol. 2

Women in daytime = whores.  At least, I think they’re the same.  I dunno.  It’s hard for me to figure it all out since I’m just a woman.    Either I’ve been watching too much daytime or it’s the peyote… (just kidding on the last part, though given what some shows are doing to daytime women and viewers as a consequence, a little peyote might make daytime shows go down a little easier).

General Hospital

I’m all about the ‘I told you so’ lately and I want to hand one out to the writers of GH.  I’ve never been impressed with the casting of James Franco in the role of ‘Franco’  and have been horrified by the drooling and self-congratulating  linked to the casting of JF in the role.  The fact that the character was named  Franco was enough to tell me about the lack of creativity  attached his development.  It seemed to be all about stunt casting and the hope that a primetime/big screen actor could save GH from falling ratings.

It feels as if  GH’s PTB were so convinced that negative stereotypes about daytime viewers were real, the stereotype that we’re just a bunch of sex-starved panty-clinching rubes, who lick our screens whenever a hot male actor is featured, that casting JF as ‘Franco’ made sense!  As if we don’t already have enough testosterone filled doom and gloom on screen! (As for that screen licking part, I freely admit that I do think about licking the screen when Jason Thompson’s Patrick is on, but hell, who doesn’t?) The idea that “Franco” would cause us to swoon was as big a fallacy as almost everything else the GH writers have offered us by way of propping the Suckpranos storyline.   I don’t want to see one more character, stunt casting or otherwise, sacrificed on the altar of the mob boys.

  • Give Olivia her brain back.   She was such a strong vibrant character for so long and now she’s a walking-talking mess.   All the daydreaming about Sonny  makes me ill.  If I had to worry about Sonny putting a bullet in my kid’s head because my kid was a cop working to make the world safe?  I wouldn’t be able to daydream about having sex with the guy or daydream about him holding my hand. I wouldn’t even daydream about spitting on the guy if he was on fire!  What’s wrong with this woman?  What’s with her libido?  Sonny rocked her world over two decades ago, bedded and nearly wedded her cousin – swore his eternal love for Kate before the world while barely noticing or remembering Olivia, and she’s still lusting for him?  STOP! IT!
  • Quit making Carly an idiot who treats Jax’s child as Sonny’s future ‘kidnapped bait’ child.  It’s disgusting.  Notice that when Carly was listing off the children who were protected by Sonny’s grace, she included Josslyn, and not Molly?  STOP IT!
  • STOP making Lulu fall for the mob boys and/or supporting them to the point of even trying to convince the police that they really deserve to be set free instead of in prison where they belong.  Stop making her fall for anyone connected, even tangentially, to the mob boys.   Whatever those mob boys have going on below the belt must be some powerful mojo!  And it’s demeaning to us all.
  • Quit making me feel sorry for Rebecca “NotEmily” Shaw by having her actually be the voice of logic and reason before you ship her off.  I really resent you for this one, GH writers.  I’m an avowed ‘Remily’ hater and to leave me cheering for her is one of your worse offenses, yet.  Even still, I grew tired of the “Liz is a slut’ mantra she had going – not that I disagree with the sentiment, just the constant expression of it.  I did enjoy the fact that she continued to remind Liz that her house of cards would soon fold.  The sendoff for Rebecca, the Emily- clone was perfect, by having her make friends with a Zander clone… Chad Brannon was pretty darned delicious looking.  When his clone character drops  Rebecca off in Paris, have him come back!   Patrick’s stalker ex could use a good hook up – then again, so could Matt Drake, who spends far too much time trying to convince Robin that her marriage is in trouble!
  • Maxie, Maxie, Maxie… REALLY?  She’s gives herself to Franco for the sake of getting him to agree to help her out professionally?  Then she tries to pimp out Spinelli to make herself feel better?  She gives relationship advice to Max and Diane about ‘balanced cheating’?    Maxelli, Scrubs Love, and Jax and Carly were the only interesting things GH had going in its favor and the writers are slowly dismantling all three.  Speaking of…
  • For the love of all that’s soap-holy… give me a Scrubs storyline that has nothing to do with old girlfriends crawling out of the woodwork!  Yeah, yeah… Patrick puts it on ’em… they can’t get enough… once you go Patrick, you never go back… Even though I can believe that his arrogant aloof treatment of women made them want him more, I’m getting tired of women who are attracted to him on that basis.  The writers made the courageous decision to make him a happy family man, now I wish they’d make the courageous decision to create family driven storytelling around the Scorpio-Drake clan.  What makes Patrick attractive is that he’s a man who loves his wife and child.  Having him betray them would destroy that.  Leave something that’s still a little pure and  just for us.

I’d love it if the GH powers that be would stop treating women (onscreen) like a bunch of ‘spare parts’ waiting to be traded by GH males, as they’re needed.  Bringing on stellar actors like James Franco can’t  cover the holes in plots, the obsession with the dark  arts of the mob boys, or the weak female characters who aren’t just damaged- they’re damned deranged.  Treating your viewers like sex-starved fiends who’ll gladly buy what you’re selling won’t help either.  I know it’s not just my perspective that GH has lost what made it great… I’ve seen the ratings.  GH is hemorrhaging viewers and the great ‘Franco’ (onscreen Franco) doesn’t deliver a big enough draw to stop it:

Ratings for the week December 7-11, 2009 (when the character Franco’s arrival and work should have made a difference)
HH
1. Y&R 3.7/12 (+.2/same)
2. B&B 2.4/8 (+.1/-.4)
3. DAYS 2.2/7 (+.2/+.1)
4. AMC 2.0/6 (+.1/same)
5. ATWT 1.9/6 (+.1/-.1)
5. GH 1.9/6 (same/-.3)
7. OLTL 1.8/6 (same/ -.2)

Week of December 14 – 18th)

HH
1. Y&R 3.5/12 (-.2/-.3)
2. B&B 2.3/8 (-.1/-.4)
3. DAYS 2.1/7 (-.1/same)
4. AMC 2.0/7 (same/-.1)
5. GH 1.9/6 (same/-.3)
6. ATWT 1.8/6 (-.1/-.3)
6. OLTL 1.8/6 (same/-.3)

Week of December 21 – 25
HH
1. Y&R 3.5/11 (same/-.2)
2. B&B 2.3/7 (same/-.3)
3. DAYS 2.0/6 (-.1/-.1)
3. AMC 2.0/6 (same/same)
5. ATWT 1.8/5 (same/-.1)
5. GH 1.8/5 (-.1/-.4)
7. OLTL 1.7/5 (-.1/-.3) <—— ties low rating (Last time: August 31 – September 4, 2009)

Ratings courtesy of Soap Opera Network:  SON

So why am I still watching? I don’t think soap fans like me want too much.  We just want a balance.  How about  2  smart women for every woman who is lobotomized for the sake of the dark storylines?  I’m hoping Scrubs will survive and find a real storyline and that the writers will give us a storyline about them that will engage the audience without either of them cheating, I’ve FINALLY gotten the Mac and Alexis pairing I’ve been pimping for, through 2009  (don’t think I’m not grateful, just realize I’m not fully satisfied.  They’re off to a great start, and I need MORE).  Dare I hope that Mac/Alexis/Robert/Anna/Robin/Patrick  would be able to restore law and order to PC and that they turn the town around and take down the real bad guys?  I’m hoping that smart, funny, and strong-if-not-neurotic, women like Robin and Alexis (and yes, even Diane) will be allowed to lead the way.

One Life to Live

Nora Buchanan.   Nora is the woman who slept with her ex, Sam Rappaport, and passed his child off as her husband Bo’s child.  Even better is the fact that she did it for Bo– whose son was recently killed.  That was the rationalization she gave for betraying her husband, she most saintedly did it FOR his sake – all the while knowing that Sam was deeply in love with her and knowing what the emotionally fallout might be.   Fortunately (or unfortunately)  for all involved, after Bo and Sam’s deep pain, it turns out that Matthew was Bo’s son after all.  Now we have Nora, who’d been warned/pleaded with/begged not to marry Clint because she didn’t really love him, has now left Clint to be with Bo – during a dark time in Clint’s life.

Once again, another ABC male refers to the cheating lying woman who betrayed him as a whore – I can understand Clint’s rage and his willingness to throw Nora’s past in her face.. I just wish I hadn’t already been overwhelmed with the use of the word ‘whore’ from almost every other ABC male before that.  Nora’s reaction was still priceless.  She’s rude and judgmental and has made a habit of telling others why they’re so unworthy of being loved or trusted.   She was stunned that anyone would dare give her the same treatment.  I wasn’t crazy about Clint’s choice of words, but I’m glad that the writers finally allowed someone to point out to Nora what a hypocrite she is.

True to form, Nora didn’t let a little thing like the truth stop her from being who she is.  A full scene later, SHE referred to Kim as ‘that slut’, the ‘whore in her husband’s bed’, a ‘tramp’… uh huh… Sweet irony!  She was talking to Bo, Clint’s brother, the man she’d been having an emotional (almost sexual) relationship with and lying to Clint about it when she said it… YIKES!  Something about the way Bo and Nora are getting together and the pain it’s causing Clint that’s causing me to want to root for Clint and Kim (a couple I’d previously referred to as the reincarnation of Asa and Blair).

Somehow, the writers managed to give Clint and Kim depth.  Kim was fixated on her ‘plan’ to get Clint into bed to help him forget Nora.  She’d treated Clint like a feeble and emotionally dependent ‘old man’ who would be felled by a little bit of a wiggle and giggle.   Kim would have loved Asa – being felled by a wiggle and giggle was more his speed.  Clint had already had her investigated.  He knew about her stripper past, and didn’t care.  He also knew that she thought she was gaming him, and he didn’t care.  He knew that her plan to ‘drink him under the table’ was about taking advantage of him… and he didn’t care because he also knew three other things:

1 – He had the truth on his side and still had the upper hand.

2 – That being involved with the town’s  ‘sainted woman’  isn’t a guarantee that you’ll end up with an honest woman who’ll treat you well.

3 – That Kim isn’t all bad.   Her bark is worse than her bite.  Despite the fact that there is a risk of turning Kim into a ‘hooker with a heart of gold’ stereotype, the writers have so far avoided taking her quite that far.

The storyline seems to be shaping up into one in which the person in need of rescue may be KIM, not Clint.  He’s as intent on using her as she was on using him.   I hope that doesn’t happen, because despite my exhaustion with female-male May-December romances, there’s something about this pairing that I like. Nice touch, writers, on having Kim’s plan fail when she underestimated his ability to hold his liquor.  BRAVO for letting Clint walk away despite Kim’s offer to let him spend the night and having him warn her to quit while she was ahead.  I could root for them as a couple – with Melissa Archer’s Natalie fighting with Kim and making her work to prove her love for Clint.  I could <gulp> just as easily  root for them developing a strong father-daughter relationship (Oedipal, I know) or have them remain as good friends.  Either way, I’m hoping to see far more of Clint and Kim than Bo and Nora.  SON’s  CarlID offered this observation:

It’s interesting to see the fallout of the Bo and Nora reunion. They were a beloved couple many years ago but not only have times changed, many of the people who were in their lives at that time have changed. It’s like, what if you reunite a supercopule and no one cheered? I don’t mean the fans, I mean the characters in their lives. You don’t have a lot of people endlessly going, “You’re fated to be together,” as you do with many other couples on the show. I also think it would be an interesting writing choice if Matthew wasn’t thrilled they were back together and preferred them apart.

I’ll add one other observation about this storyline.  I found Nora’s reaction to seeing Clint with Kim unusual.  Kim was the whore in her husband’s bed?  Why did she care, she was dumping him!?!?! You’d think she’d want Clint to find someone, ANYONE to take the heat off of her betrayal of Clint.  Is it possible that Nora will wake up and realize that her rekindled love for Bo was based on their mutual concern for Matthew and his health issues?  Could Nora wake up and realize that she was happier with Clint than she imagined?  What happens then?  Where does she turn?  Does anyone care?

BTW, folks, is it just me, or did Jerry Ver Dorn make Clint his own with this bend in the storyline?  JVD’s left me breathless!

Tea Delgado/Blair Manning… not whores, they’re just written to allow Todd Manning to treat them as if they are.

Days of Our Lives

Two words:  Carly Manning.  Two more words:  EPIC FAIL.  There are some soap staples I can’t get enough of:  scheming liars who are eventually figuratively  beaten down and forced to eat their own misery.  Bad boys who are only clever by half and outwitted by their victims, victims they eventually fall in love with.  Anything to do with corporate intrigue.  Good old-fashioned romance.  Deep dark family secrets – that have nothing to do with long lost children.

The one plot I’m pretty freaking tired of is the damsel in distress who can’t get enough of the man she left behind and (oh gosh) if only he’d choose her over his wife and family.  He (being the real ‘whore’ in this scenario) decides that he can’t leave her to her own fate and risks losing his wife and child/children, while keeping secrets with the damsel in distress.  It’s not a stretch to believe that daytime writers typically set this storyline up to do one of two things:  try to make us root for our damsel in distress and if that fails, we’re to hate her as a home-wrecking ‘whore’ who broke up a perfectly happy and  loving family.

You’d think that watching her ‘get hers’ would be satisfying – assuming that the lunkhead goes back to his family and treats his wife as his equal partner, and not his potential mistress.   It’s not.   In reality, for fans like me, it only causes us to dislike BOTH partners – the cheating spouse and the idiotic woman who finds his willingness to betray his family a ‘thrill’ and further evidence that she is the object of his desire, not his wife and family. She’s only the next woman to be betrayed when his former victim/spouse becomes the damsel in distress. It’s all less satisfying because he’ll never ‘get his’.  He’ll just become the object of desire for two women – who’ll continue to fight over him until one of them is exhausted or dead.

Isn’t it time for daytime writers to leave iconic couples alone and find new ways to make them relevant to the audience?  Haven’t we seen these storylines play out a million times before?  Viewers exiting daytime in droves isn’t enough evidence that we want something more?  When did daytime become a genre about deconstructing and destroying rather than building something new or building better and higher on the strong foundation already in place?  Where are the powerful female characters who leave us feeling unashamed of being daytime viewers?

If you’ve made it this fair, I’m sure you’re wondering why I’ve left poor embattled CBS off the list.  Am I sympathetic to the network that’s lost two soaps in two years?  Nope.  I just don’t have the room to continue with CBS’ list of maltreated women in daytime.  This blog would have to be at least three times as long as it is now.  I’m saving that one for a later date.

Suffice it to say, if daytime really is dead -running on fumes,  kicking the bucket, headed for the big one, living on borrowed time… I’d greatly enjoy being able to celebrate women in daytime before it goes.  What do daytime writers have to lose?

Ratings – sometimes it sucks to be right!

In the last blog entry, I noted that I fully expected the BnB to lose the ratings race to DAYS.  Here are the ratings for the week in question (and many thanks to the folks at SoapOperaNetwork – SON, for posting them):

Ratings for the week November 16-20, 2009
1. Y&R 3.5/12 (-.1/-.2)
2. DAYS 2.3/8 (+.1/+.3) ——–> (Last time in 2nd place: June 7-11, 2004)
2. B&B 2.3/8 (-.1/-.3)
4. GH 2.0/6 (-.1/-.2)
5. AMC 1.9/7 (-.1/-.1)
5. OLTL 1.9/7 (-.1/-.2)
7. ATWT 1.8/6 (same/-.2)

The problem for DAYS is that they’ve never been able to sustain dethroning the BnB for long, and I don’t see it happening this time, either.  The focus on Rafe, Gabby, and LH’s Arianna is a HUGE mistake – but who am I to say it?  Rafe as a solo character is  likable and worth the airtime.  Arianna and Rafe onscreen together brings back awful memories of the PASSIONS’ Lopez-Fitzgerald clan.  Adding Martsolf’s Brady Black only triples my pain (sorry, I was NEVER a Theresa and Ethan fan.  They made my skin crawl.)  By the time you add the snooze producing Gabby (who is awfully reminiscent of Paloma Lopez-Fitzgerald), I find myself bored silly!  I’m not even intrigued by the idea of Theresa/Arianna working with Roman to get rid Salem of its criminal element.  Kill off the Hernadez clan, other than Rafe and bring on a brother for him instead of the family he currently has on screen.

Hey, if  I must continue in committing soap heresy (as I’m sure Terror/Ethan fans will accuse me of), I have to admit that I’m not terribly interested in Vivian Alamain’s return.  L-O-V-I-N-G Louise Sorel, I’m disappointed that the writing for her has made the character of Vivian so quirky and annoying.  This Vivian is a caricature of Vivian 1.0 – who was always clever, conniving, and dangerous.   Vivian 1.0 would be thinking of ways to make a tough business move to establish herself as Salem’s lead power broker, instead of focusing on how to woo a cantankerous and verbally abusive curmudgeon like Victor.   As currently portrayed, I fully expect Disney to write a theme song to be played every time Vivian enters view and to watch small puppies tremor in fear in her presence – hey, those coats won’t make themselves, people!  Vivian 2.0  … 3.0?  4.0? is focused on gaining power by ‘merging’ with Victor Kirakis.  I hardly recognize Viv!

On a positive note, DAYS should be applauded for daring to focus on a quadrangle featuring an over 40 crowd, as well as its 40 something quad featuring Bo/Hope/Justin/Carly.  Kate and Stefano (a match made in hell) tangling with Victor and Vivian (another match made in hell); with Kate displaying  jealousy?  Nice, though a bit odd given Victor’s emotional and verbal abuse of Kate.  He hasn’t been quite as cruel to her as he has been to Nicole and Chloe, but still nasty enough that he’s given her enough reason to want to see him alone and lonely.   All is forgiven? I guess.  Despite their past behaviors and betrayals of one another, what makes this potential quad work is that each of the four characters (and their portrayers) are incredibly strong in their own right and only enhance this storyline.  The idea of Kate and Vivian along with Victor and Stefano locking horns is as good as it gets in daytime.  There will be blood, and the ‘fun’ part is not knowing whose blood will be spilled.  There are all equally capable of ripping the others in half.  I hope that the writers will respect the history of all four characters and leave them strong – most especially Vivian and Kate.  More than anything else, daytime needs strong women and these are two of the strongest, fiercest warriors in daytime – if not a bit psychotic, much like the men they’re involved with.

If I was a  DAYS writer/producer thinking about how to keep the ratings rock rolling up hill instead of down, there would be more focus on both quadrangles and even exploit the overlapping relationships between the two quads;  I’d kick up the Brady and Nicole storyline until Zuker goes on maternity leave.  Brady would actually be on the run with Nicole, trying to get her to return to Salem but all the while knowing that he is willing to betray his family to be with her;  I’d realize how much more interesting Stefano is without EJ and yes, Virginia, if there really is a Santa Claus – EJ would be history; Rafe’s family would also be gone;  I’d avoid making Maggie the collector of lost souls – her relationship with Melanie worked because it was unique.  With Mia it’s just old hat and a little tired.  Why not a role reversal with Maggie having relationship problems and Melanie serving as her sounding board?;    and finally,  I’d think about what it would need to happen to make Abe and Lexi and frontburner and interesting couple.  The writers need to do more to challenge themselves on what to do with the Carvers to enhance the show’s diversity in a way that’s meaningful.  Too much of what happens with the Carvers feels like an afterthought.

… would have worked in this universe, IF

Bold and Beautiful – Katie Logan is now pregnant by Nick Marone, who is married to her niece Bridget – mother of his first child (Nicole, deceased).  Yes, the same Nick who has a child, for now, with Bridget’s mother/Katie’s sister, Brooke – and had sex with Brooke she was suicidal over the witnessed “death” of her lifelong love, Ridge Forrester. 

Nick had sex with Katie while she was a dying heart transplant patient.  Katie, who encouraged Bridget to get back together with Nick, then decided she too was in love with him.  Confused yet?  OR is that look on your face one of utter revulsion?  This storyline would have worked in this universe, IF it weren’t for the fact that it’s a complete rewrite of the Logan family history. 

Those of us who’ve been around daytime for far too long remember the intense loyalty the Logan women once had for one another.  Remember Donna, before the writers decided that her best assets were easily displayed in tacky lingerie?  Donna was a woman who wore her heart on her sleeve.  She gave up a young man she deeply cared for, Rocco, just because she thought her younger sister, Katie, had a CRUSH on the guy.  The Logan women are now exchanging bedsheets, and betraying one another over worthless men (namely the SAME worthless man – Nick Marone).  It would be lovely if Beth Logan regained her senses and whipped the women in her family back into shape… the problem is that she finds this all very sweet and heartbreaking.  Oy.

On the ligheter side?  Marcus and Steffy just keep getting better!  An old-fashioned courtship instead of a ‘nice to meet you, let’s get naked’ insta-love story for the ages.

Guiding Light – What a motherload of irony!  Bill, Jr. tells Dinah that she knows NOTHING about love because she’s never loved anyone and never will.  He tops that verbal slap with the soul killing comment that every relationship she’s ever had has failed (you know, unlike his string of failed relationships which have culminated in a fight for the custody of a child that isn’t his).  Dinah’s righteous anger would have worked in this uinverse, IF it weren’t for the fact that we watched as she deceived Mallet and ended a great relationship with him to worm her way into the treatment clinic Bill, Sr. was recuperating at in order to help her brother work out his scheme to become a bigger, better sleaze bag and power broker. 

Yeah, not exactly feeling sympathy for Dinah, but I did come close when Bill decided to trash his sister’s sacrifice..  What I am hoping is that Bill’s attack causes Dinah to rethink her willingness to act as a handmaiden to her ambitious snot of a  little brother.  Maybe it’s time for Dinah to benefit from all of the hard work she’s put into making him king of the hill.   It’s time to dethrone the king.  Long live the QUEEN!

I’m also adding Olivia back to the top of my ‘Dames with STONES’ list!  It’s the list for dames with broad shoulders and bad attitudes.  The ‘Barbara Stanwyck’ list, if you will.  If Stanwyck’s name is unfamiliar to you, it’s only because I’m old and you’re not. 

Did you sit a little closer to the screen when she told Bill, Jr that she would NOT let him hurt her daughter ever again?  First, you probably wanted to make sure you heard her right – STONES! Bill hurt AVA?  Love that!  Second, you probably sat closer because you knew you’d give Olivia a hug when she said it, if you could.  WOW!  Despite the fact that she knew her daughter used artificial insemination (or thought the pregnancy was the result of insemination) to trap the guy into marriage, and that she pushed the marriage for all it was worth, Olivia’s attitude works for me!  It works in this universe and any other universe the writers could conceive of!  When she talks, her former lover/son-in-law had better listen.  Rarely does Olivia issue an empty threat.

Days of Our Lives – When Bo told Phillip that he was disappointed in him because Phillip was lying when he said that he didn’t lie to family, two things struck me.  The scene would have worked in this universe, IF it weren’t for the fact that I had to work so hard to figure out what Bo was talking about.  Yeah! Yeah!  You got it right?  They’re brothers.  It’s been so long since the writers even dealt with that issue that I’d forgotten all about their familial connection.  Second?  Phillip lies so much, how could someone as smart as Bo have believed him?  Sheesh!

What DOES work in THIS soap universe is the pairing between DOOL’s EJ and Nicole.  What great birds of a feather they are!  Can you imagine the gates of hell these two will open when they finally work it all out and get together?  I’m all for a couple making each partner in the pairing a better person.  In daytime, I’m also for a couple kicking ass and taking name, and two characters without conscience (or severely weakened consciences) could really spice things up on DAYS.

One Life To Live –  Last, and least… I thought it was just the lack of realistic context for the Cole and Starr  teen pregnancy storyline that was bad.  It’s so much more than that.  This storyline might have had a chance of working in this universe, IF the writing for it and the acting weren’t so BAD!  I don’t think either actor was prepared to carry off this storyline.  It feels as if they’re reading the script aloud, and what a script it is.   Starr to Cole: ‘But we’ll get past this, we’re Starr and Cole’ (not an exact quote)… WTF?  Is that like ‘Sonny and Cher’, ‘Donny and Marie’, ‘Peanut Butter and Jelly’ W.T.F?  Are the writers trying to turn this teen-pregnancy -storyline-gone-dull into an epic love story between 16 year olds?  The surest way to get the elusive 18-24 year olds to tune out is to keep this plot alive.  I’ve been tempted to build an altar in Ron Carlivati’s honor, he’s that good, but this storyline (and yes, I’ve said it before) is a HUGE miss.

Even watching David Vickers talk with David Vickers (the dog) about burning down Carlotta’s diner wasn’t enough to erase the ache of having witnessed the painfully dull scenes between ‘Starr and Cole’.   Speaking of Vickers and Vickers, just knowing that Bo believes that David HAS to be born leads me to believe that he is going to come out of his current ordeal finding himself closer to David, for as long as David will be around, this time.  What will it mean for Clint, if that happens?  I can’t wait for Bo to come back to find out.

I love OLTL’s new time travel storyline – and who knew it was even possible to say that?  I love it for it’s potential:  What Bo and Rex find out about Buchanan history, what they find out about themselves, their ability to impact the future, Rex’s realization of his feelings about Gigi, Shane, and Brody… so much more. 

I love the Mendora storyline.  It’s old fashioned, fantastic storytelling.  I truly liked Talia and Antonio before.  I love them now.  BRAVO/A to the writers for a throwback storyline that feels fresh and new.