What’s working in daytime

Mac Scorpio, real man!

Thank you GH writers.  I’ve been jonesing for Mac Scorpio scenes (at least, Mac scenes that didn’t treat him like a bumbling buffoon unable to control mob life in Port Chuckles).  Not only did fans get to see Mac in the best possible light, the writers threw in all sorts of goodies, for veteran viewers:

– Mac and Robin’s connection is undeniably PERFECT.  The relationship Robin has with ‘Uncle Mac’ is as special as the one she has with her parents.  Mac gets her, he understands her in a way that it’s not clear that either Anna or Robert do – which makes sense as he’s been her surrogate father for so many years.  I love that he shows up at the right time and knows what she needs without  her having to say much to him.  The looks between the two characters carried their own dialogue.

– I’ve been calling for the writers to return the Scorpios to prominence – not that they listen to me, folks, but I try!  I’ve wanted Anna and Robert to be there for Robin, as well.  Maybe they will never be there for her, given the writers’ current priorities, but I will give them credit for realizing how much Mac matters.

The look of love and gratitude in Robin’s face said it all, but I loved hearing her tell him what a wonderful man he is.  Mac hasn’t raised biological children of his own, but he’s been more of a father than almost any other man on this show.  I don’t think there’s any other character on this show who has served as a surrogate father to so many children, and accepted the job without bitterness and with taking the charge so seriously.  Mac has never walked away from his girls.  Nothing and no one could drive him away.  All three (Georgie, Maxie, and Robin) were left to him by parents who eventually deserted them for different reasons at different times.  He was there, and that’s all that matters.

– The writers tugged at the heartstrings by bringing up Georgie during those scenes, as well.  That Mac mentioned his lost daughter, a child he’d raised from her earliest days in life, was bittersweet.  That it was because he got to love her and raise her that he was able to help Robin in her time of need was a lovely thread that pulled this family together.  We rarely see Mac so we don’t have to think as much about his grief as we would if he was on screen every day.  I like being able to believe that Mac will get to heal by being able to continue to care for his girls, and now gets to add Emma to the list.

With  broken heart he keeps giving back makes him an ideal man.  Daytime writers have a tendency to make grief-striken characters withdraw from life, or make sick and ridiculous choices shortly after a death occurs (sleeping with someone they shouldn’t and becoming a parent, for instance).  Mac’s grief makes him embrace the children he’s raised even more.  He gives back, without question, and without judgment.  Why can’t we have more MEN like Mac in daytime?

The Guiding Light is shining a little brighter!

I can’t help it!  I still think GL is one of the most aesthetically displeasing shows in daytime, but it just doesn’t matter as much right now!  The writers have done the unthinkable.  They’ve surprised me by making the love of Shayne’s life Edmund’s daughter.  Where the hell did that come from?  The Royal family of San Cristobel is already connected to the Lewis family through Jon Randall, but this?  It’s even better.  There’s something about Edmund and Shayne’s connection over Lara that makes me hope it’s genuine and not just another ploy by Prince Eddie. The connection humanizes Edmund. He’s always been more than a one dimensional villain and the writing for his return has been perfect, so far.  I’ve loved Edmund’s wicked ways in the past – even if I couldn’t bring myself to root for his success.  This storyline has me simply loving Edmund!

The chemistry between Reva and Dinah? Worth it’s weight in gold! I love the potential MIL – DIL fights between them.  Dinah, as Reva’s daughter-in-law?  KARMA, baby!  More likely than not, even if it happens, it’s probably the case that Lara lives – daytime writers NEVER devote that much energy to a dead character we’ve never met, unless they plan to bring them back.

Remy and Christina? Cuter and cuter by the day. They feel like a ‘real’ couple.  I love that she tries to get him to see the best in himself, and that he does the same for her. Finally a couple building each other up instead of tearing each other down.  I hate being this happy about a couple.  It’s always a matter of time before writers ruin good characters and couples in order to ‘add passion and drama’ to their relationship.  What happens next?  A heartbroken Alan tricks Christina into sleeping with him?  She becomes pregnant?  Alan then owns her?  Remy cheats with Lizzie?  Remy and Christina find out they’re related?  I guess we can cross that bridge when we come to it.  For now?  I’m full-tilt giddy and will keep enjoying them!

Mallet and Marina and the baby-crazies? Not feeling it. My only fear is that Dinah is pregnant with Grady’s child and M&M end up raising it through private adoption because they can’t adopt otherwise.  When Grady goes, let’s make sure ALL of Grady goes.  Leave no spawn behind.   (Ok, one more   criticism about their storyline: How silly is it that Mallet would dispose of his ‘hit man gear’ in a Springfield-Peapack pond?  It’s not like the briefcase will be swept down stream and out to the ocean!  It’s a freakin’ pond in PEAPACK (Springfield)

The voice of an angel and pretty as a picture!

So imagine my surprise when Maggie Horton (played by the incomparable Suzanne Rogers) ripped dear Chloe a new one!  What irony!  Sami Brady loved Lucas for all he was worth and mama Kate made it her mission to destroy Sami.  She would have rather have dated her son HERSELF before letting Sami near him.  For Chloe, Kate opened her home, her family, and her heart and Chloe not only cheated on Lucas (who at this point may as well be renamed ‘Lucas the lovable loser’), but she betrayed Kate in the process.  Oh dear! 

While the writers have done a miserable job of honoring its veteran characters and actors, I think it was masterful for Maggie to be the person who confronts Chloe.   Maggie has always been a staunch (non pathological) defender of her family, but she’s not sainted.  Newer fans may not have understood the significance of Maggie’s shameful glance downward when Chloe asked her if she’d ever made a mistake, but veteran viewers got it. Two words:  Neil Curtis.  Maggie not only cheated on her husband, but it was her daugther who caught them in bed together (makes you think of Sami catching Marlena and John, doesn’t it?  Marlena.  John.  Sigh.).

Suzanne Rogers brought the HEAT to confrontation scenes and I enjoyed every minute.  More please!

Damn you Tea!

I DO have integrity, you know?  I just keep blowing it to hell, cheering you on.  Don’t ask me why, but as much as Todd deserves to be punished, I love watching Tea in action.  I still can’t figure out why she’s been working so hard to keep Todd out of prison even going as far as claiming to be Lee Halpern/Janet Ketring’s murderer.  It’s worth staying tuned in to find out!  The minute I saw LH/JK on the floor I thought, ‘Ugh, not again!  Will Todd now go on trial for yet another murder he didn’t commit?”  It never dawned on me that Tea would take the fall for this.  At most I thought she might claim to be with Todd as they walked through the door and found Lee’s body.

So what happens next?  Will Todd lose his hammer once Tea is found out and it turns out that Wes killed LH/JK?  Surely she’ll be disbarred, though hopefully not.  If Wes is the killer, is this the beginning of a killing spree now that he’s flipped?  Is Marty at risk?  Maybe as I continue to tune in, I’ll also get to figure out why Antonio brings out a heavy accent in Tea… and only Antonio… What’s that about?  I hope it continues for as long as he’s around because I love it (it’s a bit like Bess’ alter producing black glasses).

Add to the bag of fun OLTL has become:  Marty commenting that she always trusts the wrong person, and then not picking up on the fact that she should be more careful about trusting Wes?  Fantastic.  There are the matching mother-Son addictions.  Marty swills alcohol like a warrior (uh, more like Wes) and Cole is popping pills.  Marty is too caught up in her own pain to see that something is wrong with her son?  Fine, but when this is over, if she goes back to being a therapist, THAT would be a tragedy.  It’s hard for me to understand Marty sympathizing with Wes, but leaving Cole in the dark, on his own to deal with her back-from-the-dead act, his child’s death, her rejection, and Todd not being forced to pay for any of his crimes… but she can be there for Wes… got it.

Natalie and Jess raining hellfire on one another?  THANK YOU, writers.  Lovin’ it.  Does Nat seriously want to cause Jess to release Tess again?  Eh, it probably won’t happen, but  I almost wish it would.  I think it’s curious that Nat has become another completely self-absorbed person who can’t put herself in someone else’s shoes.  She’s also chosen not to acknowledge her own shady past , a time when she used, lied, and manipulated everyone she could – and she didn’t have an alternate personality to blame her actions on!  I love seeing flashes of a fighting Jessica everytime Nat uses Jess’ children as pawns – shame on Natalie.  It also sucked that given Jared’s involvement in Nash’s death that Natalie would shove her engagement ring in Jessica’s face.  I guess Tess’ attempt to kill them makes Natalie believe they’re ‘even’.  Go figure.

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Rest in Peace, Clint Ritchie.

 “The Storyteller’s Creed:  I believe that imagination is stronger than knowledge — that myth is more potent than history.  I believe that dreams are more powerful than facts — That hope always triumphs over experience — That laughter is the only cure for grief.  And I believe that love is stronger than death. ” — Robert Fulghum

A great friend to daytime, Mr. Clint Ritchie (August 1938 – January 2009), has quietly passed away at the age of 70.  His death comes shortly after a surgery to implant a pacemaker, on January 31st of this year.

OLTL fans know him best as “Clint Buchanan’, a role he originated in 1979 and continued to star in until 1998.  Mr. Ritchie continued to periodically  return to OLTL in the same role, through 2004.  He’s also starred in a number of film and television productions, including:  Marcus Welby M.D., Police Story, Batman, The Wild Wild West, Daniel BooneThe St. Valentine’s Day Massacre – among other projects.

According to the IMDB: “When Clint auditioned for “One Life to Live” in 1979, his character was named Chris Logan. After meeting and deciding to cast Clint, the casting director called and asked if he would mind if they changed the character’s name to Clint. He said he didn’t. Later, the character’s last name was changed to Buchanan.”

That’s a man who knows how to make an impression!  The writers chose well to name Clint Buchanan after his portrayer, Clint Ritchie. His was the quintessential essence of an American cowboy (both on and off the screen).

 Mr. Ritchie’s legacy will live on as fans remember some of  One Life to Live’s greatest storylines, including the time travel storyline that sent Viki Lord, and the Buchanan boys (father Asa, as well as Asa’s son and grandson, Clint Buchanan and Cord Roberts) back  more than 100 years.  It was a storyline that cemented the supercouple status of the show’s star crossed lovers Clint Buchanan and Viki Lord.

 Below is a tribute to our real life cowboy, a mythic man and master storyteller who fed our imaginations, who gave us hope and laughter, and whose work we loved without measure, you will be missed. Thank you for sharing your time, and your talents, with us.  They were and always will be considered treasured gifts.