Pass the Dutchie from the left hand side…

This generation

Rules the nation

With version

Music happen to be the food of love

Sounds to really make you rub and scrub

Chorus:

I say

Pass the Dutchie on the left hand side

Pass the Dutchie on the left hand side

It a gonna burn, give me music make me jump and prance

It a go done, give me the music make me rock in the dance

It was a cool and lovely breezy afternoon

(How does it feel when you’ve got no food ?)

You could feel it ’cause it was the month of June

(How does it feel when you’ve got no food ?)

So I left my gate and went out for a walk

(How does it feel when you’ve got no food ?)

As I pass the dreadlocks’ camp I heard them say

(How does it feel when you’ve got no food ?)

Pass the Dutchie on the left hand side

Pass the Dutchie on the left hand side

Musical Youth

As The World Turns

When it rains, it POURS!  If you’ve been reading me long enough, you know that I’ve been whining about OLTL’s decision to kill off the fabulous Nash Brennan (played by the even MORE fabulous Forbes March).   I’ll whine no more… I’ll just be spending more time watching As The World Turns since TPTB there have had the good graces to cast Forbes in a new role!  YAY!  He’ll play Luke and Noah’s college professor who happens to also be openly gay.  As if it was my birthday, the soapgods of ATWT have also cast Lynn Herring (GH, ex-Lucy Coe) as Henry Coleman’s  mother… DOUBLE YAY!  If she’s anything like Henry before his transformation, or the rest of his family, someone will need to say a prayer for Vienna!  There’s fresh hell headed her way and she’s never experienced anything like it.

Days of Our Lives

Sami/EJ… can’t speak.  Sickened.

Hate.This.Storyline.  Hate Ejami…

One Life to Live

I just saw the most incredible commercial for ABC soaps… it’s an ad for ‘2 Young Mothers’  AMC’s Amanda – a woman in her mid to late 20s, and OLTL’s Starr Manning (Roughly 16 – 17 years old).  Both storylines are about mothers who were supposed to give their children up for adoption.  Both mothers have changed their minds.  They want to keep their babies.

What happens in the upper suites over at ABC?  Does anyone with more authority than deciding who to hire in the mail room get to see the ads for ABC daytime before they air?  Given the fact that ABC had an astoundingly bad week, during the last ratings period:

Bad Week for ABC (originally posted at S.O.N.)

Ratings for the week of May 25-29, 2009

Total Viewers
1. Y&R 4,994,000 (+120,000/+48,000)
2. B&B 3,366,000 (-3,000/-341,000)
3. DAYS 2,663,000 (+136,000/-4,000)
4. ATWT 2,480,000 (+86,000/-126,000)
5. GH 2,454,000 (-96,000/-330,000)
6. AMC 2,430,000 (-88,000/-283,000)
7. OLTL 2,402,000 (-158,000/-299,000)
8. GL 2,022,000 (+71,000/-271,000)

HH
1. Y&R 3.6/12 (+.1/same)
2. B&B 2.4/8 (-.1/-.3) <——- ties low rating
3. DAYS 2.0/7 (+.1/same)
4. ATWT 1.9/6 (+.1/same)
4. AMC 1.9/6 (same/-.2)
4. GH 1.9/6 (-.1/-.3)
7. OLTL 1.8/6 (-.1/-.3) <—— ties low rating
8. GL 1.5/5 (same/-.1)

what would make ANYONE think that a commercial featuring Amanda and Starr would excite soap fans who aren’t currently watching?  Amanda?  Eh… I’ll admit, I have SOME interest in what will happen if she keeps her baby and nutty Dr. Dave decides that he should be allowed to raise at least ONE of his children from infancy.  I just have ZERO interest in Starr and Cole (who are, as we’re told “STARR AND COLE” – as if that has meaning.  When I see ‘Starr and Cole’, I see a ruined Todd Manning who was destroyed to pimp a crap teen summer romance).    I don’t care to see Starr raising a baby. I don’t care to see Starr and Cole reunite.  I don’t care to see them struggle with the difficulty of being teen parents.    For goodness sake’s folks, if you’re going to go forward on this storyline, don’t flippin’ advertise it.

Guiding Light

I understand that Rafe has to adjust to life outside of prison, but YEOW!   Rafe is not only having a hard time adjusting, he’s actually beginning to behave almost as if he’d rather return to prison.   With so little time left for GL (Sept. 18 is the final ep), it’s hard to believe that the writers are looking at spending that much more time on Rafe’s return in order to create unnecessary drama for Otalia.

I’m torn between: 1 – appreciating the grittiness of the prison release storyline, 2 – being annoyed that Rafe won’t get the typical ‘Spaulding’ treatment after creating a crime; in what world would Alan actually listen to Natalia when she tells him that she doesn’t want him helping Rafe?  He doesn’t listen to Phillip or Beth! Why would her give a damn that Natalia wants him out of Rafe’s life!??!; 3 -feeling  disturbed by the fact that the Rafe storyline is getting more attention than the Otalia love story.  Wouldn’t it be better to have Otalia together, living as a family and working to save Rafe from himself and from Alan?  So little time writers… GET A FREAKIN’ MOVE ON!

General Hospital

Shhhhhhh… no one tell the GH writers.  SOMEONE slipped up and the writers are starting to inadvertently focus on romance.  Can you believe it?  That Patrick is so understanding of Robin’s PPD and that he’s supporting her should warm my heart but it doesn’t.  OK, it does, but not the way you think.  It’s to be expected, right?  You have your husband’s baby and he realizes the sacrifice you made for him, for yourself, for your family.  I’m just grateful that the writers veered away from Liz and Patrick flirtation and realized that there are many people out there who love and support their spouses in their worst moments without turning to someone else.

I love that Patrick is a good husband.

Do you know what I love MOST about this reunion?  It’s that Patrick doesn’t think that it’s his role to ‘forgive’ Robin.  I love that he stands back and watches Robin undergo a this period of self-exploration.  He watches as Robin finally realizes what everyone else has been telling her all along.  She’s been so driven, and so obsessed with perfection that it fed her inability to bond with Emma when Emma needed her so desperately.  Robin would rather have not tried, than to have tried with Emma and failed.  I love that Patrick and Robin don’t feel the need to ‘shape’ the other into a better person. They’ve learned to love one another as they are.

Patrick has accepted Robin as is and when she was ready to change, he was still there.  She allowed him to be who he was, when he was a playboy on the loose.  She realized that she couldn’t change him and accepted him as he was.  She was still there, ready to be with him, when he decided to change of his own accord.  She waited for him to become the man he needed to be.

Then there’s Carly and Jax.  They’re the Ken and Barbie version of Patrick and Robin.  There’s been a little more arm-twisting and ‘molding/shaping’ with CarJax than there has been with Scrubs, but it’s all worked somehow.  I love that Jax accepts about Carly what drives others crazy about her;  she has a tendency to obsess on those she loves and cares for.  They become the center of her focus.  Jax realizes that she’ll fight as hard for their family as she has for anyone else.  He finally gets that about her.  Jax is such a patient, kind, and loving man that he and Patrick  stand out as Princes among the daytime frogs!  Robin and Carly are lucky women.  Patrick and Jax are even luckier men.

Add Elizabeth’s fighting Luke for Lucky’s sake, and I’m in GH fan heaven!  THREE good men, Three good women, THREE great relationships… and this is GH!?!??

Pass the  Dutchie, baby!

Where does that phrase come from?  Some of you may remember the UK youth group that sang the song.  The origin of the title was always in question.  Some believed it was a reference to what is the equivalent of a ‘bong party’ (which makes sense of its use for AMC/OLTL/GL… but later it was determined that the origins linked to the notion of a communal experience (passing a dish, eating together as a group/a family)… as in the case of ATWT/GL…

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4 words: Monkeys. Typewriters. Locked Rooms

You know the old writers’ insult, “Monkeys banging on typewriters could do a better job!” Imagine if you not only handed a room full of monkeys a set of typewriters (uh, keyboards), but you then locked them in. Well… that’s ONE way to force them to concentrate on completing your scripts, but watch out! Locking them in a room might add insult to injury and monkeys are pretty vengeful. They also have a pretty wicked sense of humor. Make sure you READ the scripts before you film and then air them for long suffering fans.

One Life to Live

Bitchy Marty, Bitchy Tea, Bitchy TeBessica… ‘effin.love.them.all.

Jessica apologizing and groveling at Natalie’s feet? No thanks. I felt sympathy for Nat “the outsider” for about 10 minutes. I’m over it. She’s still sleeping with the man who cost her sister’s husband his life. An accident? Sure… after months of deceiving him and destroying everything he’d built for his family. I’m hoping Tess and Bess have teamed up to finish taking Nat and Jared down – without plotting anyone’s death, by the way. Abject misery is enough for me, thanks. Tea taking guff from Blair? I don’t think so. Tea and Blair live different realities. Tea is a badass by nature. She’s shown tremendous growth and change and I love how spunky she is. Blair? Badass, on occasion, doormat more often than not. The woman slept with Spencer Truman just after Todd, the ‘great love’ of her life, was sentenced to execution. Despite every reasonable warning to the contrary, she made Truman a part of her children’s lives. My money is on Tea. Marty Saybrooke being left alone with Janet Ketring/Lee Halpern? Seriously, were the monkeys also STONED when they banged out that moment? Writers, keep an eye on the script monkeys, they’re making you look bad!

It’s annoying enough that Bo and Nora’s situational ethics drag every other living Llanview resident through the muck, but Bo and Tahlia leaving JK/LH alone with an angry and self-destructive Marty? The woman tried to force Todd to commit suicide for what he did to her (with JK/LH’s help). So they let her confront JK/LH, alone, wearing a coat which could very well have contained a weapon, and carrying an uzi sized purse? They actually LEFT the motel? I have to say, violence isn’t my thing, but I got a chuckle out of JK/LH cracking a vase over Talia’s head and taking off. Too bad Bo didn’t get one of those, as well! You’d think JK/LH was a witness for the defense  for as careless as they’ve been about her safety.  It must be nice to be pals with people like Bo and Nora. They use their offices to go after people you don’t like if you’re a friend, no matter how flimsy the evidence, nor the cost to the good folks of Llanview.

Oh, and locked-away-typewriter-banging monkeys? Less smug from Antonio and Nora, please. They’re on the side of RIGHT, and they leave me wanting to see Tea wipe the smug off of their faces – unless that’s what you wanted and then I feel played (well done). If I’m wrongfully faulting you and it’s the choices made by the actors, please speak to the director and ask him to handle it.

The Bold and The Beautiful

Bridget is a designer now? You magnificent vengeful monkeys, you! You really did get the last laugh, didn’t you? I wish I could laugh with you, but I can’t. It hurts. Did you have to pay the writers back at the viewers’ expense? An accelerated undergrad preMed program, supposed ‘years’ of study in medical school. Internships, Residency, saving lives, bringing babies into the world, bringing her aunt Katie back from the dead, saving her brother from jail following Phoebe’s death… and Bridget wants to give it all up to start designing for the company that just ripped off her father’s and brother’s newest collection. Bridget… giving up medicine for THAT!

She’s doodled haute couture  gowns for years and was just too afraid to tell anyone?  Her work is even better than life-long designer Clarke Garrison… stuff she sketched when not practicing medicine 23/6 and no one knew?  Uh, because despite the fact that EVERY one of her adult sibs, her nieces and nephew, and BOTH of her parents work in the fashion industry, she was too afraid to tell them she has a passion for fashion? Ok, works in your universe, but typewriter-banging-monkeys, if the writers don’t feed you, refuse to type out scripts on an empty stomach. It makes you a little loopy.

This wouldn’t hurt so bad if it weren’t a follow up to the “fabulous Paminis”… Pam Douglas, insta-designer with a CROCHET technique so secret that only Pam can churn out the one of a kind hot yarn bikinis… So what is Bridget’s Auntie Pam kicking out? 20 a day in the Forrester sweatshop? Monkeys, explain yourselves! Is there something in the air at FC that makes anyone who passes through the hallowed halls a genius in the design world (all except Clarke it seems)?

Guiding Light

Alan wanting revenge against a cheating Beth? I get that. For once in his life, Alan is as devoted as he’s ever has been to a woman, maybe the most faithful he’s ever been. (Beth hasn’t been faithful to anyone since she was a teen) She  gives birth to his child, while still raising his grandchildren and making him part of their lives.  Then she cheats on him. He now knows that he’s met his match in Beth.  No one loves Alan as much as he loves himself.  Ditto on Beth. He’s sleeping with his mirror image and it’s driving him mad, life is a cruel mistress, Alan.

I WANT Alan to make Beth miserable, and not for his sake, but because Beth is supremely selfish and sucks as a person. BUT…Alan grabbing the letter opener, TWICE (something TPTB aired when the scenes picked up with a third and fourth time during the next day’s episode, too)? Good mercy. Giving the audience the impression that he would just as soon plunge the opener into her heart because his heart was broken? YIKES!

I don’t remember Alan being violent with women, especially not to the point of contemplating a brutal death for one. He likes owning and controlling women, but he likes owning and controlling everyone. He usually shows more finesse. The old Alan would have had Coop arrested on some trumped up charge, claimed ‘Company’ for himself – leaving Buzz penniless, and set Beth up to think she was going crazy again just to get custody of Peyton. He would have done it all before lunch!  He actually would have kept Buzz on at the restaurant he stole from him and had Buzz SERVE him lunch. Alan is psychotic, but he’s no thug.

Monkeys, you owe the GL writers an apology for what you’ve done to their beloved Alan Spaulding. Shame on you.

All My Children

Zach. Killing Josh. Fathering Gabrielle. Eye-boinking with Reese. Expecting Kendall to understand. Vicious little typewriter-banging-monkeys… You’ve outdone yourselves. I actually like the potential fallout from this one. No criticism, here. This is all soapy goodness. AMC was lucky to have you on staff when you wrote that part of the plot. Kendall, forgive Binks, Reese, and Zach. PRICELESS!

While you’re at it, write that script where David Hayward is loving and unselfish, Adam Chandler has sworn off manipulating the people he loves, Erica Kane gives up designer clothes and all other perks of fine living, and JR Chandler stays sober! See how silly it all seems that anyone would expect forgiveness from Kendall? Whatever she does to them, they’ve got it coming. Maybe Zach should keep a picture of his happy parts in a safe location. The doctors will need it when they’re working on the reattachment and reconstruction!

I can’t give you a pass on Amanda’s pregnancy, however. Does anyone remember the last daytime pregnancy where the mother knew who her child’s father was (Binks excluded, of course) and there was no scandal around the pregnancy? (Whoops, Binks back in!) Why another contested paternity? It’s not like there’s been a shortage of them.

Then again, you’ve been writing for Annie and she’s freakin’ wonderful, so it all evens out in the wash!