Posts Tagged ‘Nora Buchanan’
Oh, OLTL writers. Why wait until AFTER the show is cancelled to write a compelling set of plots!?!?! We have two key pieces of information that help put the T/T2 storyline in broader perspective, I think. The first is the unaired woman’s face, head of a secret organization which held Todd (or Todd2) prisoner. The second is Viki looking over the picture of Todd/Todd2′s mother, Irene — nice touch!
Speculation time: Irene and the heartless head of the spy organization one in the same person.
Was Irene a plant, sent in from this secret spy organization to get close to Victor Lord? Was she a dangerous spy of some sort who was supposed to uncover Victor’s coldwar dirt (to whom was he selling secrets/weapons/etc) and then meant to kill him? Did the organization fake her death when her mission was over and allowed her to recover one of her sons only to send him off somewhere safe when she realized that a child was in the way of her ambition to rise to power in the agency? Did she plan to bring the unknown twin in to replace the known twin (Todd), who is obviously a bitter failure in her book since he couldn’t be controlled?
Of course, a complete and utter indifference would explain why she didn’t care that her brother subjected one of her sons to incredible torture during his childhood and why she never intervened to help Todd as he careened out of control in his young adulthood. In hindsight, it benefitted her. She later realized that she needed a sociopathic cold-blooded killer she could trust or at least control, someone linked to her. It’s exactly what she thought one of her sons became. Thanks to her brother’s cruelty, Todd had learned to not care about others and to inflict pain without remorse. The trouble with him would have been the fact that he doesn’t take orders, and that he felt no allegiance to anyone – not even his believed dead mother. Allowing the other twin to be beaten, tortured and brainwashed in her own agency made Todd1′s failure to become her puppet immaterial. She could create the cold-blooded killer-superagent she needed in Todd2.
Oh yes, I’m intrigued, OLTL writers, and enough so that I forgive you for creating yet another set of mystery twins in the Lord family and hope that the execution of the Todd-Todd2 storyline is far more successful than the mind numbing Jessica/Tess/Hot Messica-Natalie storyline. I’m even willing to pretend that the other twin pair doesn’t exist at all! Yeah, Todd and Todd2 are just that interesting. By the way, does this now mean that Todd1 has to split his inheritance with Todd2? Now THAT is going to be the place where these brothers part company!
Destiny – Nora: The mother of all showdowns?
Love or hate her, the one consistency about Nora is that when it comes to the law, she’s willing to do what she can to help those she cares about and believes in escape what she thinks of as an unfair prosecution. When it comes to her children? There is no such thing. Hell hath no fury! The Ford Brother (whichever one it is, they’re all the same to me) only escaped having Nora give him a proctology exam like no other because he had something to trade, his freedom for Matthews’.
As much as Nora loves Destiny, is there anyone who doesn’t believe that if the writers are consistent, Nora will take young Destiny to court to prevent her from aborting Matthew’s child if she doesn’t decide on her own to keep it? I can’t see Nora talking Destiny into keeping this baby if her own mother wasn’t able to, and I can’t see Nora sitting idly by while Destiny makes this decision. I could see Nora on one side, Bo in the middle and Destiny and her mother fighting for her right to not have to keep a child she’s not ready to raise on her own, or even with the help of the Buchanans.
Whatever the decision, I hope it’s Destiny’s to make and I hope she can handle the consequences. If true the form, the writers will have Matthew wake up and remember Dani alone, and his great love for her. Destiny’s face won’t ring any bells for him. He won’t feel close to her or her child (should she decide to keep it). If Destiny decides not to keep the baby, I can see Matthew waking up, again in love with Dani, and having the poor girl feel twice as lonely and in despair — no child, no Matthew, just heartache. Either way it rolls, insanity is in Destiny’s future – because women in daytime go crazy without the love of the objects of their affection. I think it’s a rule, or just a misogynistic wish on all soap writers’ parts.
From The Bold and The Beautiful:
What makes JOWEN work? Daytime has finally gotten it right. While older men have been seducing and romancing younger women for decades, soaps have treated older women involved with younger men as desperate and emotionally weak women who cling to men who could never really love them. Older women have served as bedmates and bank accounts to their younger lovers and little else (AMC’s Marian and Tad, ATWT’s Lucinda and Craig, for example). Jackie Marone is a woman who is vivacious, seductive, and powerful. She’s also in charge of her emotions and her bank account. Owen is with her because he loves her, not because she pays for him. I was most proud of the moment when Jackie realized that not even for Owen was she willing to attempt to become a mother again. She was well on her way to becoming a grandmother and expected Owen to be the man he said he was when he married her – not someone who’d suddenly developed a passion for parenting. She held firm to her desire to enjoy life and be the woman she’d always wanted to be and Owen realized that loving her was his only real passion.
What does JOWEN helps me forget? Pretty much all of the rest of the BnB – emasculated Forrester males genuflecting before their bitter ex-wives, the Forrester family penchant for pimping their young (my 20 something kid can’t come home with spare change in his pocket without explaining where it came from – Steffy brings home a multimillioin dollar company that no one else could win back and everyone celebrates?). Jowen helps me forget the inconsistency in writing – Stephanie Forrester is now a ‘heroine’ for ‘saving’ the company she gleefully helped Bill Spencer destroy? JOWEN helps me forget the new lie that the Logans have ‘ruined’ FC when even Steffy bragged about how the company made money hand over fist thanks to the ‘Royalty’ collection beating out the JM’s ‘Indulge’ line. JOWEN even helps me forget that the writers have been trying to find a place to force Sarah Brown’s “Sandy/Aggie” (Saggie) to fit and are undoing months/years of great work in the process. In the end, even if Nick doesn’t end up with Sags – everything will have been undone for no reason at all.
From General Hopsital:
What makes Mac and Alexis work? Despite Alexis’ lapse of sanity leading her to sleep with Sonny Corinthos, both Mac and Alexis have both maintained their integrity in the long term. There’s something so likable about both characters that the combined effect of their presence pushes my happy meter off the charts! The writers have picked up on whatever the genuine quality is that John J. York and Nancy Lee Grahn lend to their lovelorn, law and order loving characters. Scenes with Mac and Alexis tend to be a mixture of being sweet and funny. While the couple doesn’t get nearly the screen time they deserve, they make you grateful for the screen time they’ve been given. If the writers ever figure out that we need less of the doom and gloom, and more of the ‘heeeeyyyyyy’, this show could be on to something HUGE. I’m most looking forward to the possiblity of Mac and Alexis bringing their families together -and opening the Scorpio home once again. Kristina and Molly would have a father/stepfather they could respect. Kristina, especially, shows promise of joining Robin in being the future of soap heroines on a show that desperately needs them. To have the Scorpio-Drake-Davis clans coming together could just give us the ‘balance’ this show has been lacking.
What does the Mac and Alexis pairing make me forget? Other than Scrubs, Maxelli, and the powerhouse acting of JJ’s Lucky and RH’s Liz… pretty much everything else… the soapgods have been good to me.
From the Days of Our Lives:
What makes Rafe and Sami work? What DOESN’T work about this couple? I’ve been cautiously optimistic about Rafe and Sami. I’m an old Lumi fan. No one knows like a Lumi fan how Sami is capable of throwing real love away for the horror of a relationship with a man like EJ. Rafe is one of the few men in Sami’s life (Lucas included) who actually loves her and wants nothing in return. The writers have sold me on the idea that Rafe is the man who would love Sami even if she didn’t love him in return, and would never stop fighting for what’s in her best interest. With a man like EJ, loving her if she didn’t love him in return would mean forcing himself on her. With a man like Rafe? It means loving her from afar, protecting her at all costs, and laying his life on the line because the thought of a world without her in it is something he just couldn’t bear. I’m SOLD! Count me in as a ‘SAFE’ fan!
AS IF that’s all DAYS had to offer:
What makes the Phillip/Melanie/Nathan triangle work? Each potential pairing impacts me as a viewer in different ways. Why does Phillip even deserve a second chance? If you made it to 7:40 into the video, you’d hear Phillip say, as part of his vows, that if she’d said that he was going to marry her about a year ago, he would have told her she was crazy… BINGO! That’s the Phillip I’ve hated while Mel loved him. That’s the man who always thought he was too good for her and that she was nothing more than a consolation prize whenever he lost ‘the good girl’ (Stephanie). Mel, in return, admits to loving him from the beginning. Despite the lopsided relationship they share, this is a couple with HEAT! They are moths to a flame, and it’s hard not to watch when they’re together. Mel and Nathan on the other hand? What a delicious redux of Mel and Nicky. This time, the smart and ‘geeky’ guy should win. Melanie and Nathan remind me a great deal of Sami and Rafe. Nathan is a man who knows Melanie at her core, and loves who she is – warts and all. This triangle works because it seems possible for Melanie to be happy with either. In the end, I have to give the edge to Nathan. I tend to root for the good guy, and heaven knows that in soapdom, the good guy is always the underdog.
What do Sami and Rafe as well as this triangle help me forget? Bo and Carly. Carly’s incessant whining. Hope being destroyed to try to force Bo and Carly. Carly and Daniel (See where this is going?) That’s about it, though… everything else about DAYS simply ROCKS!
One Life to Live
While I’m generally not a fan of rap, something about Snoop is AMAZING and I love to see most of the cast together enjoying themselves and allowing us to enjoy them, the show, and this performance.
Women in daytime = whores. At least, I think they’re the same. I dunno. It’s hard for me to figure it all out since I’m just a woman. Either I’ve been watching too much daytime or it’s the peyote… (just kidding on the last part, though given what some shows are doing to daytime women and viewers as a consequence, a little peyote might make daytime shows go down a little easier).
I’m all about the ‘I told you so’ lately and I want to hand one out to the writers of GH. I’ve never been impressed with the casting of James Franco in the role of ‘Franco’ and have been horrified by the drooling and self-congratulating linked to the casting of JF in the role. The fact that the character was named Franco was enough to tell me about the lack of creativity attached his development. It seemed to be all about stunt casting and the hope that a primetime/big screen actor could save GH from falling ratings.
It feels as if GH’s PTB were so convinced that negative stereotypes about daytime viewers were real, the stereotype that we’re just a bunch of sex-starved panty-clinching rubes, who lick our screens whenever a hot male actor is featured, that casting JF as ‘Franco’ made sense! As if we don’t already have enough testosterone filled doom and gloom on screen! (As for that screen licking part, I freely admit that I do think about licking the screen when Jason Thompson’s Patrick is on, but hell, who doesn’t?) The idea that “Franco” would cause us to swoon was as big a fallacy as almost everything else the GH writers have offered us by way of propping the Suckpranos storyline. I don’t want to see one more character, stunt casting or otherwise, sacrificed on the altar of the mob boys.
- Give Olivia her brain back. She was such a strong vibrant character for so long and now she’s a walking-talking mess. All the daydreaming about Sonny makes me ill. If I had to worry about Sonny putting a bullet in my kid’s head because my kid was a cop working to make the world safe? I wouldn’t be able to daydream about having sex with the guy or daydream about him holding my hand. I wouldn’t even daydream about spitting on the guy if he was on fire! What’s wrong with this woman? What’s with her libido? Sonny rocked her world over two decades ago, bedded and nearly wedded her cousin – swore his eternal love for Kate before the world while barely noticing or remembering Olivia, and she’s still lusting for him? STOP! IT!
- Quit making Carly an idiot who treats Jax’s child as Sonny’s future ‘kidnapped bait’ child. It’s disgusting. Notice that when Carly was listing off the children who were protected by Sonny’s grace, she included Josslyn, and not Molly? STOP IT!
- STOP making Lulu fall for the mob boys and/or supporting them to the point of even trying to convince the police that they really deserve to be set free instead of in prison where they belong. Stop making her fall for anyone connected, even tangentially, to the mob boys. Whatever those mob boys have going on below the belt must be some powerful mojo! And it’s demeaning to us all.
- Quit making me feel sorry for Rebecca “NotEmily” Shaw by having her actually be the voice of logic and reason before you ship her off. I really resent you for this one, GH writers. I’m an avowed ‘Remily’ hater and to leave me cheering for her is one of your worse offenses, yet. Even still, I grew tired of the “Liz is a slut’ mantra she had going – not that I disagree with the sentiment, just the constant expression of it. I did enjoy the fact that she continued to remind Liz that her house of cards would soon fold. The sendoff for Rebecca, the Emily- clone was perfect, by having her make friends with a Zander clone… Chad Brannon was pretty darned delicious looking. When his clone character drops Rebecca off in Paris, have him come back! Patrick’s stalker ex could use a good hook up – then again, so could Matt Drake, who spends far too much time trying to convince Robin that her marriage is in trouble!
- Maxie, Maxie, Maxie… REALLY? She’s gives herself to Franco for the sake of getting him to agree to help her out professionally? Then she tries to pimp out Spinelli to make herself feel better? She gives relationship advice to Max and Diane about ‘balanced cheating’? Maxelli, Scrubs Love, and Jax and Carly were the only interesting things GH had going in its favor and the writers are slowly dismantling all three. Speaking of…
- For the love of all that’s soap-holy… give me a Scrubs storyline that has nothing to do with old girlfriends crawling out of the woodwork! Yeah, yeah… Patrick puts it on ‘em… they can’t get enough… once you go Patrick, you never go back… Even though I can believe that his arrogant aloof treatment of women made them want him more, I’m getting tired of women who are attracted to him on that basis. The writers made the courageous decision to make him a happy family man, now I wish they’d make the courageous decision to create family driven storytelling around the Scorpio-Drake clan. What makes Patrick attractive is that he’s a man who loves his wife and child. Having him betray them would destroy that. Leave something that’s still a little pure and just for us.
I’d love it if the GH powers that be would stop treating women (onscreen) like a bunch of ‘spare parts’ waiting to be traded by GH males, as they’re needed. Bringing on stellar actors like James Franco can’t cover the holes in plots, the obsession with the dark arts of the mob boys, or the weak female characters who aren’t just damaged- they’re damned deranged. Treating your viewers like sex-starved fiends who’ll gladly buy what you’re selling won’t help either. I know it’s not just my perspective that GH has lost what made it great… I’ve seen the ratings. GH is hemorrhaging viewers and the great ‘Franco’ (onscreen Franco) doesn’t deliver a big enough draw to stop it:
Ratings for the week December 7-11, 2009 (when the character Franco’s arrival and work should have made a difference)
1. Y&R 3.7/12 (+.2/same)
2. B&B 2.4/8 (+.1/-.4)
3. DAYS 2.2/7 (+.2/+.1)
4. AMC 2.0/6 (+.1/same)
5. ATWT 1.9/6 (+.1/-.1)
5. GH 1.9/6 (same/-.3)
7. OLTL 1.8/6 (same/ -.2)
Week of December 14 – 18th)
1. Y&R 3.5/12 (-.2/-.3)
2. B&B 2.3/8 (-.1/-.4)
3. DAYS 2.1/7 (-.1/same)
4. AMC 2.0/7 (same/-.1)
5. GH 1.9/6 (same/-.3)
6. ATWT 1.8/6 (-.1/-.3)
6. OLTL 1.8/6 (same/-.3)
Week of December 21 – 25
1. Y&R 3.5/11 (same/-.2)
2. B&B 2.3/7 (same/-.3)
3. DAYS 2.0/6 (-.1/-.1)
3. AMC 2.0/6 (same/same)
5. ATWT 1.8/5 (same/-.1)
5. GH 1.8/5 (-.1/-.4)
7. OLTL 1.7/5 (-.1/-.3) <—— ties low rating (Last time: August 31 – September 4, 2009)
Ratings courtesy of Soap Opera Network: SON
So why am I still watching? I don’t think soap fans like me want too much. We just want a balance. How about 2 smart women for every woman who is lobotomized for the sake of the dark storylines? I’m hoping Scrubs will survive and find a real storyline and that the writers will give us a storyline about them that will engage the audience without either of them cheating, I’ve FINALLY gotten the Mac and Alexis pairing I’ve been pimping for, through 2009 (don’t think I’m not grateful, just realize I’m not fully satisfied. They’re off to a great start, and I need MORE). Dare I hope that Mac/Alexis/Robert/Anna/Robin/Patrick would be able to restore law and order to PC and that they turn the town around and take down the real bad guys? I’m hoping that smart, funny, and strong-if-not-neurotic, women like Robin and Alexis (and yes, even Diane) will be allowed to lead the way.
One Life to Live
Nora Buchanan. Nora is the woman who slept with her ex, Sam Rappaport, and passed his child off as her husband Bo’s child. Even better is the fact that she did it for Bo- whose son was recently killed. That was the rationalization she gave for betraying her husband, she most saintedly did it FOR his sake – all the while knowing that Sam was deeply in love with her and knowing what the emotionally fallout might be. Fortunately (or unfortunately) for all involved, after Bo and Sam’s deep pain, it turns out that Matthew was Bo’s son after all. Now we have Nora, who’d been warned/pleaded with/begged not to marry Clint because she didn’t really love him, has now left Clint to be with Bo – during a dark time in Clint’s life.
Once again, another ABC male refers to the cheating lying woman who betrayed him as a whore – I can understand Clint’s rage and his willingness to throw Nora’s past in her face.. I just wish I hadn’t already been overwhelmed with the use of the word ‘whore’ from almost every other ABC male before that. Nora’s reaction was still priceless. She’s rude and judgmental and has made a habit of telling others why they’re so unworthy of being loved or trusted. She was stunned that anyone would dare give her the same treatment. I wasn’t crazy about Clint’s choice of words, but I’m glad that the writers finally allowed someone to point out to Nora what a hypocrite she is.
True to form, Nora didn’t let a little thing like the truth stop her from being who she is. A full scene later, SHE referred to Kim as ‘that slut’, the ‘whore in her husband’s bed’, a ‘tramp’… uh huh… Sweet irony! She was talking to Bo, Clint’s brother, the man she’d been having an emotional (almost sexual) relationship with and lying to Clint about it when she said it… YIKES! Something about the way Bo and Nora are getting together and the pain it’s causing Clint that’s causing me to want to root for Clint and Kim (a couple I’d previously referred to as the reincarnation of Asa and Blair).
Somehow, the writers managed to give Clint and Kim depth. Kim was fixated on her ‘plan’ to get Clint into bed to help him forget Nora. She’d treated Clint like a feeble and emotionally dependent ‘old man’ who would be felled by a little bit of a wiggle and giggle. Kim would have loved Asa – being felled by a wiggle and giggle was more his speed. Clint had already had her investigated. He knew about her stripper past, and didn’t care. He also knew that she thought she was gaming him, and he didn’t care. He knew that her plan to ‘drink him under the table’ was about taking advantage of him… and he didn’t care because he also knew three other things:
1 – He had the truth on his side and still had the upper hand.
2 – That being involved with the town’s ‘sainted woman’ isn’t a guarantee that you’ll end up with an honest woman who’ll treat you well.
3 – That Kim isn’t all bad. Her bark is worse than her bite. Despite the fact that there is a risk of turning Kim into a ‘hooker with a heart of gold’ stereotype, the writers have so far avoided taking her quite that far.
The storyline seems to be shaping up into one in which the person in need of rescue may be KIM, not Clint. He’s as intent on using her as she was on using him. I hope that doesn’t happen, because despite my exhaustion with female-male May-December romances, there’s something about this pairing that I like. Nice touch, writers, on having Kim’s plan fail when she underestimated his ability to hold his liquor. BRAVO for letting Clint walk away despite Kim’s offer to let him spend the night and having him warn her to quit while she was ahead. I could root for them as a couple – with Melissa Archer’s Natalie fighting with Kim and making her work to prove her love for Clint. I could <gulp> just as easily root for them developing a strong father-daughter relationship (Oedipal, I know) or have them remain as good friends. Either way, I’m hoping to see far more of Clint and Kim than Bo and Nora. SON’s CarlID offered this observation:
It’s interesting to see the fallout of the Bo and Nora reunion. They were a beloved couple many years ago but not only have times changed, many of the people who were in their lives at that time have changed. It’s like, what if you reunite a supercopule and no one cheered? I don’t mean the fans, I mean the characters in their lives. You don’t have a lot of people endlessly going, “You’re fated to be together,” as you do with many other couples on the show. I also think it would be an interesting writing choice if Matthew wasn’t thrilled they were back together and preferred them apart.
I’ll add one other observation about this storyline. I found Nora’s reaction to seeing Clint with Kim unusual. Kim was the whore in her husband’s bed? Why did she care, she was dumping him!?!?! You’d think she’d want Clint to find someone, ANYONE to take the heat off of her betrayal of Clint. Is it possible that Nora will wake up and realize that her rekindled love for Bo was based on their mutual concern for Matthew and his health issues? Could Nora wake up and realize that she was happier with Clint than she imagined? What happens then? Where does she turn? Does anyone care?
BTW, folks, is it just me, or did Jerry Ver Dorn make Clint his own with this bend in the storyline? JVD’s left me breathless!
Tea Delgado/Blair Manning… not whores, they’re just written to allow Todd Manning to treat them as if they are.
Days of Our Lives
Two words: Carly Manning. Two more words: EPIC FAIL. There are some soap staples I can’t get enough of: scheming liars who are eventually figuratively beaten down and forced to eat their own misery. Bad boys who are only clever by half and outwitted by their victims, victims they eventually fall in love with. Anything to do with corporate intrigue. Good old-fashioned romance. Deep dark family secrets – that have nothing to do with long lost children.
The one plot I’m pretty freaking tired of is the damsel in distress who can’t get enough of the man she left behind and (oh gosh) if only he’d choose her over his wife and family. He (being the real ‘whore’ in this scenario) decides that he can’t leave her to her own fate and risks losing his wife and child/children, while keeping secrets with the damsel in distress. It’s not a stretch to believe that daytime writers typically set this storyline up to do one of two things: try to make us root for our damsel in distress and if that fails, we’re to hate her as a home-wrecking ‘whore’ who broke up a perfectly happy and loving family.
You’d think that watching her ‘get hers’ would be satisfying – assuming that the lunkhead goes back to his family and treats his wife as his equal partner, and not his potential mistress. It’s not. In reality, for fans like me, it only causes us to dislike BOTH partners – the cheating spouse and the idiotic woman who finds his willingness to betray his family a ‘thrill’ and further evidence that she is the object of his desire, not his wife and family. She’s only the next woman to be betrayed when his former victim/spouse becomes the damsel in distress. It’s all less satisfying because he’ll never ‘get his’. He’ll just become the object of desire for two women – who’ll continue to fight over him until one of them is exhausted or dead.
Isn’t it time for daytime writers to leave iconic couples alone and find new ways to make them relevant to the audience? Haven’t we seen these storylines play out a million times before? Viewers exiting daytime in droves isn’t enough evidence that we want something more? When did daytime become a genre about deconstructing and destroying rather than building something new or building better and higher on the strong foundation already in place? Where are the powerful female characters who leave us feeling unashamed of being daytime viewers?
If you’ve made it this fair, I’m sure you’re wondering why I’ve left poor embattled CBS off the list. Am I sympathetic to the network that’s lost two soaps in two years? Nope. I just don’t have the room to continue with CBS’ list of maltreated women in daytime. This blog would have to be at least three times as long as it is now. I’m saving that one for a later date.
Suffice it to say, if daytime really is dead -running on fumes, kicking the bucket, headed for the big one, living on borrowed time… I’d greatly enjoy being able to celebrate women in daytime before it goes. What do daytime writers have to lose?
With still a few tricks up their sleeves, OLTL writers are making the show as entertaining this month, as last month. WELL DONE!
1. Shaun finally catches his worthless brother and the ever lying Rachel in the act of kissing in public. What heartbreak! I’d hoped that OLTL would follow GH’s lead and offer an unconventional romantic pairing. GH’s Spinelli and Maxie are clearly mismatched (she the glamazon, he the geek) but they work for whatever reason. I’d hope that cuddly teddybear Shaun and Princess Rachel would work things out, but not so. I’m just glad that the writers didn’t spend months keeping the poor guy in the dark while the audience grew increasingly saddened by the deception taking place around him.
I’m still hoping that Rachel realizes that Greg is a pompus windbag and goes back to Shaun (who won’t want her back at that point). Rachel, however, won’t give up and earns her way back into Shaun’s life.
What about Greg? Todd is going to end up dumping Blair soon enough. Why not Greg and Blair? She loves being involved with difficult and self-aggrandizing men. Greg would be perfect for her.
2. Clint and Kim. YEEHAW! This is such a replay of Asa and Blair. Clint reminds me of Asa more and more each day. The drinking, the insecurity masking as toughness, the desperation masking as other things. So, who gets to play the NuMax? Schulyer? Will Kim realize that she wants poor but honest Schulyer after all (ok, so he’s not exactly ‘NuMax’)? Will Nora or Viki end up being ‘Renee’ for Clint? Poor Clint, alone and lonely, in love with his brother’s ex wife, foolish enough to believe that putting a ring on her finger will make her love him back. Dude… poor poor Dude.
3. Daniella and Tea? PRICELESS! They have the mother-daughter spark that Blair and Starr lost long ago! The writers took the teeth away from Starr when they foolishly shoved her into the teen pregnancy storyline. Starr has been unrecognizable as Todd’s daughter. She had to become soft and gooey, and a whole lot of foolish, to break out of the role that made Starr such a memorable character. That doesn’t mean that Ive been waiting to see Starr take on Todd’s psychotic tendencies. That would be a tragedy as well. I just wanted her to be shrewd and calculating. I wanted to see Starr protect herself and not take garbage from anyone. Starr lost the edge that use to make her such an enjoyable character. She became a weak and whiny thing, all in the name of ‘luv’.
What I’m not looking forward to is competing mother-daughter tag teams. While sibling rivalry makes sense with Todd’s daughters going to war, to have their mothers involved would seem too much like adult women using their daughters to obtain the objects of their affection. Daniella is the ‘new kid’. Starr has been able to reject her father and cause him to beg for her for her forgiveness – even though he was initially right about Cole, before the writers twisted both Cole and Todd into unrecognizable characters for the sake of ‘drama’. Will she as easily walk away from her demented father now that she can be ‘replaced’? Replaced? Sick? Yes, I know… but that’s Todd.
By the way, the casting is brilliant for this storyline. KA’s Starr has always looked like the child of Blair and Todd. Kelly Missal’s Daniella, with the to-die-for-hair, makes her look like believable as the child of the Hair goddess, Tea. Daniella’s temper definitely sells her as Manning’s kid.
4. Talk about continuity! Most shows have difficulty maintaining continuity on their own shows. OLTL maintained continuity between two different shows. Daniel Manache (Tom) was last seen as JJ on As the World Turns. JJ was sent away to (art?) school by his parents – a boarding school. Manache turns up as ‘Tom’, Matthew and Daniella’s friend from boarding school. Sweet irony.
As for Matthew and Daniella the potential couple? Can you imagine the nightmare it would cause Bo and Nora to have their son involved with Todd and Tea’s kid? To think, it would never have happened had Bo and Nora not forced Matthew out of the country. Poor Destiny. It seems that she will be the odd girl out, unless the writers are clever in how they write this budding teen romance which will probably loom large next summer. While not everyone is a fan of the character of Destiny, I like her (and even like the actress portraying her – Shennell Edmonds). Edmond’s acting is stiff, and she’s clearly a novice, but she’s improving – and anyone who can have such sweet scenes with Tuc Watkin’s David Vickers is winner in my book.
Let’s rid ourselves of all of the bad editors! (if you don’t mind the turn of phrase).Most of what took place on OLTL this past week pleasantly surprised me. Even my well worn remote would like to take this moment to thank the writers for relief. It pretty much had the week off with One Life, since I don’t remember hitting FF once this week. The only big shocker for me this past week were several pretty lousy editing choices, one in particular. I’ll get to that in a moment.
Soap-heaven help me, I still like John and Marty. The only thing that’s harder to take than a dark and brooding John McBain is John McBain in love. ‘Happy’ John and ‘Brooding’ John are pretty much one in the same. It’s just at times tough to watch a man who SHOULD be filled with joy behave like a man whose problems could all be solved with the help of a good laxative. Wardrobe, could you PLEASE at least put on a brightly colored shirt under his dark suit jacket and dark coat, to go along with his dark pants and dark shoes so that we know the difference between Brooding John and Joyous John? Thanks!
John’s reaction to Marty as she flashed back on her the manipulated-rape sex with Todd was a reminder that there are soap writers who still realize that it’s so much easier for fans to root for good men – we get so few of them in daytime. Many of us still love men who are sensitive to the needs of others, rather than focus on themselves and their own pain. LOVED that moment when John reminded Marty that he was always willing to wait for her – she’s worth it. LOVED that the writers didn’t follow that scene up with John immediately running to someone else to flirt with or have sex with while Marty was working on her recovery.
The only thing that made the scene even remotely awkward was watching Blair seduce Todd at the same time Marty had difficulty being touched by John because of Todd’s assault of her. If the writers wanted to make some of us squeamish about Todd and Blair, job well done. Otherwise? Bad editing job on this one. It made Todd and Blair seem completely disconnected from the world around them, belligerently insular. They seemed to not care about how much damage had been done to others in their time apart.
Blair, who was disgusted by Todd’s treatment of Marty, seems to have absolutely no qualms about his actions, now. She was disgusted enough before to want to keep his children from him. Now? She can’t keep her hands off of him.
I would much rather have had long soulful talks between the two rather than strip scenes and “shame-filled” sex. The problem with the writing for the once magnificent Todd and Blair is that that the writers don’t seem invested in having them break the inch deep-mile wide pattern they’ve established as part of their courtship. OLTL writers have seem to always bank on the hard work of Kassie DePaiva and Trevor St. John in winning back fans to the ‘Todd and Blair corner to bring romance back to the show. I think they’ll have to reconsider, this time. Too much damage has been done and an instant reunion most likely won’t give them the bump they’re looking for. How instant is instant in their case? Todd/Blair reunions can be summarized by the following dialogue:
“You hurt me” (Todd to Blair, Blair to Todd, it doesn’t matter).
“I’m sorry” (Todd to Blair, Blair to Todd, it doesn’t matter)
“Stay away from me” (Todd to Blair, Blair to Todd, it doesn’t matter)
“You don’t mean that” (Todd to Blair, Blair to Todd, it doesn’t matter)
They have sex… AND SCENE!
Where is the discussion about what they want and why they want it? What about some insight into why they dragged Marty and John into their psychodrama? How about some part humorous/part dramatic couples counseling for them? What about real consideration about Tea’s feelings? It’s bad enough that Todd cheated on Tea after she put everything on the line for him, her life included, but he then lied and said that it meant nothing that he’d had sex with Blair. If it wasn’t a lie that having sex with Blair meant nothing to him? It makes his actions even worse. The writers rubbed salt in fans’ wounds by having Todd coldly state to Blair that he was leaving her to go after Tea ‘because she’s worth it’.
Hells bells, people, you know that despite Tea’s fault, I’m a fan of the goddess of grand bitchery but for TODD to state who is ‘worthy’ and who isn’t? Well that just burns my grits. I would have loved watching Blair get up off the chaise lounge and slap Todd back to his infancy (which would finally allow his external state match his internal state)! Marty, Tea, Blair, his sister Viki, and even his own daughter, Starr… just how many women in Llanview are going to end up emotionally scarred thanks to this guy? Taking Todd down the dark road for the sake of pimping “Starr and Cole” is a decision that still haunts this show. The writers haven’t been able to find their ‘Todd mojo’ and get anything right with this character since then.
Despite the detour and bad editing, I enjoy Marty and John.
What else was there to love?
1. Greg turned out to not be a big a jerk as he originally seemed. I liked that he experienced pangs of guilt about running out on Destiny and realizing that he’d hurt her with his actions. I still don’t like the guy enough to have Rachel walk away from Shaun and fall into Dr. Dork’s waiting arms. I just like the idea of Shawn and Greg working out their differences for their sister’s sake.
Lovin’ the OLTL writers for giving us this little family. It’s so unconventional and I can’t wait to see where they go next. Don’t make me eat those words, writers.
2. I uh… liked Destiny last week. If you’re shocked, imagine how I feel. I’m starting to see what the casting directors saw in this kid when they cast her. She’s growing in the role and learning to convey a vulnerability that’s refreshing in a teen character, given the rash of adult-themed storylines daytime writers have been pushing for young characters, lately. It will be interesting to see where the friendship between Destiny and Matthew goes.
3. I uh… liked Starr last week. Still in shock here! The discussion between Starr, Cole, and Jessica was so rational and thoughtful, I have to classify it as the high point of my soap watching week! Alderson held her own in scenes with Buddy and Williamson. Scene chewing is not her thing so this emotionally low-key scene felt genuine and believable. I have to admit that the discussion between Jess and Cole sparked my interest most. Er, NO, I don’t want to see them as a couple. I’m giving kudos to the writers for creating such a layered scene. Both made the connection that they were both ‘in recovery’ and made poor choices because of an inordinate amount of pain, but that they both needed to take responsibility for their own actions. Both Jess and Cole realized that they had to forgive others as they needed to be forgiven. For a brief and shining moment, I felt that I could honestly tell my friends who don’t know that I watch soaps about the show … well done, writers, well done! It was good enough for prime time… Ouch?
While Starr moved one step closer to being a ‘real mom’, Gigi took a step back for me. (Wait, I’m getting to it… there’s something I like about this storyline, hang on)… It was odd to watch her encourage Shane’s hatred of Aunt Stacy no matter how much of a low life Stacy has been.
I had to wonder if there wasn’t a unconscious attempt to warn fans about the perils of being a young mother – since it appears that they’re avoiding that ‘lesson’ of young parenthood with Starr and Cole. Gigi applauding Shane’s comic book character (skanky Stacy? Sleazy Stacy?) REEKED of an immature mother dragging her child into her baby’s daddy drama. A mature mother would have told Shane that his feelings of anger are appropriate, but that it’s also appropriate to feel sorry for Stacy for what she’s become and to hold out hope for her. The Gigi-Shane scenes skeeved me out a bit, I gotta’ admit.
SO, here’s what I loved
A - That the ‘secret’ is finally out in the open. I was tired of this storyline about a month before it began (damn you spoilers!)
B – That there’s a possibility of a Schuyler-Gigi pairing – the actors have an amazing onscreen chemistry. Rex and Gigi have been terminally cute. Schuyler and Gigi have the potential to be hot!. Having Rex sleep with Stacy and lie about it after treating Gigi like such dirt for so long makes Rex and Gigi a dead pairing for me, for now. No matter how many things didn’t add up, Rex refused to believe the truth and painted the Scarlett ‘A’ on Gigi’s chest – clearly tempted to use her own blood to do so. Let Big Rex, and little Rex, sit on the sidelines and watch Gigi happy with someone else for a while.
5 - I’ve never been much of a Bo and Nora fan… but they’re reeling me in. Poor Clint… Sorry guy, I think I want to see a Bo and Nora reunion. Clint and Nora seem to have been killing time for a while now. Send Clint home to Viki (sorry Charlie!)
The Good: Thank you writers for finally wrapping up the ‘Baby Chloe- Hope’ storyline. It’s been a long time in coming and I was getting sick of it!
The Bad: (With sarcasm): Thank you writers for the ‘Baby Chloe -Hope’ storyline.
The WTF: (with incredulity and a tad bit of disgust): Thank you writers for the ‘Baby Chloe -Hope’ storyline. Of all of the storylines you COULD have told, this is what you saddle us with?
There are some legitimately wonderful reasons to love OLTL, in my book:
1. It’s not All My Children. Need I say more?
2. None of the characters are named Michael Corinthos Jr. How is it is that General Hospital writers have a knack for taking an event that should be considered a blessing and turn it into such an awful AWFUL thing? Little Michael Corinthos’ awakening was something I felt myself regretting about 10 minutes after the kid opened his eyes. To the credit of OLTL’s writers, they haven’t managed to make me wish that any of their teen characters would lapse into a coma! ALTHOUGH… I wouldn’t mind seeing LESS of all of them.
3. Viki Lord. Period. What would this show do without Erika Slezak? I don’t even want to know!
4. The triangle between Clint/Nora/Bo will be heating up soon into a quadrangle with mixed partners Clint/Nora/Bo/Lindsey. I’ve never been a big Bo/Nora fan – primarily because I’m not a Nora fan. I say that knowing that MANY OLTL fans are Bo/Nora fans and for their sake, I sure hope that the show’s writers honors its history and gives the couple back to the audience who loves them. The question is… what happens to Clint?
Clint/Lindsey? (Can you imagine their couples name? Clindsey? Lint? FUN!) Since it seems that CH’s Lindsey’s stay is temporary, I have doubt as to whether the writers would move in that direction. Too bad, Lindsey was fabulous with both Clint and Bo in the past. I would be interested in the chemistry between JVD’s Clint and CH’s Lindsey.
Clint, on his own? Angry? Scheming to break up Bo and Nora? Where’s the fun in that? I’d rather see Clint go back to London before having him take on his own brother over a woman he shouldn’t have been with in the first place. I had a preference for Clint and Nora over Bo and Nora, but to have Clint becoming involved with the love of his brother’s life was a bit much for most of you and in moments of objectivity, I agree.
Clint and Viki? If you’re going to make me suffer through Bo and Nora, writers, I’ll take Clint and Viki (no worries, anti-Clint/Viki fans… I never get the pairings I like). I think Clint and Viki/ Bo and Nora have the potential to take fans back to some of the glory days of OLTL. I have to admit that I’m concerned about the initial awkwardness of the two couples getting together in light of Nora and Clint’s relationship… eh,there’s been worse on this show.
5. Believe it or not, I think that John and Marty (or the prospect of John and Marty) would be far more interesting than Blair and John – who’ve only managed to put me to sleep.
6. Jessica and Brody. Even now, I’m still disappointed that Nash is gone and that Jared survives in his place, BUT, at least TPTB have come as close as they possibly could to Nash, without trying to replace him with a ‘Nash Clone’. Brody has ‘Nash like’ qualities (hot as sin, a beautiful body, thoughtful, kind, and loving), but have given him a unique personality and core.
So… setting aside that things I actually like, I have to say that the ‘Baby Chloe- Hope’ storyline has the potential to keep me tuning out OLTL (or at least FFing most of whatever episodes I bother recording.
I think the teen pregnancy storyline was the biggest mistake the writers have made so far. I’m not against the idea of a teen pregnancy storyline. I’m simply against the teen pregnancy storyline for the chosen characters. Why?:
- I hate the back door approach to keeping Todd and Marty connected given their history. It’s bad enough that he’s violated her twice in a lifetime, but now they’re connected because their children are ‘in love’ and are now parents together. BULLOX!
- I’ve said it before, and I’ll say it again. This is NOT a storyline that plays to Kristen Alderson’s strengths. She has become the weak link in this storyline. I find KA’s emotional responses to be stilted and unbelievable.
- Adding the teen pregnancy storyline on top of the drug addiction storyline was a bit much. The writers have seemingly decided that the juiciest storylines should go to the youngest actors and that the veterans should be stuck with trivial, pointless, boring storylines. It’s another storyline for which Kristen Alderson seemed completely unprepared and didn’t connect as an actress, in my opinion. She uttered the dialogue well enough, but her performances felt like a ‘script reading’ rather than watching someone who was emotionally impacted by a loved one’s drug abuse.
- Oddly enough, Brandon Buddy has done as well as any actor with significantly more experience. He’s been a marvel. The only problem with having handed him this storyline is that he seems far too mature an actor for the role he now plays. It’s time to SORAS Cole to 18 and find him a cougar (no older than 25, please, not someone too much older). “Starr and Cole” now feel like little Starr and her much older brother – ICK!!!!!!!!! By the way, Brandon should be nominated, next year, for the addiction storyline.
KA fans I’m not completely ‘Anti-Starr’. I think there are a number of storylines that would be great for the character and would showcase the actress’ abilities well. The Baby Chloe-Hope storyline just isn’t one of them.
While all of daytime has me rolling my eyes lately, OLTL – in particular wins the ‘shut your pie hole’ awards.
Jared wants to tell the truth because it’s the right thing to do? While I can appreciate the fact that even JARED sees the irony in his statement about what’s morally appropriate, it still galls me that he’s shown little concern for how the news of the real Chloe’s death will impact Jessica. Nat wants to protect Jess and now feels sorry for her? Both of you, SHUT YOUR PIE HOLE! This whole mess got started because Nat wanted to stick it Jess and Jared wanted to help her. I’m sickened at the thought that Jess will lose Chloe after losing Nash – both lost because of Jared and Natalie. IF ONLY there was some way to make that child hers. If not? It’s time to bring Tess back and let her finish what she started! It’s time for Jared and Natalie to go.
As if causing Jess even MORE grief wasn’t bad enough, what about the pain Jared and Natalie are causing ME!??! I’ve struggled hard to accept the new ‘grown up’ role for Starr Manning - I have. The problem is that it’s just not working for me. I don’t know how you feel, OLTL fans, but this new set of storylines does NOT play to Kristen Anderson’s strengths. I think the writers moved Starr into pseudo-adulthood too soon. The emotional scenes appear forced and far too artificial for me to connect to. Starr’s scenes with ‘Chloe’ make me cringe. The thought of more scenes of ”Starr” and whining Marcee McBain locked in a custody battle over Hope (we’ve lost Hope, we need Hope, our Hope is gone – UGH) makes me want to set my television on fire. Damn you, Jared and Natalie, damn you!
Nora vowing to take down Cole? I’ve officially had my fill of Nora “the ethically flexible D.A.” The truth is that I was done with her years ago, during the fights with Lindsey and the affair with Sam when she passed ‘Sam’s child’ off as Bo’s. (Apparently no one knows how to perform in vitro in Llanview. They’re GREAT at trauma medicine since it’s the only thing docs in Llanview ever practice.) Had it been someone else’s child, Nora would have most likely been fighting to get Cole into drug and alcohol treatment, family counseling to reunite him with his mother, and had him doing community service by talking to high school kids about drug use. She’d have railed at the system for letting a villain like Todd go free while a young man who made a horrible mistake is being severely punished. She MIGHT have even quit her job in protest and defended Cole, herself, if the D.A.’s office chose to press charges.
She’s always been ‘flexible’ when it comes to helping her pals and granting them the grace and mercy of the courts. Intimidating a teenage boy and making him feel as if he should be buried UNDER the prison for his actions? Bite me. Does Cole deserve jail time? Sure. He chose to take drugs and get behind the wheel of a car disregarding the possible harm to others. Does he deserve Nora’s disdain? Sure! But just ONCE I’d like to see the self-righteous Nora Buchanan choose to exercise discretion and say nothing. Nora? SHUT YOUR PIE HOLE!
BTW, SoapNet is linking to this appearance by Kristen Alderson and Brandon Buddy on the Tyra Banks show. The OLTL actors demonstrate different aspects of teen dating violence:
Ray Montez now faults Todd because Tea didn’t work fast enough to get him out of prison… REALLY? REALLY? Buddy, SHUT YOUR PIE HOLE! Is there some right of passage for Llanview residents that states that they MUST have conflict with Todd, of any sort regardless of how ridiculous it is, before the other Llanview citizens will play nice with them? Ray could have hired another attorney. He could be angry at Tea, alone. OR he could have realized that Tea wasn’t capable of moving any faster because his daughter didn’t know her well enough to open up to her. The idea that Ray now hates Todd inspires me… to YAWN. There’s far too much for this guy to do onscreen instead of going after Todd Manning over something so trivial.
Stacy Morasco, a potentially fabulous character and a throwback to what a TRUE bad girl should be… so I guess it makes sense that the writers made her a cartoon villain in record time. WHO takes a completely fabulous gift like Crystal Hunt, sees the awesome mess she’s able create onscreen through Stacy, and turns her into one of the most unlikable characters in daytime?
Stacy tells Gigi that she deserves to have Rex because she’s a million times hotter/way hotter? Juvenile, but HILARIOUS that it’s her meter for determing what ‘love’ is. God bless gorgeous Farah Fath for not slapping the writers when she read that script. If the writer who added that line isn’t on crack, I don’t know how else to explain that comment. With true ABC sensitivity to women, I thought the line might be followed up with “and I’m the REAL Gigi”. It was an awful thing to do to Fath.
As for Stacy, there’s no ‘love to hate’ left for a character who tells her grieving sister that she either has to give up the man she loves, the father of her child, or watch her child succumb to leukemia… SHUT YOUR PIE HOLE, Stacy, you whack job. What could have beeen ‘love to hate’ has just turned into utter disgust. What were the writers THINKING? If Crystal Hunt can pull the writers’ fat out of the fire after this blackmail plot, it will be a miracle. The whole scene was ugly from start to finish!
You know the old writers’ insult, “Monkeys banging on typewriters could do a better job!” Imagine if you not only handed a room full of monkeys a set of typewriters (uh, keyboards), but you then locked them in. Well… that’s ONE way to force them to concentrate on completing your scripts, but watch out! Locking them in a room might add insult to injury and monkeys are pretty vengeful. They also have a pretty wicked sense of humor. Make sure you READ the scripts before you film and then air them for long suffering fans.
One Life to Live
Bitchy Marty, Bitchy Tea, Bitchy TeBessica… ‘effin.love.them.all.
Jessica apologizing and groveling at Natalie’s feet? No thanks. I felt sympathy for Nat “the outsider” for about 10 minutes. I’m over it. She’s still sleeping with the man who cost her sister’s husband his life. An accident? Sure… after months of deceiving him and destroying everything he’d built for his family. I’m hoping Tess and Bess have teamed up to finish taking Nat and Jared down – without plotting anyone’s death, by the way. Abject misery is enough for me, thanks. Tea taking guff from Blair? I don’t think so. Tea and Blair live different realities. Tea is a badass by nature. She’s shown tremendous growth and change and I love how spunky she is. Blair? Badass, on occasion, doormat more often than not. The woman slept with Spencer Truman just after Todd, the ‘great love’ of her life, was sentenced to execution. Despite every reasonable warning to the contrary, she made Truman a part of her children’s lives. My money is on Tea. Marty Saybrooke being left alone with Janet Ketring/Lee Halpern? Seriously, were the monkeys also STONED when they banged out that moment? Writers, keep an eye on the script monkeys, they’re making you look bad!
It’s annoying enough that Bo and Nora’s situational ethics drag every other living Llanview resident through the muck, but Bo and Tahlia leaving JK/LH alone with an angry and self-destructive Marty? The woman tried to force Todd to commit suicide for what he did to her (with JK/LH’s help). So they let her confront JK/LH, alone, wearing a coat which could very well have contained a weapon, and carrying an uzi sized purse? They actually LEFT the motel? I have to say, violence isn’t my thing, but I got a chuckle out of JK/LH cracking a vase over Talia’s head and taking off. Too bad Bo didn’t get one of those, as well! You’d think JK/LH was a witness for the defense for as careless as they’ve been about her safety. It must be nice to be pals with people like Bo and Nora. They use their offices to go after people you don’t like if you’re a friend, no matter how flimsy the evidence, nor the cost to the good folks of Llanview.
Oh, and locked-away-typewriter-banging monkeys? Less smug from Antonio and Nora, please. They’re on the side of RIGHT, and they leave me wanting to see Tea wipe the smug off of their faces – unless that’s what you wanted and then I feel played (well done). If I’m wrongfully faulting you and it’s the choices made by the actors, please speak to the director and ask him to handle it.
The Bold and The Beautiful
Bridget is a designer now? You magnificent vengeful monkeys, you! You really did get the last laugh, didn’t you? I wish I could laugh with you, but I can’t. It hurts. Did you have to pay the writers back at the viewers’ expense? An accelerated undergrad preMed program, supposed ‘years’ of study in medical school. Internships, Residency, saving lives, bringing babies into the world, bringing her aunt Katie back from the dead, saving her brother from jail following Phoebe’s death… and Bridget wants to give it all up to start designing for the company that just ripped off her father’s and brother’s newest collection. Bridget… giving up medicine for THAT!
She’s doodled haute couture gowns for years and was just too afraid to tell anyone? Her work is even better than life-long designer Clarke Garrison… stuff she sketched when not practicing medicine 23/6 and no one knew? Uh, because despite the fact that EVERY one of her adult sibs, her nieces and nephew, and BOTH of her parents work in the fashion industry, she was too afraid to tell them she has a passion for fashion? Ok, works in your universe, but typewriter-banging-monkeys, if the writers don’t feed you, refuse to type out scripts on an empty stomach. It makes you a little loopy.
This wouldn’t hurt so bad if it weren’t a follow up to the “fabulous Paminis”… Pam Douglas, insta-designer with a CROCHET technique so secret that only Pam can churn out the one of a kind hot yarn bikinis… So what is Bridget’s Auntie Pam kicking out? 20 a day in the Forrester sweatshop? Monkeys, explain yourselves! Is there something in the air at FC that makes anyone who passes through the hallowed halls a genius in the design world (all except Clarke it seems)?
Alan wanting revenge against a cheating Beth? I get that. For once in his life, Alan is as devoted as he’s ever has been to a woman, maybe the most faithful he’s ever been. (Beth hasn’t been faithful to anyone since she was a teen) She gives birth to his child, while still raising his grandchildren and making him part of their lives. Then she cheats on him. He now knows that he’s met his match in Beth. No one loves Alan as much as he loves himself. Ditto on Beth. He’s sleeping with his mirror image and it’s driving him mad, life is a cruel mistress, Alan.
I WANT Alan to make Beth miserable, and not for his sake, but because Beth is supremely selfish and sucks as a person. BUT…Alan grabbing the letter opener, TWICE (something TPTB aired when the scenes picked up with a third and fourth time during the next day’s episode, too)? Good mercy. Giving the audience the impression that he would just as soon plunge the opener into her heart because his heart was broken? YIKES!
I don’t remember Alan being violent with women, especially not to the point of contemplating a brutal death for one. He likes owning and controlling women, but he likes owning and controlling everyone. He usually shows more finesse. The old Alan would have had Coop arrested on some trumped up charge, claimed ‘Company’ for himself – leaving Buzz penniless, and set Beth up to think she was going crazy again just to get custody of Peyton. He would have done it all before lunch! He actually would have kept Buzz on at the restaurant he stole from him and had Buzz SERVE him lunch. Alan is psychotic, but he’s no thug.
Monkeys, you owe the GL writers an apology for what you’ve done to their beloved Alan Spaulding. Shame on you.
All My Children
Zach. Killing Josh. Fathering Gabrielle. Eye-boinking with Reese. Expecting Kendall to understand. Vicious little typewriter-banging-monkeys… You’ve outdone yourselves. I actually like the potential fallout from this one. No criticism, here. This is all soapy goodness. AMC was lucky to have you on staff when you wrote that part of the plot. Kendall, forgive Binks, Reese, and Zach. PRICELESS!
While you’re at it, write that script where David Hayward is loving and unselfish, Adam Chandler has sworn off manipulating the people he loves, Erica Kane gives up designer clothes and all other perks of fine living, and JR Chandler stays sober! See how silly it all seems that anyone would expect forgiveness from Kendall? Whatever she does to them, they’ve got it coming. Maybe Zach should keep a picture of his happy parts in a safe location. The doctors will need it when they’re working on the reattachment and reconstruction!
I can’t give you a pass on Amanda’s pregnancy, however. Does anyone remember the last daytime pregnancy where the mother knew who her child’s father was (Binks excluded, of course) and there was no scandal around the pregnancy? (Whoops, Binks back in!) Why another contested paternity? It’s not like there’s been a shortage of them.
Then again, you’ve been writing for Annie and she’s freakin’ wonderful, so it all evens out in the wash!
The way to this girl’s heart is through her favorite soap character… or at least through halfway decent writing! I was THRILLED, today, to hear Clint and Nora mention something they rarely talk about – their familial past. It was such an organic moment and so perfect, that I watched it twice. Given the closeness of Bo and Nora, I’ve never been able to really root for Clint and Nora, but today I ‘got it’. I realized what made them special. There’s a realism with Clint and Nora that most other couples lack.
Some couples have to be heavily in love – hot and steaming just to sell themselves (nice try DAYS’ Ej and Sami – no sale). Others have to be angry and bitterly fighting to prove their passion (yes, I’m talking about YOU GL’s Bill and Lizzie). Clint and Nora just have to ‘be’. When Nora asked Clint if he ever thought about why they were together, if they belong, if they were meant to be – his response floored me. He said that since she is his ex sister-in-law, some would say they didn’t belong together at all. I love when soaps acknowledge the ookyness that so many of us are feeling when they have siblings (or mothers-daugthers, fathers-sons) swap partners.
Yeah, I cried a little… ok, I would have under other circumstances, but you get the point. It was such a sweet ‘us against the world’ moment that no matter what happens with Clint and Nora, I’ll always have that one perfect day with them.
Listen carefully, ATWT’s writers. THAT’S how you write a mature romance. This whole thing with Blondie/Jack/Janet just makes me want to pluck my eyes out with Katie’s chopsticks, I tell ya’! In essence, Jack has reduced his ‘special’ time with Carly to a good roll in the hay, something he can’t get over or stop wanting. They have a ‘chemical attraction’ says the mighty Jack(ass) I thought I was being too harsh on Jack, yesterday. NOW? I realize that I’ve given him TOO much credit all along. Carly loves that pinhead with her whole heart. She wants Jack even when she can’t be with him physically. My entire gripe about Jack has been that when he’s in pursuit of another woman, he reduces Carly and his time with her to almost nothing. Today, he’s outdone himself.
Oh, and who didn’t see the mugging coming a mile away? Guilt guilt guilt…Jack will work even harder to make Janet happy — while sneaking off for ‘chemistry lessons’ with Carly. Janet doesn’t want to be Jack’s consolation prize, but dear writers, I’m starting to feel as if Janet is OUR consolation prize. I’d rather see more of a focus on CARLY’s happiness and having her finally have a place where she feels she belongs, with someone who finally and truly loves her. Janet? Not so much. I still just don’t care.
You’ve at least made up for shoving Janet at fans by giving us Henry and Vienna, Katie and Brad. We even got to see Bob and Kim (even if it was under pretty sad circumstances). Letting Chris Hughes go? What are you THINKING, PTB? That dude had ‘walking fantasy’ written all over him (at least, that’s what the sash he’s wearing says when he’s in MY dreams).
Speaking of dreams, GH left me pinching myself to make sure I wasn’t seeing things. Lainey LIVES! She’s so rarely seen that I’m always thrilled when there are any Lainey sightings on deck. I still mourn for the loss of Justice Ward when I see her, and wonder why the writers no only ended his short life the way they did, but then treated his relationship with Lainey as ‘no big thing’. It was so sad to hear her say that she wasn’t really close to Justice, but that she still felt bad about his death. OUCH!
Oh, and excuse me, but was that REALLY Maxie showing genuine sympathy towards Lulu, and willing to taking on psychopathic papa Zacchara to help Lulu out? Not only has Kirsten Storms made Maxie HER character with her interpretation of who Maxie Jones-Scorpio is and should be, she’s given the character such a wonderfully sharp edge. I don’t mind seeing that edge occasionally softened. Today, I didn’t know who to feel sorrier for, Lulu or Maxie. Maxie stopped caring about anyone other than herself long ago. She seemed almost as lost as Lulu.
To see her give a damn about Lulu’s condition, enough to take on old man Zacchara in order to make sure that Lulu could see Johnny, gave me hope for the character. It gave me hope that the writers would continue down the path of creating a multi-layered ingenue fans would come to appreciate for years to come. Well done, Kirsten, well done! Oh, and Maxie’s new look, the mini-Kate Howard look, is working for her.
Katie/Connie is going to need Maxie’s adoration by the time Sonny finds out that she lied about his child and has been keeping Olivia’s secret this entire time. Someone set up the barware, it’s time for Sonny to start smashing things!
How interesting that Katie/Connie places such a high premium on honesty… and has been able to look Sonny in the eye this entire time, knowing the secret she’s kept from him. I can’t wait! Should we place bets on whether Carly finds out before anyone else and torments Katie/Connie and Olivia? Are we taking bets on whether the earlier rumors are true and Spinelli is Sonny’s long lost son, after all?