GH – Practicing the Dark Arts

I’m trying to get a handle on what’s going on with General Hospital. There are things I like about the show (though nothing I love, right now).

  • I’m THRILLED that Kate is moving on with her life. Her role as Sonny’s avenger was wearing thin. She’s bright, wealthy, beautiful and successful… why would she want to carry water for Sonny? He’s treated her so shabbily since he married Claudia – a woman he couldn’t stand, initially. I like the idea of having a successful woman on the show who worries about her career, and isn’t wasted worrying about dating a man who’ll never be faithful to her. Sonny has the attention span the length of the lifespan of a fruit fly.
  • I thought I wanted Lucky and Liz together, but given her treatment of him in favor of Jason, I don’t think it should happen right away (if it ever happens at all given every onscreen indication that Liz will become involved with Patrick). I’m not crazy about Rebecca and would love to see her GO… away, FAR FAR away… but if that won’t happen, she’s not so bad with Lucky, for now.
  • It’s great seeing Carly and Jax work out their marriage. It’s time for a adult up move between two married people on this show. It’s far too easy to split a couple up to create a new set of pairings. I think it takes more talent to put a couple together and make them interesting from inside the relationship.
  • Agent Rayner makes me want to chew glass, at times. The writers are too heavy handed in making him the chief foe of the Port Chuckles mob kingpins. I think we’re supposed to hate him and root for the mob-boys… NOT SO! I can multi-task, no problem. I am annoyed by BOTH of them, less so with Rayner. That said, I like the thought of an Alexis/Rayner pairing, though who knows how he’d react to having to deal with Sonny should he become Christina’s new step-pappa.  Would he want to jeopardize his career by sharing a child with a mob boss?  Could he handle having Sonny THAT involved in his life?
  • It’s wrong, it’s SO WRONG, but I like Sonny and Claudia. I learned to like Sonny and Carly eventually (when Sarah Brown was in the role) though it broke my heart for Carly to hurt Jason. I wanted Jason and Carly more than anything. There must be some carryover from the Sonny-SB/Carly days. I don’t care what it is, I like them. They’re dark, mean, and clearly pretty good at gaming one another. Sonny has met his psychotic soul mate. What more could you ask for?

The question was rhetorical, I can tell you what more to ask for:

Writers, LEAVE SCRUBS ALONE! For as much as I like the thought of keeping Sonny and Carly Claudia together, it dawns on me that the writers are treating them as the ‘Dark Arts’ version of Scrubs. They’re playful and passionate, and fun to watch when you allow yourself to forget that these are two people who’d just as soon put a bullet in you, as love you.

They are clearly NOT a good trade for the real Scrubs.

I was admittedly excited about the PPD storyline when it was announced. Robin’s history has been that she’s needed to have a sense of control over every aspect of her life. She’d learned to become cautious, possibly overly cautious, after her contracting HIV. She’d lost so much before: Stone, her mother, her father, Jason… order gave Robin a sense of security.

So it makes sense that with her hormones out of wack, a child she wasn’t sure she could care for, and no clear certainty about her future in a career she’d worked so hard to obtain would all lead her to a dark place.

The dark place I thought Robin might go to was leaving home and possibly contemplating divorce, or seeking out support from a psychiatrist and refusing to comply with treatment, or sitting alone in a dark room and refusing to talk with anyone – develping a catatonic state not unlike Laura Spencer’s.  At most I thought that Robin might start drinking or taking drugs. The writers are setting us up for FAR WORSE. Robin sitting alone, drinking in a bar, making up a new identity? Checking into a hotel room all alone? How much longer before she’s sharing that room with another man, who knows her by another name and a different identity?

What next, GH writers? Will this man ‘make a video’? Will he blackmail Robin once he realizes who she is (with or without video)? Will she carry on a longterm affair? Will she leave her family because she’s in love with him?

What the hell is wrong with daytime writers? Why can’t they leave what WORKS alone? Is there an allergy to success in daytime?  I’ve speculated about that before.  I’m sure that there must be, now.  When you have a winning formula, the thing to do is DOUBLE DOWN! Use it to create MORE of the what the audience wants. Don’t destroy one of the best things you have going. Destroying Maximista and Spinelli wasn’t enough (making him her confessor as she talks about her bad behavior with another man)?

The time for experimentation to bring in new viewers was LONG ago in daytime.  Now? The name of the game is survival. Keep the audience you still have left by not insulting us with storylines that we can never, and will never accept.

Much like Carly and Jax, fans can appreciate a couple willing to work out their issues and stay together. Real couples do it every day. There are ways of introducing new couples and new pairings and drawing fans in. Breaking up Scrubs (and that’s where it feels like we’re headed in confirmation of the spoilers out there suggesting it will happen) is the equivalent of playing Russian roulette with the ratings.  You not only can’t tolerate success, you want to beat it into the ground and make sure it never comes near you again!

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For pete’s sake – SET BRIDGE FREE!

Bold and Beautiful fans have waited… and waited… and waited… and waited… and waited <sigh> for the union of the show’s signature couple: Brooke Logan Forrester and Ridge Forester. Every soap has one: YnR’s Victor and Ashley… HA! Just kidding: Victor and Nikki, GH’s Luke and Laura, DAYS’ Bo and Hope, OLTL’s Viki and Clint… you get the picture. BnB fans haven’t just been waiting for Brooke and Ridge to get together, they’ve done that about once a year; fans have been waiting for them to get together and to get it RIGHT.

Brooke and Ridge have loved one another from the moment of the infamous ‘look’ , a look shared when she worked as a waitress for her mother’s catering firm- meeting Ridge for the first time on the night of his engagement party with the beautiful Caroline Spencer. Given the fact that their beginning was marred by bad timing, it’s no surprise that their relationship would be tumultuous at best. It’s a classic formula in daytime. Girl meets boy, boy is a pinhead, girl loves him anyway and they spend decades trying to make the relationship work.

We, the audience, buy it hook line and sinker! We watch as each partner inevitably makes one bad decision after another: Brooke refuses to leave Eric even though she loves Ridge and he threatens to move on with Taylor if she doesn’t. After finally getting together Ridge later rebounds with Taylor- proposes to her to ‘save’ his father’s marriage to Brooke after he see how lost Eric is without Brooke. Brooke becomes ‘friendly’ with Grant Chambers after Ridge fights tooth and nail to be with her – rejecting Taylor’s AND Lauren Fenmore’s affections for him, but again rebounding with Taylor when he mistakenly believed that Brooke was unfaithful with Grant (oh the irony).

I could write a novel based on the mistakes these two have made over the course of their lifetime of love. In fact, someone DID write a novel – ok a novel loosely based on the infamous BRidge relationship. It’s appropriately titled, Destiny’s Lady. Veteran BnB fans know that Ridge referred to Brooke as his ‘destiny’ in Lake Como, Italy. He commented that he could be with Taylor, and be happy with her, but that Brooke was the woman he belonged with, she was his destiny. That sentiment is echoed in a recent TV WEEK interview with Ronn Moss who says that Brooke and Ridge know that they belong together and they’re fighting to hang on to one another.

After more than 20 years real time, and more than thirty years soap time, it appears that BRidge is again being held hostage. They’re being used to help prop the flailing Steffy and Rick storyline, and it’s sinking the show and could sink BRidge in the process. What’s wrong with Steffy and Rick? If you’ve read this blog before you’ve read my take on the couple. It’s a pairing that NEVER had a chance at succeeding. I don’t fault the actors. They’ve given it their all. Kyle Lowder and Jacqueline McInnes Wood are STUNNING onscreen together and both do well portraying his borderline desperation to both love and use Steffy, and her immature attachment to Rick leading her to be completely blinded to his faults . If their characters were anything other than ‘family’ (biological or not) they most likely would have been a hightly successful pairing.

To some degree, I don’t fault the writers. The formula works (though not so much for this couple). Girl meets boy (not a major feat since they’re family). Girl falls for boy (after he’s involved in her twin sister’s death, and after he’s slept with and nearly married her mother). Boy is a pinhead (a little heavy on the pinhead behavior for this guy)… Assuming soaps have the time, I’m hoping the writers won’t spend decades trying to get us to buy into this couple. SICK, as fans have begun calling them, is an unrootable couple. There’s nothing even slightly engaging about them. They not only violate and pervert the notion of ‘family love’, they violate and do harm to everyone around them.

He betrayed the family business in order to be able to indulge his own desires.

She betrayed her dead sister and her parents’ grief.

He betrayed his mother’s trust and willingly hurts her if it achieves his agenda.

She betrayed the one man who loved her and treated her like a woman with a brain.

Both have been patently unlikable to the dismay of much of the BnB audience.

Rather than waste the historic, long-awaited, and finally solid BRidge union on trying to salvage Steffy and Rick, use BRidge to salvage this show! Brooke and Ridge have always been a youthful, vibrant, and passionate couple. For the show to appeal to viewers, they have to be that again. It’s taken more than 20 years to cause fans to lose hope that anything good will happen for the two of them. This period of time needs to be one of rebuilding them, taking what was magical about them (and is STILL magical) and letting them be that again. Have them step back and allow their adult children to live their own lives, while they move on to other things and focus on the care of their young children. The only deeply involved relationship I want either to have with any of their children over the age of 18 is for Brooke and Bridget to rebuild their relationship, as well.

— I’d rather see more of this couple in the boardroom, sometimes at odds with one another, sometimes standing together against others. Brooke and Ridge squaring off against Donna and Eric? Siblings Thorne and Felicia joining with their mother and aunt Pam to form yet a third FC faction? I don’t care what the corporate dispute is, I’d buy it… anything is better than having BRidge focus on the mess that Rick and Steffy have created.

But there’s still more the writers can do rebuild the BRidge:

— I’d rather see intrigue, maybe a return from Morgan DeWitt, whose obsession with Ridge is legendary but hardly spent. The last time we saw her, she was ‘thisclose’ to winning Ridge over… of course, he was amnesic and had no idea who she was, or where he was, but then again, who cares about the details in Morgan’s world? Morgan was a brilliant designer and has family money to boot. Why not have Morgan resurface with her OWN design firm to rival both Forrester Creations AND Jackie M?

Sadly, through Don Diamont’s most recent interview, Bill Spencer Jr. is being brought in to interact heavily with Donna Logan (makes me cry). What if Donna is a smokescreen? What if B.S jr is using her to keep the Forresters distracted while he brings Morgan back to town and helps her set up? He is supposed to be a diabolical and ruthless billionaire. We might find out that B.S.sr set the plan in motion, just before his death, and that BSjr feels that it’s important to follow through on his daddy’s dying wishes. Why? WHY would the Spencers still care?

1. Bill Spencer hated Ridge until the very end. He never forgave him for his treatment of Caroline, refusing to accept that Ridge was just a foolish young man at the time.

2. Bill Spencer (Sr.) is aware of Ridge’s dalliance with Mogan while married to Taylor – resulting in her pregnancy and leading BSsr. and Stephanie Forrester plotting to force Morgan to abort her child. Morgan would be the perfect pain in the ass for Ridge (and now for Brooke). She’d never come between them, but it wouldn’t stop her from trying.

3. Did I mention that BSsr has always hated Ridge?

I could see Brooke and Ridge taking on Morgan and Jr. to not only keep FC, but to hurt both of them – taking over Morgan’s design firm, making it their own. The writers could make it a ‘smart’ fight. Brooke and Ridge allow their antagonists to believe that they’re on the outs, staging public fights, Brooke throwing Ridge out of their home, but secretly they meet to develop a strategy for stopping the duo’s destructive plans for the Forresters. BSjr, happy at the thought that he has a shot with Brooke, believing she’s forgiven him for having used and dumped Donna, becomes vulnerable to her – just before she and Ridge lower the boom and take it all away from him, and his co-conspirator. As they move in and take over Morgan’s company, Thorne would finally have control of FC opening a friendly rivalry between FC and BRidge Designs. Felicia could go to work as the lead designer at BD.

It wouldn’t be the end of Morgan, or Bill Jr. She could move on to Jackie M’s… he could move on with Felicia. Oh those family dinners would be worth watching! Felicia trying to keep her love and brother from killing one another! The snarking, the snarking!

— OR Why not have Ridge and Brooke travel back to Portofino? It was the most beautiful location shoot EVER for this couple. While they’re there, Brooke and Ridge decide to trace his family origins. He barely had the opportunity to get to know Massimo. He knows nothing of the family Massimo left behind in Italy. Ridge becomes acquainted with his Marone kin.

While they’re there, it’s clear Brooke and Ridge are being watched and followed. It’s MASSIMO! He’s been in hiding, which is why no one has heard from him and why there has been no word of him taking back control of his company. Why is he in hiding? Is he in danger? Is someone trying to kill him? Are the old FBI charges being reinstated? Was he accused of a murder he didn’t commit? Whatever it is, Brooke and Ridge help Massimo. Bridget, who happens to be in Italy selling her designs for Jackie M to an overseas market, is there with Owen and Jackie, and they join BRidge in helping save Massimo’s hide… BRidge reconnects, the mother-daughter bond grows stronger, as well. Massimo and Jackie reunite. See? NO Rick and Steffy!

Whatever you do, writers, SET BRIDGE FREE. Give us a storyline that is solely about BRidge, not about their children, not about the people who want to break them up, not about the mistakes they made in not putting each other first. We’ve been there. We’ve done that. We have the lower ratings to prove it.

Non Dimenticar, BRidge fans! If you watched the Portofino shoot, you know why that song has special meaning!

BnB history – circling the drain

Anyone else think it would have been a phenomenal  tip to BnB history to have Jake  McClain set the fire and plant the bomb in Rick’s car?  I’m typically not a fan of  ‘making crazy’ with typically sane characters and especially when they’re veteran characters.  What would motivate him to do it?  Jake was an actual incest victim.  His uncle sexually assaulted him when he was a child and let him believe that his father molested him.  He left home as a young man and didn’t see his parents again until adulthood – when he realized the truth about Uncle Charlie.  He lost more than a decade with his parents. 

Imagine that his parents have just died.  Imagine that he’s been experiencing depression – and being socially and emotionally isolated, he throws himself into his work .  Jake is always skulking around and must see more than he cares to (like Donna walking the halls of FC in lingerie during a work day).    One late night, he sees Rick and Steph fooling around in Rick’s office, or maybe the night of the fire, he went to deliver papers from FC to the beach house.  He gets there and realizes that Rick is deflowering Steffy.  Even though Rick and Steffy aren’t blood relatives, they’re close enough.  Rick’s  father is HER grandfather.  He believed he was her uncle as she was growing up.   Jake is aware of how close they were as a family.   Experiencing Posttraumatic Stress Disorder because of his own abuse, and his parents’ deaths, coupled with witnessing with Rick- and it would make sense that Jake set the fire that night, and plant the car bomb shortly after. 

His breakdown, of course, would lead to Margo’s return.  Her return paves the way for his recovery, but also for other storylines.

I’m thinking of a Margo/Nick/Felicia/Bill Spencer Jr. quadrangle (yeah yeah Margo  was married to Bill Spencer Sr!  This is the BnB, Rick is sleeping with the girl he use to babysit, for pity’s sake.  Margo is ‘normal’ by this show’s standards)… Clarke would have nothing  in common with Margo, any more and would end up dating Jackie who feels threatened by Margo’s presence. 

We could have scenes of Pam bonding with Jake (who she treats as her own child) over the fact that they’ve both had troubled histories related to mental health.  Pam’s watched her sister’s years of abuse by their father.  Jake could open up to Pam about his own abuse.  Some of their bonding moments would be tender, some comedic as they delight in the reaction of others around them and ‘tweek’ FC employees how are afraid of them.  What would happen if DONNA fell for Jake after a period of time?  How could his surrogate mother handle that?

So many lost opportunities with this storyline!   I starting thinking about  what I would do differently after one little line, believe it or not.  It began with Jake’s phone call to Rick, telling him to have a good time with Steffy at the beach house… W.T.H!?!?!?  That one line left me speechless. 

I thought it was odd that JAKE, of all people, was supporting Rick and Steffy. It’s hard to believe the writers remember this guy’s history and still had him supporting the gruesome twosome.  At least they gave us scenes of Steph handling Rick HER way.  That almost made up for it.

The pain begins 2:50 minutes in:

Ok…I’ll play, All My Children

It’s interesting how the slightest bit of dialogue can divert a viewer like me into a place where she creates her own dialogue.  Last week, Kendall opened the door to Ryan-self-styled-god-of-all-men-gift-to-all-women Lavery.  He opened with the statement… “Am I…?”… how he finished that statement is a mystery to me, because immediately in my mind I envisioned Kendall completing that sentence with:

a tool?  Yes!

a boil on the ass of humanity?  Yes!

the man any woman would punish herself for waking up next to?  Yes!

a narcissistic son-of-a-bitch darkening the doorstep of all decent townfolk? You betcha’!

I spent much of the time following his opening statement continuing with a  list of what I thought of as appropriate responses to his query.  Unfortunately, by the time I woke up from the haze,  Zach was nuturing “poor Reese” and my stomach muscles gave way… making it possible for me to relive my lunch.  The next time some says “better going in than coming out”, I’ll know FIRSTHAND what they mean.

AMC has a curious problem.  Great characters, save a few, an incredible history, and like GH, probably one of the most recognizable soaps in daytime.  People who’ve never seen a daytime soap have probably heard of Erica Kane, the show’s signature diva.  They’ve at least heard of  Susan Lucci if they’re not sure of the character she plays.

So why the commitment to such SUCKAGE!?!??!

David and Krystal?  They WORK as a couple.  I don’t know why –  other than the fact that both are a little bit/whole lot sleazy and always seeking to prove to others that they’re not.  Maybe it’s that they’re both equally deluded about Babe’s status as a (once) living saint – that’s a lot of deluded thought between the two of them.    David and Krystal don’t need the added stupidity of trying to steal Little A away from JR (throw in a “Spike” here and a “Greens” there and the writers should really rethink the nicknames for their characters).  It’s tired, it’s old, and the idea that they have to wrest custody of  ‘precious’ away from ‘the Dark Lord Sauron” keeps me from tuning in more than a day or two at a time.  AMC is just too painful to watch!

I don’t know if the writers are intentionally playing this storyline for comedy but it’s working as comedy for me.  David, probably the biggest sociopath in AMC history,  is concerned about JR raising his grandson. Heaven forbid that JR only teaches the kid to drink excessively rather than how to slip drugs to unsuspecting women, among David’s other fine acts of ‘heroism’.  JR has had fits of madness on occasion, but he’s a damned better person than David has ever been.  And speaking of what once was:

The current show makes me long for:

  • the days when Brooke English and Erica Kane were chewing scenery in a knockdown drag out.  I think it’s time for Brooke tocome back, adding a bit of dignity to this show, and to have the upperhand on Erica.  It’s time!
  • the possibility of seeing anyone named Tyler!  I miss the Tyler’s and the expanded Martin clan.
  • Tom Cudahy.  I want him back full time as well.  What conflict would there be with Tom and Brooke remembering Laura, and his current relationship with Olivia (are they still together)?    Wouldn’t JR’s drinking storyline make more sense if he was mentored by someone who’d been there an survived alcoholism?
  • the days when AMC didn’t destroy it’s glorious ground-breaking history.  I’d accept any storyline to undo the unabortion.  There’s just NO WAY Erica’s child came back from an abortion, NO WAY.
  • Nina and Cliff (no need for Bobby to return).  I want them around either full time or visiting frequently.
  • Opal and Palmer on frontburner, and possibly Daisy making trouble in their lives, but not because she wants Palmer, but because she believes she’s entitled to half his estate and we find out she actually is!  Imagine some odd couple sistuation in which Daisy and her new love live with Opal and Palmer until the legal mess is resolved.
  • a reach back in AMC history.  I wonder if Devon an Lynn ever met up in another place, at another time.  Are they together, now?  Could they return to Pine Valley and have NEITHER of them fall in love with Zach or become pregnant by him?  By AMC standards, the lesbians like ‘the Zach’.  Apparently they have to work hard to resist him.
  • Where is Mark?  Shouldn’t Erica have more family around her now?  She’s lost so much, and stands to lose more the way this show is going.
  • Dixie!  I want her back with Tad.
  • An Erica romance.  I want Erica Kane Martin Brent Cudahy Chandler Roy Roy Montgomery Montgomery Chandler Marick Marick Montgomery to find happiness, at last.  How could Eric possibly do better than to be with Jackson Montgomery?

In short, I pretty much want anything other than most of what’s airing now.

Sex changes everything

In the BnB writers’ zeal to shock fans with the latest piece of schlock storytelling – they’ve managed to change the face of the show forever. Steffy Forrester sleeping with Rick Forrester was an act of unadulterated self-indulgence and pure contempt for anyone who’d ever cared for either of them (onscreen or off). New rule: if you share the same name and were raised in the same family: HANDS OFF! If ”hands off” is the rule -bumping uglies is definitely off the table. The former niece and uncle, raised in a family in which paternities change almost annually, decided to damn the fates and move forward into a sexual relationship.

That one act means that the writers can never undo the show’s biggest retcon ever…making Ridge Forrester (Rick’s once biological brother/Steffy’s father) Massimo Marone’s son and not Eric Forrester’s prized firstborn.

For fans like myself, we’d long suspected that Ridge had to be another man’s child. It was the only thing that made sense of Stephanie’s suffocating love and ”protection”of Ridge to the detriment of her other children. Simply having her exposed for the person of easy virtue she so smugly accuses others of being was enough. It was always possible for the writers to undo the retcon – until now. The writers were so committed to the uncle and his niece having sex that they’ve left no other choice but to keep Ridge biologically tied to a character who no longer exists.

At the same time, Eric and Ridge are still bonded as father as son in their hearts. Both Rick and Ridge call him dad. It’s what makes the act between Rick and Steffy so difficult to understand. It’s hard to believe that the writers chose to permanently alter the fabric of the show for two remarkably worthless characters as Steffy and Rick..

Aging Daytime Style

I remember when the great Michael Zaslow had to make the heartbreaking announcement that he’d been diagnosed with ALS.  A daytime exec who deserves to remain nameless, in my book  justified the firing of Zas from The Guiding Light by commenting how vibrant a man Roger Thorpe (the character Zas turned into daytime phenomenon) has always been.  It was further stated that Roger Thorpe should not become a ‘wizened’ old man.  It was probably one of the cruelest blows struck against the daytime legend and the fans who adored him.

I thought about that comment, yesterday, while watching GL’s Buzz Cooper(played by Emmy winner Justin Deas) and Alan Spaulding (played by Emmy nominated Ron Raines).  The lifelong onscreen enemies were locked in yet another battle, this one an actual fistfight, until Alan began having a heart attack.  Buzz just minutes later, also began having a heart attack. 

I couldn’t make up my mind if the scene was meant to make Buzz and Alan  realize how silly and pedantic the ‘war’ between the powerful and upper income Spauldings, namely Alan, and the middle income/working-class Coopers has been.  More likely than not, the scenes were supposed to be funny.  For me, they weren’t.  If it was a joke, it fell flat.

This feels, to me, like the work of GL’s   “Team B” (if there are two writing teams heading this show).  “Team A” seemed to resolve the issue of Remy and Christina’s marriage of convenience.  They weren’t ready for a full commitment, but they were growing closer.  “Team B” trotted out the same old conversation about the “faux marriage” concerns from months ago.  It’s the first time in a long time I actually yawned during an episode of GL.

“Team A” gave us Phillip’s glorious return, a return that started dragging the Guiding Light out of the ratings basement and signaled to fans that there is still a lot of life left in this show.  “Team B” managed to take two of the show’s most vibrant and alluring men and created ‘wizened’ creatures out of them.  David and Goliath storylines don’t work when even David is diminished in stature.  (To be sure, I’m not stating that anyone who has had a heart attack is ‘wizened’ or weak, I’m commenting on how GL writers used the illness to illict a laugh, but only succeeded in making Buzz and Alan seem weaker, somehow).

I still love the new GL, I just love it more when “Team A” takes control.  I’m hoping that “Team B” is up only to give “Team A” time to recharge its batteries and give us more of the great storylines they’d started telling just several weeks ago. 

I will give “Team B”  this much credit:  I enjoyed the scenes between Beth and Phillip – not an easy feat since Beth is at the bottom of the list of characters that I couldn’t care less about.  Phillip sees a new Beth.  She’s not the same frightened “little  woman” in need of constant rescue, as she’d always been in the past.  It was one of the most annoying aspects of her relationship with Coop – that she needed the 20 something year old Coop to ‘rescue’ her from big bad Alan.  “Team B” established Beth as the rescuer, this time.  Phillip needs her.  She may just end up being his caretaker.

OLTL, you like me, you really LIKE me

It’s like someone woke a sleeping giant!  OLTL is showing big love to its fans once more!  Prior to this lasted set of arcs, this show was on a huge downward shame spiral for some time now.  The storylines stopped making sense, the characters became unlikable – or worse, BORING, and watching OLTL began to feel more like an obligation.  Hey, I could have trashed the show without watching it, but how fair would that have been?

Trash it?  Oh no, I’m here to PRAISE it!  This show has found its mojo and it’s paying off in SPADES.  My biggest gripe with daytime is that so few writers seem to do the unexpected any more.  Most writers’ moves are telegraphed and therefore yawn producing.  OLTL writers seem to be determined to offer viewers the unexpected.  Fans have wondered if David’s conversion was real.  Had he become a better man, or was this yet another Vicker’s scam?  I’ll admit that I was waiting for the scam – when isn’t David pulling a con?  We got our answer. 

THIS time David is for real.  He not only doesn’t want to harm the Buchanans, but the revelation that BO, not Asa is his father has led him to change his mind and being entitled to the Buchanan money.  The old David would have fought tooth and nail for that money and not given Bo a second thought.  David isn’t willing to hurt his family just to become a wealthy man.  He wants to create his own life.  He wants to feel good about who he is and not owe anyone anything.  Of course, it sucks that we learned it as he was on his way out the door (Tuc Watkins why do you keep breaking my heart with each goodbye!?!?!) but we can’t blame the writers for that.

I’d expected Rex  to somehow turn out to be Bo’s son (not Mitch Laurence’s- if the mystery man really is Mitch Laurence).

I never expected Bo to be so callous in learning about David’s paternity (WTH was that?  Having lost one son, you’d think that Bo would have been reluctant to get to know David, but to want to know him anyway.)

I expected David to turn out not to be Asa’s, but instead to be Ned Truman’s son after all.

At the very least, I expected David to stick it to Dorian, who’d waged war against him during his marriage to Addie, by having her give up her fortune and then claiming his and not marrying her.

I’ve been happy to be proven wrong at every turn. The show is far more interesting this way.