B&B: The heart, mind, and soul of a woman – Part 2
Heather Thom (Katie Logan Spencer)
Give a mouse a cookie, and it will ask you for a glass of milk. Give Heather Thom a reasonably good line or two and she’ll spin that stuff into PURE GOLD! HTom made sure that Katie got her BEYONCE on! Partial lyrics to the song, “Irreplaceable”
You must not know ’bout me
You must not know ’bout me
I can have another you by tomorrow
So don’t you ever for a second get to thinkin’
So go ahead and get gone
Call up that chick, and see if shes home
Oops I bet you thought, that I didn’t know
What did you think
I was putting you out for?
Because you was untrue
Rolling her around in the car that I bought you
Baby, drop them keys
Hurry up, before your taxi leaves
I would have paid cash to have Katie break out in song when telling ¢Bill that he was free to “get gone”. So much of Katie’s dialogue spoke to the things women believe they’d say to a cheating partner in her shoes. While these are not exact quotes, the sentiment is the same: “How long have you been kissing her with the mouth you use to kiss me?” “Who are you lying to, me or her, because this is not an open marriage?” “You have dated, slept with, and dumped dozens of Steffys, they’re all the same. You married me because I challenge you and you challenge me. Is the dime a dozen type what you really want to go back to?” “Beg me to take you back, and if you come back, things WILL be different in this marriage. I’m taking control.” Masterful. Those were Bold AND Beautiful.
As BnB fans, specifically, and soap fans in general, have become too used to the idea of women begging, pleading and crying. While our sisters in primetime asserted their strength and power, women in daytime were growing increasingly powerless. Women in daytime were getting dumber and weaker. The BnB writers have literally flipped the script , seemingly realizing that women want to see other women stand up for themselves to a cheating spouse who seems to think that even when he’s dirty with the stench of cheating, he irreplaceable.
Heather Thom and Katherine Kelly Lang’s elegant treatment of the dialogue can’t be overlooked. They breathed life into words on a page. In true symbiotic fashion, between writers and actors, the BnB writers have made their jobs easier with the change in the context of the material, showing a renewed respect for the genre and fans, a change that keeps me on the edge of my seat. I could always predict what BnB women were going to say or do (Brooke would cry and plead, Taylor would cry and plead in between moments of she and Stephanie referring to other women as whores and sluts despite their own shady histories and the shady histories of the men whose love they craved). Now? I have no idea what will happen and what will be said. I’ve fallen in love with this show, for now at least, all over again.
Before this, the writers offered “bitterness” as the definition for ‘strength’ on this show. Wrong writers. Bitter bitches like Stephanie, Steffy, and Taylor, might be fun to laugh at, but for most of us, they don’t become our heroes. Women are too busy with our real lives to sit around pouting and bemoaning our fate. That Stephanie, Steffy, and Taylor have the time to sit and obsess about Ridge, Brooke, the Logans, hang nails, vanilla pudding, paper cups, or whatever else they’re spending their days whining about, makes them the daytime equivalent of drying paint. They’re easy to write for because they never change or offer any new insights into their personalities. They’re just not easy to watch.
Jennifer Gareis/Ashley Jones (Donna and Bridget)
There is still two huge absences from the Logan renaissance. Jennifer Gareis (Donna Logan Barber), recently back from maternity leave, has not had the same opportunity as her onscreen Logan sisters to light up her scenes. I suspect that her time is coming now that Amber Moore is the mother of her granddaughter and is now after her son. Donna is the more enigmatic of the Logan sisters. She’s soft and warm on one had, and a cutthroat street fighter on the other. While Brooke hoped for more than 30 years (soap time) that reason, patience, and love would transform Stephanie Douglas Forrester into a decent human being, Donna wasn’t concerned about saving Stephanie’s soul or saving Stephanie from herself. Donna believed in fighting back. I miss that Donna and think she’s needed in the B.S. battle between the Forrester and the Logans (who are truly more family than foes).
Also needed is Ashley Jones – Bridget Forrester (a Logan woman). She needs to be returned to screen and help continue to make the Logan women the unforgettable force they are, always should have been, and will hopefully always be. There is too much unresolved business needing Bridget’s attention (I still choose to believe that Nick’s son is Bridget’s child, that she was the ‘B Marone’ listed on the donor egg dish. Bridget’s story isn’t done. It should be just beginning.) With Bridget and Hope in the presence of their matriarchs, and finding themselves pushed out of a company their mother made incredibly wealthy beyond anyone’s dreams, it’s time for the younger Logan women to assert themselves and reclaim their right to be recognized as an integral part of the history of the family and the company. And, given Steffy’s new plans for vengeance, Hope will need her big sister, right about now.
So, dear readers and friends, if you’ll excuse me, I’m going to go check my driver’s license to make sure I’m still me, check the net for predictions of the next “doomsday” date, and find out if someone has been slipping me hallucinogenic drugs. I just can’t believe this is happening. I’m not only loving the BnB, I’m imagining how many more years of this show I’d love to see, given the current directions of storylines.