Prospect Park files for Bankruptcy Protection

“The group spent nearly three years and more than $10 million trying to revive two canceled daytime dramas, “All My Children” and “One Life to Live,” that ran for four decades on the ABC television network.”

Read the full details—>  HERE

Prospect Park has been accused, by some soap fans, of not fully committing to bringing back the two popular soaps.  This article details the impressive measures  producers Jeff Kwatinetz and Rich Frank took to revive to long-loved favorite shows.  To use these shows to launch a completely online network was a bold and creative move and I wish it worked.  Both shows seemed to prove that they could hold an audience by posting big numbers while airing on HULU with AMC becoming the highest rated show on Oprah’s OWN network when OWN also aired both showqaqwqq2s.

Unfortunately, between a lack of much needed  nd the ongoing lawsuit with ABC over alleged sabotage both soaps are gone for good.  Prospect park was my last hope, as a soap fan, that recently canceled fan-favorite daytime dramas could make a come back and that the remaining dramas would have a home in the future when/if they are canceled.

I am looking forward to seeing what comes from Prospect Park, once it rebounds – and I have not doubt that it will.

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BnB: The possibility of Bill and Quinn?

BnB QuillThere are about half a million things I would have expected to happen before seeing Bill and Quinn together.  Before believing this pairing was even possible?  I would have quit my job and bought a beach house in Malibu – all on the promise of soon purchasing my winning super lottery ticket.  My first thought, as a Quinn fan, is sheer revulsion!  Why?  Quinn, as written, could do so much better than Bill on her worst days… SO much better.  Bill is tainted by his callous disregard for other people.  He seems so  uncaring and one dimensional that it literally pains me to watch him onscreen -not figuratively, I mean literally.  Friends, like love, your soaps aren’t supposed to hurt!  He meets the very definition of the stereotypical powerful man who is unethical and filled avarice, to the point of being able to sell his mother (or child’s happiness) for a buck.

The more I thought about the possibility, the more I almost like it. (As you read that, I hope you put the emphasis on almost because I don’t trust anything to do with Bill Spencer, yet.)  Given the fact that Bill and Quinn have a tendency to go to dark places, for different reasons, of course, a lot of interesting things could happen on this show.

What would make the difference in a Quill pairing that we didn’t see with Katie or Brooke?  Quinn is written as a woman strong enough to tame that beast.  Quinn doesn’t back down. She is never fearful.  She is Bill’s alter ego, his very scarily tough and much  smarter alter ego. If Bill yells, Quinn is the woman who will yell right back and back him into a corner.   I do believe that there are lines Quinn won’t cross – which is how she differs from Bill.  Even though I fully expected her to know a goon she could call on a moment’s notice to give Liam a good beat down, leaving him naked and amnesic on a beach somewhere, I was surprised that her seemingly menacing phone call was only a call to Ally to have her put on her Saturday Night best and go out to meet Liam for dinner.  Quinn is a study in contradictions and I appreciate the fact that the writers keep giving her layers and, consequently, depth.

I have been living to see Bill bend to the will of a strong woman, rather than choosing women who won’t fight back.  Katie stood up to him more than anyone, but even she relented and accepted that Bill “is who he is”. Not.Good.Enough.  Brooke pretty much gave Bill anything he wanted.  He calls those things love and it reads, to me at least, as love of self and one’s on selfish needs.  I would like to know what the writers would do differently with Bill in the presence of a woman who has as strong a personality as his own.  I don’t want the writers to break his spirit, just his massive ego and his inability to have a real connection to anyone.   It’s been easy for me to not cheer on Bill on with anyone because all of his pairings have left the women he’s been with as bit players in their own lives (Steffy included).

BnB Rick Sneers at WyattWhat if he does get back together with Quinn and she decides she wants controlling interest in FC so that she and Wyatt not only have their jewelry line, but a secure place in FC?  (For Wyatt – to keep him close to Hope because there is no way she is going to stop manipulating that poor kid’s life)  What if Bill agrees to help her, but not for Wyatt’s sake?  He’s still angry at Brooke for not loving him as he’d hoped ignoring his own role in losing his family.  His attack on FC is directed at Brooke for breaking his heart, and at Ridge for being the man Brooke has always loved more than any other.

To the rescue?  Rick! I’ll be honest, when Rick stared Wyatt down and threatened to destroy him over the PR stunt, I had to change my clothes. I won’t tell you why, because I’ve already shared too much.  Let’s just say that I don’t want to meet reel life Rick Forrester in a heavily produced  perfectly dimmed dark alley way!  No ma’am, no sir, that’s not for me, but that scene helped me remember just how vicious a guy Rick can be, when pushed (and makes me recall Jacob Young’s seamlessly perfect portrayal of cutthroat scheming mogul, JR Chandler,  on All My Children).  Rick has fought back challenges from Ridge in the past, and most recently from Thorne and Thomas.  It’s time for Forrester Creations to take on a real challenger, another cutthroat like Bill, without resolving things on the runway.  Imagine the tensions and tests of loyalty between Caroline and Rick, Hope and Wyatt, Katie and Ridge, Katie and Karen, Brooke and Ridge, Ally and Wyatt, Thorne and His family (if Quinn and Bill promise him a permanent role as FC President), so many opttions!

Soapgods, if you’re listening, Rick Forrester is all grown up now.  He’s ready for the role of a man casting his own shadow instead of living in the shadow of his father and brothers.  If Bill makes a move on FC, let Rick make a move on whatever wealth Bill has, and any remaining stock he has in Spencer.  Give us Dallas in the daytime!  It’s time for Rick to leave FC for Ridge and Thorne to fight over — if Thorne ever comes back from Paris.  On a side note, does anyone think that Winsor Harmon (Thorne) might be away promoting the incredible looking Cathedral Canyon?

Ridge and Katie
I am torn between thinking that Liam completely shamed Katie into walking away or that he reminded Katie of who she really is at heart.   Well, break my heart, why don’t you? I, for one, don’t expect the Brooke-Ridge marriage to happen.  Sooner or later Ridge will remember his feelings for Katie.  Katie will never forget her feelings for Ridge.  If it does happen, I don’t expect them to cheat while Ridge and Brooke are together – and it would be disappointing if they did.  If they cheat, I’ll be the hypocrite I hate being and forgive them, but I hope they wait because I don’t see Ridge and Brooke being long term and I think the two have already built something that can wait and could last long term.  I would love for Ridge to walk away from a possible marriage to Brooke if his heart isn’t in it and go back to Katie.

BnB Tormented KarRi

Admittedly there is a part of me that wanted Katie to avoid the hand wringing and tears. Without thought of revenge her sister or care for another person a small part of me – the part that has a hard time delaying gratification, wants the writers to skip the long and slow romance and have Katie throw caution to the wind and (in my best Bill Spencer voice) make Ridge her bitch!  Sure, true love and all that, but Katie needs to just be swept up in something wild and uncontrollable and FUN!  Katie has been hurting for SO long that I want to see her happy, now!  She risked her life to have a child, she battled mental illness,  she lost her husband to her sister, she was betrayed by the husband she was willing to forgive. Reel life has not been kind to Katie the last several years.

So what am I saying here?  Did I just confuse you?  This storyline has caught me off guard and left me confused as well.  In short, I don’t want Katie at odds with Brooke. I would love for the sisters to reunite and be stronger than ever.  That aside, I will take Ridge and Katie in whatever form I get them, and I will ignore that selfish part of me that wants them fast, wants them now, and I am willing to watch the romance unfold, if it’s in the cards for them!  Maybe this time, Broke will step aside, and allow her sister to have the happiness that has been denied to her for so very long.

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BnB: The measure of a woman. The mismeasure of a girl.

Done, Finito, KAPUT!  I’m done trying to find a reason to like the BnB’s Steffy Forrester, DONE!  I usually love bad girls/bad boys in daytime;  although I almost always root against them.  I enjoy watching them unleash fresh hell on others, and later themselves as their plans backfire.  It’s the best of both worlds.  Truly great bad girl/guy characters feed your light and dark sides.  Most daytime writers have a tried and true formula and “get” what makes bad girl/boy characters so much fun.  They’re equal parts exhilaration and exasperation and just when you think you can’t love-to- hate them any more than you already do, the writers pull a twist.  The character you thought you knew, the character whose all-knowing smirks drove you to the brink of distraction suddenly has a vulnerable side.   You find yourself almostliking them!  When daytime writers want you to fall for a character, they know what it takes to make you fall hard:

  • AMC’s writers pulled the ’empathy card’ on Janet-from-another-planet Green when they revealed that she wasn’t simply pathologically jealous of her beautiful sister, Natalie Marlowe, but that she’d been the target of unrelenting taunting and teasing, merciless emotional abuse, all without remorse by a mother who felt justified in the emotional torture of her daughter.  Natalie was her blessing, Janet was her curse. Wilma Marlowe couldn’t wait to remind Janet, every day of her life, that she was the daughter she would have done without and when given the choice, that choice would always be the beloved Natalie.  Janet’s hope was to, just once, be chosen first.  The desire to be someone’s first choice – even Trevor Dillon’s, drove much of Janet’s continued march toward madness. 
  • ATWT’s  writers pulled the ’empathy card’ with Emily Stewart, who spent years dealing with her mother Susan’s substance abuse and emotional distancing.  Emily’s victimization at her mother’s hands turned into a worldview in which she was always the victim of the those around her – even as she drew first blood.  By soapgod, she was going to make the world PAY!    ATWT pulled the double whammy with heartless schemer, Angel Lange, who was the victim of longterm sexual abuse at the hands of her wealthy powerful father.  Angel’s scheming was directed at helping her secure her freedom from a powerful father who seemed unstoppable.   To that end she forced Holden Snyder into marriage, schemed to keep him, and with her brother, stole millions from their father’s company.
  • GH’s Stefan Cassadine’s ’empathy card’ came in the form of dysfunctional parenting as well.  He and brother Stavros were presented as the “Heir and a Spare”. While his parents groomed his brother for greatness (and you can read that as great darkness), he was expected to bask in the shaded glory of the pathological Stavros, accept the cast off crumbs of his parents’ affections.  It was a wonder that they allowed him to keep the Cassadine name.  Stavros was dangerous, but even Stavros was a kitten compared to their parents.   

Stefan never stood a chance growing up.  If it’s possible to assign behavior to soap characters, you could imagine that had Stefan’s parents paid more attention to him in his youth, there would be no need to discuss adult Stefan.  He’d have never nade it to adulthood.  

  • Long before Stefan, there was Bobbie Spencer, who curiously enough became Stefan’s wife.  In her youth,  Bobbie hadn’t met a man she didn’t want to control, nor a woman she didn’t want to destroy to have him.   We later learned that Nurse Bobbie’s early  trauma occurred when she was led into prostitution as a young teen by her Aunt Ruby, not long  after her parents died.  She was just another of the working girls  in Aunt Ruby’s house.   Bobbie’s “protector” was her older brother, Luke, who protected her by making sure she was ‘safe’ on her ‘dates’ with older men.  Bobbie was reminded of her sex worker past, frequently, even as she transitioned from good-girl-gone-bad to bad-girl-turned-real-woman.  The most lasting reminder of Bobbie’s difficult time was the arrival of the daughter she conceived while working for Aunt Ruby.    Unfortuntately for Bobbie, daughter Carly came with an eye on vengence.
  • OLTL’s Todd Manning, in his youth, was anger on a stick and a threat to the safety of women everywhere.   The writers should have taken advantage of the fact that in a field of characters with unusual names (Storm, Ridge, Thorne, Destiny) naming this guy “Trouble” instead of Todd would have been more honest.  If there was a thing that Todd didn’t hate, it was only because it hadn’t been invented yet.  It’s hard to feel sorry for a unrepentent rapist and the writers knew it.  Without the need to try to ‘redeem’ him, the writers allowed the audience catch a glimpse of what was left of the humanity of the character.  The idea seemed to be to provide the audience some hope that whatever was left of his humanity was enought to stop him from victimizing others and to begin dealing  with his own pain.  Todd’s pain resulted from frequent beatings by an uncaring father who despised him.  Todd’s father, Peter Manning, was his maternal uncle and adoptive father.  He was forced to raise the child as his own.   We later found out that Todd was also sexually abused in his youth.
  • BnB’s Stephanie Douglas Forrester (who moved from my love-to-hate column to fully despise) was the product of a vicious wealthy father who presented the image of a perfect family to his business colleagues and friends (including fellow industry titan, YnR’s Katherine Chancellor).  What his friends and and colleagues didn’t know is that Mr. Douglas beat his daughter “Stevie” with reckless abandon behind closed doors.   Stephanie’s cruel childhood treatment was reportedly the cause of the cruelty she expressed in adulthood.  It is something that others around her struggle with until this day — clearly Stepahnie doesn’t struggle with her inhumanity toward others.  She revels in it.

You get the common thread, yes?  Years of emotional, physical, verbal, and sexual abuse.  Whether it happens because of a cowardly parent or a craven lover, there is typically a foundation for the abusive, shallow behavior we witness in our fave bad girls and boys.  Use that as a backdrop to try to understand the BnB’s Steffy Forrester.  She’s the heir to a massive fortune, her mother  came BACK from the dead and re-established the family Steffy always wanted. Her mother also gave her 25% of the family company – trusting her to “take care” of her older brother.  Steffywas raised by a father she adores.  She’s never had to go to college and yet was handed cushy executive level positions in the company after spending only a few months in the mailroom.  AND she had a stepmother who raised her and loved her while her mother was believed to have been in the grave (the same stepmother she still adored just a few years, ago, and with whom she’s had no significant conflict).   She’s traveled the world and has reportedly been loved and in love.

To hear this wanker of a character whine day in and day out about how sad she is, how much she needs a man (any man dating or married to a Logan woman), how hard her life is, how she’s been abandoned, maltreated, unloved… it’s all just too much.  Rather than creating feelings that run from exhilaration to exasperation, my feelings for Steffy run from damned bored to seriously annoyed.  Her rapid shifting from begging her daddy (Ridge) to staywith the family and continue to raise her, to begging her ‘big daddy’ (Bill Spencer) to stay with her for the night and make love to her is pathetic, but mostly jarring.  Is she a needy child or a sexually provocative woman?  She can’t be both, or use both “needs” as the foundation for her aggression toward the Logan family.  Her need to destroy the Logan family because her father loves Brooke, is petty.  It’s surreal at best when you consider how much she loved Brooke as a stepmother, until her nological mother’s return.  It’s absurd when you consider the fact that Brooke is the mother of her youngest brother. 

Steffy doesn’t work as a bad girl because there is no “empathy card” to be played for this character.  The character is made up of all hard angles.  It’s even hard to believe that she’s invested in the people she claims to be invested in. She’s now twice turned on her mother for love of  two different men (Rick Forrester and Bill Spencer).  She’s never bothered to share the stock in the family company with her brother.  She doesn’t care if her YOUNGEST brother (still in late childhood) grows up without a father – as long as their father is in the home she no longer lives in as an adult.  She’s been working to destroy her brother’s family since he was a toddler.  She fell to her knees over twin sister Phoebe’s death, but almost immediately fell into bed with the man her family blamed for her sister’s death.  She defended him even after he used her and used her sister’s death to taunt her father… the same father she can’t live without. 

 The fact that anyone (onscreen) finds her intriguing leaves one feeling dumbfounded.  Steffy Marone-Forrester is a character filled with contradictions, and none of them good. 

She is not likable.

She is not rootworthy.

She is not interesting.

My time is quickly becoming wasted by this character.  My sincere hope is that the writers are planning to give the character depth or to send her packing.  I will accept either, but what I can’t accept is Steffy in her current incarnation.   At some point the writers will  become bored with this character as she is.  I’m looking forward to THAT day.

Two More Soaps are Down/The Guessing Game

All rights to this photo are retained by the original owner

 Most of you have heard or read, by now, that  U.S. soaps are one step closer to being a part of our American past.  I have been saying for some time that I wish that the powers that be (TPTB) at the networks would either fix daytime or kill it off, but that anything in between is unfair to fans, and a clear disrespect for the genre.  I am not celebrating the loss of All My Children and One Life To Live.  In fact, it saddens me for two reasons.  The first is that I believe that both shows were a damned sight better than General Hospital and were far more ‘history rich’ in their current forms than GH.  The second is that I believe that both shows could have lasted years longer if ABC had the courage to infuse the genre with new writers and executive producers/energetic writers and executive producers who would have respected the genre’s history, but not become bogged down in the repetitive storyline telling, and the lack of attention to detail that drove fans away.

AMC and OLTL were the ‘class acts’ of daytime, and to lose these two shows won’t  improve the chances of the remaining shows to survive by picking up their audiences.  The loss of these two shows will only serve to illuminate how much weaker the plots and plot devices of the remaining shows are.

The Young and the Restless:  The actress replacing Drucilla (whose name I’m not even motivated to look up) once gave an interview stating that most Drucilla fans were fans of the show first, not of the character.  Uh… ok.  She also stated that she wasn’t hired to create a character to replace Dru… and how’s that workin’ for ya?  Where is the character she plays now?  In Dru’s old storyline… pregnant, by one of the Winters brothers and she’s not exactly sure which.  Adam, who burned a fetus in a damned fireplace, never giving its mother the chance to grieve its loss is a romantic hero, involved with a woman whose child he stole.  Go. AWAY!

The Bold and the Beautiful Where to begin?  There are so many problems with this show that between it and DOOL, that either could be the next to go (yeah, even over GH)!  I wish Bell’s ‘bad girls’ weren’t so one-dimensional, like Steffy and her faux ‘good girl’ mother, Taylor- who is as much a daytime bitch as ever there was one.  Both Steffy and Taylor highlight the weakness of Bell’s writing for bad girl characters.  I miss the real bad girls, women with a method to their madness and whose actions were explained through their backstory (pain, unhappiness, abuse, abandonment). You always knew that their desperate actions were about fighting back in the only way they knew how and it left you hating them and loving them at the same time. Steffy is just a selfish, pampered, snotty little girl who thinks life owes it to her to give her whatever she wants – even after having such a privileged life and a father who sacrificed his happiness for hers.

Her constant attempt to draw a distinction between herself and the ‘human trash from the valley’ makes her as useless as her grandmother. Most soap bad girls didn’t offer the social class argument for their superiority and since social class is the only type of class Steffy has – any argument she makes in her favor is moot. She is everything she despises in others… the ultimate hypocrite.

All rights to this photo are retained by the original owner

Steffy’s character lacks depth and a backstory gives definition to her character.

She’s just mean, nasty, and whiny-bitchy instead of fun bitchy. It’s this sort of anemic storytelling that’s killed so much of daytime and makes the genre unwatchable.

Days Of Our Lives Rape is NOT SEXY!  EJ? NOT SEXY! I don’t care how attractive EJ’s portrayer James Scott is.  JS is not EJ, and EJ is a rapist with no redeeming qualities.  His sole mission in life it to own and manipulate the woman he raped, to control her life and to continue to impregnate her through violence and/or deceit.   I gave up on this show a very long time ago.  DOOL, and EJ as a character, are better suited to a soap titled, “The Land that Time Forgot”.    The titled references a book, screenplay, and several movies.  Why not a soap?  Women are smarter, better educated, focused on informing themselves and their daughters and sons about sexual assault — yet, sexual assault is still the foundation for romance and ‘good times’ on Days of our Lives.  Not.  good.

General Hospital Need I say more?  Nice guys really DO finish last.  OLTL and AMC focused on family ties, the ups and downs of relationships, and in the end the mob boys and weak guest appearances win out.  Sorry, James Franco fans, I thought GH’s artist Franco sucked and that the actor treated the character as a caricature.  His vision of what a soap character was supposed to be left me cringing and I was shocked that TPTB backstage allowed it to happen.

Daytime writers and executives of the four remaining shows have to become more protective of the genre.  They have to remember daytime’s illustrious history and send the remaining four shows out as a bright flame, and not sending it up as a weak puff of smoke.  They owe the fans no less.

Oddly enough,  I was a daytime fan who, when this blog began as a column for  Darcy Fourier’s “The Soapscope” website, watched more daytime than primetime television.  My primetime viewership was nearly non-existent.   When I became disenchanted with daytime, I switched to primetime viewership almost exclusively.  Even still, I will miss soaps for lots of reasons, but primarily for their history in total.  I can’t say that  I will  soaps in their current incarnation, I hated and still hate most of what’s airing in daytime.  I will miss daytime for what it was, and for the missed opportunity to make it something great, again.  I’m not interesting in more daytime talk, more scripted reality, or more game shows and can’t imagine their appeal over even the worst of daytime dramas, much less the best of it.  To the Cast and Crew at All My Children and One Life to Live, thank you for the decades of memories.  You are irreplaceable and you will be missed.

Are ABC’s low ratings well deserved?

Thanks to the folks at SON for posting the ratings, please visit SON for the full ratings report so that you can see where your favorite soaps landed this week and check the daily ratings:

Week of June 14 – 18, 2010.

HH
1. Y&R 3.5/11 (-.1/+.1)
2. B&B 2.2/7 (-.1/-.1)
3. DAYS 1.9/6 (same/-.1)
4. AMC 1.8/6 (same/same)
4. OLTL 1.8/6 (same/same)
6. GH 1.7/5 (-.1/-.1) <- ties low (Last time: July 6-10, 2009)
7. ATWT 1.6/5 (-.1/same) <- ties low (Last time: May 31 – June 4, 2010)

Women 18-49 Rating
1. Y&R 1.6/10 (same/+.1)
2. GH 1.1/7 (-.1/same) <- ties low (Last time: May 24-28, 2010)
3. DAYS 1.0/7 (same/-.1)
3. OLTL 1.0/6 (same/-.1)
5. AMC 0.9/6 (same/-.1)
5. B&B 0.9/6 (same/-.1) <- ties low (Last time: June 7-11, 2010)
7. ATWT 0.7/5 (same/-.1) <- ties low (Last time: June 7-11, 2010)

Are ABC’s low ratings well deserved?

For AMC?  A teeny bit.  It’s rebounding from a long and painful period in its history.  Given the three ABC soaps,  AMC has the most potential for a return to creative grandeur.  The show has done a much better job of focusing on legacy character and its core (although that’s easier to do when your core is smaller than in the past).   The pacing is good, the storyline telling is stronger, and the show has been more visually appealing lately.  I’m rooting for this show.

For OLTL?  OH HELL YES!  Here’s a word of advice, writers.  I don’t know if you feel that you’ve been sold out by the  ‘house of mouse’ knowing that feeder network Soapnet is going to be shuttered for a ‘Disney Jr.’ channel, but come on!  I can’t tell if your  current storylines are a reaction meant to  save OLTL by creating a new ‘DeGrassi’  (and a far less interesting version at that) to shift over to teen Disney or if you want to thumb your noses at your bosses by mocking their youth entertainment obsession.  If I see Starr, the two new guys that I can’t tell apart unless they’re in scene with their respective Manning sister, Cole, Matthew, Hannah, and anyone else under the age of 21, I’m going to need a bag to catch my lunch on its way back out — sorry, the reference clearly shows that I’m regressing in maturity along with the storylines on OLTL.

GH? Hell yes, and OH HELL YES those ratings are deserved.  Is there anything on GH that isn’t tied to the mob storyline any more?  I roll my eyes so much on the rare occasions I watch that I can’t tell.   Dante has to ‘pay’ for being a good cop and doing the right thing.  Tough as nails Claire is now a mob apologist who sees the difference between criminals like Franco and criminals like Jason/Sonny.   Nikolas is creepy, stalkerish, and trying to force a pregnant Liz to accept his lust-called-love for her.  Every other chance at romance on this show is shuttered in favor or more whining by pampered ill tempered mobsters and the children they’ve ruined.  The one potential for growth and the writers have ruined even that:

Speaking of ruined, I’ve defended Patrick in the past.  He’s the motherless son of an alcoholic father who watched his family slowly fall apart.  To say he has issues is an understatement.  The problem is that Patrick’s ‘jealousy’ over Lisa and Steven, and his constant whining about Robin’s need for helping others is just wearing thin.  Have I lost my passion for Scrubs?  No, I’ve lost my passion for GH because of their treatment of Scrubs.  With clever writing, Lisa could be an interesting double crossing villain, the actress could easily carry it off, and I would have loved watching Robin rip her a new one.  Without clever writing, the character is just annoying.  The idea that Patrick, who has spent every day before Lisa’s arrival telling Robin how much he loves his life and that he wouldn’t trade it for the world, now cries (boo friggin’ hoo) over driving a mini van and being home at night.  He cries to Luke of all people — the man who has betrayed every moment he’s ever spent with a family who loved and idolized him (when GH writers destroy fans’ fond memories of GH couples, they go big!  I feel for you Luke and Laura fans.)

REALLY writers?  REALLY?  We’re supposed to want to see Patrick moon over a woman who feeds him what he wants to hear and sticks a knife in his back when he turns around? We’re supposed to feel for him because his wife and child just aren’t enough?   GH has missed it’s calling.  If the mouse network decides to finally pull the plug and put all of us out of our misery, they could consider shopping this show over at Spike TV – “the network for men”.  This show is such a rancid male fantasy that I can’t believe that women on the show are actually permitted to wear clothing.

The only surprise in GH’s ratings, for me,  is that they’re not lower.

Why AMC scares me…

AMC scares me because I actually <gulp> LIKE the show!  After so long of not caring whether the show was on or not, something is happening, and it’s huge (for me at least):

1.  Ryan Lavery has long been the bane of my existence.  Since he dumped Kendall and married Greenlee that  first time, I’ve despised the character with a flaming hot passion — which then makes it odd that he’s so often left me feeling cold.  Each of his prior relationships has been about him being the ‘big man’ who rescues and saves  each woman deemed ‘lucky’ enough to share his bed.  With Madison it’s different.  Whatever it is she brings to the screen (a strength that the others didn’t have, less need for rescue, the ability to ‘speak loudly’ even when she doesn’t say a word), it’s working for this show, and for Ryan.  She makes him tolerable and  I actually want to see more of them together!

I hope Binks is wrong and that Ryan isn’t still in love with Greenlee, only that he’s convinced himself that he is.  It’s time to sink that ship for good.  CM’s Ryan sinks to the level of the woman he’s with most of the time – despite the fact that he’s supposed to be the ‘good guy’, the ‘guiding force’ leading immature women into adulthood.  With Greenlee (and Kendall, and Annie, and…) Ryan was equally immature, substituting obnoxious faux  righteousness for maturity.  With Madison he is open, and honest, and reflective.  I’d like to see more of that from Ryan.  I’d forgotten that I once liked the character, until this past week.

2.  David and Greenlee.  RB’s Greenlee has never been an interesting character to me – not one time EVER.  Sure, I know it’s soap blasphemy to not whorship La Budig’s spoiled ill-tempered Greens, I get it.  I just don’t get her appeal.  The closest she’s ever come to working as a character is her relationship with Leo.  So, it makes sense that as friends-  or more, she’d work with David.   Other than the difference in hair color and age, the brothers had a lot in common.  Of course, Leo was  reformed bad boy.  David is a bad boy who became an unapologetic bad man… and did I thank you for that writers?   Greenlee is, with David, who I’ve always seen her as – together they are a malicious and wicked good time.  Thank you, again, writers.

4.NuBianca… Why not double down?  I’m all about the soap blasphemy, today.  I LOVE NuBianca.  I love her for several reasons, the most important being that in this case a fresh face really does feel like a fresh start for the character.  ER’s Bianca was lovely, but after some time her Bianca became a bit pious and tiresome.  The writers worked too hard to make her a wide-eyed doe in need of protection no matter how many life experiences she’d had that should have toughened her up.   NuBianca really sells it.  Her confrontations with Greenlee/David over Erica and Fusion were priceless.  This time I was rooting for Bianca simply because she was Bianca and not just because it was Greens she was in battle with – she felt like a young girl battling soul swallowing behemoths.

5.  Erica and Jackson.  I don’t care what the time or location is, I think I’ll always root for Erica and Jackson.  I loved them when Jackson was in love with Erica even though she was married to his brother.  While Travis wanted the perfect politician’s wife (and who was he fooling other than himself?), Jackson wanted Erica -mind, body, and soul.  She didn’t have to ‘become’ the woman he could see himself living the rest of his life with – as Travis had.  He already knew she was perfect for him.

The writers are teasing fans with the prospect of a reunion between the pair – after a battle between Jack and Erica’s mountain man rescuer, Caleb I’m sure … or is either man meant  for Krystal… or should we expect a Krystal/Caleb/Erica/Jackson quadrangle? How will this work?  Krystal will want Jackson, who’ll want Erica, who’ll want Caleb?  And just who will Caleb want, in return?

Time will tell.  It’s back to the drawing board for me.  This storyline, and those mentioned above have me intrigued AMCers.   What about you?  What are you loving (or not loving so much) about AMC?

Variation on a motherfrickin’ theme

Loving a man  (and being dumped) makes women in daytime C-RA-ZY!

OLTL’s Hannah

Hannah attempts an overdose after Ford dumps her – this storyline should have been further developed.  Despite its origin, it actually has redeeming social value.  So it won’t surprise you that instead the writers seem determine to create a Starr-Cole-Hannah triangle just weeks after Hannah’s suicide attempt:

DAYS’ above board top cop Hope Brady decides to terrorize the men of Salem to make up for the fact that she’s been hurt and tossed aside one too many times – of course she’s under the influence of drugs. (Ignore the part where Sami is overly concerned about her rapist – repulsive, I know):

BnB’s Stephanie Forrester can’t stand the fact that Eric has never gotten over Brooke (er, long before he married Brooke’s  sister) – jealousy is apparently synonymous with being homicidal in Bell’s ficitionalized L.A.:

To think… one of the first times Eric dumped Steph, she had a mini-stroke, lost her memory, and lived on the streets using Brooke’s mother’s name… Liz… yes, the same ‘Liz’ (Beth) whose death she’s now implicated in.

Way to go turning all that hatred outward, sister… if only the writers would either let Steph seek help and be cured OR be incarcerated.  I’ll take either.

This one is a double feature! Stacy Haiduk as AMC’s Hannah Nichols (who may as well give up her life to save the man who didn’t want her, right?  Hannah’s death follows what seemed to be an endless stream of mischief and mayhem when Zack refused  to allow her to have his child, to replace the adult son they’d lost.  It’s even weirder because he later became the donor for his wife’s sister, Bianca, and Bianca’s fiancee Reese – without telling his own wife of course.  Where’s the fun in that?  He’s not exactly protective with the seed.  The man was giving his seed away… to everyone but Hannah that is… who then gave her life for him… see the circular thing going on here?   Hannah should have either taken him over the edge with her, on sent him in her place.

Shortly after  Hannah’s death,  Haiduk re-appears in the form of YnR’s Patty Williams.  Patty had her face  surgically altered to look like her psychiatrist.  Why?  To get into bed with the man who married and then betrayed her, causing her to have an accident and miscarriage decades earlier.  Those crazy romantic writers of daytime.  Man do they understand a woman’s heart!:

Hannah:

Patty:

Doesn’t every woman lose it when the man who cheated on her and even cheated with his father’s wife, marries another woman?

Patty becomes Emily and then returns to being Patty, who becomes Emily again – oh yeah, you read that right!:

The ultimate classic love starved psycho on the loose!  The YnR’s/BnB’s  Sheila Carter:


Does this blog really need a closing statment?  I think I’ve made my point.