4 words: Monkeys. Typewriters. Locked Rooms

You know the old writers’ insult, “Monkeys banging on typewriters could do a better job!” Imagine if you not only handed a room full of monkeys a set of typewriters (uh, keyboards), but you then locked them in. Well… that’s ONE way to force them to concentrate on completing your scripts, but watch out! Locking them in a room might add insult to injury and monkeys are pretty vengeful. They also have a pretty wicked sense of humor. Make sure you READ the scripts before you film and then air them for long suffering fans.

One Life to Live

Bitchy Marty, Bitchy Tea, Bitchy TeBessica… ‘effin.love.them.all.

Jessica apologizing and groveling at Natalie’s feet? No thanks. I felt sympathy for Nat “the outsider” for about 10 minutes. I’m over it. She’s still sleeping with the man who cost her sister’s husband his life. An accident? Sure… after months of deceiving him and destroying everything he’d built for his family. I’m hoping Tess and Bess have teamed up to finish taking Nat and Jared down – without plotting anyone’s death, by the way. Abject misery is enough for me, thanks. Tea taking guff from Blair? I don’t think so. Tea and Blair live different realities. Tea is a badass by nature. She’s shown tremendous growth and change and I love how spunky she is. Blair? Badass, on occasion, doormat more often than not. The woman slept with Spencer Truman just after Todd, the ‘great love’ of her life, was sentenced to execution. Despite every reasonable warning to the contrary, she made Truman a part of her children’s lives. My money is on Tea. Marty Saybrooke being left alone with Janet Ketring/Lee Halpern? Seriously, were the monkeys also STONED when they banged out that moment? Writers, keep an eye on the script monkeys, they’re making you look bad!

It’s annoying enough that Bo and Nora’s situational ethics drag every other living Llanview resident through the muck, but Bo and Tahlia leaving JK/LH alone with an angry and self-destructive Marty? The woman tried to force Todd to commit suicide for what he did to her (with JK/LH’s help). So they let her confront JK/LH, alone, wearing a coat which could very well have contained a weapon, and carrying an uzi sized purse? They actually LEFT the motel? I have to say, violence isn’t my thing, but I got a chuckle out of JK/LH cracking a vase over Talia’s head and taking off. Too bad Bo didn’t get one of those, as well! You’d think JK/LH was a witness for the defense  for as careless as they’ve been about her safety.  It must be nice to be pals with people like Bo and Nora. They use their offices to go after people you don’t like if you’re a friend, no matter how flimsy the evidence, nor the cost to the good folks of Llanview.

Oh, and locked-away-typewriter-banging monkeys? Less smug from Antonio and Nora, please. They’re on the side of RIGHT, and they leave me wanting to see Tea wipe the smug off of their faces – unless that’s what you wanted and then I feel played (well done). If I’m wrongfully faulting you and it’s the choices made by the actors, please speak to the director and ask him to handle it.

The Bold and The Beautiful

Bridget is a designer now? You magnificent vengeful monkeys, you! You really did get the last laugh, didn’t you? I wish I could laugh with you, but I can’t. It hurts. Did you have to pay the writers back at the viewers’ expense? An accelerated undergrad preMed program, supposed ‘years’ of study in medical school. Internships, Residency, saving lives, bringing babies into the world, bringing her aunt Katie back from the dead, saving her brother from jail following Phoebe’s death… and Bridget wants to give it all up to start designing for the company that just ripped off her father’s and brother’s newest collection. Bridget… giving up medicine for THAT!

She’s doodled haute couture  gowns for years and was just too afraid to tell anyone?  Her work is even better than life-long designer Clarke Garrison… stuff she sketched when not practicing medicine 23/6 and no one knew?  Uh, because despite the fact that EVERY one of her adult sibs, her nieces and nephew, and BOTH of her parents work in the fashion industry, she was too afraid to tell them she has a passion for fashion? Ok, works in your universe, but typewriter-banging-monkeys, if the writers don’t feed you, refuse to type out scripts on an empty stomach. It makes you a little loopy.

This wouldn’t hurt so bad if it weren’t a follow up to the “fabulous Paminis”… Pam Douglas, insta-designer with a CROCHET technique so secret that only Pam can churn out the one of a kind hot yarn bikinis… So what is Bridget’s Auntie Pam kicking out? 20 a day in the Forrester sweatshop? Monkeys, explain yourselves! Is there something in the air at FC that makes anyone who passes through the hallowed halls a genius in the design world (all except Clarke it seems)?

Guiding Light

Alan wanting revenge against a cheating Beth? I get that. For once in his life, Alan is as devoted as he’s ever has been to a woman, maybe the most faithful he’s ever been. (Beth hasn’t been faithful to anyone since she was a teen) She  gives birth to his child, while still raising his grandchildren and making him part of their lives.  Then she cheats on him. He now knows that he’s met his match in Beth.  No one loves Alan as much as he loves himself.  Ditto on Beth. He’s sleeping with his mirror image and it’s driving him mad, life is a cruel mistress, Alan.

I WANT Alan to make Beth miserable, and not for his sake, but because Beth is supremely selfish and sucks as a person. BUT…Alan grabbing the letter opener, TWICE (something TPTB aired when the scenes picked up with a third and fourth time during the next day’s episode, too)? Good mercy. Giving the audience the impression that he would just as soon plunge the opener into her heart because his heart was broken? YIKES!

I don’t remember Alan being violent with women, especially not to the point of contemplating a brutal death for one. He likes owning and controlling women, but he likes owning and controlling everyone. He usually shows more finesse. The old Alan would have had Coop arrested on some trumped up charge, claimed ‘Company’ for himself – leaving Buzz penniless, and set Beth up to think she was going crazy again just to get custody of Peyton. He would have done it all before lunch!  He actually would have kept Buzz on at the restaurant he stole from him and had Buzz SERVE him lunch. Alan is psychotic, but he’s no thug.

Monkeys, you owe the GL writers an apology for what you’ve done to their beloved Alan Spaulding. Shame on you.

All My Children

Zach. Killing Josh. Fathering Gabrielle. Eye-boinking with Reese. Expecting Kendall to understand. Vicious little typewriter-banging-monkeys… You’ve outdone yourselves. I actually like the potential fallout from this one. No criticism, here. This is all soapy goodness. AMC was lucky to have you on staff when you wrote that part of the plot. Kendall, forgive Binks, Reese, and Zach. PRICELESS!

While you’re at it, write that script where David Hayward is loving and unselfish, Adam Chandler has sworn off manipulating the people he loves, Erica Kane gives up designer clothes and all other perks of fine living, and JR Chandler stays sober! See how silly it all seems that anyone would expect forgiveness from Kendall? Whatever she does to them, they’ve got it coming. Maybe Zach should keep a picture of his happy parts in a safe location. The doctors will need it when they’re working on the reattachment and reconstruction!

I can’t give you a pass on Amanda’s pregnancy, however. Does anyone remember the last daytime pregnancy where the mother knew who her child’s father was (Binks excluded, of course) and there was no scandal around the pregnancy? (Whoops, Binks back in!) Why another contested paternity? It’s not like there’s been a shortage of them.

Then again, you’ve been writing for Annie and she’s freakin’ wonderful, so it all evens out in the wash!

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AMC: Tad the Cad’s been had!

Who’d a thunk it? The man whose youth was spent toying with the affections of mothers and daughters (often at the same time) has ended up with the mother of all cheaters. Wasn’t he watching how Babe and Krystal operated all these years? The writers have been consistent in painting a picture of the Carey women expressing emotion below the belt. Has either ever had a relationship that didn’t include cheating? They’ve also been consistent in writing Tad as a man blind to the Carey women’s faults because he benefited from them.

Krystal, who cheated on her husband, Adam, to be with Tad is now cheating on Tad to be with the dastardly bastard David Heyward (who will NEVER be allowed to leave AMC again if I get my way). I think it’s both poetic and troubling. Krystal has always jumped from the firing pan into the fire. This is no exception.

That said, I get it. Tad isn’t use to being used, he’s use to doing the using. I understand why he’s angry at Krystal but does his anger justify trying to take Jenny away from her mother? I don’t think so. Tad has just become a lighter, brighter version of Adam Chandler. Being a cad has taken on a brand new meaning for the guy.

I think he’s selfish and wrong- but given David’s involvement and Opal’s fights with Krystal, wrong or not I’m looking forward to the fallout from this storyline. Bring it on!

OH, and by the way, is it wrong for me to want Annie and Aidan to make Ryan and Greenlee hellishly miserable? Ryan packing and getting rid of Annie’s things so Emma isn’t ‘confused’ is the last straw. Maybe she wouldn’t be ‘confused’ if her dad wasn’t bedhopping before she could mourn her mother being taken away. I was barely able to look at the guy before (and that includes when he’s shirtless and displaying that banging body of his – folks I can’t stand to look at him SHIRTLESS!) I’m shallow when it comes to soap hotties. That’s saying something! Less Ryan, more Dr. David/Krystal/Tad with more Opal-Krystal thrown in!

The most pleasant surprises

There are soap events I never expected to like (or hadn’t even thought about) until they happened:

YnR –  I love the Victor/Nikki dynamic, when it’s not abusive on his end.  I love that Nikki feels something so deep for Victor that it hits her so unexpectedly that she has no idea what to do with it.  Victor’s boat washes ashore and Nikki begins drinking again thinkng the great man, himself, is dead. KUDOS to the writers.  Even though they somehow managed to forget about Victor’s vasectomy and had him get Sabrina pregnant, they made good use of Nikki’s earlier troubles with alcoholism.  I can’t wait for the promised fireworks when Mr. Mumbles and Nikki are reunited.  You know he’s going to break the magical spell MTS’ Nikki is casting and he’ll be total bastard to her.   More is the pity.

Nikki’s drunken rants to Katherine?  PRICELESS.  That’s when you know who your real friends are, and the friendship between these two women is legendary. Not many women in daytime are written as having long-term friendships. The writers deserve credit for realizing how perfect this one is.

General Hospital.  It’s been difficult for me to see Sonny as a leading romantic lead since the end of Sonny-Brenda, and then Sonny-Carly.  Every other woman he’s been with is just another putrid shade of ‘Agent Hannah Scott’ – Oh the horror.  I don’t know WHY it works, but Sonny and Kate work wonderfully well.  There’s an ‘almost’ respect Sonny has for Kate that he hasn’t had for any other woman.  He’s softer with her, more gentle.   She’s less obnoxious with him.  The relationship with Kate hasn’t changed my mind about Sonny or Kate, individually.  They both drive me batty, but together they have something new and different.

I also love the new dynamic between Carly and Jax.  She’s working hard to stop him from becoming a grumpy old man, and he’s working hard to help her grow up before her children do.  They feel like an old married couple,  with a lot of hot passion.

Guiding Light… <sigh>  I despise ‘G’.  Grady is a boil on the butt of daytime.  YET, I gotta admit to being mildly entertained by his call to the police to report Rafe.  If only the cheesy one-cop-with-a-bullhorn scene hadn’t followed.  The house was surrounded?  Really?  Next time?  Spring for a full police force.  Grady phoned in a call about hostage taker loaded to the nines.  There should have been a SWAT time surrounding the place.  I actually changed the channel after watching that scene, and almost forgot to tune back in.  Glad I finally remembered that GL was on,  because I enjoyed watching Grady snicker while he held Daisy – pretending not to know about Rafe being arrested. 

Ah… if only he hadn’t been such a lowlife when he was first introduced.  Attempted rape, and then murder is something very few characters have been able to come back from.  I don’t see Grady as being one of those who will make a come back.  Too much has happened and the writing for him is too weak.   I have a feeling the conflict between Cyrus and Grady is setting the stage for his departure.  Cyrus is finally opening his eyes to what sort of person his brother is.  At some point, Cyrus will have to set aside his guilt over not being around for Grady’s childhood, and he’s going to have to turn on him.  Oddly enough, I’m looking forward to that day (assuming the writers eventually get it, that it has to happen in order to save Cyrus).  I’m not looking forward to it JUST to get rid of Grady, but because any conflct scenes between these two brothers has to be explosive!

As The World Turns.  Seeing Lucy Walsh onscreen more than once a week?  I never expected to see it happen again in my life time.  Thank you writers.  Watching La Walsh fall for yet another sleazy guy in the workplace?  No thank you, writers.  I’m hoping Lucy picks up on Brian’s act and nails him before… he nails her… ah!  You knew that was coming.  Kudos to those who viewers who’ve suggested that Brian COULD be Craig, with reconstructive surgery.  I don’t know how to feel about that (since Scott Bryce and Hunt Block are the only actors I’ve been able to love in the role).  I’d love to have Scott Bryce back if Craig resurfaces. 

I <gulp> liked Holden and Carly’s date.  I liked that it was so awkward.  I liked the fact that Holden tracked Carly down when she ran out on him, to prove to her that what they have is real.  It’s the first decent thing Holden has done since this wacked out relationship began.  I’m starting to believe that Holden’s feelings for Carly are real and that it’s not just about sexual gratification for him.  Having him show up at Carly’s and refuse to give up on their relationship, for just a moment, reminded me of ‘Holden the stable boy’… hot, smoldering, and irrestible… 

ATWT fans are clamoring for a Katie-Brad baby.  When would they find the time? Katie and Brad have been pretty busy raising Liberty and protecting her in way that her mother can’t, or won’t.  They’ve proven themselves to be the great parents (much like Tom and Margo or Kim and Bob).  I get it, Katie/Brad fans, I get it.  I’m with you.  I’d love to see these two focus on their family and have children.  There’s something special in the relationship between these two characters.  I’d love to see MORE Katie and Brad, LESS Jack and Janet and LESS Liberty and Parker.

One Life to Live – Two pathological people.  Double the mayhem?  Double the trouble?  No, double the fun!  Todd and Tess, the uncle niece from hell.  There’s an obvious connection that Tess and Todd have that Jessica and Todd could never have.  If only they weren’t working hard to cover up the fact that Todd is hiding Marty – that’s just creepy on both ends.  Tess felt she was ‘held captive’ when Jess resurfaced – not a twinge of sympathy for Marty?  Oh well.  Hey, writers, why not have Tess and Todd running ‘The Sun’?  Why not have them team up in business?  Despite the fact that they’re both a brick shy of a load, having them work together somehow makes each of them seem less psychotic.

All My Children – Annie!  Annie, Annie, Annie… the writers wait until the very end to make her interesting?  WTH?   Too bad, this show needs a character like Annie.  Dealing with a dillweed like Ryan would push almost any woman over the edge, at least Annie’s insanity is entertaining.  I want Annie to stick around, and make the rest of Pine Valley miserable, at least until her plots are foiled she moves on to the next one. Can you imagine and Annie-Adam pairing?  Krystal, who?

If loving effed up characters is wrong

…I don’t wanna be right.  There are some characters so crazy and/or so outrageous that I can’t help loving them. Of course, I wonder about that dark dark place my imagination retires to if I find such a sense of affinity with these characters, but EH!

I’d worry about it more – if I had the time. Right now, I’m too busy watching:

1. Days Of Our Lives. Thank YOU ‘John Black’… I mean it. NuBlack has kept me strangely fascinated. I literally stare at the guy when he’s on screen. I’m waiting for the punchline, for his portrayer to step out of character and scream ‘GOTCHA’!!! I couldn’t figure out why that raspy whispery whacked out voice he uses these days is so familiar. I’ve finally figured it out. Fans of the Jim Carrey film, ‘Me, Myself, and Irene’ REJOICE! “Hank” has made his way to daytime TV:

As much as I love the ‘pre-memory- loss’ John Black, post-memory- loss John Black is funny and I don’t care whether he means to be or not. I can’t say that I’ll miss him when he goes, but I will continue to get a good chuckle out of him while he’s around.

2. Is it wrong to root for the bitch goddesses of daytime? I so, why does it feel so good? I love the YnR’s Chloe! Not since the golden era of Sheila Carter has a sociopath made daytime worth watching again. I’m actually tuning in to the YnR, lately, because of her! By ‘tuning in to the YnR’, I mean watching on the days I know Chloe will be on. The look on Lily’s face, when she found out that Cane wasn’t excluded as the father of Chloe’s child made the lie almost worth the excruciating pain I feel whenever Lily is on. It’s not just that Chloe lies with such ease, it’s that she enjoys it so much and that she’s not repetant. Gotta’ love a manipulating schemer who torments the town’s priss and doesn’t lose a night’s sleep over it. I consider Chloe the writers’ gift, to me… ok, maybe not just to ME, but sometimes it feels like such a gift.

3. One Life to Live – Tess Brennan. Still lovin’ OLTL but the writers really have to get on the stick with the Tess story. Tess is the ‘Amped’ version of the YnR’s Chloe. Faking a baby’s daddy (as Chloe has done), taking a life, making French Toast…MEH… it’s all the same for Miss Tess. The problem is that with the heavy focus on Mendorra, the creepy faux friendship with Marty and Todd, Bo/Rex’s time travel, and the painstakingly boring teen pregnancy storyline with Starr and Cole, and there won’t be much of charismatic Tess’ storyline to care about. The writers have made the mistake, in my opinion, of waiting too long to tie this storyline together.

They’ve become bored with Tess it seems, as evidenced by the carelessness of the plot. It’s almost incomprehensible that the good townfolk of Llanview haven’t figured things out, yet. I liked Tess the first time around, the one who was too clever to leave so many easily deciphered clues. Tess’ revenge now feels like ‘filler’, to cover the down time in the above-mentioned storylines. Then again, maybe it’s the feeling the writers want us to have – to move beyond the revenge storyline and to have us root for Jess’ return so that she can ‘forgive’ Nat and Jared and all will become one big happy family. Great, but where’s the fun in that? For those of us who’ve missed Tess, I’ve got three words for the writers: Ain’t.Gonna.Happen. We want DRAMA… and for whatever reason, the writers have been coming up short on getting it to us.

4. Guiding Light – Alan “I see dead people’ Spaulding. While I first thought Alan’s visions were fake, and that he was using Gus’ memory to manipulate those around him, I suddenly like the idea that Alan believes in his visions. Even more? how incredibly self-serving is it that Alan believes that Gus is guiding him to pimp the wealthy women of Springfield into helping him reclaim his company? Did anyone else cringe when Alan threatened Bill Lewis with his league of wealthy women believers? EGADS!

Sure, Gus – who wanted as little to do with Alan as possible, now wants Alan to take his ‘visions’ and use them to return to power at Spaulding Enterprises (Maximus my arse). Nah, Gus wouldn’t mind that Alan used his memory to keep himself out of prison. No siree. It wouldn’t have bothered Gus at all that Alan manipulated a teen-aged girl who is as dumb as a box of hair into lying on the witness stand. Nope! Alan is such a miserable bastard. Thank the soapgods that he’s BACK.

Warm, fuzzy, platitude spewing Alan was giving me hives.
5. All My Children – Adam Chandler. In almost ANY battle between Tad Martin and any other soul, it’s Tad all the way for me. That is, except when it comes to Adam. I despise the Carey women, sometimes I love to hate them, but mostly, I cannot tolerate them. And yet Adam Chandler, the resident heartless, soulless psychotic goon that he is, makes me like Krystal. There’s something about them, when they’re together, that makes me want to cheer them on.

I’d believed, when they first got together, that Krystal would take Adam for all he was worth and end up with half of his fortune. Instead the writers ruined what could have been an incredibly hot villainous couple and turned Crystal into Tad’s fawning stepford wife. With Adam, Krystal is always on that border between fun and exciting, and terribly naughty. I’ve always said that I’d never forgive Adam every time he crossed the line: having Dixie institutionalized, his treatment of Stuart, the way he’s driven his children away, his manipulation of JR, secretly impregnating Liza, and making me enjoy Krystal scenes. I forgive him every time. Now he has me rooting AGAINST Tad and hoping Krystal leaves him to be with Adam again. OY!

Daytime’s Parenting Sweepstakes (Updated)

Bold and Beautiful.  Who’s the bigger loser in the deal, Marcus or Donna?  My money is on Marcus.  WOOHOO, you find your biological mother and she’s a former model, rich as creases, and now in charge of a multimillion dollar conglomerate.  What’s not to love?  Oh, just the fact that she’s nutty as a fruitcake (see Forrester Creations ‘takeover attempt’).  Not enough?  Add that she’s dumb as a stone!  How is it that young Marcus knows enough to be suspicious of Owen and Donna is falling for his act hook, line, and sinker?

If Donna loved her ‘honeybear’ as much as she claims, or her son for that matter, Owen would have been out the door.

All My Children – JR and Adam.  Adam is on the losing side, in this case.  Just how many times can JR turn his back on his father and try to make Adam ‘pay’ for (insert incident)?  His attempts to take over Adam’s company and/or fortune are becoming as commonplace as his change in hairstyles. 

He can forgive Babe for every mean and nasty thing she’s done to him, including having one night stands just weeks after they were married, and running off with his child AND his brother, but Adam is the devil incarnate?  What AMC needs is MORE Adam, and even an Adam clone or two (hint there, JR).  Given what’s transpired on this show the past couple of years, Adam is the least threatening person in Pine Valley… so far…but give him time.

One LIfe To Live – Starr and Todd.  It’s a draw!  The mini-me Starr has become is absolutely intolerable to me.  She’s demanding, obnoxious and completely out of control.  I hate it women, in general, are blamed for their children’s behavior, but I think it works in Starr’s specific case.  Blair shares some of the blame.  Carrying Todd Manning’s genes set Starr up for a very difficult life, to begin with – but there was a least some chance of escaping her destiny to make life miserable for as many people as possible.  Blair hasn’t done Starr any favors by having little-to-no guidelines for developing a sense of self control. 

While Todd moves to one extreme, appointing himself Starr’s Lord and Master, Blair moves too far in the other extreme – wanting to be Starr’s best friend.  Hey, Blair, Starr has enough ‘friends’ – they helped get her in the situation she’s in now.  She could use a parent.  She’s sorely lacking one.  While Starr is working hard trying to place her child for adoption, she should be looking for a placement of her own.  Make sure to take Jack and Sam with you, kid!

As The World Turns – Puberty (Parker and Liberty).  Isn’t it grand that their parents have FINALLY figured out that these kids need supervision, AFTER they were caught in bed together?  Before that?  The only parent who made time for either of them, and tried to keep them in line was Liberty’s father, Brad.   Brad is a lone salmon swimming upstream, when it comes to parenting.  He actually focuses on his daughter more than his own sex life.  Imagine that! 

Oh that Carly and Holden, and Jack and Janet.  Theirs are the ‘F’ bombs that just keep giving and taking.  They get their freak on and their 16 year olds get their freak on in response!  Ain’t that grand?  Summer love never seemed so  backwards.  Well, we know the outcome for OLTL’s  Starr and Cole – a child she wants to give up for adoption, one he wants to keep and raise.  The problem is that the OLTL storyline is weak, and without much merit as an example of the difficulty of teen pregnancy ( read more in the blog below “Jumping the Shark”).  All of the issues that make the OLTL storyline a weak one are issues that make a strong case for a teen pregnancy storyline for ATWT’s lusting cousins, ‘Puberty’.   

Both kids are from families that are hardworking, middle class (lower middle, or upper lower for Liberty and her mother, Janet).  Raising a child WOULD be a struggle for Puberty, neither of which has a trust fund, slew of servants, or enormous mansions to raise their child in.  Both are teens who rushed into sex, even while using birth control that neither probably knew how to use adequately or responsibly enough to be protected. 

There was no emotional commitment between Parker and Liberty prior to having sex.  Would they want to raise a child together?   This pair would give a more realistic look at the emotional angst of having made a decision they weren’t ready for and the angst of dealing with loivng a child enough to give it a great home with parents who were ready to love and care for it.  I’d hate for a Puberty pregnancy storyline (if there was one) to become as sensationalized as Gwen’s pregnancy storyline.  I’d love to see daytime portray teen pregnancy realistically and with great deference to the hardships of real life teen parents.  Since this is daytime, and almost no storyline is offered without controversy, let me offer the following:

Parker could turn to cousin Luke to help him.  He’s not ready to be a father, and yet he’s not ready to see his child placed with strangers. At LEAST two options are now available.

1 – Luke decides to adopt his cousin’s child.  He talks it over with Noah, and Noah agrees to give him whatever help he can.  It leads to them spending more time together and getting even closer – even if they’re not ready to be a full-fledged family.  Can they survive Luke becoming a single father and splitting his time between their relationship and his son?

2 – Luke and Noah decide that they’re ready for a long term commitment and raise the child together, as a family.  They agree to adopt the Puberty baby together.  This storyline, by the way, pulls Luke and Noah out of the ‘late teen’ trap the writers have been keeping them in to avoid their emotional and physical connection – which now makes even less sense given the explicit and graphic Puberty romp. 

In either case, Luke/or Luke and Noah adopt the child, agree to help raise him, and end up fighting Janet  and Brad on the adoption.  Janet opposes for religious reasons.  Brad opposes because he wants custody of the child and plans to raise it with Katie.  Both Liberty and Janet thinks it’s too much to have the child raised as Liberty’s sibling and fight Brad.

What’s that, you ask?  Haven’t NUKE been through enough?  I get the point, and understand why it would be hard to watch another ‘anti’ storyline when it comes to these two, but I think a storyline about adoption could be a great way to address the issue of whether cultural ideas about adoption involving GLBT parents is more myth than reality.   This would be an opportunity for the writers to debunk myths and to open the discussion about the more than a half million children in this country who need homes, and are barred from living in the context of a family with same sex parents because of unfounded fears.

I think the writers have exhausted the focus on Luke and Noah as ‘good guys’ with hearts of gold.  I think they’ve done enough to show us the stereotypes about gay males are just stereotypes.  It’s time to move them into family mode.  It’s time to fully integrate these characters and give them a meaty storyline that isn’t just about ‘coming out’ and dealing with ‘being out’.  They’re out.  It’s time for them to become as real as any other character on canvas.

Update:  I’ve just been informed that Noah is roughly 20, Luke 19.  It wouldn’t make much of a difference to have Nuke become parents at such a young age instead of Puberty.  Too bad the writers haven’t SORASed them as they have so many others.  Nuke, mid 20s?  They’d make great parents.  It’s just a few short years away.